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Wade Guyton

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I've been using a very pared down vocabulary of simple shapes and letters drawn or typed in Microsoft Word, then printed on top of these pages from catalogues, magazines, posters- and even blank canvas. The resulting images aren't exactly what the machines are designed for - slick digital photographs. There is often a struggle between the printer and my material - and the traces of this are left on the surface: snags, drips, streaks, mis-registrations, blurs.
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Guyton exhibited paintings that depicted artworks in process in his studio in the Lower East Side of Manhattan. Three studio assistants are also depicted in a moment of conversation in the kitchen of his studio. The title of the exhibition makes a reference to a painting by Swiss artist Hans Jakob Oeri entitled
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loose conceptual threads and temporarily making thematic narratives, or performing a more conventional pedagogical function. I also needed to figure out a way to keep myself interested in looking at all this old work, because this kind of retrospective thinking can sometimes get a little bit boring.”
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In an interview with Nicolas Trembley, Guyton says of the unusual organization of the exhibition, “It was the building that refused the chronological show, since some paintings need particular walls to be shown against. From there the exhibition could develop in a more unusual way, picking up lots of
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In 2019, the Museum Ludwig in Cologne, Germany organized a twenty-year retrospective of the artist. It was the artist’s third exhibition at the museum which has one of the largest collections of the artist’s works to date. The exhibition curated by Yilmaz Dziewior included 200 paintings, sculptures,
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Recently I've been using Epson inkjet printers and flatbed scanners as tools to make works that act like drawings, paintings, even sculptures. I spend a lot of time with books and so logically I've ended up using pages from books as material- pages torn from books and fed through an inkjet printer.
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Jason Farago in the New York Times writes “Mr. Guyton’s paintings … do not depict pages of a newspaper at all — they depict the website of a media company that publishes news in many formats. That is a significant difference. As he told The Times in 2012, “I chose the computer because it was right
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The Serpentine Gallery in London described Guyton’s work as underscoring, “The studio’s potential, not just as a locus for discussion and production, but as a material in and of itself.” His exhibition Das New Yorker Atelier in 2017 was a collaboration with Museum Brandhorst in Munich, Germany.
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In November 2016, Guyton exhibits a new series of New York Times Paintings that show headlines about violence around the world and news leading up to the 2016 US Presidential Election. The exhibition opens the day after Hillary Clinton loses the election to Donald Trump.
467:, New York. Days before the auction the artist disgusted by the enormous price expected went on the offensive printing multiple copies of the painting and posted them on Instagram a few days before the auction The painting was rumored to be guaranteed at $ 4 million. 375:
website, the artist taking his temperature, and photographs taken during Guyton’s exhibition at the Museum Ludwig in Cologne, which closed just before the start of the pandemic. The paintings were exhibited again at Glenstone Museum in Potomac in 2022.
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As of 2013, Guyton's works regularly sell for more than $ 1 million at auction and privately. An untitled Epson UltraChrome inkjet on linen of 2005 established an auction record for the artist when it sold for $ 2.4 million at
105:. His father, who died when Guyton was two, and his stepfather, also deceased, were both steelworkers. Guyton's mother, a homemaker, sometimes worked as a secretary at the Catholic church the family attended. Guyton received a 174:
Stylus Pro 9600 inkjet printer, a machine used for large-format prints. Using a computer, Guyton produces paintings. Since 2005, Guyton has worked on canvas. Typically Guyton's work is exhibited in a series.
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allowed him to continue renting an East Village studio and apartment without having to look for another job. He won the Foundation for Contemporary Arts Grants to Artists award (2004).
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here” — and while making screenshots of the website permits this least emotional of painters a rare dose of topicality, Mr. Guyton also treats nytimes.com as a kind of default.”
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from New York, Galleria GiĂł Marconi in Milan, Galerie Gisela Capitain from Cologne, Galerie Francesca Pia from Zurich and Galerie Chantal Crousel in Paris.
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Guyton’s works along with Rudolf Stingel and Christopher Wool were at the center of the Inigo Philbrick case in which collectors were defrauded.
170:" from around 2003, are filled with black Xs over ripped-out book pages. The color black and the letter X became signature motifs. His tool is an 355:
a survey of works on paper, early photography and recent bronze sculptures. The exhibition catalogue was published by Verlag Walther Koenig.
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In 2018, the artist makes another work that shows studio assistants from behind scrutinizing a work on the wall. The exhibition
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In 2021, Guyton presented “The Undoing”, a suite of 26 paintings documenting the artist’s experience during the pandemic.
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In 2003, Guyton showed at Power House Memphis. Between 2004-14 exhibitions of his work were held at Kunstverein Hamburg;
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through the 21st-century lens of digital technology. He is regarded as one of many contemporary painters revisiting late
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Guyton and Price operate the Leopard Press, which releases publications of their work and that of their friends.
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included Guyton/Walker's brightly colored stacks of paint cans in their "Uncertain States of America" survey at
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presumably took its title from the graphics printed on the t shirt of one of the figures in the painting.
620: 253:, Guyton is regarded by some to be at the forefront of a generation that has been reconsidering both 192: 948:"Glenstone Museum's Fall 2022 Exhibitions to Include Presentations by R.H. Quaytman and Wade Guyton" 407: 142: 110: 47: 1081: 1163: 680: 548: 419: 411: 138: 134: 476: 970: 1228: 1168: 861: 443: 387: 102: 8: 843: 321: 122: 427: 113:, Knoxville, in 1995. He moved to New York in 1996. Twice rejected for admission to the 588: 329: 146: 643: 1089: 1041: 703: 671: 659: 523: 507: 493: 415: 301: 254: 1143: 857: 584: 544: 313: 305: 106: 98: 82: 65: 35: 1133: 399: 340: 339:
In 2009, Guyton and Kelley Walker were invited by Birnbaum to participate at the
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Post-War and Contemporary Evening Sale, 12 November 2013, New York.
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included Guyton's inkjet panels in a room with fellow newcomers
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Exhibition 155: Wade Guyton, September 27 - November 9, 2008
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as a guard. When Dia closed its Chelsea space in 2004, his
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during the lockdown in 2020. Images include news from the
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Guyton also makes collaborative works with fellow artists
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Wrecked Ferrari Sells for $ 250,000, Basquiat $ 5 Million
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Wade Guyton – Das New Yorker Atelier | Museum Brandhorst
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At Christie’s Auction, an Experiment Proves Fruitful
308:, Vienna; Kunsthalle ZĂĽrich, ZĂĽrich. In 2005, then- 245:and Stephen Prina. Along with artists like Walker, 133:While a student at Hunter College, Guyton counted 924:"WADE GUYTON The Undoing | Matthew Marks Gallery" 1150: 928:WADE GUYTON The Undoing | Matthew Marks Gallery 459:New York in 2013. In 2014, his flame painting 137:among his teachers. Guyton first got a job at 601:Carol Vogel (September 27, 2012), Currently, 386:Guyton's works are in the collections of the 971:Wade Guyton, November 13 - December 15, 2007 549:Man and Machine: A Wade Guyton retrospective 296:, Cologne; Museum Dhondt-Dhaenens, Belgium; 101:, in 1972, and grew up in the small town of 819:Bookish: On the Art World’s Publishing Boom 92: 1114:At Art Basel, Works With a Museum Presence 1079: 1054: 774: 772: 351:had made for the building in the 1960s. 191: 834: 832: 579: 577: 540: 538: 502:Buchhandlung Walther König, Köln, 2010 488:Buchhandlung Walther König, Köln, 2006 396:Museum of Contemporary Art, Los Angeles 277:, Sergei Jensen, and Cheyney Thompson. 1151: 876:"Wade Guyton - Museum Ludwig, Cologne" 840:Searching for the Next Art-World Star 693: 236: 769: 664:www.foundationforcontemporaryarts.org 625:www.foundationforcontemporaryarts.org 178:In a statement of 2004, Guyton said: 85:on canvas using scanners and digital 829: 817:Andrew Russeth (September 9, 2015), 574: 535: 334:Astrup Fearnley Museum of Modern Art 161: 81:artist who among other things makes 973:Friedrich Petzel Gallery, New York. 13: 1249:20th-century American male artists 982:Scott Reyburn (October 24, 2013), 856:David Armstrong (August 3, 2012), 778:Carol Vogel (September 27, 2012), 436:San Francisco Museum of Modern Art 14: 1260: 1234:20th-century American printmakers 1127: 750: 115:Whitney Independent Study Program 1239:People from Rocky Top, Tennessee 569:Foundation for Contemporary Arts 367:Guyton started the paintings in 1106: 1080:Bernstein, Jacob (2020-03-13). 1073: 1055:Kinsella, Eileen (2020-02-04). 1048: 1031: 1013: 994: 976: 964: 940: 916: 892: 868: 850: 838:Kelly Crow (December 7, 2012), 811: 790: 744: 504:Zeichnungen fĂĽr ein groĂźes Bild 440:Princeton University Art Museum 324:. The following year, curators 128: 1244:American contemporary painters 1204:University of Tennessee alumni 1199:21st-century American painters 1189:20th-century American painters 720: 687: 652: 637: 613: 595: 566:Grant Recipients - Wade Guyton 559: 392:Whitney Museum of American Art 381: 298:Whitney Museum of American Art 283: 1: 1214:Artists from New York (state) 1112:Carol Vogel (June 19, 2014), 529: 482: 449: 1174:People from Hammond, Indiana 1082:"The Talented Mr. Philbrick" 1037:Jerry Saltz (May 12, 2014), 1019:Carol Vogel (May 13, 2014), 801:Art in Review; Mark Grotjahn 694:Farago, Jason (2017-01-05). 461:Untitled (Fire, Red/Black U) 7: 1224:American conceptual artists 1209:American postmodern artists 517: 125:program from 1996 to 1998. 77:(born 1972) is an American 10: 1265: 1219:American new media artists 1139:Guyton at Friedrich Petzel 432:Museum of Contemporary Art 679:Cite uses generic title ( 156: 57: 43: 28: 21: 1159:American digital artists 1134:Guyton at Francesca Pial 490:Color, Power & Style 408:Art Institute of Chicago 188:New York Times Paintings 93:Early life and education 111:University of Tennessee 48:University of Tennessee 1194:American male painters 1184:Artists from Tennessee 799:(September 22, 2006), 420:Pinakothek der Moderne 204: 185: 477:Matthew Marks Gallery 292:, Frankfurt am Main; 195: 180: 1179:Artists from Indiana 880:www.museum-ludwig.de 660:"404 Page Not Found" 547:(October 15, 2012), 444:Dallas Museum of Art 388:Museum of Modern Art 220:Das Pariser Atelier. 103:Lake City, Tennessee 844:Wall Street Journal 414:in Pittsburgh, the 237:Artist associations 145:and then worked at 139:St. Mark's Bookshop 97:Guyton was born in 1086:The New York Times 780:Painting, Rebooted 700:The New York Times 603:Painting, Rebooted 589:Interview Magazine 475:Guyton works with 330:Hans Ulrich Obrist 205: 1042:New York Magazine 952:www.glenstone.org 583:David Armstrong, 524:Inkjet technology 512:978-3-86560-814-7 498:978-3-86560-089-9 416:Kunstmuseum Basel 302:Kunsthaus Bregenz 255:appropriation art 162:Artistic practice 83:digital paintings 72: 71: 1256: 1122: 1110: 1104: 1103: 1101: 1100: 1077: 1071: 1070: 1068: 1067: 1052: 1046: 1035: 1029: 1017: 1011: 998: 992: 980: 974: 968: 962: 961: 959: 958: 944: 938: 937: 935: 934: 920: 914: 913: 911: 910: 896: 890: 889: 887: 886: 872: 866: 854: 848: 836: 827: 815: 809: 794: 788: 776: 767: 766: 764: 763: 751:Press, Clayton. 748: 742: 741: 739: 738: 724: 718: 717: 715: 714: 691: 685: 684: 677: 675: 667: 656: 650: 641: 635: 634: 632: 631: 617: 611: 599: 593: 581: 572: 563: 557: 545:Peter Schjeldahl 542: 428:Kunsthaus ZĂĽrich 394:, New York; the 390:, New York; the 314:Klaus Biesenbach 306:Wiener Secession 166:Guyton's early " 99:Hammond, Indiana 66:installation art 36:Hammond, Indiana 19: 18: 1264: 1263: 1259: 1258: 1257: 1255: 1254: 1253: 1149: 1148: 1130: 1125: 1111: 1107: 1098: 1096: 1078: 1074: 1065: 1063: 1053: 1049: 1036: 1032: 1018: 1014: 999: 995: 981: 977: 969: 965: 956: 954: 946: 945: 941: 932: 930: 922: 921: 917: 908: 906: 904:NumĂ©ro Magazine 898: 897: 893: 884: 882: 874: 873: 869: 855: 851: 837: 830: 816: 812: 795: 791: 777: 770: 761: 759: 749: 745: 736: 734: 726: 725: 721: 712: 710: 692: 688: 678: 669: 668: 658: 657: 653: 642: 638: 629: 627: 619: 618: 614: 600: 596: 582: 575: 564: 560: 543: 536: 532: 520: 485: 452: 412:Carnegie Museum 400:Centre Pompidou 384: 341:Venice Biennale 326:Daniel Birnbaum 286: 239: 233: 199:(2020-2021) at 164: 159: 131: 95: 79:post-conceptual 39: 33: 24: 17: 16:American artist 12: 11: 5: 1262: 1252: 1251: 1246: 1241: 1236: 1231: 1226: 1221: 1216: 1211: 1206: 1201: 1196: 1191: 1186: 1181: 1176: 1171: 1166: 1161: 1147: 1146: 1141: 1136: 1129: 1128:External links 1126: 1124: 1123: 1118:New York Times 1105: 1072: 1047: 1030: 1025:New York Times 1012: 993: 975: 963: 939: 915: 891: 867: 849: 828: 810: 805:New York Times 789: 784:New York Times 768: 743: 719: 686: 651: 636: 612: 607:New York Times 594: 573: 558: 553:The New Yorker 533: 531: 528: 527: 526: 519: 516: 515: 514: 500: 484: 481: 451: 448: 383: 380: 373:New York Times 345:Whitney Museum 285: 282: 275:Eileen Quinlan 251:Tauba Auerbach 238: 235: 163: 160: 158: 155: 130: 127: 119:Hunter College 117:, he attended 94: 91: 70: 69: 62:Conceptual art 59: 58:Known for 55: 54: 52:Hunter College 45: 41: 40: 34: 30: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1261: 1250: 1247: 1245: 1242: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1202: 1200: 1197: 1195: 1192: 1190: 1187: 1185: 1182: 1180: 1177: 1175: 1172: 1170: 1167: 1165: 1164:Living people 1162: 1160: 1157: 1156: 1154: 1145: 1142: 1140: 1137: 1135: 1132: 1131: 1120: 1119: 1115: 1109: 1095: 1091: 1087: 1083: 1076: 1062: 1058: 1051: 1044: 1043: 1039: 1034: 1027: 1026: 1022: 1016: 1009: 1006: 1004: 1001:Wade Guyton, 997: 990: 989: 985: 979: 972: 967: 953: 949: 943: 929: 925: 919: 905: 901: 895: 881: 877: 871: 864: 863: 859: 853: 846: 845: 841: 835: 833: 825: 824: 820: 814: 807: 806: 802: 798: 797:Roberta Smith 793: 786: 785: 781: 775: 773: 758: 754: 747: 733: 729: 723: 709: 705: 701: 697: 690: 682: 673: 665: 661: 655: 648: 645: 640: 626: 622: 616: 609: 608: 604: 598: 591: 590: 586: 580: 578: 570: 567: 562: 555: 554: 550: 546: 541: 539: 534: 525: 522: 521: 513: 509: 505: 501: 499: 495: 491: 487: 486: 480: 478: 473: 471: 468: 466: 462: 458: 447: 445: 441: 437: 433: 429: 425: 424:Museum Ludwig 421: 417: 413: 409: 405: 401: 397: 393: 389: 379: 377: 374: 370: 365: 362: 360: 356: 352: 350: 349:Marcel Breuer 346: 342: 337: 335: 331: 327: 323: 319: 315: 311: 307: 303: 299: 295: 294:Museum Ludwig 291: 281: 278: 276: 272: 271:Mark Grotjahn 268: 264: 260: 256: 252: 248: 244: 243:Kelley Walker 234: 231: 229: 227: 222: 221: 215: 213: 209: 202: 198: 194: 190: 189: 184: 179: 176: 173: 169: 154: 152: 151:severance pay 148: 144: 140: 136: 135:Robert Morris 126: 124: 120: 116: 112: 108: 104: 100: 90: 88: 84: 80: 76: 67: 63: 60: 56: 53: 49: 46: 42: 37: 31: 27: 20: 1116: 1108: 1097:. 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Index

Hammond, Indiana
University of Tennessee
Hunter College
Conceptual art
installation art
post-conceptual
digital paintings
inkjet
Hammond, Indiana
Lake City, Tennessee
BA
University of Tennessee
Whitney Independent Study Program
Hunter College
MFA
Robert Morris
St. Mark's Bookshop
East Village
Dia:Chelsea
severance pay
drawings
Epson

Glenstone
Kelley Walker
Seth Price
Tauba Auerbach
appropriation art
abstract art
Modernism

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