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230:. It serves to attract tourists and pilgrims. This results in a consultation between religion and emerging need in the building environment. One side it promotes hand crafts to locals as well as nurturing a sense of heritage, besides it recalls to infinity by the volumetric interference of existing skyline is another phase of a visible Urbanism dilemma.
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The buildings are constructed of poured-in-place concrete; some beams and columns remain exposed, though a great deal of the structures will be clad in a local honey-colored stone. The rooftops are stainless steel-clad and exhibit a double curvature: they gather and reflect the sky while a series of
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dams in the ravine create pools that reflect the entire complex at night. The smaller western complex includes an entrance plaza, an auditorium with 400 seating-capacity, two-story research and reference library, and changing exhibition galleries.
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Visitor numbers have broken records as the museum has been recognized as the most visited museum in the Indian subcontinent. The footfall for a single day on March 20, 2019, was the most ever recorded for a museum in India.
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coins up until
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to construct a memorial as an ode to the Khalsa. The artificial lake as a sarovar/moat with the bridge representing 'crossing the world-ocean' referenced in Sikh scriptures multiple times by
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270:. The first building is a boat-shaped building named 'Punj Paani' which is right after the bridge. The central building in the shape of a leaf represents the
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Over 10 million people have visited since its inception 8 years ago.
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Parkash Singh Badal was very inspired by the
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345:Moshe Safdie and Associates | Project Details
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268:Guru Arjan
256:Guru Nanak
244:Yad Vashem
127:76°30′09″E
124:31°13′55″N
87:1999-04-13
438:22 August
367:22 August
335:Singapore
234:Structure
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188:Website
85: (
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