1019:, a local right-wing newspaper. When Rorschach and Dreiberg travel to Antarctica to confront Veidt at his private retreat, Veidt explains that he plans to save humanity from an impending nuclear war by staging a fake alien invasion and killing half the population of New York, forcing the United States and the Soviet Union to unite against a common enemy. He reveals that he murdered Blake after he discovered his plan, arranged for Doctor Manhattan's past associates to contract cancer to force him to leave Earth, staged the attempt on his own life to place himself above suspicion, and framed Rorschach for Moloch's murder to prevent him from discovering the truth. Horrified by Veidt's callous logic, Dreiberg and Rorschach vow to stop him, but Veidt reveals that he already enacted his plan before they arrived.
1696:", specifically believing that "at the moment a certain part of Reagan's America isn't scared. They think they're invulnerable." Before the series premiered, Gibbons stated: "There's no overt political message at all. It's a fantasy extrapolation of what might happen and if people can see things in it that apply to the real America, then they're reading it into the comic ." While Moore wanted to write about "power politics" and the "worrying" times he lived in, he stated the reason that the story was set in an alternate reality was because he was worried that readers would "switch off" if he attacked a leader they admired. Moore stated in 1986 that he "was consciously trying to do something that would make people feel uneasy."
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right order", and used a highlighter pen to single out lettering and shot descriptions; he remarked, "It takes quite a bit of organizing before you can actually put pen to paper." Despite Moore's detailed scripts, his panel descriptions would often end with the note "If that doesn't work for you, do what works best"; Gibbons nevertheless worked to Moore's instructions. In fact, Gibbons only suggested one single change to the script - a compression of
Ozymandias' narration while he was preventing a sneak attack by Rorschach - as he felt that the dialogue was too long to fit with the length of the action; Moore agreed and re-wrote the scene. Gibbons had a great deal of autonomy in developing the visual look of
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that concealing the truth is in the best interests of world peace. Rorschach refuses to compromise and leaves, intent on revealing the truth. As he is making his way back, he is confronted by
Manhattan who argues that at this point, the truth can only hurt. Rorschach declares that Manhattan will have to kill him to stop him from exposing Veidt, which Manhattan duly does. Manhattan then wanders through the base and finds Veidt, who asks him if he did the right thing in the end. Manhattan cryptically responds that "nothing ever ends" before leaving Earth. Dreiberg and Juspeczyk go into hiding under new identities and continue their romance.
1011:, the pair take it upon themselves to break him out of prison. After looking back on his own personal history, Manhattan places the fate of his involvement with human affairs in Juspeczyk's hands. He teleports her to Mars to make the case for emotional investment. During the course of the argument, Juspeczyk is forced to come to terms with the fact that Blake, who once attempted to rape her mother (the original Silk Spectre), was actually her biological father, having fathered her in a second, consensual relationship. This discovery, reflecting the complexity of human emotions and relationships, reignites Manhattan's interest in humanity.
1987:, Moore and Gibbons received eight percent of the series' earnings. Moore explained in 1986 that his understanding was that when "DC have not used the characters for a year, they're ours." Both Moore and Gibbons said DC paid them "a substantial amount of money" to retain the rights. Moore added, "So basically they're not ours, but if DC is working with the characters in our interests then they might as well be. On the other hand, if the characters have outlived their natural life span and DC doesn't want to do anything with them, then after a year we've got them and we can do what we want with them, which I'm perfectly happy with."
1583:, notably the first and last pages of the series—spattered with blood on the first, and sauce from a hamburger on the last. Groensteen cites it as one form of the circle shape that appears throughout the story, as a "recurrent geometric motif" and due to its symbolic connotations. Gibbons created a smiley face badge as an element of The Comedian's costume in order to "lighten" the overall design, later adding a splash of blood to the badge to imply his murder. Gibbons said the creators came to regard the blood-stained smiley face as "a symbol for the whole series", noting its resemblance to the
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team's pace slowed around the fourth issue; from that point onward the two undertook their work "just several pages at a time. I'll get three pages of script from Alan and draw it and then toward the end, call him up and say, 'Feed me!' And he'll send another two or three pages or maybe one page or sometimes six pages." As the creators began to hit deadlines, Moore would hire a taxi driver to drive 50 miles and deliver scripts to
Gibbons. On later issues the artist even had his wife and son draw panel grids on pages to help save time.
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Manhattan exiles himself to Mars. As the United States depends on
Manhattan as a strategic military asset, his departure throws humanity into political turmoil, with the Soviets invading Afghanistan to capitalize on the United States' perceived weakness. Rorschach's concerns appear validated when Veidt narrowly survives an assassination attempt. Rorschach himself is framed for murdering a former supervillain named Moloch. While attempting to flee the scene of Moloch's murder, Rorschach is captured by police and unmasked as Walter Kovacs.
1077:, Alan Moore's intention was to create four or five "radically opposing ways" to perceive the world and to give readers of the story the privilege of determining which one was most morally comprehensible. Moore did not believe in the notion of " regurgitated morals" down the readers' throats and instead sought to show heroes in an ambivalent light. Moore said, "What we wanted to do was show all of these people, warts and all. Show that even the worst of them had something going for them, and even the best of them had their flaws."
1591:, explaining that the tests had presented the face as "a symbol of complete innocence". With the addition of a blood splash over the eye, the face's meaning was altered to become simultaneously radical and simple enough for the first issue's cover to avoid human detail. Although most evocations of the central image were created on purpose, others were coincidental. Moore mentioned in particular that on "the little plugs on the spark hydrants if you turn them upside down, you discover a little smiley face".
1201:, who in Moore's original proposal was surrounded by the shadow of nuclear threat. Captain Atom was the only hero with actual superpowers in Dick Giordano's Action Hero line at Charlton, just like Manhattan is the only character with actual superpowers in Watchmen. However, the writer found he could do more with Manhattan as a "kind of a quantum super-hero" than he could have with Captain Atom. In contrast to other superheroes who lacked scientific exploration of their origins, Moore sought to delve into
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1417:, which left an extra eight to nine pages per issue. DC planned to insert house ads and a longer letters column to fill the space, but editor Len Wein felt this would be unfair to anyone who wrote in during the last four issues of the series. He decided to use the extra pages to fill in the series' backstory. Moore said, "By the time we got around to issue #3, #4, and so on, we thought that the book looked nice without a letters page. It looks less like a comic book, so we stuck with it."
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2860:, "one that Moore almost certainly never intended, whose DNA is encoded in the increasingly black inks and bleak storylines that have become the essential elements of the contemporary superhero comic book," is "a domain he has largely ceded to writers and artists who share his fascination with brutality but not his interest in its consequences, his eagerness to tear down old boundaries but not his drive to find new ones." Alan Moore himself said his intentions with works like
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1471:. Moore theorized that since superheroes existed, and existed as "objects of fear, loathing, and scorn, the main superheroes quickly fell out of popularity in comic books, as we suggest. Mainly, genres like horror, science fiction, and piracy, particularly piracy, became prominent—with EC riding the crest of the wave." Moore felt "the imagery of the whole pirate genre is so rich and dark that it provided a perfect counterpoint to the contemporary world of
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finding his costume and signature smiley-face pin badge. Believing that Blake's murder could be part of a larger plot against costumed adventurers, Rorschach seeks out and warns four of his retired comrades: shy inventor Daniel
Dreiberg, formerly the second Nite Owl; the superpowered and emotionally detached Jon Osterman, codenamed "Doctor Manhattan"; Doctor Manhattan's lover Laurie Juspeczyk, the second Silk Spectre; and Adrian Veidt, once the hero "
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of the comic's color scheme made
Manhattan unique. Moore recalled that he was unsure if DC would allow the creators to depict the character as fully nude, which partially influenced how they portrayed the character. Gibbons wanted to be tasteful in depicting Manhattan's nudity, selecting carefully when full frontal shots would occur and giving him "understated" genitals—like a classical sculpture—so the reader would not initially notice it.
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1123:; Moore liked the idea of a character who "us the full 100% of his brain" and " complete physical and mental control". Richard Reynolds noted that by taking initiative to "help the world", Veidt displays a trait normally attributed to villains in superhero stories, and in a sense he is the "villain" of the series. Gibbons noted, "One of the worst of his sins kind of looking down on the rest of humanity, scorning the rest of humanity."
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303:'s Nicholas Barber described it as "the moment comic books grew up". Moore opposed this idea, stating, "I tend to think that, no, comics hadn't grown up. There were a few titles that were more adult than people were used to. But the majority of comics titles were pretty much the same as they'd ever been. It wasn't comics growing up. I think it was more comics meeting the emotional age of the audience coming the other way."
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884:; something that had that sort of weight, that sort of density". Moore came up with the character names and descriptions but left the specifics of how they looked to Gibbons. Gibbons did not sit down and design the characters deliberately, but rather "did it at odd times spend maybe two or three weeks just doing sketches." Gibbons designed his characters to make them easy to draw;
854:, who had collaborated with Moore on previous projects, recalled that he "must have heard on the grapevine that he was doing a treatment for a new miniseries. I rang Alan up, saying I'd like to be involved with what he was doing", and Moore sent him the story outline. Gibbons told Giordano he wanted to draw the series Moore proposed and Moore approved. Gibbons brought colorist
898:. When writing the script for the first issue Moore said he realized "I only had enough plot for six issues. We were contracted for 12!" His solution was to alternate issues that dealt with the overall plot of the series with origin issues for the characters. Moore wrote very detailed scripts for Gibbons to work from. Gibbons recalled that "he script for the first issue of
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believed that original characters would not provide emotional resonance for readers but later changed his mind. He said, "Eventually, I realized that if I wrote the substitute characters well enough, so that they seemed familiar in certain ways, certain aspects of them brought back a kind of generic super-hero resonance or familiarity to the reader, then it might work."
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5944:
749:"I suppose I was just thinking, 'That'd be a good way to start a comic book: have a famous super-hero found dead.' As the mystery unraveled, we would be led deeper and deeper into the real heart of this super-hero's world, and show a reality that was very different to the general public image of the super-hero."
2302:, which premiered on October 20, 2019. Lindelof, a fan of the limited series, made the show a "remix" of the comic, narratively a sequel while introducing a new set of characters and story that he felt made the work unique enough without being a full reboot of the comic series. Among its main cast are
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felt like there was an interesting story to be told in
Rebirth with Doctor Manhattan. He thought there was an interesting dichotomy between Superman—an alien who embodies and is compassionate for humanity—and Doctor Manhattan—a human who has detached himself from humanity. This led to over six months
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responded: "DC Comics would only revisit these iconic characters if the creative vision of any proposed new stories matched the quality set by Alan Moore and Dave
Gibbons nearly 25 years ago, and our first discussion on any of this would naturally be with the creators themselves." Following months of
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is freaking A.'" Speaking in 1986, Moore said, "DC backed us all the way and have been really supportive about even the most graphic excesses". To promote the series, DC Comics released a limited-edition badge ("button") display card set, featuring characters and images from the series. Ten thousand
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has not come to claim the town, but rather to claim him; he swims out to sea and climbs aboard the ship. According to
Richard Reynolds, the mariner is "forced by the urgency of his mission to shed one inhibition after another." Just like Adrian Veidt, he "hopes to stave off disaster by using the dead
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for "including incredible amounts of detail in every tiny panel, so we could choreograph every little thing". Gibbons described the series as "a comic about comics". Gibbons felt that "Alan is more concerned with the social implications of and I've gotten involved in the technical implications." The
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Despite his intentions, Moore admitted in
November 1986 that there were likely to be delays, stating that he was, with issue five on the stands, still writing issue nine. Gibbons mentioned that a major factor in the delays was the "piecemeal way" in which he received Moore's scripts. Gibbons said the
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event to fold them into their mainstream superhero universe. Moore said, "DC realized their expensive characters would end up either dead or dysfunctional." Instead, Giordano persuaded Moore to continue his project but with new characters that simply resembled the Charlton heroes. Moore had initially
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trade collection to meet the additional demand for the book that the advertising campaign had generated, with the total annual print run expected to be over one million copies. While 20th Century Fox filed a lawsuit to block the film's release, the studios eventually settled, with Warner agreeing to
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has just been loads of these little bits of synchronicity popping up all over the place". Gibbons noted an unintended theme was contrasting the mundane and the romantic, citing the separate sex scenes between Nite Owl and Silk Spectre on his couch and then high in the sky on Nite Owl's airship. In a
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Neglected in her relationship with the once-human Manhattan, whose godlike powers have left him emotionally detached from ordinary people, and no longer kept on retainer by the government, Juspeczyk stays with Dreiberg. They begin a romance, don their costumes, and resume vigilante work as they grow
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as he attempts to locate Doctor Manhattan alongside Reginald Long, the successor of Walter Kovacs as Rorschach, following the exposure and subsequent failure of his plan for peace and the subsequent impending nuclear war between the United States and Russia. The series was revealed on May 14, 2017,
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in the comic book direct market. The series' publishing schedule ran into delays because it was scheduled with three issues completed instead of the six editor Len Wein believed were necessary. Further delays were caused when later issues each took more than a month to complete. One contemporaneous
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towards comic book history does not ennoble and empower his characters Rather, it sends a wave of disruption back through superhero history devalue one of the basic superhero conventions by placing his masked crime fighters in a realistic world". First and foremost, "Moore's exploration of the
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outlook, and that Moore presents this outlook "as the simple, unvarnished truth" to "deconstruct the would-be hero's ultimate motivation, namely, to provide a secular salvation and so attain a mortal immortality". He wrote that the story "develops its heroes precisely in order to ask us if we would
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and explained he reused the blue skin motif for Doctor Manhattan as it visualized electrical or atomic energy while still resembling human skin tonally and "reading as Jon Osterman's skin would've read, but in a different hue." Moore incorporated the color into the story, and Gibbons noted the rest
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tensions. Eventually, by 1977, superheroes grow unpopular among the police and the public, leading them to be outlawed with the passage of the Keene Act. While many of the heroes retired, Doctor Manhattan and another superhero, known as The Comedian, operate as government-sanctioned agents. Another
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was, I think, 101 pages of typescript—single-spaced—with no gaps between the individual panel descriptions or, indeed, even between the pages." Upon receiving the scripts, the artist had to number each page "in case I drop them on the floor, because it would take me two days to put them back in the
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to provide reparations to those affected by racial violence, white supremacist groups (following the writings of Rorschach) attack the police who enforce these policies, leading to laws requiring police to hide their identity and wear masks. This has allowed new masked crime fighters to assist the
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to validate what are, in effect, often just some very nasty stories that don't have a lot to recommend them". Gibbons said that while readers "were left with the idea that it was a grim and gritty kind of thing", he said in his view the series was "a wonderful celebration of superheroes as much as
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is in the real world and looks quite real, but it's starting to turn into a comic book, a portal to another dimension." The covers were designed as close-ups that focused on a single detail with no human elements present. The creators on occasion experimented with the layout of the issue contents.
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so that each page would be identifiable as part of that particular series and "not some other comic book". He made a concerted effort to draw the characters in a manner different from that commonly seen in comics. The artist tried to draw the series with "a particular weight of line, using a hard,
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emanating from the Antarctic and the pair teleport there. They discover Veidt's involvement and confront him. Veidt shows everyone news broadcasts confirming that the emergence of a new threat has indeed prompted peaceful co-operation between the superpowers; this leads almost all present to agree
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In October 1985, New York City detectives investigate the murder of Edward Blake. With the police having no leads, costumed vigilante Rorschach decides to probe further. Rorschach deduces Blake to have been the true identity of "The Comedian", a costumed hero employed by the U.S. government, after
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television series. The writer and Wein (an editor) argued over changing the ending and when Moore refused to give in, Wein quit the book. Wein explained, "I kept telling him, 'Be more original, Alan, you've got the capability, do something different, not something that's already been done!' And he
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in a harbor. The writer felt it did not matter which set of characters he ultimately used, as long as readers recognized them "so it would have the shock and surprise value when you saw what the reality of these characters was". Moore used this premise and crafted a proposal featuring the Charlton
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was worthy of such acclaim, and wrote that while the series' "vividly drawn panels, moody colors and lush imagery make its popularity well-deserved, if disproportionate", that "it's simply bizarre to assert that, as an illustrated literary narrative, it rivals in artistic merit, say, masterpieces
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deviated from the norm in comic books at the time, particularly the panel layout and the coloring. Instead of panels of various sizes, the creators divided each page into a nine-panel grid. Gibbons favored the nine-panel grid system due to its "authority". Moore accepted the use of the nine-panel
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in constructing the character of Dr. Manhattan. The writer believed that a character living in a quantum universe would not perceive time with a linear perspective, which would influence the character's perception of human affairs. Moore also wanted to avoid creating an emotionless character like
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of his namesake". Rorschach sees existence as random and, according to Wright, this viewpoint leaves the character "free to 'scrawl own design' on a 'morally blank world'". Moore said he did not foresee the death of Rorschach until the fourth issue when he realized that his refusal to compromise
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She repeatedly acts and speaks before she thinks, rarely using logic to think through situations; her impulsivity often buries her in situations that would not have been as bad had she rationally thought through them beforehand. Laurie clearly believes in and promotes the dignity of human life,
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were to liberate comics and open them up to new and fresh ideas, thus creating more diversity in the comics world by showing the industry what could be done with already existing concepts. Instead it had the opposite effect, causing the superhero comic to end up stuck in a "depressive ghetto of
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to showcase the unique qualities of the comics medium and to highlight its particular strengths. In a 1986 interview, Moore said, "What I'd like to explore is the areas that comics succeed in where no other media is capable of operating", and emphasized this by stressing the differences between
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asks his assistant to find some filler material from the "crank file", a collection of rejected submissions to the paper, many of which have not yet been reviewed. The series ends with the young man reaching toward the pile of discarded submissions, near the top of which is Rorschach's journal.
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Dreiberg, Veidt, and Manhattan attend Blake's funeral, where Dreiberg tosses Blake's pin badge in his coffin before he is buried. Manhattan is later accused on national television of being the cause of cancer in friends and former colleagues. When the government takes the accusations seriously,
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in European-style flat color. Moore noted that the artist paid particular attention to lighting and subtle color changes; in issue six, Higgins began with "warm and cheerful" colors and throughout the issue gradually made it darker to give the story a dark and bleak feeling.
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about energy resources to make the film more topical. Although he intended to stay faithful to the look of the characters in the comic, Snyder intended Nite Owl to look scarier, and made Ozymandias' armor into a parody of the rubber muscle suits from the 1997 superhero film
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voices his deceased friend Ridley, whom the Captain hallucinates is talking to him. Snyder had Butler and Harris record their parts together. Snyder considered including the animated film in the final cut, but the film was already approaching a three-hour running time. The
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series because it would have " homage to the simplicity and unsophisticated nature of Golden Age comic books—with the added dramatic interest that it would be a story whose conclusion is already known. It would be, perhaps, interesting to see how we got to the conclusion."
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and restored scenes from the comic book that Hamm had removed. Gilliam and Silver were only able to raise $ 25 million for the film (a quarter of the necessary budget) because their previous films had gone over budget. Gilliam abandoned the project because he decided that
1445:, a fictional comic book from which scenes appear in issues three, five, eight, ten, and eleven. The fictional comic's story, "Marooned", is read by a youth in New York City. Moore and Gibbons conceived a pirate comic because they reasoned that since the characters of
2957:(2014) where a child shoots his father in the head with his own gun, killing him. This was meant to symbolize Morrison's opinion about how the limited series had a negative impact on the superhero genre: "it's Watchmen's shot to the head of the American superhero."
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is highly regarded in the comics industry and is frequently considered by several critics and reviewers as comics' greatest series and graphic novel. In addition to being one of the first major works to help popularize the graphic novel publishing format alongside
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The daughter of Sally Jupiter (the first Silk Spectre, with whom she has a strained relationship) and The Comedian. Of Polish heritage, she had been the lover of Doctor Manhattan for years. While Silk Spectre was originally supposed to be the Charlton superheroine
878:"; Moore said: "We wanted to take Superduperman 180 degrees—dramatic, instead of comedic". Moore and Gibbons conceived of a story that would take "familiar old-fashioned superheroes into a completely new realm"; Moore said his intention was to create "a superhero
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not in fact be better off without heroes". Thomson added that the story's deconstruction of the hero concept "suggests that perhaps the time for heroes has passed", which he feels distinguishes "this postmodern work" from the deconstructions of the hero in the
1502:, after he survives the destruction of his own ship. He uses the bodies of his dead shipmates as a makeshift raft and sails home, gradually descending into insanity. When he finally returns to his hometown, believing it to be already under the occupation of
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stiff pen that didn't have much modulation in terms of thick and thin" which he hoped "would differentiate it from the usual lush, fluid kind of comic book line". In a 2009 interview, Moore recalled that he took advantage of Gibbons' training as a former
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are forced to confront "more intangible social and moral concerns", adding that this removes the superhero concept from the normal narrative expectations of the genre. Reynolds concludes that the series' ironic self-awareness of the genre "all mark out
665:, a DC sister company, in 1987. In February 1988, DC published a limited-edition, slipcased hardcover volume, produced by Graphitti Design, that contained 48 pages of bonus material, including the original proposal and concept art. In 2005, DC released
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are commonly called "superheroes", only one, named Doctor Manhattan, possesses any superhuman abilities. The war in Vietnam ends with an American victory in 1971 and Nixon is still president as of October 1985 upon the repeal of term limits and the
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at number 13 on its list of the best 50 novels printed in the last 25 years, describing it as "The greatest superhero story ever told and proof that comics are capable of smart, emotionally resonant narratives worthy of the label 'literature'."
1326:, which Moore said, "perhaps gives the American readership a chance in some ways to see their own culture as an outsider would". Gibbons noted that the setting was liberating for him because he did not have to rely primarily on reference books.
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is the complete story that Alan Moore and I wanted to tell. However, I appreciate DC's reasons for this initiative and the wish of the artists and writers involved to pay tribute to our work. May these new additions have the success they
1607:, which resembles a happy face, which they worked into an issue. Moore said, "We found a lot of these things started to generate themselves as if by magic", in particular citing an occasion where they decided to name a lock company the "
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After receiving the go-ahead to work on the project, Moore and Gibbons spent a day at the latter's house creating characters, crafting details for the story's milieu and discussing influences. The pair were particularly influenced by a
1544:. Not every intertextual link in the series was planned by Moore, who remarked that "there's stuff in there Dave had put in that even I only noticed on the sixth or seventh read", while other "things turned up in there by accident."
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Role-playing Game series that was released before the series concluded. The module, which was endorsed by Moore (who also provided story assistance), adds details to the series' backstory by portraying events that occurred in 1966.
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grid format, which "gave him a level of control over the storytelling he hadn't had previously", according to Gibbons. "There was this element of the pacing and visual impact that he could now predict and use to dramatic effect."
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One of two government-sanctioned heroes (along with Doctor Manhattan) who remains active after the Keene Act is passed in 1977 to ban superheroes. His murder, which occurs shortly before the first chapter begins, sets the plot of
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also served as a template for creating Rorschach. Comics historian Bradford W. Wright described the character's world view "a set of black-and-white values that take many shapes but never mix into shades of gray, similar to the
2850:, Moore and Gibbons "had demonstrated as never before the capacity of the medium to tell a sophisticated story that could be engineered only in comics". In his review of the Absolute Edition of the collection, Dave Itzkoff of
1405:
Gibbons drew issue five, titled "Fearful Symmetry", so the first page mirrors the last (in terms of frame disposition), with the following pages mirroring each other before the center-spread is (broadly) symmetrical in layout.
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A vigilante who wears a white mask that contains a symmetrical but constantly shifting ink blot pattern, he continues to fight crime in spite of his outlaw status. Moore said he was trying to "come up with this quintessential
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1766:—his emptying out of the tradition". Klock relates the title to the quote by Juvenal to highlight the problem of controlling those who hold power and quoted repeatedly within the work itself. The deconstructive nature of
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is about," he said. After Warner Bros. dropped the project, Gordon invited Gilliam back to helm the film independently. The director again declined, believing that the comic book would be better directed as a five-hour
1898:", a term that allowed DC and other publishers to sell similar comic book collections in a way that associated them with novels and dissociated them from comics. As a result of the publicity given to the books like the
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On Earth, Dreiberg and Rorschach find evidence that Veidt may be behind the conspiracy. Rorschach writes his suspicions about Veidt in his journal, which includes the full details of his investigation, and mails it to
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student paper described Laurie as impulsive—"rarely using logic to think through situations"—but also as constantly standing by her belief that each human life matters, which contrasts with most other characters in
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to be "the first instances of new kind of comic book a first phase of development, the transition of the superhero from fantasy to literature." He elaborates by noting that "Alan Moore's realism performs a
1408:
The end of each issue, with the exception of issue twelve, contains supplemental prose pieces written by Moore. Among the contents are fictional book chapters, letters, reports, and articles written by various
2627:
Dave Gibbons became an adviser on Snyder's film, but Moore has refused to have his name attached to any film adaptations of his work. Moore has stated he has no interest in seeing Snyder's adaptation; he told
1902:
trade in 1987, bookstores and public libraries began to devote special shelves to them. Subsequently, new comics series were commissioned on the basis of reprinting them in a collected form for these markets.
863:
joined the project as its editor, while Giordano stayed on to oversee it. Both Wein and Giordano stood back and "got out of their way", as Giordano remarked later. "Who copy-edits Alan Moore, for God's sake?"
1119:, Veidt was once the superhero Ozymandias, but has since retired to devote his attention to the running of his own enterprises. Veidt is believed to be the smartest man on the planet. Ozymandias was based on
888:
was his favorite to draw because "you just have to draw a hat. If you can draw a hat, then you've drawn Rorschach, you just draw kind of a shape for his face and put some black blobs on it and you're done."
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that could only work in a comic, and were indeed designed to show off things that other media can't". While Moore believes that David Hayter's screenplay was "as close as I could imagine anyone getting to
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character, only a much bigger, tougher guy". Richard Reynolds described The Comedian as "ruthless, cynical, and nihilistic, and yet capable of deeper insights than the others into the role of the costumed
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ends up specifically describing "the story of Adrian Veidt" and that it can also be used as a counterpoint to other parts of the story, such as Rorschach's capture and Dr. Manhattan's self-exile on Mars.
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onto the project because he liked his "unusual" style; Higgins lived near the artist, which allowed the two to "discuss and have some kind of human contact rather than just sending it across the ocean".
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s crew, he makes his way to his house and slays everyone he finds there, only to discover that the person he mistook for a pirate was in fact his wife. He returns to the seashore, where he realizes that
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give Fox 8.5 percent of the film's worldwide gross, including from sequels and spin-offs in return. The film was released to theaters in March 2009 to mixed reviews and grossed $ 185 million worldwide.
800:. Giordano was receptive to the proposal, but opposed the idea of using the Charlton characters for the story. After the acquisition of Charlton's Action Hero line, DC intended to use their upcoming
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became about "power and about the idea of the superman manifest within society." The title of the series refers to the question "Who will watch the watchmen themselves?", famously posed by the
261:. All but the last issue feature supplemental fictional documents that add to the series' backstory and the narrative is intertwined with that of another story, an in-story pirate comic titled
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back if he would agree to prequel and sequel projects. Moore said that "if they said that 10 years ago, when I asked them for that, then yeah it might have worked But these days I don't want
2086:). Neither man felt the stories would have gone anywhere, with Moore particularly adamant that DC not go forward with stories by other individuals. Gibbons was more attracted to the idea of a
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might have tried to lure the artist over to the company to draw a pirate comic book. Orlando contributed a drawing designed as if it were a page from the fake title to the supplemental piece.
250:, freelance costumed vigilantes have been outlawed and most former superheroes are in retirement or working for the government. The story focuses on the protagonists' personal development and
1143:. While Moore devised character notes for Gibbons to work from, the artist provided a name and a costume design for Hollis Mason he had created when he was twelve. Richard Reynolds noted in
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in motion. The character appears throughout the story in flashbacks and aspects of his personality are revealed by other characters. The Comedian was based on the Charlton Comics character
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were Moore's "admonition to those who trusted in 'heroes' and leaders to guard the world's fate". He added that to place faith in such icons was to give up personal responsibility to "the
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Colorist John Higgins used a template that was "moodier" and favored secondary colors. Moore stated that he had also "always loved John's coloring, but always associated him with being an
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the very idea of the hero and so encouraging us to reflect upon its significance from the many different angles of the shards left lying on the ground". Thomson stated that the heroes in
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1354:#5, titled "Fearful Symmetry". The whole of the issue's layout was intended to be symmetrical, culminating in this center spread, where the pages reflect one another. Art by Dave Gibbons
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which contrasts with most other characters in Watchmen. Similarly, Laurie constantly stands by her beliefs that each human life matters, even when facing the arguments of Dr. Manhattan.
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as "Moore's obituary for the concept of heroes in general and superheroes in particular." Putting the story in a contemporary sociological context, Wright wrote that the characters of
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experience superheroes in real life, "they probably wouldn't be at all interested in superhero comics." Gibbons suggested a pirate theme, and Moore agreed in part because he is "a big
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as "a superlative feat of imagination, combining sci-fi, political satire, knowing evocations of comics past and bold reworkings of current graphic formats into a dysutopian [
1979:, Moore said: "The way it works, if I understand it, is that DC owns it for the time they're publishing it, and then it reverts to Dave and me, so we can make all the money from the
3150:
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2607:, and in November 2009, a four-disc set was released as the "Ultimate Cut" with the animated film edited back into the main picture. The director's cut and the extended version of
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was designed to be read "four or five times", with some links and allusions only becoming apparent to the reader after several readings. Dave Gibbons notes that, "s it progressed,
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occurs in the year 1938. Their existence in this version of the United States is shown to have dramatically affected and altered the outcomes of real-world events such as the
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2032:, which was bought by DC in 1998; Moore was promised no direct interference by DC as part of the arrangement). Moore added, "As far as I'm concerned, the 15th anniversary of
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2564:, but was cut due to budget restrictions, as the segment would have added $ 20 million to the budget, because Snyder wanted to film it in a stylized manner reminiscent of
2322:. The television show takes place in 2019, 34 years after the end of the limited series, and is primarily set in Tulsa, Oklahoma. Due to liberal policies set by President
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motives for costumed crimefighting sheds a disturbing light on past superhero stories, and forces the reader to reevaluate—to revision—every superhero in terms of Moore's
1688:, and other 'Watchmen' of the world who supposed to 'rescue' us and perhaps lay waste to the planet in the process". Moore specifically stated in 1986 that he was writing
1139:. Paralleling the way Ted Kord had a predecessor, Moore also incorporated an earlier adventurer who used the name "Nite Owl", the retired crime fighter Hollis Mason, into
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to direct Hayter's script. Producers Gordon and Levin remained attached, collaborating with Aronofsky's producing partner, Eric Watson. Aronofsky left to focus on
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2659:, a series of narrated animations of the original comic book. The first chapter was released for purchase in the summer of 2008 on digital video stores, such as
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690:, a series of nine prequel miniseries, with various creative teams producing the characters' early adventures set before the events of the original series.
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1238:, Moore was not particularly interested in that character. Once the idea of using Charlton characters was abandoned, Moore drew more from heroines such as
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Moore used the story as a means of reflecting contemporary anxieties, deconstructing and satirizing the superhero concept and making political commentary.
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The initial premise of the series was to examine what superheroes would be like "in a credible, real world". As the story became more complex, Moore said
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police against the supremacists. Doctor Manhattan, Adrian Veidt / Ozymandias, and Laurie Blake / Silk Spectre are central characters to the show's plot.
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character—someone who's got a funny name, whose surname begins with a 'K,' who's got an oddly designed mask". Moore based Rorschach on Ditko's creation
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2074:, as well as hinting at the possibility of other authors using the same universe. Tales of the Comedian's Vietnam War experiences were floated because
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1220:, so he sought for Dr. Manhattan to retain "human habits" and to grow away from them and humanity in general. Gibbons had created the blue character
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that while writing the series he was able to purge himself of his nostalgia for superheroes, and instead he found an interest in real human beings.
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is set in an alternate reality that closely mirrors the contemporary world of the 1980s. The primary difference is the presence of superheroes. The
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for DC). The edition contains extensive materials from Alan Moore's original scripts and was written with the full collaboration of Dave Gibbons.
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Wolf-Meyer, Matthew (Winter 2003). "The World Ozymandias Made: Utopias in the Superhero Comic, Subculture, and the Conservation of Difference".
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to write and direct. Hayter and the producers left Universal due to creative differences, and Gordon and Levin expressed interest in setting up
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and frequently inserted background details that Moore admitted he did not notice until later. Moore occasionally contacted fellow comics writer
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Other symbols, images, and allusions that appeared throughout the series often emerged unexpectedly. Moore mentioned that "he whole thing with
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and Doctor Manhattan, despite Superman stated as being a fictional character in the original series—the series uses the plot element of the
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2004:. Moore felt the reversion clauses were ultimately meaningless because DC did not intend to let the publications go out of print. He told
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magazine, which noted that the series was "by common assent the best of breed" of the new wave of comics published at the time, praised
1069:(from left to right): Ozymandias, the second Silk Spectre, Doctor Manhattan, The Comedian (kneeling), the second Nite Owl, and Rorschach
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described the story as "a heart-pounding, heartbreaking read and a watershed in the evolution of a young medium." It later appeared on
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report noted that although DC solicited issue #12 for publication in April 1987, it became apparent "it debut until July or August".
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included the Graphitti materials, as well as restored and recolored art by John Higgins. That December DC published a new printing of
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in the Other Forms category. According to Gibbons, Moore had his award placed upside down in his garden and used it as a bird table.
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featuring the 1940s superhero group from the story. DC offered Moore and Gibbons chances to publish prequels to the series, such as
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might be available for such a project, so he devised a murder mystery plot which would begin with the discovery of the body of the
269:, the story skips through space, time and plot. In the same manner, entire scenes and dialogues have parallels with others through
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When Manhattan and Juspeczyk arrive back on Earth, they are confronted by mass destruction and death in New York, with a gigantic
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s complicated ending into a "more manageable" conclusion involving an assassination and a time paradox. Fox put the project into
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2020:. While DC wanted to mend its relationship with the writer, Moore felt the company was not treating him fairly in regard to his
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was popular at the time, while another suggestion was, according to Gibbons, for a "Nite Owl/Rorschach team" (in the manner of
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animated film based on the comic book. A teaser trailer was released on June 13, 2024, and revealed it to be a two-part film.
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Disagreements about the ownership of the story ultimately led Moore to sever ties with DC Comics. Not wanting to work under a
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wrote in his essay "Deconstructing the Hero" that the story accomplished this by "developing its heroes precisely in order to
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described the symbol as a recurring motif that produces "rhyme and remarkable configurations" by appearing in key segments of
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Moore began writing the series very early on, hoping to avoid publication delays such as those faced by the DC limited series
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1381:. Gibbons agreed that the echoing of the EC-style layouts "was a very deliberate thing", although his inspiration was rather
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became much more about the telling than the tale itself. The main thrust of the story essentially hinges on what is called a
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from October to December 2019 with Gibbons' involvement. Moore has expressed his displeasure with adaptations and sequels of
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398:, first appeared in the 1985 issue of DC Spotlight, the 50th anniversary special. It was eventually published as a 12-issue
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1827:. When Moore and Gibbons turned in the first issue of their series to DC, Gibbons recalled, "What really clinched it was
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1385:, but it was altered enough to give the series a unique look. The artist also cited Steve Ditko's work on early issues of
703:, such as the blood-splattered smiley face, and the dialogue between Doctor Manhattan and Ozymandias in the last issue of
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in which superheroes emerged in the 1940s and 1960s and their presence changed history so that the United States won the
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1536:. He admired Burroughs' use of "repeated symbols that would become laden with meaning" in Burroughs' only comic strip, "
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in 2006, "I said, 'Fair enough,' 'You have managed to successfully swindle me, and so I will never work for you again.
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that despite the character's Charlton roots, Nite Owl's modus operandi has more in common with the DC Comics character
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2452:. The project did not hold together at Revolution Studios and subsequently fell apart. In July 2004, it was announced
2368:. Fox asked Alan Moore to write a screenplay based on his story, but he declined, so the studio enlisted screenwriter
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as a major contributor to the series. Moore chose Orlando because he felt that if pirate stories were popular in the
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contemplated writing a story that featured an unused line of superheroes that he could revamp, as he had done in his
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Moore stated in 1985 that if the limited series was well-received, he and Gibbons would possibly create a 12-issue
1301:... So really the plot itself is of no great consequence ... it just really isn't the most interesting thing about
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A superpowered being who is contracted by the United States government. Scientist Jon Osterman gained power over
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1789:, an awful lot of the comics field devoted to these grim, pessimistic, nasty, violent stories which kind of use
219:. As Moore's proposed story would have left many of the characters unusable for future stories, managing editor
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Gibbons uses a nine-panel grid layout throughout the series and adds recurring symbols such as a blood-stained
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lovingly disassembles the mythology into bloodstained cogs and ratchets, concluding with the famous quotation
715:#1 second printing, which featured an update to Gary Frank's cover, better revealing the outstretched hand of
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story's alternate world setting allowed Gibbons to change details of the American landscape, such as adding
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Moore has expressed dismay that "he gritty, deconstructivist postmodern superhero comic, as exemplified by
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When the story begins, the existence of Doctor Manhattan has given the U.S. a strategic advantage over the
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series, from 2017 to 2019 – both without Moore's or Gibbons' involvement. The second series integrated the
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1949:#96, and stated that "The modern myth of the Superhero is curiously powerful despite its usual silliness;
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when he was caught in an "Intrinsic Field Subtractor" in 1959. Doctor Manhattan was based upon Charlton's
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was the "most personal and most epic, utterly mind-bending project" that he had worked on in his career.
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In "Marooned", a young mariner (called "The Sea Captain") journeys to warn his hometown of the coming of
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In October 2005, Gordon and Levin met with Warner Bros. to develop the film there again. Impressed with
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as an investigation into the murder of a government-sponsored superhero pulls them out of retirement.
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action-figure line, despite the company having displayed prototypes at the 2000 San Diego Comic-Con.
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5283:"Exclusive: DC Comics' Geoff Johns reveals teaser, details on Watchmen/Rebirth title Doomsday Clock"
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follow-up project, in February 2012 DC announced it was publishing seven prequel series under the "
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movement. Richard Reynolds states that without any supervillains in the story, the superheroes of
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2408:. "Reducing to a two or two-and-a-half hour film seemed to me to take away the essence of what
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The cover of each issue serves as the first panel to the story. Gibbons said, "The cover of the
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as one of the best English language novels published since 1923. In a retrospective review, the
19:
This article is about the comic book limited series. For the 2024 animated film adaptation, see
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bodies of his former comrades as a means of reaching his goal". Moore stated that the story of
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issue #1 at the original 1986 cover price of $ 1.50 as part of its "Millennium Edition" line.
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that has had at least 24 printings as of March 2017; another trade paperback was published by
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in the top right corner. Doctor Manhattan later appeared in the 2017 four-part DC miniseries
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Watchmen' Video Game Preview: Rorschach And Nite Owl Star In Subversive Prequel Set In 1970s
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became a genre". He said in 2003 that "to some degree there has been, in the 15 years since
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back. Certainly, I don't want it back under those kinds of terms." DC Comics co-publishers
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drew from his favorite elements of Hayter's script, but also returned it to the original
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was a commercial success, and its sales helped DC Comics briefly overtake its competitor
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1030:, created by Veidt's laboratories, dead in the middle of the city. Manhattan notices his
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1831:, who doesn't give praise lightly, and who came up and said, 'Dave what you've done on
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1774:, must destroy, then reconstruct, in order to build 'a unity which would survive him.
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3174:"HBO's "Watchmen" is great. Its comic creator Alan Moore wants nothing to do with it"
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at number 91 on its list of the Top 100 English-language comics of the 20th century.
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line of comics, additionally continuing a narrative established with 2016's one-shot
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either as the last key superhero text, or the first in a new maturity of the genre".
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364:
239:
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1475:". The writer expanded upon the premise so that its presence in the story would add
1151:. According to Klock, his civilian form "visually suggests an impotent, middle-aged
961:. In keeping with the realism of the series, although the costumed crimefighters of
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Near the end of the project, Moore realized that the story bore some similarity to "
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3086:
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2222:
2165:, Gibbons supplied the project with a statement in the initial press announcement:
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2012:" In 2000, Moore publicly distanced himself from DC's plans for a 15th anniversary
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1305:. As we actually came to tell the tale, that's where the real creativity came in."
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in a minor capacity. The miniseries, taking place seven years after the events of
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2595:, a documentary detailing the characters' backstories, named after the character
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to the original comic, set 34 years after the comic's timeline, was broadcast on
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the greatest superhero comic ever written-slash-drawn. But it's true." In 2008,
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Legendary Comics Writer Alan Moore on Superheroes, The League, and Making Magic
3915:"Toasting Absent Heroes: Alan Moore discusses the Charlton-Watchmen Connection"
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A retired superhero who utilizes owl-themed gadgets. Nite Owl was based on the
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closer together. With Dreiberg starting to believe some aspects of Rorschach's
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The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases
6722:"Alan Moore Now Believes 'The Killing Joke' Was Melodramatic, Not Interesting"
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3139:"Watchmen author Alan Moore: 'I'm definitely done with comics' | Alan Moore |
1813:, severed his ties with DC Comics over contractual issues related to the work.
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colorist", which Moore was not fond of; Higgins subsequently decided to color
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Rosen, Elizabeth (Autumn 2006). "'What's That You Smell Of?' Twenty Years of
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After the series concluded, the individual issues were collected and sold in
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6364:"Watchmen Chapter I: Exclusive Trailer, Voice Cast, Boxart and Release Date"
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4582:". WatchmenComicMovie.com. November 3, 2008. Retrieved on November 5, 2008.
4488:". WatchmenComicMovie.com. October 16, 2008. Retrieved on October 28, 2008.
2530:. After the trailer to the film premiered in July 2008, DC Comics president
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arrangement, Moore and Gibbons had a reversion clause in their contract for
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For the direct-to-video supplement to the comic book's film adaptation, see
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in 1986 and 1987 before being collected in a single-volume edition in 1987.
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6305:"We Just Got a Surprise First Look at the Upcoming Watchmen Animated Films"
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4249:". WatchmenComicMovie.com. October 23, 2008. Retrieved on October 28, 2008.
4024:
Mysterious Travelers: Steve Ditko and the Search for a New Liberal Identity
3061:
2989:
2891:
2800:
2664:
2660:
2596:
2583:
2466:
2441:
2420:
2319:
2134:
1881:
1745:
1704:
1656:
1608:
1587:
ticking up to midnight. Moore drew inspiration from psychological tests of
1462:
1458:
1378:
1364:
1323:
1319:
1243:
1239:
1228:
1198:
1031:
978:
894:
851:
837:
662:
395:
247:
196:
111:
67:
2931:, the original contracts, the current legal suits over the Fox contract".
2246:. The first of a planned twelve issues was released on November 22, 2017.
1909:
received critical praise, both inside and outside of the comics industry.
1479:
and allegory. The supplemental article detailing the fictional history of
8956:
8841:
8834:
8706:
8685:
8664:
8496:
7883:
7634:
7612:
7208:
7075:
6873:
6066:
4141:
3884:
3874:"Geoff Johns' Doomsday Clock Trailer: Watchmen Crossover Comic Explained"
2919:
2531:
2482:
2433:
2361:
2307:
2303:
2267:
2258:
2150:
2146:
2142:
2138:
2076:
1864:
was published in single-issue form over the course of 1986 and 1987. The
1637:"), although Moore was not aware of the phrase's classical origins until
1588:
1484:
1269:
1136:
1088:
954:
908:
354:
307:
306:
After several attempts to adapt the series into a feature film, director
274:
235:
6043:". EmpireOnline.com. February 28, 2008. Retrieved on February 28, 2008.
5410:
Thompson, Anne. "Filmmakers intent on producing new comic-book movies".
4968:"Exclusive: How Alan Moore Helped Create the Watchmen Role-Playing Game"
3987:
A Portal to Another Dimension: Alan Moore, Dave Gibbons, and Neil Gaiman
8946:
8827:
8820:
8727:
8595:
8525:
8457:
8167:
8095:
7745:
7675:
7282:
6004:
5846:". ComicBookResources.com. March 14, 2007. Retrieved on March 16, 2007.
5380:"Damon Lindelof gives his first deep-dive interview for HBO's Watchmen"
2911:
2883:
2778:
has also become one of the best-selling graphic novels ever published.
2718:
2566:
2512:
2487:
2414:
2405:
2396:
2206:
2154:
1990:
Moore said he left DC in 1989 due to the language in his contracts for
1930:
1806:
1645:, that fits. 'They're watching out for us, who's watching out for them?
1152:
911:
for answers to research questions and for quotes to include in issues.
819:
777:
767:
407:
391:
284:
has received critical acclaim both in the comics and mainstream press.
192:
185:
101:
5434:? – How The Greatest Graphic Novel of Them All Confounded Hollywood".
3664:
3641:
3587:
3555:
3523:
3491:
3459:
3427:
3395:
3363:
3331:
3299:
3267:
3235:
3203:
2964:, by author Rich Handley. The book provides a detailed history of the
1736:
Geoff Klock eschewed the term "deconstruction" in favor of describing
1373:
mentioned to Gibbons in 1987, that the page layouts recalled those of
8961:
8232:
8120:
8081:
7939:
7877:
7778:
6467:, Other DC Graphic Novels Announced as Kindle Fire Digital Exclusives
5195:". ComicBookBin.com, August 18, 2008. Retrieved on December 24, 2008.
5168:
3744:
3618:
2862:
2748:
2740:
2515:
and opted to shoot the entire film using live-action sets instead of
2424:
Interior set of Nite Owl's vehicle "Archie" from the film version of
2270:, through the plot element of alternate realities. He explained that
2109:
2025:
2017:
1853:
1649:" The writer stated in the introduction to the Graffiti hardcover of
1374:
1314:
1294:
1216:
1177:
1061:
880:
772:
403:
212:
204:
86:
3824:"DC UNIVERSE: REBIRTH Gets Second Printing & Higher Cover Price"
2810:
s 2009 "Top 10 Graphic Novels" list, where Grossman further praised
2262:
of debates amongst the creative team about whether to intersect the
2249:
The story includes many DC characters but has a particular focus on
2040:
property from me and Dave ." Soon afterward, DC Direct canceled the
2016:
hardcover release as well as a proposed line of action figures from
55:
8657:
7372:
7092:. Jeff McLaughlin (editor). University Press of Mississippi, 2005.
6869:"Watchmen Killed American Superheroes, According to Grant Morrison"
6193:". PublishersWeekly.com. May 30, 2005. Retrieved on April 15, 2006.
5287:
4750:. Engine Comics (published 2004). September 9, 2002. Archived from
2600:
2500:
2496:
2369:
2250:
1770:
is, Klock notes, played out on the page also as, "ike Alan Moore's
1716:
1330:
1126:
982:
860:
134:
3009:
2641:", he asserted he did not intend to see the film if it were made.
2618:
Len Wein, the comic's editor, wrote a video game prequel entitled
1836:
sets of the four badges, including a replica of the blood-stained
1264:
8966:
8745:
8624:
7104:
Comic Book Nation: The Transformation of Youth Culture in America
6277:
5859:". Cinematical.com October 7, 2008. Retrieved on October 7, 2008
4703:". Blather.net. October 17, 2000. Retrieved on October 14, 2008.
4671:." Wired.com. February 23, 2009. Retrieved on February 24, 2009.
4144:(2008, date n.a.) Retrieved October 15, 2008. Archived from the
2692:
2603:) memoirs. The film itself was released on DVD four months after
2578:, voices the Captain in the film, having been promised a role in
2520:
2113:
2059:
1980:
1840:
badge worn by the Comedian in the story, were released and sold.
1757:
1628:
1476:
1298:
1035:
813:
669:, an oversized slipcased hardcover edition of the series in DC's
332:
211:
originated from a story proposal Moore submitted to DC featuring
6921:"A Review of Watching Time: An Unauthorized Watchmen Chronology"
6800:"Typeface Inspired by Comic Books Has Become a Font of Ill Will"
6062:"Jared Harris finds his inner ghostly sailor in Black Freighter"
5316:"Doomsday Clock is a countdown to the future of the DC Universe"
4177:". Blather.net. October 17, 2000. Retrieved on October 14, 2008.
3023:
2681:
Warner Bros. announced in April 2017 that they would develop an
733:". Manhattan reappears in the 2017–19 twelve-part sequel series
7226:
6839:". Comicon.com. December 28, 2008. Retrieved on March 17, 2010.
6492:"The reason Alan Moore doesn't want his name on HBO's Watchmen"
5171:, August 2000. Retrieved on October 7, 2008. Archived from the
2534:
said that the company had to print more than 900,000 copies of
1837:
1571:
is a recurring image in the story, appearing in many forms. In
1568:
1560:
1547:
1273:
1194:
1148:
929:
didn't seem to care enough to do that." Moore acknowledged the
796:, and submitted the unsolicited proposal to DC managing editor
342:
258:
7232:
Watching The Detectives: An Internet Companion for Readers of
6783:
Typeface Inspired by Comic Books Has Become a Font of Ill Will
5349:"'Watchmen' TV Series From Damon Lindelof in the Works at HBO"
2395:
to rewrite it. They used the character Rorschach's diary as a
1322:, slightly different buildings, and spark hydrants instead of
831:
265:, which one of the characters reads. Structured at times as a
8564:
7799:
7714:
7644:
5751:". IGN.com. October 25, 2005. Retrieved on October 18, 2008.
4911:". AVClub.com. June 25, 2003. Retrieved on October 15, 2008.
3072:
1802:
1603:
and boulders of Mars, Gibbons discovered a photograph of the
1211:
1092:
1023:
6901:"Review: Watching Time The Unauthorized Watchmen Chronology"
6242:". MTV.com. October 1, 2008. Retrieved on October 13, 2008.
5186:
Watchmen Action Figures – Controversies and Fulfillment
4695:
4693:
2814:, proclaiming "It's way beyond cliché at this point to call
2352:
There have been numerous attempts to make a film version of
2036:
is purely a 15th Anniversary of when DC managed to take the
1308:
Gibbons said he deliberately constructed the visual look of
8142:
7872:
7239:
4206:"Vincent Eno and El Csawza Meet Comics Megastar Alan Moore"
4204:
Eno, Vincent (Richard Norris); Csawza, El (May–June 1988).
6262:". IGN.com. February 20, 2009. Retrieved on July 11, 2009.
6180:. MTV.com. July 23, 2008. Retrieved on December 24, 2008.
4701:
The Alan Moore Interview: Watchmen, microcosms and details
1641:
informed him. Moore commented in 1987, "In the context of
6368:
6309:
4690:
4160:
3112:
2708:
2491:, Warner Bros. approached him to direct an adaptation of
2288:
1921:
1413:
characters. DC had trouble selling ad space in issues of
673:
format. Assembled under the supervision of Dave Gibbons,
372:
300:
4263:
Heintjes, Tom. "Alan Moore On (Just About) Everything".
2890:' or almost any part of the witty and brilliant work of
1703:
as the point where the comic book medium "came of age",
1180:
added. Moore and Gibbons saw The Comedian as "a kind of
974:
occurs approximately six years later than in real life.
242:
was never exposed. In 1985 the country is edging toward
7167:
Foundation: The International Review of Science Fiction
6601:
6005:"Zack Snyder and Quint have a brief conversation about
4411:
Stewart, Bhob. "Dave Gibbons: Pebbles in a Landscape".
4372:"Watching the Watchmen with Dave Gibbons: An Interview"
1532:
as one of his main influences during the conception of
223:
convinced Moore to create original characters instead.
8423:
The Moon and Serpent Grand Egyptian Theatre of Marvels
6656:
s Top 100 English-Language Comics of the 20th Century"
6458:
6456:
5770:"Exclusive Interview: Zack Snyder Is Kickin' Ass With
5063:. The HugoAwards.com. Retrieved on September 22, 2008.
4208:. Strange Things Are Happening via JohnCoulthart.com.
4063:
Italian Americans: The History and Culture of a People
1540:", which appeared in the British underground magazine
986:
named Rorschach continues to operate outside the law.
762:
In 1983, DC Comics acquired a line of characters from
6710:. November 20, 2005. Retrieved on September 19, 2008.
5684:
5682:
2591:
was given standalone DVD release which also includes
1740:
as a "revisionary superhero narrative". He considers
933:
episode by referencing it in the series' last issue.
657:
It was subsequently collected in 1987 as a DC Comics
6274:"Watchmen Is Getting an R-Rated Animated Adaptation"
4605:
Line by Line: A Journal of Beginning Student Writing
4345:. September 30, 2008. Retrieved on October 3, 2008.
3005:
2183:
322:, was released to coincide with the film's release.
6453:
6183:
5935:"Warner Tries a New Tactic to Revive Its DVD Sales"
5912:. August 13, 2008. Retrieved on September 24, 2008.
3803:"DC Universe: Rebirth #1 Full Spoilers Leak Online"
2962:
Watching Time: The Unauthorized Watchmen Chronology
2242:and the series title in the bold typeface used for
2125:" banner. Among the creators involved were writers
23:. For the 2019 television series continuation, see
8476:Alan Moore: Portrait of an Extraordinary Gentleman
6543:
6480:. September 29, 2011. Retrieved on March 22, 2013.
6229:. October 21, 2005. Retrieved on October 8, 2008.
6210:. July 16, 2008. Retrieved on September 22, 2008.
5679:
5276:
5274:
4554:"Kinowa, Western Scourge; Charlton's Pulp - Issuu"
4366:
4364:
4362:
4360:
4358:
4295:. October 21, 2005. Retrieved on October 8, 2008.
2934:Also in 2009, to coincide with the release of the
2871:grimness and psychosis". In 2009, Lydia Millet of
2691:received a digital release on August 13, 2024 and
1483:at the end of issue five credits real-life artist
7136:Hughes, Jamie A. (August 2006). "Who Watches the
6972:Dick Giordano: Changing Comics, One Day at a Time
6796:. April 17, 2009. Retrieved on February 8, 2010.
6570:
6540:. December 10, 2012. Retrieved on March 22, 2013.
6240:New 'Watchmen' Motion Comic Hits iTunes Next Week
5249:"DC Confirms Doomsday Clock is a Watchmen Sequel"
5240:
4333:
4331:
4329:
4327:
3773:"DC Comics to Publish 'Before Watchmen' Prequels"
2727:crossover. A sign could be seen on a building on
8986:
7121:. Sequart Research & Literacy Organization.
6567:. October 17, 2005. Retrieved on March 11, 2013.
6430:. February 1, 2012. Retrieved on March 11, 2013.
6164:" DVDActive.com. Retrieved on February 10, 2013.
6125:"Snyder Discusses Extended Versions of Watchmen"
5813:. July 18, 2006. Retrieved on October 18, 2008.
5165:Moore Leaves the Watchmen 15th anniversary plans
3612:
2917:In 2009, Brain Scan Studios released the parody
2238:in the 12 o'clock slot of the clock depicted in
7008:The Art of the Comic Book: An Aesthetic History
6598:. October 16, 2005. Retrieved on March 9, 2013.
6417:prequels provoke debate in comic book community
5731:, June 7, 2005. Retrieved on October 18, 2008.
5455:
5271:
4355:
4283:
4281:
4279:
4277:
4275:
4273:
4231:
4229:
4227:
4099:
4097:
4095:
3635:
2632:in 2008 that "here are things that we did with
1420:
776:series in the early 1980s. Moore reasoned that
7119:Minutes to Midnight: Twelve Essays on Watchmen
6433:
5126:
5124:
4459:
4457:
4455:
4324:
215:characters that the company had acquired from
8580:
7730:
7255:
6516:
6253:Watchmen The Complete Motion Comic DVD Review
6215:
6122:
5965:
5932:
5886:. July 17, 2008, Retrieved on July 17, 2008.
5828:
5826:
5458:"Battle Over 'Watchmen' Surrounds a Producer"
5307:
5204:"Watchmen Round Table: Moore & Gibbons".
4996:Gomez, Jeffrey. "Who Watches the Watchmen?".
4407:
4405:
4403:
4401:
4399:
4397:
4317:Stewart, Bhob. "Synchronicity and Symmetry".
4313:
4311:
4309:
4307:
4305:
4303:
4301:
4168:The Alan Moore Interview: Watchmen characters
2971:In December 2017, DC Entertainment published
2655:In 2008, Warner Bros. Entertainment released
2511:, Snyder used the comic book panel-grid as a
316:was released in 2009. A episodic video game,
6849:Weird & Wacky World of Comic – Whatmen?!
6625:. March 6, 2009. Retrieved on March 9, 2013.
6383:
6059:
5523:"Interview with Terry Gilliam (Part 3 of 4)"
4939:
4793:
4786:
4784:
4766:
4654:
4652:
4650:
4640:
4638:
4628:
4626:
4445:
4443:
4270:
4224:
4092:
2960:In September 2016, Hasslein Books published
2695:and 4K Ultra HD release on August 27, 2024,
2519:. He extended the fight scenes, and added a
1797:
1105:would result in him not surviving the story.
699:, numerous symbols and visual references to
7140:?: Ideology and 'Real World' Superheroes".
5899:Film Trailer Aids Sales of 'Watchmen' Novel
5761:
5449:
5121:
4471:
4469:
4452:
4007:
4005:
2844:Art of the Comic Book: An Aesthetic History
2277:
379:and asked it not be used for future works.
8587:
8573:
7737:
7723:
7485:If You Don't Like My Story, Write Your Own
7262:
7248:
7213:
7177:
7088:Thomson, Iain. "Deconstructing the Hero."
6680:
6406:
6403:". About.com. Retrieved on March 11, 2013.
6002:
5823:
5426:
5424:
5422:
5420:
5246:
5222:"Alan Moore: 'I Don't Want Watchmen Back'"
4503:
4501:
4394:
4298:
4199:
4197:
4195:
4193:
4191:
4189:
4187:
4185:
4183:
3981:
3979:
3977:
3975:
3973:
3971:
3766:
3764:
3687:
3658:
3109:"Watchmen: The moment comic books grew up"
2900:was one of the two comic books, alongside
1660:Graffiti similar to that which appears in
742:
54:
8375:The Moon and Serpent Bumper Book of Magic
7953:Whatever Happened to the Man of Tomorrow?
7010:. University Press of Mississippi, 1996.
5214:
5047:
4972:13th Dimension, Comics, Creators, Culture
4781:
4748:"The Craft: An Interview with Alan Moore"
4647:
4635:
4623:
4440:
4431:
4418:
4259:
4257:
4255:
4203:
3969:
3967:
3965:
3963:
3961:
3959:
3957:
3955:
3953:
3951:
3939:
1820:was first mentioned publicly in the 1985
7464:It's Summer and We're Running Out of Ice
6009:! Pirate storyline! Rorschach! More!!!!"
5996:
5655:"'Watchmen' unmasked for Par, Aronofsky"
5545:
5346:
5103:
4466:
4002:
2979:(who previously annotated Neil Gaiman's
2942:produced a parody one-shot comic titled
2782:was the only graphic novel to appear on
2419:
1801:
1655:
1546:
1345:
1263:
1060:
6830:Who Watches Rich Johnston's Watchmensch
6361:
6271:
6116:
6086:
5959:
5928:
5926:
5924:
5922:
5920:
5918:
5767:
5688:
5611:
5417:
5377:
5247:Mithaiwala, Mansoor (October 5, 2017).
5198:
5130:
4772:Plowright, Frank. "Preview: Watchmen".
4572:
4507:
4498:
4180:
4059:
3770:
3761:
3600:from the original on September 20, 2022
3568:from the original on September 20, 2022
3536:from the original on September 20, 2022
3504:from the original on September 20, 2022
3472:from the original on September 20, 2022
3440:from the original on September 20, 2022
3408:from the original on September 20, 2022
3376:from the original on September 20, 2022
3344:from the original on September 20, 2022
3312:from the original on September 20, 2022
3280:from the original on September 20, 2022
3248:from the original on September 20, 2022
3216:from the original on September 20, 2022
3171:
2432:In October 2001, Gordon partnered with
2364:acquired film rights to the series for
2161:. Though Moore had no involvement with
1559:as an example of the series' recurring
367:, began publication in October 2020. A
191:by the British creative team of writer
8987:
7960:DC Universe: The Stories of Alan Moore
7471:Martial Feats of Comanche Horsemanship
7135:
7116:
6899:Fasciani, Damian (February 25, 2017).
6750:
6719:
6527:To Double Up For Hardcover Collections
6504:from the original on November 11, 2019
6330:
5837:Post-Game: One-On-One With Zack Snyder
5617:
5456:Cieply, Michael (September 20, 2008).
5280:
4598:
4252:
4103:
4080:from the original on September 9, 2023
4041:from the original on September 9, 2023
3999:from the original on February 9, 2013.
3948:
3909:
3907:
3905:
3903:
3901:
3899:
3897:
3895:
3893:
3821:
3688:Vanderplog, Scott (January 25, 2012).
3153:from the original on November 11, 2022
3106:
2731:advertising the show at the time when
2383:in 1991, and the project was moved to
2372:. Hamm took the liberty of re-writing
1523:
1259:
382:
8568:
8490:The Extraordinary Works of Alan Moore
8075:The League of Extraordinary Gentlemen
7718:
7243:
7160:
6797:
6753:"From Comic Book to Literary Classic"
6302:
5768:Sanchez, Robert (February 13, 2007).
5520:
5436:The Greatest Sci-Fi Movies Never Made
5378:Hibbard, James (September 18, 2019).
5133:"The Vendetta Behind 'V for Vendetta"
4740:
4020:
3927:from the original on January 13, 2013
1962:
999:", and now a successful businessman.
16:Comics by Alan Moore and Dave Gibbons
9055:Cultural depictions of Richard Nixon
7022:How to Read Superhero Comics and Why
6919:Carreiro, Remy (November 24, 2016).
6489:
6450:". IGN. Retrieved on March 11, 2013.
6021:from the original on January 2, 2010
5915:
5551:
5521:Plume, Kenneth (November 17, 2000).
5392:from the original on October 8, 2019
5313:
5178:
5097:
4106:"Watchmen: An Oral History (2 of 6)"
3854:"17 Most Anticipated Comics of 2017"
3852:Schedeen, Jesse (January 10, 2017).
3711:
3119:from the original on August 10, 2016
3056:List of award-winning graphic novels
419:
30:. For the 2009 film adaptation, see
6810:from the original on April 30, 2009
6751:Millet, Lydia (February 27, 2009).
6272:Gerding, Stephen (April 13, 2017).
6123:Bill Desowitz (February 18, 2009).
6100:. February 14, 2008. Archived from
6094:"Zack Snyder Fan Q&A — Part II"
6041:Gerard Butler Talks Black Freighter
5947:from the original on April 23, 2009
5652:
5589:"'Watchmen' on Duty at Warner Bros"
5586:
5498:. November 13, 2000. Archived from
5295:from the original on August 4, 2017
5085:from the original on April 12, 2022
5072:
4978:from the original on March 10, 2024
4599:Geiser, Lauren N. (February 2016).
4516:from the original on March 21, 2013
4060:Martone, Eric (December 12, 2016).
3890:
3107:Barber, Nicholas (August 9, 2016).
2927:chronicled "the debate surrounding
2763:A critical and commercial success,
2667:series was released in March 2009.
2234:with a teaser image displaying the
2047:
1692:to be "not anti-Americanism, anti-
1189:Dr. Jon Osterman / Doctor Manhattan
981:, which has dramatically increased
725:serving as a direct sequel to both
13:
9065:DC Comics adapted into video games
8161:Yuggoth Cultures and Other Growths
6947:from the original on April 3, 2022
6881:from the original on June 21, 2023
6668:from the original on June 20, 2009
6490:Polo, Susano (November 11, 2019).
6343:from the original on July 22, 2023
6223:Watchmen: An Oral History (5 of 6)
6135:from the original on July 10, 2009
5966:Jonah Weiland (November 9, 2006).
5880:Watchmen': An Exclusive First Look
5857:Cinematical Watches The 'Watchmen'
5689:Itzkoff, Dave (January 30, 2009).
5359:from the original on April 8, 2020
5347:Goldberg, Lesley (June 20, 2017).
5328:from the original on June 25, 2018
5259:from the original on July 28, 2018
5107:(December 1987). "Critical Mass".
5044:. Retrieved on September 19, 2008.
4945:Duin, Steve and Richardson, Mike.
4560:from the original on June 20, 2023
4424:Ho, Richard. "Who's Your Daddy??"
4289:Watchmen: An Oral History (3 of 6)
3872:Moore, Rose (September 22, 2017).
3771:Phegley, Kiel (February 1, 2012).
3712:Wolk, Douglas (October 18, 2005).
3196:
3184:from the original on April 4, 2020
3172:Epstein, Adam (October 21, 2019).
2507:comic. Similar to his approach to
2335:
2100:that DC offered him the rights to
1229:Laurie Juspeczyk / Silk Spectre II
14:
9116:
7200:
6284:from the original on June 9, 2017
6204:Alan Moore Still Knows the Score!
5703:from the original on May 15, 2013
5145:from the original on May 26, 2014
4601:"Flawed Heroes, Flawless Villain"
4212:from the original on July 5, 2008
4104:Jensen, Jeff (October 21, 2005).
3863:. IGN. Retrieved January 13, 2017
3834:from the original on May 30, 2016
2846:, Robert Harvey wrote that, with
2795:100 Greatest Novels" list, where
2699:will be released later in 2024.
1429:Watchmen (film) § Home media
1358:Structurally, certain aspects of
1285:comics and film. Moore said that
625:"Look on My Works, Ye Mighty..."
607:"Two Riders Were Approaching..."
445:"At Midnight, All the Agents..."
433:
8549:
8548:
8322:Alan Moore's Hypothetical Lizard
7697:
7696:
7154:10.1111/j.1540-5931.2006.00278.x
7117:Bensam, Richard (October 2010).
7054:Comics, Comix and Graphic Novels
7040:Super Heroes: A Modern Mythology
6933:
6913:
6893:
6861:
6842:
6822:
6775:
6763:from the original on May 3, 2009
6744:
6732:from the original on May 7, 2016
6720:Wilbur, Brock (April 28, 2016).
6713:
6689:
6641:
6628:
6483:
6355:
6324:
6303:Cripe, Michael (June 13, 2024).
6296:
6265:
6245:
6232:
6196:
6167:
6155:Watchmen: Ultimate Cut (US – BD)
6147:
6053:
6033:
5891:
5869:
5849:
5796:
5738:
5715:
5646:
5587:Kit, Borys (December 19, 2005).
5580:
5514:
5480:
5430:Hughes, David. "Who Watches the
5404:
5371:
5340:
5131:Itzkoff, Dave (March 12, 2006).
3714:"20 Years Watching the Watchmen"
3022:
3008:
2670:
2072:The Comedian's Vietnam War Diary
1555:from the planet Mars appears in
1145:Super Heroes: A Modern Mythology
1082:Walter Joseph Kovacs / Rorschach
1042:Back in New York, the editor at
830:
812:
410:September 1986 to October 1987.
341:, a 12-issue limited series and
8874:Justice League vs Suicide Squad
8361:Alan Moore's Writing for Comics
6994:University Press of Mississippi
6970:Eury, Michael, Giordano, Dick.
6963:
6798:Steel, Emily (April 18, 2009).
6331:Perine, Aaron (July 22, 2023).
5723:Someone To Watch Over 'Watchmen
5618:Linder, Brian (July 23, 2004).
5595:. Book Standard. Archived from
5157:
5066:
5029:"The Passing of Pow! and Blam!"
5027:Cocks, Jay (January 25, 1988).
5021:
5012:
5003:
4990:
4960:
4930:
4921:
4901:
4892:
4883:
4874:
4865:
4856:
4847:
4838:
4829:
4820:
4811:
4802:
4731:
4722:
4713:
4681:
4661:
4592:
4546:
4537:
4528:
4478:
4339:Len Wein: Watching the Watchmen
4151:
4138:Get Under the Hood of Watchmen…
4130:
4053:
4014:
3866:
3846:
3815:
3795:
3746:Millennium Edition: Watchmen #1
3738:
3705:
3681:
3580:
3548:
3516:
3484:
3452:
3420:
3388:
2903:Batman: The Dark Knight Returns
2644:
2474:. Ultimately, Paramount placed
1925:] mystery story". In 1988,
1887:Batman: The Dark Knight Returns
1751:Batman: The Dark Knight Returns
9040:Comics set during the Cold War
8930:Tales from the Dark Multiverse
8594:
7912:For the Man Who Has Everything
7744:
6362:Vejvoda, Jim (July 10, 2024).
6333:"New Watchmen Movie Announced"
6060:Ian Spelling (March 4, 2009).
5933:Brooks Barnes (May 26, 2008).
5691:"Watchmen Skulk to the Screen"
5438:. Chicago Review Press, 2002.
5314:Polo, Susana (July 20, 2017).
5281:Sagers, Aaron (May 14, 2017).
5230:. Retrieved on July 21, 2010.
5220:Thill, Scott (July 21, 2010).
4510:"Under the Hood: Dave Gibbons"
4508:Kallies, Christy (July 1999).
4027:. Univ. Press of Mississippi.
3822:Arrant, Chris (May 27, 2016).
3750:at the Grand Comics Database.
3670:at the Grand Comics Database.
3647:at the Grand Comics Database.
3624:at the Grand Comics Database.
3356:
3324:
3292:
3260:
3228:
3165:
3131:
3100:
2856:wrote that the dark legacy of
2743:arrive on Earth-666 to enlist
2330:
2083:Randall and Hopkirk (Deceased)
1956:Quis custodiet ipsos custodes?
1634:Quis custodiet ipsos custodes?
972:Soviet invasion of Afghanistan
203:. It was published monthly by
1:
8632:Batgirl and the Birds of Prey
6428:The Christian Science Monitor
6191:Moore Leaves DC for Top Shelf
4021:Kruse, Zack (February 2021).
3801:Yehl, Joshua (May 20, 2017).
3093:
2702:
2428:, displayed at Comic-Con 2008
2348:Production of Watchmen (film)
1127:Daniel Dreiberg / Nite Owl II
1095:; Ditko's Charlton character
1050:
766:. During that period, writer
754:—Alan Moore on the basis for
589:"The Darkness of Mere Being"
481:"The Judge of All the Earth"
173:September 1986 – October 1987
9070:Fiction about discrimination
9060:DC Comics adapted into films
7478:She Was Killed by Space Junk
7269:
7042:. B. T. Batsford Ltd, 1992.
6003:Eric Vespe (July 29, 2007).
5653:Kit, Borys (July 23, 2004).
2613:Tales of the Black Freighter
2605:Tales of the Black Freighter
2589:Tales of the Black Freighter
2543:Tales of the Black Freighter
2212:DC Universe: Rebirth Special
2137:, and Len Wein, and artists
2024:imprint (launched under the
1481:Tales of the Black Freighter
1443:Tales of the Black Freighter
1422:Tales of the Black Freighter
1391:as an influence, as well as
1341:
713:DC Universe: Rebirth Special
696:DC Universe: Rebirth Special
263:Tales of the Black Freighter
7:
9045:Comics set in New York City
8483:The Mindscape of Alan Moore
8409:March of the Sinister Ducks
7919:Twilight of the Superheroes
6854:September 13, 2021, at the
6634:"The New Classics: Books".
4949:. Dark Horse Comics, 1998.
3923:. No. 9. August 2000.
3001:
2663:. A DVD compiling the full
2391:was attached to direct and
2356:since 1986, when producers
1280:Moore and Gibbons designed
1159:Edward Blake / The Comedian
1057:List of Watchmen characters
936:
297:List of the 100 Best Novels
10:
9121:
9095:Nonlinear narrative novels
8308:Alan Moore's The Courtyard
7180:Journal of Popular Culture
7142:Journal of Popular Culture
7070:Salisbury, Mark (editor).
6702:September 9, 2020, at the
5863:February 25, 2009, at the
5842:December 18, 2008, at the
5780:. IESB.net. Archived from
5755:December 16, 2008, at the
5620:"Aronofksy Still Watching
5234:December 24, 2011, at the
5075:"Dave Gibbons Studio Tour"
4947:Comics: Between the Panels
4915:December 16, 2008, at the
4778:#97 (June 15, 1986), p. 43
4707:December 30, 2009, at the
3808:September 9, 2020, at the
3030:Speculative fiction portal
2923:, a comic in which writer
2751:so that they can retrieve
2674:
2648:
2345:
2339:
2281:
2229:in November 1992, follows
2190:
2178:
2051:
1672:Bradford Wright described
1426:
1054:
941:
874:parody of Superman named "
643:"A Stronger Loving World"
18:
8939:
8865:
8779:Justice League of America
8602:
8544:
8513:
8467:
8398:
8338:
8283:
8203:
8152:
8064:
7969:
7865:
7761:
7752:
7692:
7660:Peter Cannon, Thunderbolt
7622:
7606:Saturday Morning Watchmen
7597:
7574:
7564:Watchmen: The End Is Nigh
7555:
7536:
7447:
7411:
7404:
7353:
7293:
7279:
6532:January 13, 2013, at the
6446:January 17, 2016, at the
6441:All-Time Essential Comics
5552:Stax (October 27, 2001).
5191:January 19, 2010, at the
4580:Watchmen Secrets Revealed
4486:Talking With Dave Gibbons
4173:January 10, 2010, at the
3879:February 9, 2019, at the
3754:October 19, 2013, at the
3674:October 19, 2013, at the
2906:, that inspired designer
2758:
2724:Crisis on Infinite Earths
2621:Watchmen: The End Is Nigh
2582:that never materialized.
2221:, both of which featured
2117:rumors about a potential
1798:Publication and reception
1614:
1121:Peter Cannon, Thunderbolt
1115:Drawing inspiration from
1111:Adrian Veidt / Ozymandias
1034:abilities are limited by
802:Crisis on Infinite Earths
711:imagery was added in the
335:miniseries, in 2012, and
319:Watchmen: The End Is Nigh
169:
161:
153:
148:
127:
117:
107:
97:
92:
82:
74:
53:
48:
39:Watchmen (disambiguation)
9090:Hugo Award-winning works
9015:Alternate history comics
8909:Dark Nights: Death Metal
8793:Red Hood and the Outlaws
8329:Alan Moore's Magic Words
8301:Another Suburban Romance
8136:Top 10: The Forty-Niners
7905:Batman: The Killing Joke
7807:The Ballad of Halo Jones
7499:This Extraordinary Being
7492:Little Fear of Lightning
7330:Dark Nights: Death Metal
6926:January 9, 2018, at the
6906:August 15, 2017, at the
6047:August 14, 2011, at the
5897:Gustines, George Gene. "
5034:August 26, 2009, at the
4675:January 9, 2010, at the
4586:January 3, 2010, at the
4492:January 3, 2010, at the
4245:January 3, 2010, at the
2278:Television series sequel
1538:The Unspeakable Mr. Hart
1491:universe that DC editor
1350:The middle two pages of
970:not coming to pass. The
729:and the 2011 storyline "
277:, and repeated imagery.
170:Date of publication
9050:Comics set in the 1980s
7506:An Almost Religious Awe
7192:10.1111/1540-5931.00019
7106:. Johns Hopkins, 2001.
6794:The Wall Street Journal
6788:April 20, 2009, at the
6638:. June 27/July 4, 2008.
6612:– Top 10 Graphic Novels
6399:March 26, 2013, at the
5488:"Python Won't Bite For
5059:April 21, 2009, at the
4737:Groensteen, p. 152, 155
4349:August 9, 2011, at the
3690:"Graphitti Watchmen HC"
3068:Alan Moore bibliography
2874:The Wall Street Journal
2771:The Dark Knight Returns
2615:on their DVD releases.
2193:Doomsday Clock (comics)
2169:The original series of
1975:. Speaking at the 1985
1172:, with elements of the
1065:The main characters of
989:
743:Background and creation
553:"A Brother to Dragons"
535:"The Abyss Gazes Also"
369:television continuation
357:. A standalone sequel,
9100:Political satire books
9030:Comics by Dave Gibbons
8773:Justice League Odyssey
7583:Watchmen: Motion Comic
6835:March 1, 2012, at the
6828:Contino, Jennifer M. "
6617:March 6, 2013, at the
6590:March 7, 2013, at the
6258:April 5, 2012, at the
6098:WatchmenComicMovie.com
5660:The Hollywood Reporter
5554:"David Hayter Watches
5353:The Hollywood Reporter
4909:Interviews: Alan Moore
4512:. SequentialTart.com.
4157:Eury; Giordano, p. 110
4011:Eury; Giordano, p. 124
3945:Eury; Giordano, p. 117
3859:April 2, 2019, at the
2717:was referenced in the
2657:Watchmen Motion Comics
2651:Watchmen: Motion Comic
2555:Warner Bros. Animation
2549:animated feature from
2429:
2176:
2127:J. Michael Straczynski
1814:
1669:
1564:
1388:The Amazing Spider-Man
1355:
1277:
1070:
957:and the presidency of
920:The Architects of Fear
751:
684:In 2012, DC published
353:characters within the
280:A commercial success,
37:. For other uses, see
8315:A Disease of Language
8294:Alan Moore's Songbook
7849:Tharg's Future Shocks
7772:Maxwell the Magic Cat
7513:A God Walks into Abar
7072:Artists on Comics Art
6988:Groensteen, Thierry.
6976:TwoMorrows Publishing
6877:. November 26, 2022.
6664:. February 15, 1999.
6554:Distinguished in Time
6472:June 6, 2013, at the
6422:May 14, 2013, at the
6160:May 10, 2013, at the
5904:July 1, 2017, at the
5817:May 16, 2012, at the
5735:on November 16, 2012.
5175:on December 16, 2008.
4974:. December 14, 2019.
4378:. n.d. Archived from
3651:May 28, 2014, at the
3628:May 28, 2014, at the
3593:Grand Comics Database
3561:Grand Comics Database
3529:Grand Comics Database
3497:Grand Comics Database
3465:Grand Comics Database
3433:Grand Comics Database
3401:Grand Comics Database
3369:Grand Comics Database
3337:Grand Comics Database
3305:Grand Comics Database
3273:Grand Comics Database
3241:Grand Comics Database
3209:Grand Comics Database
2988:Rorschach appears in
2423:
2385:Warner Bros. Pictures
2316:Yahya Abdul-Mateen II
2215:and 2017's crossover
2167:
2022:America's Best Comics
1805:
1659:
1550:
1457:alludes to the song "
1349:
1267:
1064:
747:
707:, are shown. Further
693:In the 2016 one-shot
9035:Comics controversies
9025:Comics by Alan Moore
8916:Batman: Three Jokers
8444:The Highbury Working
7102:Wright, Bradford W.
7090:Comics as Philosophy
6990:The System of Comics
6636:Entertainment Weekly
6549:Goldstein, Hilary. "
6478:Comic Book Resources
6394:Graphic Novel Review
6227:Entertainment Weekly
6208:Entertainment Weekly
5977:Comic Book Resources
5884:Entertainment Weekly
5784:on February 17, 2007
5634:on February 15, 2009
5533:on February 21, 2010
5468:on February 11, 2015
5385:Entertainment Weekly
5073:IGN (June 8, 2015).
4754:on February 17, 2005
4613:University of Dayton
4382:on December 16, 2008
4343:Comic Book Resources
4293:Entertainment Weekly
4111:Entertainment Weekly
3726:on December 16, 2008
3645:(Warner Books, 1987)
2910:when he created the
2888:Acme Novelty Library
2821:Entertainment Weekly
2747:'s help in entering
2630:Entertainment Weekly
2470:and was replaced by
2460:, and they attached
2284:Watchmen (TV series)
2094:In 2010, Moore told
1573:The System of Comics
1530:William S. Burroughs
1439:story within a story
1248:University of Dayton
414:Publication details
390:, created by writer
325:DC Comics published
149:Original publication
9085:Fiction set in 1985
9010:1987 graphic novels
9005:1987 comics endings
8902:Year of the Villain
8767:Justice League Dark
8732:Green Lantern Corps
7793:The Bojeffries Saga
7038:Reynolds, Richard.
6804:Wall Street Journal
6757:Wall Street Journal
6559:April 11, 2013, at
6189:MacDonald, Heidi. "
5802:Ellwood, Gregory. "
5667:on October 10, 2004
5568:on February 1, 2009
5209:'s Comics Interview
5207:David Anthony Kraft
4719:Salisbury, p. 80–82
4687:Salisbury, p. 77–80
4118:on January 21, 2013
3783:on February 4, 2012
3147:amp.theguardian.com
2973:Watchmen: Annotated
2697:Watchmen Chapter II
2184:Comic book sequel:
2068:Rorschach's Journal
2000:series with artist
1977:San Diego Comic-Con
1894:was marketed as a "
1715:almost all share a
1524:Symbols and imagery
1517:The Black Freighter
1512:The Black Freighter
1504:The Black Freighter
1500:The Black Freighter
1276:throughout the book
1260:Art and composition
1117:Alexander the Great
951:point of divergence
727:DC Universe Rebirth
517:"Fearful Symmetry"
415:
383:Publication history
331:, a series of nine
267:nonlinear narrative
64:#1 (September 1986)
9020:Apocalyptic comics
9000:1986 comics debuts
8881:Dark Nights: Metal
8437:Snakes and Ladders
8354:The Mirror of Love
8022:Spawn/WildC.A.T.S.
7683:The New Golden Age
7545:Watchmen Chapter I
7006:Harvey, Robert C.
6708:The New York Times
6661:The Comics Journal
6412:Driscoll, Molly. "
6173:Totilo, Stephen. "
6014:Ain't It Cool News
5940:The New York Times
5910:The New York Times
5696:The New York Times
5502:on August 14, 2011
5462:The New York Times
5414:. August 26, 1986.
5184:St-Louis, Hervé. "
5138:The New York Times
4907:Robinson, Tasha. "
4699:Kavanagh, Barry. "
4413:The Comics Journal
4319:The Comics Journal
4265:The Comics Journal
4166:Kavanagh, Barry. "
4148:on August 2, 2008.
3995:#116 (July 1987).
3992:The Comics Journal
2853:The New York Times
2835:, however, ranked
2832:The Comics Journal
2689:Watchmen Chapter I
2677:Watchmen Chapter I
2527:Batman & Robin
2454:Paramount Pictures
2450:Revolution Studios
2430:
2266:universe with the
2006:The New York Times
1963:Ownership disputes
1815:
1670:
1577:Thierry Groensteen
1565:
1370:The Comics Journal
1356:
1278:
1268:The blood-stained
1071:
789:characters titled
559:November 11, 1986
523:September 9, 1986
413:
288:was recognized in
21:Watchmen Chapter I
8982:
8981:
8952:Infinite Frontier
8714:The Green Lantern
8562:
8561:
8347:Voice of the Fire
8195:Cinema Purgatorio
7842:D.R. & Quinch
7834:Special Executive
7712:
7711:
7665:Punch and Jewelee
7593:
7592:
7344:Flashpoint Beyond
7128:978-0-578-06076-7
7112:978-0-8018-7450-5
7098:978-1-57806-794-7
7084:978-1-84023-186-1
7066:978-0-7148-3993-6
7048:978-0-7134-6560-0
7034:978-0-8264-1419-9
7016:978-0-87805-758-0
7002:978-1-60473-259-7
6984:978-1-893905-27-6
6910:. DC Comics News.
6651:The Comic Journal
6522:Johnston, Rich. "
6238:Marshall, Rick. "
6202:Gopalan, Nisha. "
5984:on April 15, 2016
5832:Weiland, Jonah. "
5599:on March 13, 2008
5444:978-1-55652-449-3
5211:. Issue 65, 1988.
5018:Sabin, p. 165–167
4955:978-1-56971-344-0
4073:978-1-61069-995-2
4034:978-1-4968-3057-9
3920:Comic Book Artist
3719:Publishers Weekly
3081:(Lone Star Press)
2977:Leslie S. Klinger
2951:wrote a scene in
2574:, who starred in
2545:was adapted as a
2438:Universal Studios
2205:, is part of the
1880:form. Along with
1465:") from Brecht's
1009:conspiracy theory
968:Watergate scandal
922:", an episode of
675:Absolute Watchmen
667:Absolute Watchmen
655:
654:
595:January 13, 1987
577:December 9, 1986
541:October 14, 1986
463:"Absent Friends"
427:Publication date
240:Watergate scandal
232:alternate history
177:
176:
154:Published in
9112:
9105:Satirical comics
9080:Dystopian comics
8895:Heroes in Crisis
8693:Detective Comics
8589:
8582:
8575:
8566:
8565:
8552:
8551:
8416:Brought to Light
8212:Brought to Light
8110:Tomorrow Stories
7890:John Constantine
7739:
7732:
7725:
7716:
7715:
7700:
7699:
7520:See How They Fly
7409:
7408:
7368:Doctor Manhattan
7264:
7257:
7250:
7241:
7240:
7217:
7212:
7211:
7209:Official website
7195:
7174:
7157:
7132:
6957:
6956:
6954:
6952:
6937:
6931:
6917:
6911:
6897:
6891:
6890:
6888:
6886:
6865:
6859:
6846:
6840:
6826:
6820:
6819:
6817:
6815:
6779:
6773:
6772:
6770:
6768:
6748:
6742:
6741:
6739:
6737:
6717:
6711:
6695:Itzkoff, Dave. "
6693:
6687:
6684:
6678:
6677:
6675:
6673:
6655:
6645:
6639:
6632:
6626:
6607:Grossman, Lev. "
6605:
6599:
6576:Grossman, Lev. "
6574:
6568:
6547:
6541:
6520:
6514:
6513:
6511:
6509:
6487:
6481:
6460:
6451:
6437:
6431:
6410:
6404:
6389:Albert, Aaron. "
6387:
6381:
6380:
6378:
6376:
6359:
6353:
6352:
6350:
6348:
6328:
6322:
6321:
6319:
6317:
6300:
6294:
6293:
6291:
6289:
6269:
6263:
6249:
6243:
6236:
6230:
6219:
6213:
6200:
6194:
6187:
6181:
6177:
6171:
6165:
6153:Woodward, Tom. "
6151:
6145:
6144:
6142:
6140:
6120:
6114:
6113:
6111:
6109:
6104:on July 18, 2011
6090:
6084:
6083:
6081:
6079:
6074:on March 5, 2009
6070:. Archived from
6057:
6051:
6039:Hewitt, Chris. "
6037:
6031:
6030:
6028:
6026:
6000:
5994:
5993:
5991:
5989:
5980:. Archived from
5968:"Snyder Gives A
5963:
5957:
5956:
5954:
5952:
5930:
5913:
5895:
5889:
5879:
5873:
5867:
5853:
5847:
5830:
5821:
5800:
5794:
5793:
5791:
5789:
5765:
5759:
5742:
5736:
5719:
5713:
5712:
5710:
5708:
5686:
5677:
5676:
5674:
5672:
5663:. Archived from
5650:
5644:
5643:
5641:
5639:
5630:. Archived from
5615:
5609:
5608:
5606:
5604:
5584:
5578:
5577:
5575:
5573:
5564:. Archived from
5549:
5543:
5542:
5540:
5538:
5529:. Archived from
5518:
5512:
5511:
5509:
5507:
5484:
5478:
5477:
5475:
5473:
5464:. Archived from
5453:
5447:
5428:
5415:
5408:
5402:
5401:
5399:
5397:
5375:
5369:
5368:
5366:
5364:
5344:
5338:
5337:
5335:
5333:
5311:
5305:
5304:
5302:
5300:
5278:
5269:
5268:
5266:
5264:
5244:
5238:
5218:
5212:
5202:
5196:
5182:
5176:
5161:
5155:
5154:
5152:
5150:
5128:
5119:
5118:
5101:
5095:
5094:
5092:
5090:
5070:
5064:
5054:1988 Hugo Awards
5051:
5045:
5025:
5019:
5016:
5010:
5007:
5001:
4994:
4988:
4987:
4985:
4983:
4964:
4958:
4943:
4937:
4936:Plowright, p. 42
4934:
4928:
4927:Salisbury, p. 96
4925:
4919:
4905:
4899:
4896:
4890:
4887:
4881:
4878:
4872:
4869:
4863:
4860:
4854:
4853:Reynolds, p. 117
4851:
4845:
4844:Reynolds, p. 115
4842:
4836:
4833:
4827:
4824:
4818:
4815:
4809:
4806:
4800:
4799:Plowright, p. 54
4797:
4791:
4788:
4779:
4770:
4764:
4763:
4761:
4759:
4744:
4738:
4735:
4729:
4728:Reynolds, p. 111
4726:
4720:
4717:
4711:
4697:
4688:
4685:
4679:
4665:
4659:
4658:Salisbury, p. 80
4656:
4645:
4644:Salisbury, p. 77
4642:
4633:
4632:Salisbury, p. 82
4630:
4621:
4620:
4596:
4590:
4576:
4570:
4569:
4567:
4565:
4550:
4544:
4541:
4535:
4532:
4526:
4525:
4523:
4521:
4505:
4496:
4482:
4476:
4475:Reynolds, p. 110
4473:
4464:
4463:Reynolds, p. 106
4461:
4450:
4447:
4438:
4435:
4429:
4428:. November 2004.
4422:
4416:
4409:
4392:
4391:
4389:
4387:
4368:
4353:
4335:
4322:
4315:
4296:
4285:
4268:
4261:
4250:
4233:
4222:
4221:
4219:
4217:
4201:
4178:
4164:
4158:
4155:
4149:
4134:
4128:
4127:
4125:
4123:
4114:. Archived from
4101:
4090:
4089:
4087:
4085:
4057:
4051:
4050:
4048:
4046:
4018:
4012:
4009:
4000:
3983:
3946:
3943:
3937:
3936:
3934:
3932:
3911:
3888:
3870:
3864:
3850:
3844:
3843:
3841:
3839:
3819:
3813:
3799:
3793:
3792:
3790:
3788:
3779:. Archived from
3768:
3759:
3742:
3736:
3735:
3733:
3731:
3722:. Archived from
3709:
3703:
3701:
3696:. Archived from
3694:Comic Book Daily
3685:
3679:
3662:
3656:
3639:
3633:
3616:
3610:
3609:
3607:
3605:
3584:
3578:
3577:
3575:
3573:
3552:
3546:
3545:
3543:
3541:
3520:
3514:
3513:
3511:
3509:
3488:
3482:
3481:
3479:
3477:
3456:
3450:
3449:
3447:
3445:
3424:
3418:
3417:
3415:
3413:
3392:
3386:
3385:
3383:
3381:
3360:
3354:
3353:
3351:
3349:
3328:
3322:
3321:
3319:
3317:
3296:
3290:
3289:
3287:
3285:
3264:
3258:
3257:
3255:
3253:
3232:
3226:
3225:
3223:
3221:
3200:
3194:
3193:
3191:
3189:
3169:
3163:
3162:
3160:
3158:
3135:
3129:
3128:
3126:
3124:
3104:
3087:Squadron Supreme
3032:
3027:
3026:
3018:
3013:
3012:
2809:
2790:
2733:John Constantine
2462:Darren Aronofsky
2404:would have been
2378:
2366:20th Century Fox
2312:Tim Blake Nelson
2223:Doctor Manhattan
2048:Prequel projects
2011:
1809:, co-creator of
1794:anything else".
1777:
1648:
1508:
1468:Threepenny Opera
1044:New Frontiersman
1017:New Frontiersman
925:The Outer Limits
834:
816:
782:Mighty Crusaders
758:
717:Doctor Manhattan
671:Absolute Edition
505:August 12, 1986
435:
421:
416:
412:
345:to the original
294:
58:
46:
45:
9120:
9119:
9115:
9114:
9113:
9111:
9110:
9109:
8985:
8984:
8983:
8978:
8935:
8861:
8652:Batman/Superman
8598:
8593:
8563:
8558:
8540:
8509:
8463:
8400:
8394:
8334:
8285:
8284:Comics based on
8279:
8226:A Small Killing
8199:
8148:
8088:Five Swell Guys
8066:
8060:
8040:Professor Night
7971:
7965:
7861:
7814:Captain Britain
7763:
7757:
7748:
7743:
7713:
7708:
7688:
7630:Charlton Comics
7618:
7589:
7570:
7551:
7532:
7443:
7400:
7349:
7309:Before Watchmen
7289:
7275:
7268:
7207:
7206:
7203:
7198:
7129:
6966:
6961:
6960:
6950:
6948:
6941:"Lost Property"
6939:
6938:
6934:
6930:. Forever Geek.
6928:Wayback Machine
6918:
6914:
6908:Wayback Machine
6898:
6894:
6884:
6882:
6867:
6866:
6862:
6858:at Grizzly Bomb
6856:Wayback Machine
6847:
6843:
6837:Wayback Machine
6827:
6823:
6813:
6811:
6790:Wayback Machine
6781:Steel, Emily. "
6780:
6776:
6766:
6764:
6749:
6745:
6735:
6733:
6718:
6714:
6704:Wayback Machine
6697:Behind the Mask
6694:
6690:
6685:
6681:
6671:
6669:
6653:
6647:
6646:
6642:
6633:
6629:
6619:Wayback Machine
6606:
6602:
6592:Wayback Machine
6575:
6571:
6548:
6544:
6534:Wayback Machine
6525:Before Watchmen
6521:
6517:
6507:
6505:
6488:
6484:
6474:Wayback Machine
6461:
6454:
6448:Wayback Machine
6438:
6434:
6424:Wayback Machine
6411:
6407:
6401:Wayback Machine
6388:
6384:
6374:
6372:
6360:
6356:
6346:
6344:
6329:
6325:
6315:
6313:
6301:
6297:
6287:
6285:
6270:
6266:
6260:Wayback Machine
6251:White, Cindy. "
6250:
6246:
6237:
6233:
6221:Jensen, Jeff. "
6220:
6216:
6201:
6197:
6188:
6184:
6175:
6172:
6168:
6162:Wayback Machine
6152:
6148:
6138:
6136:
6121:
6117:
6107:
6105:
6092:
6091:
6087:
6077:
6075:
6058:
6054:
6049:Wayback Machine
6038:
6034:
6024:
6022:
6001:
5997:
5987:
5985:
5964:
5960:
5950:
5948:
5931:
5916:
5906:Wayback Machine
5896:
5892:
5877:
5875:Jensen, Jeff. "
5874:
5870:
5865:Wayback Machine
5854:
5850:
5844:Wayback Machine
5831:
5824:
5819:Wayback Machine
5801:
5797:
5787:
5785:
5766:
5762:
5757:Wayback Machine
5743:
5739:
5720:
5716:
5706:
5704:
5687:
5680:
5670:
5668:
5651:
5647:
5637:
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5602:
5600:
5585:
5581:
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5569:
5550:
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5515:
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5503:
5486:
5485:
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5469:
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5405:
5395:
5393:
5376:
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5362:
5360:
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5331:
5329:
5312:
5308:
5298:
5296:
5279:
5272:
5262:
5260:
5245:
5241:
5236:Wayback Machine
5219:
5215:
5203:
5199:
5193:Wayback Machine
5183:
5179:
5162:
5158:
5148:
5146:
5129:
5122:
5113:. No. 96.
5102:
5098:
5088:
5086:
5071:
5067:
5061:Wayback Machine
5052:
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5036:Wayback Machine
5026:
5022:
5017:
5013:
5008:
5004:
4995:
4991:
4981:
4979:
4966:
4965:
4961:
4944:
4940:
4935:
4931:
4926:
4922:
4917:Wayback Machine
4906:
4902:
4897:
4893:
4888:
4884:
4879:
4875:
4870:
4866:
4862:Klock, p. 25–26
4861:
4857:
4852:
4848:
4843:
4839:
4835:Thomson, p. 111
4834:
4830:
4826:Thomson, p. 109
4825:
4821:
4817:Thomson, p. 108
4816:
4812:
4808:Thomson, p. 101
4807:
4803:
4798:
4794:
4789:
4782:
4771:
4767:
4757:
4755:
4746:
4745:
4741:
4736:
4732:
4727:
4723:
4718:
4714:
4709:Wayback Machine
4698:
4691:
4686:
4682:
4677:Wayback Machine
4667:Rogers, Adam. "
4666:
4662:
4657:
4648:
4643:
4636:
4631:
4624:
4597:
4593:
4588:Wayback Machine
4577:
4573:
4563:
4561:
4552:
4551:
4547:
4542:
4538:
4534:Reynolds, p. 32
4533:
4529:
4519:
4517:
4506:
4499:
4494:Wayback Machine
4483:
4479:
4474:
4467:
4462:
4453:
4448:
4441:
4436:
4432:
4423:
4419:
4410:
4395:
4385:
4383:
4376:Comics Bulletin
4370:
4369:
4356:
4351:Wayback Machine
4336:
4325:
4316:
4299:
4287:Jensen, Jeff. "
4286:
4271:
4262:
4253:
4247:Wayback Machine
4234:
4225:
4215:
4213:
4202:
4181:
4175:Wayback Machine
4165:
4161:
4156:
4152:
4135:
4131:
4121:
4119:
4102:
4093:
4083:
4081:
4074:
4058:
4054:
4044:
4042:
4035:
4019:
4015:
4010:
4003:
3984:
3949:
3944:
3940:
3930:
3928:
3913:
3912:
3891:
3881:Wayback Machine
3871:
3867:
3861:Wayback Machine
3851:
3847:
3837:
3835:
3820:
3816:
3810:Wayback Machine
3800:
3796:
3786:
3784:
3769:
3762:
3756:Wayback Machine
3743:
3739:
3729:
3727:
3710:
3706:
3700:on May 4, 2013.
3686:
3682:
3676:Wayback Machine
3663:
3659:
3653:Wayback Machine
3640:
3636:
3630:Wayback Machine
3617:
3613:
3603:
3601:
3586:
3585:
3581:
3571:
3569:
3554:
3553:
3549:
3539:
3537:
3522:
3521:
3517:
3507:
3505:
3490:
3489:
3485:
3475:
3473:
3458:
3457:
3453:
3443:
3441:
3426:
3425:
3421:
3411:
3409:
3394:
3393:
3389:
3379:
3377:
3362:
3361:
3357:
3347:
3345:
3330:
3329:
3325:
3315:
3313:
3298:
3297:
3293:
3283:
3281:
3266:
3265:
3261:
3251:
3249:
3234:
3233:
3229:
3219:
3217:
3202:
3201:
3197:
3187:
3185:
3170:
3166:
3156:
3154:
3137:
3136:
3132:
3122:
3120:
3105:
3101:
3096:
3038:Charlton Comics
3028:
3021:
3014:
3007:
3004:
2992:'s 2019 novel,
2908:Vincent Connare
2877:contested that
2807:
2788:
2761:
2711:version of the
2705:
2679:
2673:
2653:
2647:
2551:Warner Premiere
2547:direct-to-video
2503:setting of the
2495:. Screenwriter
2478:in turnaround.
2472:Paul Greengrass
2393:Charles McKeown
2376:
2358:Lawrence Gordon
2350:
2344:
2342:Watchmen (film)
2338:
2336:Film adaptation
2333:
2300:television show
2286:
2280:
2195:
2189:
2181:
2163:Before Watchmen
2131:Brian Azzarello
2123:Before Watchmen
2056:
2054:Before Watchmen
2050:
2009:
1965:
1878:trade paperback
1800:
1775:
1666:Hemel Hempstead
1646:
1617:
1611:Lock Company".
1526:
1506:
1493:Julius Schwartz
1455:Black Freighter
1441:in the form of
1432:
1425:
1383:Harvey Kurtzman
1344:
1262:
1207:quantum physics
1203:nuclear physics
1135:version of the
1059:
1053:
992:
944:
939:
848:
847:
846:
845:
844:
835:
827:
826:
817:
791:Who Killed the
764:Charlton Comics
760:
753:
745:
687:Before Watchmen
659:trade paperback
640:
622:
613:March 17, 1987
604:
586:
568:
550:
532:
514:
496:
478:
460:
448:September 1986
442:
385:
328:Before Watchmen
292:
252:moral struggles
217:Charlton Comics
144:
70:
65:
42:
17:
12:
11:
5:
9118:
9108:
9107:
9102:
9097:
9092:
9087:
9082:
9077:
9072:
9067:
9062:
9057:
9052:
9047:
9042:
9037:
9032:
9027:
9022:
9017:
9012:
9007:
9002:
8997:
8980:
8979:
8977:
8976:
8969:
8964:
8959:
8954:
8949:
8943:
8941:
8937:
8936:
8934:
8933:
8926:
8923:Endless Winter
8919:
8912:
8905:
8898:
8891:
8888:Doomsday Clock
8884:
8877:
8869:
8867:
8863:
8862:
8860:
8859:
8852:
8845:
8838:
8831:
8824:
8817:
8810:
8803:
8796:
8789:
8782:
8775:
8770:
8763:
8760:Justice League
8756:
8753:The Hellblazer
8749:
8742:
8735:
8724:
8721:Green Lanterns
8717:
8710:
8703:
8696:
8689:
8682:
8675:
8668:
8661:
8654:
8649:
8642:
8635:
8628:
8621:
8614:
8606:
8604:
8603:Ongoing series
8600:
8599:
8592:
8591:
8584:
8577:
8569:
8560:
8559:
8557:
8556:
8545:
8542:
8541:
8539:
8538:
8533:
8528:
8523:
8521:Melinda Gebbie
8517:
8515:
8514:Related people
8511:
8510:
8508:
8507:
8500:
8493:
8486:
8479:
8471:
8469:
8465:
8464:
8462:
8461:
8454:
8447:
8440:
8433:
8430:The Birth Caul
8426:
8419:
8412:
8404:
8402:
8396:
8395:
8393:
8392:
8385:
8378:
8371:
8364:
8357:
8350:
8342:
8340:
8336:
8335:
8333:
8332:
8325:
8318:
8311:
8304:
8297:
8289:
8287:
8281:
8280:
8278:
8277:
8276:
8275:
8270:
8265:
8259:Marvel Comics
8257:
8250:
8243:
8236:
8229:
8222:
8215:
8207:
8205:
8201:
8200:
8198:
8197:
8192:
8185:
8178:
8171:
8164:
8156:
8154:
8150:
8149:
8147:
8146:
8139:
8132:
8125:
8124:
8123:
8118:
8106:
8099:
8092:
8091:
8090:
8078:
8070:
8068:
8065:America's Best
8062:
8061:
8059:
8058:
8051:
8044:
8043:
8042:
8037:
8025:
8018:
8011:
8004:
7997:
7990:
7983:
7975:
7973:
7972:Awesome Comics
7970:Image Comics /
7967:
7966:
7964:
7963:
7956:
7949:
7948:
7947:
7942:
7937:
7932:
7926:V for Vendetta
7922:
7915:
7908:
7901:
7894:
7893:
7892:
7880:
7875:
7869:
7867:
7863:
7862:
7860:
7859:
7852:
7845:
7838:
7824:
7810:
7803:
7796:
7789:
7786:V for Vendetta
7782:
7775:
7767:
7765:
7759:
7758:
7753:
7750:
7749:
7742:
7741:
7734:
7727:
7719:
7710:
7709:
7707:
7706:
7693:
7690:
7689:
7687:
7686:
7679:
7672:
7667:
7662:
7657:
7652:
7647:
7642:
7637:
7632:
7626:
7624:
7620:
7619:
7617:
7616:
7609:
7601:
7599:
7595:
7594:
7591:
7590:
7588:
7587:
7578:
7576:
7572:
7571:
7569:
7568:
7559:
7557:
7553:
7552:
7550:
7549:
7540:
7538:
7537:Animated films
7534:
7533:
7531:
7530:
7529:
7528:
7523:
7516:
7509:
7502:
7495:
7488:
7481:
7474:
7467:
7451:
7449:
7445:
7444:
7442:
7441:
7440:
7439:
7434:
7429:
7415:
7413:
7406:
7402:
7401:
7399:
7398:
7394:Doomsday Clock
7390:
7385:
7380:
7375:
7370:
7365:
7359:
7357:
7351:
7350:
7348:
7347:
7340:
7333:
7326:
7316:Doomsday Clock
7312:
7305:
7297:
7295:
7291:
7290:
7280:
7277:
7276:
7267:
7266:
7259:
7252:
7244:
7238:
7237:
7229:
7218:
7202:
7201:External links
7199:
7197:
7196:
7186:(3): 497–506.
7175:
7158:
7148:(4): 546–557.
7133:
7127:
7114:
7100:
7086:
7068:
7060:, 1996, 2001.
7052:Sabin, Roger.
7050:
7036:
7020:Klock, Geoff.
7018:
7004:
6986:
6967:
6965:
6962:
6959:
6958:
6932:
6912:
6892:
6860:
6841:
6821:
6774:
6743:
6712:
6688:
6686:Harvey, p. 150
6679:
6640:
6627:
6600:
6569:
6542:
6515:
6482:
6452:
6432:
6405:
6382:
6354:
6323:
6295:
6264:
6244:
6231:
6214:
6195:
6182:
6166:
6146:
6115:
6085:
6052:
6032:
5995:
5958:
5914:
5890:
5868:
5855:Davis, Erik. "
5848:
5822:
5795:
5760:
5737:
5714:
5678:
5645:
5610:
5579:
5544:
5513:
5479:
5448:
5416:
5403:
5370:
5339:
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5270:
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5213:
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5177:
5156:
5120:
5115:Games Workshop
5105:Langford, Dave
5096:
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5046:
5020:
5011:
5002:
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4855:
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4790:Wright, p. 273
4780:
4775:Amazing Heroes
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4451:
4449:Wright, p. 272
4439:
4437:Wright, p. 271
4430:
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4354:
4337:Amaya, Erik. "
4323:
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3704:
3680:
3657:
3634:
3611:
3588:"Watchmen #12"
3579:
3556:"Watchmen #11"
3547:
3524:"Watchmen #10"
3515:
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2949:Grant Morrison
2940:IDW Publishing
2760:
2757:
2704:
2701:
2675:Main article:
2672:
2669:
2649:Main article:
2646:
2643:
2599:'s (the first
2593:Under the Hood
2456:would produce
2340:Main article:
2337:
2334:
2332:
2329:
2324:Robert Redford
2293:Damon Lindelof
2282:Main article:
2279:
2276:
2272:Doomsday Clock
2203:Doomsday Clock
2197:The sequel to
2191:Main article:
2188:
2186:Doomsday Clock
2182:
2180:
2177:
2062:series called
2052:Main article:
2049:
2046:
1997:V for Vendetta
1964:
1961:
1866:limited series
1829:Howard Chaykin
1823:Amazing Heroes
1799:
1796:
1722:existentialism
1639:Harlan Ellison
1616:
1613:
1585:Doomsday Clock
1525:
1522:
1459:Seeräuberjenny
1451:Bertolt Brecht
1424:
1419:
1394:Doctor Strange
1343:
1340:
1272:, a recurring
1261:
1258:
1257:
1256:
1231:
1226:
1191:
1186:
1176:spy character
1161:
1156:
1129:
1124:
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1107:
1106:
1102:ink blot tests
1084:
1055:Main article:
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1049:
991:
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836:
829:
828:
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811:
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736:Doomsday Clock
653:
652:
650:
649:July 28, 1987
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538:February 1987
536:
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509:
508:
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502:December 1986
500:
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484:November 1986
482:
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473:
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470:
469:June 10, 1986
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338:Doomsday Clock
189:limited series
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8800:Suicide Squad
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8646:Batman Beyond
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8611:Action Comics
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8451:Angel Passage
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8389:Illuminations
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8286:Moore's prose
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8204:Miscellaneous
8202:
8196:
8193:
8191:
8190:
8186:
8184:
8183:
8182:Crossed: +100
8179:
8177:
8176:
8175:Fashion Beast
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8103:Terra Obscura
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7820:Jaspers' Warp
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7764:British works
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7063:
7059:
7058:Phaidon Press
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6692:
6683:
6672:September 24,
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6584:
6580:
6573:
6566:
6562:
6561:archive.today
6558:
6555:
6553:
6546:
6539:
6538:Bleeding Cool
6535:
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5804:World awaits
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5117:. p. 13.
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5009:Sabin, p. 165
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4267:. March 1986.
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4237:Illustrating
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3492:"Watchmen #9"
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3460:"Watchmen #8"
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3380:September 18,
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3252:September 18,
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3016:Comics portal
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2995:Lost Property
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1969:work for hire
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1937:Dave Langford
1934:
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1896:graphic novel
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1870:Marvel Comics
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646:October 1987
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571:"Old Ghosts"
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520:January 1987
519:
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501:
499:"Watchmaker"
498:
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487:July 8, 1986
486:
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466:October 1986
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451:May 13, 1986
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430:On-sale date
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244:World War III
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221:Dick Giordano
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199:and colorist
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140:Barbara Kesel
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93:Creative team
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36:
34:
29:
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9075:Drama comics
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8907:
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8879:
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8856:Wonder Woman
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8502:
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8247:Dodgem Logic
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8173:
8166:
8159:
8153:Avatar Press
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8108:
8101:
8094:
8080:
8073:
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8046:
8035:Jack-A-Dandy
8027:
8020:
8015:WildC.A.T.S.
8013:
8006:
7999:
7994:Judgment Day
7992:
7985:
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7958:
7935:Evey Hammond
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7847:
7840:
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7826:
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7805:
7798:
7791:
7784:
7777:
7770:
7755:Bibliography
7702:
7681:
7674:
7640:Captain Atom
7611:
7604:
7581:
7562:
7543:
7454:
7418:
7393:
7388:Adrian Veidt
7383:Silk Spectre
7342:
7335:
7328:
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7314:
7307:
7301:
7300:
7287:Dave Gibbons
7271:
7270:
7233:
7221:
7183:
7179:
7173:(98): 95–98.
7170:
7166:
7165:Nostalgia".
7162:
7145:
7141:
7137:
7118:
7103:
7089:
7071:
7053:
7039:
7021:
7007:
6989:
6971:
6964:Bibliography
6949:. Retrieved
6935:
6915:
6895:
6883:. Retrieved
6872:
6863:
6844:
6824:
6812:. Retrieved
6803:
6793:
6777:
6767:February 27,
6765:. Retrieved
6756:
6746:
6734:. Retrieved
6725:
6715:
6707:
6691:
6682:
6670:. Retrieved
6659:
6650:
6643:
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6622:
6609:
6603:
6595:
6582:
6578:
6572:
6564:
6551:
6545:
6537:
6524:
6518:
6508:November 11,
6506:. Retrieved
6495:
6485:
6477:
6464:
6435:
6427:
6414:
6408:
6391:
6385:
6373:. Retrieved
6367:
6357:
6345:. Retrieved
6336:
6326:
6314:. Retrieved
6308:
6298:
6286:. Retrieved
6267:
6247:
6234:
6226:
6217:
6207:
6198:
6185:
6169:
6149:
6139:February 19,
6137:. Retrieved
6128:
6118:
6108:February 15,
6106:. Retrieved
6102:the original
6097:
6088:
6076:. Retrieved
6072:the original
6065:
6055:
6035:
6023:. Retrieved
6012:
6006:
5998:
5986:. Retrieved
5982:the original
5975:
5969:
5961:
5949:. Retrieved
5938:
5909:
5893:
5883:
5871:
5851:
5834:
5810:
5805:
5798:
5786:. Retrieved
5782:the original
5775:
5771:
5763:
5749:Resurrected?
5746:
5740:
5726:
5717:
5705:. Retrieved
5694:
5669:. Retrieved
5665:the original
5658:
5648:
5636:. Retrieved
5632:the original
5627:
5621:
5613:
5603:December 16,
5601:. Retrieved
5597:the original
5592:
5582:
5570:. Retrieved
5566:the original
5561:
5556:The Watchmen
5555:
5547:
5535:. Retrieved
5531:the original
5526:
5516:
5504:. Retrieved
5500:the original
5495:
5489:
5482:
5472:February 10,
5470:. Retrieved
5466:the original
5461:
5451:
5435:
5431:
5412:Sun-Sentinel
5411:
5406:
5394:. Retrieved
5383:
5373:
5361:. Retrieved
5352:
5342:
5330:. Retrieved
5319:
5309:
5297:. Retrieved
5286:
5261:. Retrieved
5252:
5242:
5225:
5216:
5205:
5200:
5180:
5159:
5147:. Retrieved
5136:
5108:
5099:
5087:. Retrieved
5078:
5068:
5049:
5039:
5038:. (2 of 2).
5023:
5014:
5005:
5000:. June 1987.
4997:
4992:
4982:February 29,
4980:. Retrieved
4971:
4962:
4946:
4941:
4932:
4923:
4903:
4898:Klock, p. 75
4894:
4889:Klock, p. 62
4885:
4880:Klock, p. 65
4876:
4871:Klock, p. 63
4867:
4858:
4849:
4840:
4831:
4822:
4813:
4804:
4795:
4773:
4768:
4756:. Retrieved
4752:the original
4742:
4733:
4724:
4715:
4683:
4663:
4616:
4608:
4604:
4594:
4574:
4562:. Retrieved
4548:
4543:Klock, p. 66
4539:
4530:
4518:. Retrieved
4480:
4433:
4425:
4420:
4415:. July 1987.
4412:
4386:December 12,
4384:. Retrieved
4380:the original
4321:. July 1987.
4318:
4292:
4264:
4238:
4214:. Retrieved
4162:
4153:
4132:
4120:. Retrieved
4116:the original
4109:
4082:. Retrieved
4066:. Abc-Clio.
4062:
4055:
4043:. Retrieved
4023:
4016:
3990:
3941:
3929:. Retrieved
3918:
3868:
3848:
3836:. Retrieved
3827:
3817:
3797:
3785:. Retrieved
3781:the original
3776:
3748:(March 2000)
3745:
3740:
3728:. Retrieved
3724:the original
3717:
3707:
3698:the original
3693:
3683:
3665:
3660:
3642:
3637:
3619:
3614:
3602:. Retrieved
3591:
3582:
3570:. Retrieved
3559:
3550:
3538:. Retrieved
3527:
3518:
3506:. Retrieved
3495:
3486:
3474:. Retrieved
3463:
3454:
3442:. Retrieved
3431:
3422:
3410:. Retrieved
3399:
3390:
3378:. Retrieved
3367:
3358:
3346:. Retrieved
3335:
3326:
3314:. Retrieved
3303:
3294:
3282:. Retrieved
3271:
3262:
3250:. Retrieved
3239:
3230:
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8835:Teen Titans
8707:Green Arrow
8686:Deathstroke
8665:Blue Beetle
8536:Steve Moore
8497:Show Pieces
8399:Spoken word
8219:Big Numbers
7884:Swamp Thing
7831:(including
7817:(including
7635:Blue Beetle
7613:Watchmensch
7586:(2008–2009)
7405:Adaptations
7281:Created by
7076:Titan Books
6874:Screen Rant
6814:February 8,
6067:Sci Fi Wire
5988:November 9,
5788:October 18,
5638:October 18,
5593:AllBusiness
5572:October 18,
5537:October 18,
5506:October 18,
5396:October 21,
5253:Screen Rant
5110:White Dwarf
4957:, p. 460–61
4758:October 14,
4520:October 12,
4216:October 29,
4142:Titan Books
3885:Screen Rant
3787:February 1,
3730:October 13,
3049:Thunderbolt
2982:The Sandman
2968:franchise.
2920:Watchmensch
2737:John Diggle
2532:Paul Levitz
2485:'s work on
2483:Zack Snyder
2434:Lloyd Levin
2362:Joel Silver
2331:Adaptations
2308:Don Johnson
2304:Regina King
2291:brought on
2268:DC Universe
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2201:, entitled
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2147:Adam Hughes
2143:J. G. Jones
2139:Lee Bermejo
2002:David Lloyd
1983:cups." For
1946:White Dwarf
1929:received a
1838:smiley face
1709:deconstruct
1589:behaviorism
1569:smiley face
1485:Joe Orlando
1437:features a
1270:smiley face
1137:Blue Beetle
1089:Steve Ditko
955:Vietnam War
909:Neil Gaiman
574:April 1987
556:March 1987
408:cover-dated
394:and artist
355:DC Universe
308:Zack Snyder
275:coincidence
259:smiley face
236:Vietnam War
230:depicts an
28:(TV series)
8989:Categories
8947:The New 52
8866:Miniseries
8828:Super-Sons
8821:Superwoman
8728:Hal Jordan
8596:DC Rebirth
8526:Leah Moore
8458:Unearthing
8240:Lost Girls
8189:Providence
8168:Neonomicon
8096:Tom Strong
8048:Youngblood
7931:Adam Susan
7828:Doctor Who
7746:Alan Moore
7676:DC Rebirth
7655:Peacemaker
7650:Nightshade
7556:Video game
7526:Soundtrack
7432:Soundtrack
7427:Production
7396:characters
7355:Characters
7322:The Button
7283:Alan Moore
6585:100 Novels
6337:Comic Book
5671:October 8,
5263:October 8,
5149:October 7,
3931:October 8,
3668:(DC, 1988)
3622:(DC, 1987)
3204:"Watchmen"
3094:References
2912:Comic Sans
2884:Chris Ware
2719:Arrowverse
2703:Arrowverse
2513:storyboard
2415:miniseries
2406:unfilmable
2397:voice-over
2381:turnaround
2346:See also:
2255:multiverse
2231:Ozymandias
2218:The Button
2207:DC Rebirth
2155:Joe Kubert
1931:Hugo Award
1807:Alan Moore
1717:nihilistic
1668:, May 2008
1567:A stained
1453:fan": the
1236:Nightshade
1170:Peacemaker
1153:Clark Kent
1051:Characters
997:Ozymandias
820:Alan Moore
793:Peacemaker
778:MLJ Comics
773:Miracleman
768:Alan Moore
731:Flashpoint
722:The Button
610:July 1987
400:maxiseries
392:Alan Moore
193:Alan Moore
186:comic book
102:Alan Moore
8962:Dan DiDio
8807:Supergirl
8786:Nightwing
8700:The Flash
8382:Jerusalem
8233:From Hell
8121:Greyshirt
8082:Promethea
7940:Norsefire
7878:Sodam Yat
7866:DC Comics
7779:Marvelman
7448:TV series
7378:Rorschach
7337:Rorschach
7026:Continuum
6736:April 29,
5707:March 21,
5363:April 20,
5332:August 3,
5299:August 3,
5169:Newsarama
5089:April 12,
3828:Newsarama
3188:March 30,
3123:August 9,
2944:Whatmen?!
2863:Marvelman
2755:'s soul.
2749:Purgatory
2741:Mia Smoak
2729:Earth-666
2440:, hiring
2257:. Writer
2110:Dan DiDio
2088:Minutemen
2064:Minutemen
2026:WildStorm
2018:DC Direct
1939:reviewed
1854:DC Heroes
1694:Reaganism
1686:Thatchers
1627:satirist
1375:EC Comics
1342:Structure
1295:macguffin
1217:Star Trek
1178:Nick Fury
1032:prescient
886:Rorschach
881:Moby Dick
592:May 1987
404:DC Comics
360:Rorschach
246:with the
213:superhero
205:DC Comics
195:, artist
87:DC Comics
83:Publisher
78:1986–1987
60:Cover of
8995:Watchmen
8973:Watchmen
8940:See also
8814:Superman
8730:and the
8672:Catwoman
8658:Batwoman
8554:Category
8504:The Show
8008:Violator
7898:Watchmen
7703:Category
7670:Question
7623:See also
7598:Parodies
7456:Watchmen
7420:Watchmen
7373:Nite Owl
7363:Comedian
7302:Watchmen
7272:Watchmen
7234:Watchmen
7222:Watchmen
7163:Watchmen
7138:Watchmen
7078:, 2000.
7028:, 2002.
6996:, 2007.
6978:, 2003.
6951:April 3,
6945:Archived
6924:Archived
6904:Archived
6885:June 21,
6879:Archived
6852:Archived
6833:Archived
6808:Archived
6786:Archived
6761:Archived
6730:Archived
6700:Archived
6666:Archived
6615:Archived
6610:Watchmen
6588:Archived
6579:Watchmen
6557:Archived
6552:Watchmen
6530:Archived
6502:Archived
6470:Archived
6465:Watchmen
6444:Archived
6420:Archived
6415:Watchmen
6397:Archived
6392:Watchmen
6375:July 10,
6347:July 22,
6341:Archived
6316:June 14,
6282:Archived
6256:Archived
6158:Archived
6133:Archived
6129:VFXWorld
6078:March 4,
6045:Archived
6025:July 29,
6019:Archived
6007:Watchmen
5970:Watchmen
5945:Archived
5902:Archived
5861:Archived
5840:Archived
5815:Archived
5806:Watchmen
5776:Watchmen
5753:Archived
5747:Watchmen
5733:Archived
5701:Archived
5622:Watchmen
5490:Watchmen
5446:, p. 144
5432:Watchmen
5390:Archived
5357:Archived
5326:Archived
5293:Archived
5288:SyfyWire
5257:Archived
5232:Archived
5189:Archived
5173:original
5143:Archived
5083:Archived
5057:Archived
5032:Archived
4998:Gateways
4976:Archived
4913:Archived
4705:Archived
4673:Archived
4584:Archived
4564:June 20,
4558:Archived
4514:Archived
4490:Archived
4347:Archived
4243:Archived
4239:Watchmen
4210:Archived
4171:Archived
4146:original
4078:Archived
4039:Archived
3997:Archived
3925:Archived
3877:Archived
3857:Archived
3832:Archived
3806:Archived
3752:Archived
3672:Archived
3666:Watchmen
3649:Archived
3643:Watchmen
3626:Archived
3620:Watchmen
3598:Archived
3566:Archived
3534:Archived
3502:Archived
3470:Archived
3438:Archived
3406:Archived
3374:Archived
3342:Archived
3310:Archived
3278:Archived
3246:Archived
3214:Archived
3182:Archived
3151:Archived
3117:Archived
3079:Pantheon
3002:See also
2966:Watchmen
2936:Watchmen
2929:Watchmen
2898:Watchmen
2879:Watchmen
2868:Watchmen
2858:Watchmen
2848:Watchmen
2837:Watchmen
2826:Watchmen
2816:Watchmen
2812:Watchmen
2780:Watchmen
2776:Watchmen
2765:Watchmen
2714:Watchmen
2639:Watchmen
2634:Watchmen
2609:Watchmen
2601:Nite Owl
2580:Watchmen
2560:Watchmen
2536:Watchmen
2505:Watchmen
2501:Cold War
2497:Alex Tse
2493:Watchmen
2476:Watchmen
2458:Watchmen
2446:Watchmen
2426:Watchmen
2410:Watchmen
2402:Watchmen
2387:, where
2374:Watchmen
2370:Sam Hamm
2354:Watchmen
2298:Watchmen
2264:Watchmen
2251:Superman
2244:Watchmen
2240:Watchmen
2227:Watchmen
2199:Watchmen
2171:Watchmen
2119:Watchmen
2106:Watchmen
2102:Watchmen
2077:The 'Nam
2042:Watchmen
2038:Watchmen
2034:Watchmen
2014:Watchmen
1994:and his
1992:Watchmen
1985:Watchmen
1973:Watchmen
1951:Watchmen
1941:Watchmen
1927:Watchmen
1917:Watchmen
1907:Watchmen
1900:Watchmen
1892:Watchmen
1884:'s 1986
1862:Watchmen
1851:for its
1847:Watchmen
1833:Watchmen
1818:Watchmen
1811:Watchmen
1791:Watchmen
1787:Watchmen
1783:Watchmen
1768:Watchmen
1742:Watchmen
1738:Watchmen
1731:Watchmen
1726:Watchmen
1713:Watchmen
1701:Watchmen
1690:Watchmen
1678:Watchmen
1674:Watchmen
1662:Watchmen
1651:Watchmen
1643:Watchmen
1621:Watchmen
1596:Watchmen
1581:Watchmen
1557:Watchmen
1534:Watchmen
1489:Watchmen
1473:Watchmen
1447:Watchmen
1435:Watchmen
1415:Watchmen
1411:Watchmen
1402:Watchmen
1360:Watchmen
1352:Watchmen
1335:Watchmen
1331:airbrush
1315:surveyor
1310:Watchmen
1303:Watchmen
1291:Watchmen
1287:Watchmen
1282:Watchmen
1253:Watchmen
1166:Watchmen
1141:Watchmen
1133:Ted Kord
1075:Watchmen
1067:Watchmen
1036:tachyons
1028:creature
983:Cold War
963:Watchmen
947:Watchmen
937:Synopsis
905:Watchmen
900:Watchmen
861:Len Wein
842:Watchmen
824:Watchmen
756:Watchmen
709:Watchmen
705:Watchmen
701:Watchmen
679:Watchmen
388:Watchmen
377:Watchmen
365:Tom King
351:Watchmen
347:Watchmen
313:Watchmen
286:Watchmen
282:Watchmen
238:and the
228:Watchmen
209:Watchmen
181:Watchmen
157:Watchmen
135:Len Wein
118:Colorist
62:Watchmen
49:Watchmen
33:Watchmen
26:Watchmen
8967:Jim Lee
8849:Trinity
8746:Hawkman
8625:Batgirl
8618:Aquaman
8129:Top Ten
8029:Supreme
7856:Monster
7459:(2019)
7423:(2009)
6726:Inverse
6497:Polygon
6288:June 9,
6278:CBR.com
5972:Update"
5951:May 26,
5811:Variety
5744:Stax. "
5321:Polygon
5079:YouTube
4615:: 3–4.
4122:May 28,
4084:July 4,
4045:July 4,
3838:June 2,
2938:movie,
2824:placed
2799:critic
2745:Lucifer
2693:Blu-ray
2683:R-rated
2521:subplot
2179:Sequels
2174:desire.
2114:Jim Lee
2060:prequel
2030:imprint
1981:Slurpee
1825:Preview
1772:kenosis
1764:kenosis
1758:kenosis
1699:Citing
1682:Reagans
1629:Juvenal
1601:craters
1542:Cyclops
1477:subtext
1299:gimmick
942:Setting
850:Artist
333:prequel
128:Editors
66:Art by
8842:Titans
8679:Cyborg
8639:Batman
8273:Meggan
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8254:Albion
8116:Cobweb
8067:Comics
8055:Voodoo
7567:(2009)
7548:(2024)
7294:Comics
7227:Curlie
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1561:smiley
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1149:Batman
1026:-like
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424:Title
343:sequel
162:Issues
108:Artist
98:Writer
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8468:Other
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7412:Film
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7062:ISBN
7044:ISBN
7030:ISBN
7012:ISBN
6998:ISBN
6980:ISBN
6953:2022
6887:2023
6816:2010
6769:2009
6738:2016
6674:2008
6623:Time
6596:Time
6583:Time
6510:2019
6377:2024
6349:2023
6318:2024
6290:2017
6141:2009
6110:2008
6080:2009
6027:2007
5990:2006
5953:2008
5790:2008
5774:and
5709:2013
5673:2008
5640:2008
5605:2011
5574:2008
5539:2008
5508:2008
5474:2015
5440:ISBN
5398:2019
5365:2020
5334:2017
5301:2017
5265:2017
5151:2008
5091:2022
5041:Time
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4951:ISBN
4760:2008
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4522:2008
4388:2008
4218:2011
4124:2006
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4068:ISBN
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4029:ISBN
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3840:2016
3789:2012
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3606:2022
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3542:2022
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3478:2022
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3414:2022
3382:2022
3350:2022
3318:2022
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3222:2022
3190:2020
3159:2022
3125:2016
2886:'s '
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2805:Time
2797:Time
2793:Time
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