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The title of the Ph.D. dissertation is "Immersive Ideals / Critical
Distances : A Study of the Affinity Between Artistic Ideologies Based in Virtual Reality and Previous Immersive Idioms". A url introduction to the thesis, entitled "Frame and Excess", can be read on-line and the entire thesis
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893:. Manfred Schneckenburger, Bazon Brock, Vittorio Fagone, Edward F. Fry, Documenta GmbH, Museum Fridericianum Veranstaltungs GmbH. Kassel: Weber & Weidemeyer. 1987.
709:. Marvin J. Taylor, Grey Art Gallery & Study Center, Fales Library, Andy Warhol Museum, Austin Museum of Art. Princeton, N.J.: Princeton University Press. 2006.
1140:, discusses Nechvatal's concept of viractualism on page 58. One of the images she chooses to illustrate that section of the book is Nechvatal's painting entitled
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Towards an
Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993–2006)
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267:-like drawings that were often photo-mechanically enlarged. Beginning in 1979 he became associated with the artist group
252:. He has had many solo exhibitions and is one of five artists that art historian Patrick Frank examines in his 2024 book
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through a collaboration with the programmer
Stephane Sikora of music2eye in a work called the
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concept developed by
Nechvatal in 1999 from Ph.D. research Nechvatal conducted at the
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Library's
Scholarly Publishing Office. Nechvatal has also published three books with
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681:"THE MIGRANT AS CONSCIENTIOUS OBJECTOR JOSEPH NECHVATAL with Thyrza Nichols Goodeve"
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paintings in 1986 and later, in his signature work, began to employ self-created
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374:. In 2021 Pentiments released Nechvatal's retrospective audio cassette called
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The Allure of
Machinic Life: Cybernetics, Artificial Life, and the New AI
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which strives to create an interface between the actual and the virtual.
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955:. Chicago: University of Chicago Press. pp. 331–336 & 485–486.
1534:, Columbus, Ohio, Wexner Center for the Arts, The Ohio State University
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The laws of cool : knowledge work and the culture of information
539:"Systems, Power, and the Phenomenological Basis of Triadic Semiotics"
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Collins, Tricia; Milazzo, Richard (1990). "Deprivileging
Critique".
1459:, Editions Cercle D'Art / Imaginaire Mode d'Emploi, pp. 48 –51
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1010:"Joseph Nechvatal :: Viral symphony :: IEA :: 2007"
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Joseph
Nechvatal intervistato nel suo studio a New York (1985–86)
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in New York City (SVA). A book of his collected essays entitled
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His work in the late 1970s and early 1980s chiefly consisted of
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1480:, volume 2, la Gazette de l'Hotel Drout, 2008, pp. 82–83
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1383:, Artmedia, Salerno, 2005, p. 6 & pp. 36 – 38
1224:(2 ed.). London: Thames & Hudson. pp. 55–58.
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published by Open
Humanities Press in conjunction with the
937:
Theoretical
Statement Concerning Computer Robotic Paintings
758:(LP, CD), Table of the Elements/Radium 2006, CD Book, p. 14
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The downtown book : the New York art scene, 1974-1984
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Body Mécanique: Artistic Explorations of Digital Realms
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Library's Scholarly Publishing Office. Ann Arbor. 2011.
311:. From 1991 to 1993, he was artist-in-residence at the
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Library's Scholarly Publishing Office. Ann Arbor. 2011
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L'art numerique: spectateur-acteuret vie artificielle
1485:È andata così: Cronaca e critica dell'arte 1970-2008
1439:, Un Point d'Actu, L'Art Numerique, pp. 124–125
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VI: Digital Artists and the New Creative Renaissance
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also writes about the viractual concept in his book
1148:(pp.123-124), discusses the viractual in his review
385:
From 1999 to 2013, Nechvatal taught art theories of
349:In 2002 he extended his experimentation into viral
286:. In 1984, Nechvatal began work on an opera called
878:Digital Hybrids, Art Press volume #255, pp. 75-76.
1471:Synthetic Lighting: Complex Simulations of Nature
1046:Interview at It’s Psychedelic Baby music magazine
890:Documenta 8 : Kassel 1987, 12. Juni-20. Sept
812:. Cambridge, Mass.: MIT Press. pp. 120–123.
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1473:, Photography Quarterly (#88) 2004, pp. 7–9
1362:. Open Humanities Press in conjunction with the
1150:Joseph Nechvatal at Universal Concepts Unlimited
650:. Paris: Editions Antoine Candau. pp. 3–7.
190:2001 computer-robotic assisted acrylic on canvas
1333:, Editions Antoine Candau, 1990, pp. 23–30
1316:, Tema Celeste Magazine, volume #93, p. 94
1376:, Redaktion Frank Berndt, 1996, pp. 10–13
1144:(2001). Joe Lewis, in the March 2003 issue of
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508:(5th ed.). Detroit, MI: St. James Press.
330:Foundation's computer lab. There he worked on
303:He began using computers and robotics to make
1466:, New Jersey: Prentice Hall, pp. 312–313
342:. He exhibited computer-robotic paintings at
1437:Conférence Report : Media Art in France
1420:, Thames & Hudson Ltd, 2006, p. 221
632:Art of the 1980s: As If the Digital Mattered
254:Art of the 1980s: As If the Digital Mattered
166:who creates computer-assisted paintings and
1341:Digital Currents: Art in the Electronic Age
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455:was book published by Orbis Tertius Press.
774:. New York, N.Y.: Machine Language Books.
40:
1449:, édité Actes Sud, 2007, pp. 263–264
1374:Joseph Nechvatal : Critical Pleasure
1323:, London: Thames & Hudson, p. 65
1314:Voluptuary: An algorithic hermaphornology
1305:Joseph Nechvatal : Critical Pleasure
1517:Joseph Nechvatal: Computer Virus Project
634:by Patrick Frank, Walter de Gruyter GmbH
591:"bOdy pandemOnium. Immersion into Noise"
568:
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504:Sara Pendergast; Tom Pendergast (2002).
478:. There he developed his concept of the
212:. He studied fine art and philosophy at
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155:(born January 15, 1951) is an American
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382:, a double vinyl LP of new audio work.
214:Southern Illinois University Carbondale
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1464:Drawing: Space, Form, & Expression
1285:, Thames & Hudson Ltd, p. 213
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796:. Paris: Editions Antoine Candau, 1990
679:Goodeve, Thyrza Nichols (2015-12-09).
579:Joseph Nechvatal: Immersion Into Noise
575:ZKM Center for Art and Media Karlsruhe
1058:Immersive Ideals / Critical Distances
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563:
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407:Immersive Ideals / Critical Distances
334:, his first artistic experiment with
1703:20th-century American male musicians
1513:Nechvatal's Visionary Computer Virus
1447:Des Images, du temps et des machines
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1462:Wayne Enstice & Melody Peters,
1159:discusses the concept in his piece
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1713:20th-century American male artists
1603:21st-century American male artists
1499:Del Atre Analogico al Arte Digital
1411:, Arts 8, Paris: L'Harmattan, 2004
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847:. Köln: H.f. ullmann. p. 87.
25:
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1693:20th-century American printmakers
1688:American male classical composers
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1293:From Technological to Virtual Art
1169:From Technological to Virtual Art
1025:"Joseph Nechvatal: nOise anusmOs"
809:From technological to virtual art
492:
409:was published. In 2011, his book
1521:Royal Saltworks at Arc-et-Senans
1353:, Technonoetic Arts 3, no3. 2005
1348:Immersive Excess in the Apse of
405:art theory and art history book
376:Selected Sound Works (1981-2021)
177:
1698:20th-century American composers
1643:American experimental composers
1409:Frontières esthétiques de l'art
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1062:LAP Lambert Academic Publishing
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939:, Documenta 8 Catalogue, Vol. 3
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1708:American contemporary painters
1623:American expatriates in France
1598:21st-century American painters
1588:20th-century American painters
1397:#47-48, 2004, pp. 124–125
1381:Phenomenology of New Tech Arts
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284:Tellus Audio Cassette Magazine
204:cover: art by Joseph Nechvatal
13:
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1653:American installation artists
1633:Artists from New York (state)
1608:School of Visual Arts faculty
1295:, MIT Press, pp. 120–123
1136:Christiane Paul, in her book
985:"Artist in Residence Archive"
544:Cybernetics and Human Knowing
360:Nechvatal has also created a
275:. In 1983 he co-founded the
208:Joseph Nechvatal was born in
1123:Joseph Nechvatal Interview:
1108:Joseph Nechvatal Interview:
1023:Morgan, Robert (June 2012).
616:Joseph Nechvatal Interview:
485:
476:University of Wales, Newport
238:University of Wales, Newport
7:
1673:American postmodern artists
1613:American conceptual artists
439:(poetry—2022). In 2023 his
401:in 2009. Also in 2009, his
27:American artist (born 1951)
10:
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1663:American new media artists
1563:Joseph Nechvatal's website
1515:, in Gruson, L. ed. 1993.
1478:Des artistes en leur monde
1142:the birth Of the viractual
768:Sharp, Willoughby (1984).
647:Collected essays 1983-1990
332:The Computer Virus Project
1544:. London: Phaidon, 2009.
1401:Christine Buci-Glucksmann
1218:Paul, Christiane (2008).
1157:Web 3-2004 Critic's Picks
389:and the viractual at the
387:immersive virtual reality
355:Computer Virus Project II
134:
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1718:Techspressionist artists
1668:American noise musicians
1618:American digital artists
1542:Art and Electronic Media
1503:Arte Digital Y Videoarte
1405:L'art à l'époque virtuel
1269:The Matrix of Sensations
1260:, MIT Press, 2008, cover
431:(noise music—ed.—2014),
417:in conjunction with the
1552:, pp. 42, 285, 160
1331:Laminations of the Soul
453:venus©~Ñ~vibrator, even
1683:American sound artists
1593:American male painters
1530:Sarah J. Rogers (ed),
1364:University of Michigan
1321:Art of the Digital Age
1206:downloaded in PDF at:
1095:University of Michigan
921:: CS1 maint: others (
806:Popper, Frank (2007).
737:: CS1 maint: others (
419:University of Michigan
232:and Technology at the
205:
191:
188:birth Of the viractual
1525:Claude-Nicolas Ledoux
1395:Les images numeriques
841:Lieser, Wolf (2009).
537:Brier, Søren (2017).
437:Styling Sagaciousness
433:Destroyer of Naivetés
415:Open Humanities Press
391:School of Visual Arts
250:School of Visual Arts
197:
185:
170:, often using custom
1658:Mass media theorists
1638:Cellular automatists
1628:Artists from Chicago
1359:Immersion Into Noise
1090:Immersion Into Noise
935:Nechvatal, J. 1987.
506:Contemporary artists
411:Immersion Into Noise
322:, France and at the
280:electronic art music
226:Doctor of Philosophy
1648:Genetic programming
1476:Marie-Paule Nègre,
1161:#1 Joseph Nechvatal
1042:Joseph Nechvatal /
472:Planetary Collegium
338:and computer virus
234:Planetary Collegium
222:Columbia University
168:computer animations
79:post-conceptual art
1491:, pp. 130–135
1432:2009-06-17 at the
1356:Joseph Nechvatal.
1346:Joseph Nechvatal,
949:Liu, Alan (2004).
792:Joseph Nechvatal,
435:(poetry—2015) and
292:(1984-6) with the
289:XS: The Opera Opus
218:Cornell University
206:
192:
139:post-conceptualism
1550:978-0-7148-4782-5
1538:Edward A. Shanken
1277:Joline Blais and
1231:978-0-500-20398-9
1127:November 10, 2023
1125:The Viral Tempest
1112:November 10, 2023
1110:The Viral Tempest
1078:978-3-8383-0445-8
1044:The Viral Tempest
1029:The Brooklyn Rail
962:978-0-226-48700-7
854:978-3-8331-5338-9
819:978-0-262-16230-2
794:Selected Writings
685:The Brooklyn Rail
620:November 10, 2023
618:The Viral Tempest
413:was published by
397:was published by
380:The Viral Tempest
372:Alfred University
296:musical composer
230:Philosophy of Art
186:Joseph Nechvatal
150:
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67:Chicago, Illinois
46:Nechvatal in 2015
16:(Redirected from
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1509:Robert C. Morgan
1424:Dominique Moulon
1414:Brandon Taylor,
1387:Dominique Moulon
1327:Robert C. Morgan
1310:Robert C. Morgan
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1184:. Archived from
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309:computer viruses
172:computer viruses
164:art theoretician
153:Joseph Nechvatal
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55:January 15, 1951
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1469:Ellen K. Levy,
1457:Art et Internet
1434:Wayback Machine
1370:Johanna Drucker
1299:Johanna Drucker
1283:The Edge of Art
1256:John Johnston,
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1251:Further reading
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277:avant-garde
261:postminimal
246:art history
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468:art theory
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