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sculptural pieces. The collection escalated from a simplistic baby doll silhouette into extravagant couture pieces. Floral outlines evolved into three-dimensional fabric flowers, as simple straw hats extended laterally to connect with the pleated dresses. The evocative colours and black graphic outlines present throughout the garment collection were reminiscent of Dutch painter
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skin patterns made from the same material and sewn onto the base. The monochromatic palette gave primary focus to the design and pattern making techniques, which recalled primitive knotted constructions and classic couture styles. Viktor & Rolf again used the haute couture platform to comment on the fashion industry and contemporary culture.
393:. The fluid materiality of latex (not commonly used in high fashion) juxtaposed with the light colour palette resulted in an almost ethereal and angelic collection. The pieces were created seamlessly and designed to appear as a second skin. To depict an illusion of depth stylistic birds, bows and ribbons were hand painted onto the latex, in a
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garments expressed the artistic possibilities of recycling. The collection was described as "a wondrous feat of conflating rag rugs to riches." Whilst still defined as haute couture, Vagabonds was noted to be a more wearable collection from the duo, offering the public a practical display of eco-friendly haute couture.
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construction, Viktor & Rolf transformed framed paintings into haute couture garments, and then back to paintings. During the display, the designers removed five of the garments from the models and hung them back on a white wall. The collection provoked public conversation as to the definition of art mediums.
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In 2003, the designers launched a menswear collection which co-existed alongside the women's line until 2009. Viktor & Rolf also created perfumes; the female fragrances
Flowerbomb (2004) and Bonbon (2014), along and the male fragrances Antidote (2006) and Spicebomb (2012). In 2015, the designers
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by gilding faults and seams in gold. The aesthetic and intention of the collection was summarised by critic Suzy Menkes: "The patchwork of grandeur was as pretty in its choice of colour as it was in the feminine shapes. And if recycling could be this elegant, maybe it could draw more fashion people
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entwined recycling with haute couture. Focused on conscious designing, Viktor & Rolf manifested a collection made entirely from discarded materials from their atelier. Strips of fabric were braided, offshoots of tulle were sewn together, and buttons were clustered as embellishment. Overall the
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explored the reciprocal relationship between celebrity and designer. The duo humorously exploited the concept of dressing for the red carpet by designing 22 couture gowns from red carpet. Elegant high fashion pieces were made from unassuming rough and rigid carpet. The designs incorporated animal
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haute couture collection. Twenty models, dressed in simple denim artist's smocks, walked the runway draped in what appeared to be oil paintings. Designed to mimic the imagery of classical paintings with gilded frames, the garments included cloaks, dresses and skirts. Through painterly illusion and
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The ideas of momentum and growth were of central importance in the 2015 haute couture collection. To visualise the central concept, Viktor & Rolf adopted the quintessential summer outfit of a floral sundress, flip flops and a straw dress, and transformed the imagery into three-dimensional
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Initial collections established the extravagant silhouettes, witty use of materials and irreverent concepts the designers would come to be known for. In 2000, Viktor & Rolf launched their company logo of a wax seal bearing the monogram V&R, and began to devote their artistic talent to
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pairs contrasting patterned fabric with a fantastical and delicate colour palette. The recycled layers appear almost like shards of glass placed onto Viktor & Rolf's signature exaggerated couture forms. The designers chose to consciously exploit such imperfections, following the
Japanese
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After a thirteen-year hiatus from creating haute couture, Viktor & Rolf re-established themselves as with the Zen Garden (Autumn/Winter 2013–14) collection. Below are small summaries of Viktor & Rolf's most recent haute couture designs.
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halted ready-to-wear production and returned once more to haute couture citing that they wanted to "explore the limits of wearability, function and form." In 2022, Viktor & Rolf organized its first retrospective in China.
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in 1988. Upon graduation in 1992, the pair began working together and relocated to Paris. Initially, Viktor & Rolf were shunned by the fashion industry, however, the designers were received well by the
157:). For more than twenty years, Viktor & Rolf have sought to challenge preconceptions of fashion and bridge the divide between fashion and art. Viktor & Rolf have designed both
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Below is a comprehensive list of art exhibitions which have featured the work of Viktor & Rolf. The sheer number is a testament to the artistic value of their garments.
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The fashion company has created both ready-to-wear and haute couture fashion collections. Below is a comprehensive anthology of all Viktor and Rolf collections.
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is not only an exercise in exaggerating forms and imagery, but additionally showcased the close relationship between artists and fashion designers.
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May–June: Creative Time in the
Anchorage: Exposing Meaning in Fashion Through Presentation - Brooklyn Bridge Anchorage, New York (group exhibition)
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November–March 2007: Skin + Bones: Parallel
Practices in Fashion and Architecture - The Museum of Contemporary Art, Los Angeles (group exhibition)
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Imperfection was the central concept of Viktor & Rolf's most recent haute couture collection. Recalling the message of recycling from the
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September–December: Dutch at the Edge of Design: Fashion and
Textiles from the Netherlands - The Museum at FIT, New York (group exhibition)
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Interested in exploring the point at which skin and clothing meet, Viktor & Rolf created a collection of latex couture pieces titled
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collections. The duo is renowned for their avant-garde designs, which rely heavily on theatrical and performative fashion runways.
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October–January 2004: Viktor & Rolf par Viktor & Rolf, première décennie - Musée de la Mode et du
Textile, Paris
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April -June: Visions of the Body: Fashion or
Invisible Corset - The Kyoto Costume Institute, Japan (group exhibition)
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June- October: Heaven: An
Exhibition That Will Break Your Heart - Kunsthalle Düsseldorf, Germany (group exhibition)
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June–September: Skin Tight: The
Sensibility of the Flesh - Museum of Contemporary Art, Chicago (group exhibition)
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September–January 2005: Spectres: When
Fashion Turns Back - ModeMuseum, Antwerp, Belgium (group exhibition)
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November–March 2007: Fashion Show: Paris Collections 2006 - Museum of Fine Arts, Boston (group exhibition)
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September–November: YOKOHAMA 2001: International Triennale of Contemporary Art - Japan (group exhibition)
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April–December: Fashion in Colours: Viktor & Rolf & KCI - The Kyoto Costume Institute, Japan
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October–February 2017: Viktor & Rolf Fashion Artists - National Gallery of Victoria, Australia
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November–February 2009: The House of Viktor & Rolf - Centraal Museum, Utrecht, The Netherlands
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March–May: Mohri Colour and Space Part 5 (Sayoko) - Kobe Fashion Museum, Japan (group exhibition)
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February–March: L’Hiver de l’Amour - Musée d ‘Art Moderne de la Ville de Paris (group exhibition)
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May–September: Viktor & Rolf Fashion Artists 25 Years - Kunsthal, Rotterdam, The Netherlands
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1102:"Viktor & Rolf On Creating A Follow-Up To The Couture Collection That Won Instagram"
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763:"Revisit Viktor & Rolf's Wildest Wearable Art, Including Their Famous Portable Bed"
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June–September: The House of Viktor & Rolf - Barbican Art Gallery, London, England
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May–September: Picture House - Belsay Hall, Northumberland, England (group exhibition)
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April–May: Viktor & Rolf: 21st Century Boys - Aeroplastics Contemporary, Brussels
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February–October: Viktor & Rolf Fashion Statements - Kunsthalle, Munich, Germany
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The fluid link between art and fashion was perhaps most clearly portrayed with the
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September–January 2005: Fashination - Moderna Museet, Stockholm (group exhibition)
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November–March 2001: Viktor & Rolf Haute Couture - Groninger Museum, Groningen
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972:"Finding a Signature Scent Is Hard, But This Brand Makes 6 I'd Never Get Sick Of"
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April–May: Viktor & Rolf: Le Regard noir - Stedelijk Museum Bureau, Amsterdam
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December–January 1996: Collections - Galerie Analix, Geneva (group exhibition)
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March: Le Cri néerlandais - Institut Néerlandais, Paris (group exhibition)
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Described as a "surrealist commentary," Viktor & Rolf's collection
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May–August: Goddess - ModeMuseum, Antwerp, Belgium (group exhibition)
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luxury fashion house founded in 1993 by Viktor Horsting (born 1969,
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789:"Viktor & Rolf: from Flowerbomb to a 70kg outfit – in pictures"
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Viktor Horsting and Rolf Snoeren first met while studying at the
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July–September: The First 25 - Colette, Paris (group exhibition)
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October: L’Apparence du Vide - Galerie Patricia Forfmann, Paris
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Black Hole (Autumn/Winter 2001–02) (Content warning: blackface)
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1193:"#SuzyCouture: Gaultier Goes Green, Viktor & Rolf Recycle"
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Love Live the Immaterial (Bluescreen) (Autumn/Winter 2002–03)
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There's no Business Like Show Business (Spring/Summer 2001)
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May: Viktor & Rolf - Visionaire Gallery, New York
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409:Red Carpet Dressing (Autumn/Winter 2014–15)
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1016:. National Gallery of Victoria. p.155.
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1176:"Fall 2016 Couture Viktor & Rolf"
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739:"Viktor & Rolf Couture Fall 2023"
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712:. Hirmer Publishers, Munich 2024,
347:‘Monsieur’ (Autumn/Winter 2007–08)
335:‘Monsieur’ (Autumn/Winter 2006–07)
323:‘Monsieur’ (Autumn/Winter 2005–06)
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305:The Red Shoes (Spring/Summer 2004)
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998:. Merrell Publishers. p.234-236.
861:Beckett, Kathleen (2014-12-02).
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308:The Hunt (Autumn/Winter 2004–05)
265:Black Light (Spring/Summer 1999)
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182:. Art institutions such as the
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737:Templeton, Lily (2023-07-05).
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970:Hudson, Shawna (2022-11-23).
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210:1998 'Atomic Bomb' collection
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1076:Foreman, Liza (2013-07-03).
960:. Merrell Publishers. p.232.
947:. Merrell Publishers. p.227.
851:. Merrell Publishers. p.225.
296:Flowers (Spring/Summer 2003)
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385:Bonbon (Spring/Summer 2014)
365:Shalom (Spring/Summer 2009)
71:; 31 years ago
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1078:"Viktor & Rolf Go Zen"
1051:Wei, Angela (2023-01-25).
474:Boulevard of Broken Dreams
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290:White (Spring/Summer 2002)
253:L’Apparence du Vide (1995)
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1304:L'Oréal Professionnel
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1174:Verner, Amy (2016).
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1348:Seed Phytonutrients
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415:Red Carpet Dressing
135:www.viktor-rolf.com
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84:Headquarters
46:Company type
1460:Urban Decay
1435:Guy Laroche
1057:Fashionista
486:Exhibitions
202:Collections
147:avant-garde
145:is a Dutch
113:accessories
1628:Categories
1465:YSL Beauté
1455:Shu Uemura
1430:Clarisonic
1112:2023-07-09
1087:2023-07-09
1062:2023-07-09
1037:2024-07-02
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806:2023-07-09
773:2023-07-09
767:W Magazine
748:2023-07-09
725:References
703:Literature
169:Background
93:Key people
1679:OTB Group
1543:Sanoflore
1388:CCB Paris
1333:Pureology
1317:Kérastase
1290:Cosmetics
899:The Talks
875:0362-4331
801:0261-3077
470:Vagabonds
457:Vagabonds
403:en-pointe
180:art world
125:OTB Group
1600:Category
1576:Galderma
1548:Ombrelle
1500:House 99
1425:Biotherm
1393:Colorama
479:Kintsugi
105:Products
56:Industry
1612:Commons
1512:Yue Sai
1497:parfums
1440:Kiehl's
1420:Lancôme
1373:Garnier
1342:Decléor
1283:L'Oréal
151:Geldrop
131:Website
109:Apparel
74: (
66:Founded
60:Fashion
1569:Former
1557:CeraVe
1538:Innéov
1345:Carita
1329:Mizani
1326:Matrix
1322:Redken
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399:Bonbon
391:Bonbon
155:Dongen
120:Parent
1405:Magic
1397:Essie
1363:Aesop
1216:Vogue
1197:Vogue
1180:Vogue
605:2004
572:2000
520:1996
871:ISSN
797:ISSN
714:ISBN
693:2024
683:2018
673:2016
660:2008
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161:and
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69:1993
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