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Part of a series of "white on white" works begun by
Malevich in 1916, the work depicts a white square, portrayed off-centre and at an angle on a ground which is also a white square of a slightly warmer tone. The work measures 79.5 by 79.5 centimetres (31.3 in × 31.3 in). Malevich
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in
Hanover, who put it into storage after the Nazi party came to power in 1933. Malevich did not ask for the work to be returned, and died in 1935 without leaving instructions on the inheritance of his estate. It was put on display at the
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in New York in 1935, and added to the Museum's collection in 1963, and the acquisition was confirmed by the estate of
Kazimir Malevich in 1999, using funds from the bequest of
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in 1927, where it was displayed at the Große
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movement quipped that it was the only good canvas in an exhibition by
Malevich's
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79.4 cm × 79.4 cm (31¼ in × 31¼ in)
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later that year, Malevich left it with the architect
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