Wong Kar-wai - Knowledge

824: 7146: 7131: 6981: 6936: 1825:, Wong is seen by the historian Philip Kemp as representing the "internationalisation" of East Asian cinema. Domestically, his films were generally not financial successes, but he has been consistently well-awarded by local bodies. From early on, he was regarded as Hong Kong's "enfant terrible" and one of their most iconoclastic filmmakers. Despite this, he has been recognised in both cult and mainstream circles, producing art films that receive commercial exposure. He is known for confounding audiences, as he adopts established genres and subverts them with experimental techniques. 1659:

Wong's films are typically fragmented and disjointed, with little concern for linear narrative, and often with interconnected stories. Critics have commented on the lack of plot in his films, such as Burr who says: "The director doesn't build linear story lines so much as concentric rings of narrative and poetic meaning that continually revolve around each other". Similarly, Brunette says that Wong "often privileges audio/visual expressivity over narrative structure". Wong has commented on this, saying "in my logic there is a storyline."

7071: 1134:, though he is considered much colder and very different. Wong found that he did not want to leave the character, and commenced where he left off in 1966; nevertheless, he claimed: "It's another story, about how a man faces his future due to a certain past". His plans were vague and according to Teo, he set "a new record in his own method of free-thinking, time-extensive and improvisatory filmmaking" with the production. Scenes were shot in Beijing, Shanghai, Hong Kong, Macau, and Bangkok. Actresses 68: 324: 1368: 7161: 7116: 7086: 6996: 6951: 578: 1032: 7056: 7041: 1663: 1174: 1614: 1783:, the mix of classical music, soprano aria, and jazz mirrors the characters' complex emotional states, from repression to nostalgia to desire. The shifts in music style reflect the psychological transitions the characters undergo, making their inner struggles more palpable. Music acts as a direct emotional language, deepening the emotional resonance and connecting the audience more intimately to the characters' internal journeys. 494: 7011: 7176: 7101: 7026: 6966: 1324:. He set out to make "a commercial and colourful film". After considerable research and preparation, filming began in 2009. Tony Leung Chui-wai rejoined Wong for their seventh film together, having spent 18 months being trained in Wing Chun. The "gruelling" production lasted intermittently for three years, twice interrupted by Leung fracturing his arm, and is Wong's most expensive to date. 1769:, the use of Argentine tango music is a reflection of both the environment and the tumultuous relationship between the two leads. The intense and passionate rhythm of tango mirrors the characters' intense and fractured connection. Music here is not only about personal emotions but also about creating a sense of place and highlighting the characters' isolation in a foreign country. 546:(1981), before progressing to film scripts. He worked as part of a team, contributing to a variety of genres including romance, comedy, thriller, and crime. Wong had little enthusiasm for these early projects, described by the film scholar Gary Bettinson as "occasionally diverting and mostly disposable", but continued to write throughout the 1980s on films including 1601:

shoots, "drawing inspiration from the music, the setting, working conditions, and actors". In advance, the cast are given a minimal plot outline and expected to develop their characters as they film. To capture naturalness and spontaneity, Wong does not allow for rehearsals while improvisation and collaboration are encouraged. He similarly does not use

1058:(2000) – showcases the director at "the zenith of his cinematic art." The latter film emerged from a highly complicated production history that lasted two years. Several different titles and projects were planned by Wong before they evolved into the final result: a romantic melodrama set in 1960s Hong Kong that is seen as an unofficial sequel to 838:, Wong faced a two-month break as he waited for equipment to re-record sound for some scenes. He was in a negative state, feeling heavy pressure from his backers and worrying about another failure, and so decided to start a new project: "I thought I should do something to make myself feel comfortable about making films again. So I made 1795:, Wong was described as having "already established a secure reputation as one of the most daring avant-garde filmmakers" of Chinese cinema. Authors Zhang and Xiao concluded that he "occupies a special place in contemporary film history", and had already "exerted a sizeable impact". With the subsequent release of 1676:

Key to Wong's films is the visual style, which is often described as beautiful and unique. The colours are bold and saturated, the camerawork swooning, resulting in what Brunette calls his "signature visual pyrotechnics". One of his trademarks is the use of step-printing, which alters film rates to "

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Though Wong admits to being controlling, and oversees every aspect of the film making process, he has formed several long-lasting partnerships and close collaborators. In 2013, he said: "It is always good to work with a very regular group of people because we know how high we can fly and what are the

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has often been stated as one of the director's most stylish films, and it has also been received with praise for its non-conventional, fragmented plot. Film historians Zhang Yingjin and Xiao Zhiwei commented: "While not as groundbreaking as its predecessors, the film is still different and innovative

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is broadly considered a crime thriller, and contains scenes of extreme violence, but is atypical of the genre and heavily infused with Wong's fragmented, experimental style. The loose plot again involves two distinct, subtly overlapping narratives, and is dominated by frantic visuals. The film mostly

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Maggie Cheung and Tony Leung Chiu-wai play the lead characters, who move into an apartment building on the same day in 1962 and discover that their spouses are having an affair; over the next four years they develop a strong attraction. Teo writes that the film is a study of "typical Chinese reserve

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as a marked change from his earlier work: the story is more linear and understandable, there are only three characters (with no women at all), and while it still has Doyle's "exuberant" photography, it is more stylistically restrained. After a difficult production period – where a six-week shoot was

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In Wong's films, music is not merely a tool for creating ambiance—it’s an integral part of the storytelling, providing a deeper emotional context to the visuals and the narrative. The intertwining of music with the plot, characters, and mood elevates the emotional layers of his films. His choice of

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Wong has said that he was obliged to keep the film under two hours for the US release, but "I didn't want to do it just by cutting the film shorter ... I just wanted to tell the story in a different way." He restructured the material, making it more linear and focussing more on the character of Ip

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is even more strongly linked to the Handover, as they argue that the relationship of the main characters represents that of China and Hong Kong. Jeffrey Tambling agrees this is a viable interpretation. Wong has denied this, but admits that the title is a reference to his hope that "we could all be

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Wong is known for producing art films focused on mood and atmosphere, rather than following convention. His general style is described by Teo as "a cornucopia overflowing with multiple stories, strands of expression, meanings and identities: a kaleidoscope of colours and identities". Structurally,

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Wong has an unusual approach to film making, starting production without a script and generally relying on instinct and improvisation rather than pre-prepared ideas. He has said he dislikes writing and finds filming from a finished script "boring". According to Stokes & Hoover, he writes as he

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after being detained while traveling to a film festival, which the petition argued would undermine the tradition of film festivals as a place for works to be shown "freely and safely", and that arresting filmmakers traveling to neutral countries could open the door "for actions of which no-one can

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from Britain to China, which occurred that year. Wong was widely expected to address the event in his next film; instead, he avoided the pressure by choosing to shoot in Argentina. The issues of the handover were nevertheless important: knowing that homosexuals in Hong Kong faced uncertainty after

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he immediately decided to contact her, and she signed on as the lead. Wong's understanding of America was based only on short visits and what he had seen in films, but he was keen to depict the country accurately. As such, he co-wrote the film (one of the rare times a screenplay was pre-prepared)

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Wong often casts the same actors. He is strongly associated with Tony Leung Chiu-wai, who has appeared in seven of Wong's feature length films. Wong describes him as a partner, stating, "I feel like there is a lot of things between me and Tony that is beyond words. We don't need meetings, talks,

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was expected to be a mainstream picture; instead it was a character piece, more concerned with mood and atmosphere than narrative. Released in December 1990, the film earned little at the box office and divided critics. Despite this, it won five Hong Kong Film Awards, and received some attention

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is more than just a background score; it becomes a symbol of the unspoken desires, loneliness, and restrained emotions between the protagonists. The music creates a sense of emotional repetition, just like the unresolved tension between the two characters. It's not just an accompaniment; it's a

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Another trademark of Wong's cinema is his use of music and pop songs. He places great importance on this element, and Biancorosso describes it as the "essence" of his films; a key part of the "narrative machinery" that can guide the rhythm of the editing. He selects international songs, rarely

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Wong's oeuvre consists of ten directed features, 16 films where is he credited only as screenwriter, one television series and seven films from other directors that he has produced. He has also directed commercials, short films, and music videos, and contributed to two anthology films. He has

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in 1997. So on short notice we had to retrieve all the materials ... we noticed that some of the original negatives and sound tapes had deteriorated into pieces. We decided to rescue the film ... We spent the first few years searching for missing materials ... we realized that a 100-percent

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is therefore very high, sometimes forty takes per scene, and production typically goes well over schedule and over budget. Tony Leung has commented that this approach is "taxing on the actors", but Stokes & Hoover speculate that Wong's collaborators endure it because " results are always

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The East Asian scholar Daniel Martin describes Wong's output as "among the most internationally accessible and critically acclaimed Hong Kong films of all time". Because of this status abroad, Wong is seen as a pivotal figure in his local industry; Julian Stringer says he is "central to the

763:. He eventually took little from the book other than three characters, and in 1992 began experimenting with several different narrative structures to weave what he called "a very complex tapestry". Filming began with another all-star cast: Leslie, Maggie, and Jacky Cheung returned alongside 1514:

to European art films. They were never labelled as such, and so he approached them equally and was broadly influenced. The energy of the Hong Kong films had a "tremendous" impact according to Brunette. Art professor Giorgio Biancorosso commented that Wong's international influences include

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were beginning to take effect in China and his parents decided to relocate to Hong Kong. The two older children were meant to join them later, but the borders closed before they had a chance and Wong did not see his brother or sister again for ten years. In Hong Kong, the family settled in

1231:, Wong wanted his next feature to be a simple, invigorating experience. He decided to make an English-language film in America, later justifying this by explaining: "It's a new landscape. It's a new background, so it's refreshing." After hearing a radio interview with the singer 594:

By 1987 the Hong Kong film industry was at a peak, enjoying a considerable level of prosperity and productivity. New directors were needed to maintain this success, and – through his links in the industry – Wong was invited to become a partner on a new independent company,

1497:" a heady mix of influences, ranging from modernist novels to narrative, visual and aural motifs drawn from local films and popular culture. High and low, new and old, and local and global are all thrown onto a blank canvas, one that assumes shape ... editing process." 704:

focuses on a disillusioned young adult named Yuddy and those around him. There is no straightforward plot or obvious genre, but Stephen Teo sees it as a film about the "longing for love". Andy Lau, Maggie Cheung, and Jacky Cheung rejoined Wong for his second film, while

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is used repeatedly to reflect the characters' sense of loneliness, the desire to escape, and a longing for something uncertain. The music becomes a temporal anchor that reflects the characters' emotional states, with the passage of time tied to the rhythm and melody.

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Jones had never acted before, but Wong had a history of casting singers in his films and said it felt "very natural". He also liked "the idea of this being her first movie and my first movie in English, which made us equals." Wong insisted that she not take acting

5261: 803:. The film scholar Martha P. Nochimson has called it "the most unusual martial arts film ever made", as fast-paced action scenes are replaced with character ruminations, and story becomes secondary to the use of colour, landscape, and imagery. As such, 1281:

was Wong's fourth consecutive film to compete for the Palme d'Or at Cannes. Although he considered it a "special experience", the film did not receive positive critical reviews. With common complaints that the material was thin and the product uneven,

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The shoot lasted 15 months, with both Cheung and Leung reportedly driven to their breaking points. Wong shot more than 30 times the footage he eventually used, and only finished editing the film the morning before its Cannes premiere. At the festival,

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and some complained that Wong had become self-indulgent. However, as time went on, critics would go on to have a significant re-appraisal of the film, and it has amassed a large cult following, becoming one of Wong's most popular and iconic films.

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was a further influence on Wong. He said in a 1998 interview: "In the late eighties, when was first shown in Hong Kong, we were all really impressed with the energy and the fragmented structure. It seemed like we should go in this direction."

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as the first typical "Wong Kar-wai film". It has since gained a reputation as one of Hong Kong's finest releases. Its initial failure was disheartening for the director, and he could not gain funding for his next project – a planned sequel.

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Wong's films frequently appeared on best-of lists domestically and internationally. On the Hong Kong Film Awards Association's 2005 list of The Best 100 Chinese Motion Pictures, all except one of his films up to that time made the list.

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restoration of the original version was out of the question, so we trimmed out the parts that were beyond repair and replaced them with other options. From there we embarked on another five-year journey from restoration to redux".

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Outside of cinema, Wong has been heavily influenced by literature. He has a particular affinity for Latin American writers, and the fragmentary nature of his films came primarily from the "scrapbook structures" of novels by

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has since come to be considered a cult classic of the Golden Age of Hong Kong cinema, being especially representative of Wong's style. Wong would go on to consolidate his worldwide reputation with the 1997 drama

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Wong's dependence on music and his heavily visual and disjointed style has been compared to music videos, but detractors claim that they are "all surface and no depth". Academic Curtis K. Tsui argues that style

1642:. Stephen Schneider writes that he deserves "much credit" in Wong's success, as his "masterful use of light and colour renders every frame a work of art". Wong's other regular colleagues include writer-producer 5086: 792:

concerns a desert-exiled assassin who is called upon by several different characters while nursing a broken heart. It was a difficult production and the project was not completed for two years, at a cost of

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is considerably more fun and lighthearted than the director's previous efforts, but deals with the same themes. At the 1995 Hong Kong Film Awards it was named Best Picture, and Wong received Best Director.

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and repressed desire", while Schneider describes how the "strange relationship" is choreographed with "the grace and rhythm of a waltz" and depicted in "a dreamlike haze by an eavesdropping camera".

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As a youth, Wong was frequently taken to the cinema by his mother and exposed to a variety of films. He later said: "The only hobby I had as a child was watching movies". At school he was studying

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in an effort to save their relationship. Wong decided to change the structure and style from his previous films, as he felt he had become predictable. Teo, Brunette, and Jeremy Tambling all see

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Wong Kar-wai was born on 17 July 1958 in Shanghai, the youngest of three siblings. His father was a sailor and his mother was a housewife. By the time Wong was five years old, the seeds of the

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Born in Shanghai, Wong emigrated to Hong Kong as a child with his family. He began a career as a screenwriter for soap operas before transitioning to directing with his debut, the crime drama

8581: 4323: 1150:, but Wong delivered the print 24 hours late and still was not happy: he continued editing until the film's October release. It was Wong's most expensive and longest-running project to date. 1650:

whatever, because a lot of things are understood." Other actors who have appeared in at least three of his films are Maggie Cheung, Chang Chen, Leslie Cheung, Jacky Cheung, and Carina Lau.

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made this possible. Developing a more personal project than his previous film, Wong picked the 1960s as a setting – evoking an era that he remembered well and had a "special feeling" for.

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Martin, Daniel (2014). "Body of Action, Face of Authenticity: Symbolic Stars in the Transnational Marketing and Reception of East Asian Cinema". In Leung, Wing-fai; Willis, Andy (eds.).

560:(1987). He is credited with ten screenplays between 1982 and 1987, but claims to have worked on about fifty more without official credit. Wong spent two years writing the screenplay for 3848: 3238: 1681:, filming in the dark or rain, and elliptical editing. Schneider writes of Wong's fondness for "playing with film stock, exposure, and speed the way others might fiddle with a script." 694:

For his next film, Wong decided to move away from the crime trend in Hong Kong cinema, to which he felt indifferent. He was eager to make something unique, and the financial success of

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the substance in Wong's film, while Brunette believes that his "form remains resolutely in the service of character, theme, and emotion rather than indulged in for its own sake".

1689:, and uses them to enhance the sense of history or place. According to film scholar Julian Stringer, music "proved crucial to the emotional and cognitive appeal" of Wong's films. 4859: 1791:

Wong is an important figure in contemporary cinema, regarded as one of the best filmmakers of his generation. His reputation as a maverick began early in his career: in the 1996

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traditions, with form, visuals, and themes consistent with Wong's previous work. Three different versions of the film exist, as Wong shorted it from its domestic release for the

6257: 4972: 5022: 3774: 866:). Wong was keen to experiment with "two crisscrossing stories in one movie" and worked spontaneously, filming at night what he had written that day. Peter Brunette notes that 9308: 7688: 2438:

In an interview, Wong explained the reasoning and difficulties behind the restoration: "The laboratory where we stored all our negatives went bankrupt overnight following the

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music and the way he uses it help build his distinctive cinematic language, enabling viewers to experience emotions not only through the story but also through sound.

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hard blocks of primary colour into iridescent streaks of light." Other features of the Wong aesthetic include slow motion, off-centre framing, the obscuring of faces,

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was a commercial failure, but critics were generally appreciative of Wong's "refusal to be loyal to genre". The film won several local awards, and competed at the

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contemporary Chinese cinema renaissance", Gary Bettinson describes him as "a beacon of Hong Kong cinema" who "has kept that industry in the public spotlight", and

1634:. Chang has worked on every Wong film and is a trusted confidant, responsible for all set design and costuming. Doyle photographed seven of his projects, all from 875:

acquired the film for American distribution, which, according to Brunette, "catapulted Wong to international attention". Stephen Schneider includes it in his book

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1997, Wong decided to focus on a relationship between two men. He was keen to present the relationship as ordinary and universal, as he felt Hong Kong's previous

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is the most difficult film in my career so far, and one of the most important. I am very proud of it." In subsequent years it has been included on lists of the

7208: 5055: 510:, and his father got work managing a night club. Being an only child in a new city, Wong has said he felt isolated during his childhood; he struggled to learn 431:(1994), a smaller film that he hoped would rekindle his love of cinema during a two-month sabbatical while waiting for post-production equipment to arrive for 8567: 4742: 1869:, he made an impact with his "liquid" aesthetic, which Ungerböck claims was completely new and quickly copied in Asian film and television. His second film, 4358: 7774: 3328: 1246:, it focused on a young New Yorker who leaves for a road trip when she learns that her boyfriend has been unfaithful. Cast as the figures she meets were 986:

While his reputation grew steadily throughout the early 1990s, Wong's international standing was "thoroughly consolidated" with the 1997 romantic drama

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economy. Wong said: "2046 is the last year of this promise and I thought it would be interesting to use these numbers to make a film about promises."

4311: 6905: 4637: 3638: 609:(1986), and Wong decided to follow suit. Specifically, unlike Hong Kong's other crime films, he chose to focus on young gangsters. The film, named 4711: 1273:. Wong produced it in the same manner as he would in Hong Kong, and the themes and visual style – despite Doyle being replaced by cinematographer 9845: 8438: 7804: 7744: 7738: 4158: 5806: 4680: 2559: 678:

for the rest of eternity but I wanted to do something more personal after that. I wanted to break the structure of the average Hong Kong film."

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s 2002 poll of the greatest filmmakers of the previous 25 years. His films frequently appear on best-of lists domestically and internationally.

9850: 435:. The film, expressing a more lighthearted atmosphere, catapulted Wong to international prominence, and won Best Film and Best Director at the 4453: 3844: 3230: 1466:

Wong and his wife, Esther, have one child – a son named Qing. The director is known for always appearing in sunglasses, which James Motram of

844:, which I made like a student film." Conceived and completed within only six weeks, the new project ended up being released two months before 9294: 7816: 7674: 5415: 4889: 2691: 5182: 473:, revered for its lush visuals and subtle storytelling, concretely established Wong's trademark filmmaking styles. Among his other work are 9317: 8590: 8100: 7768: 7224: 3612: 5903: 3986: 3946: 1735:

Wong excels at using music to evoke a feeling of time passing, as if the music itself is marking certain moments and emotional states. In

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parameters, and it becomes very enjoyable." Two men have been instrumental in developing and achieving his aesthetic: production designer

8442: 6898: 3298: 3870: 1112:– took double that time. The film was actually conceived first, when Wong picked the title as a reference to the final year of China's " 7732: 6249: 6079: 4851: 1025: 457: 4828: 3766: 8792: 8782: 8772: 8762: 8739: 8729: 8719: 8709: 8699: 8689: 8679: 8669: 8659: 8649: 8639: 8629: 8619: 8609: 5012: 1830:"Wong stands as the leading heir to the great directors of post-WWII Europe: His work combines the playfulness and disenchantment of 650:

said that Wong " out from his peers by abandoning the kinetics of comedies and action movies in favour of more liquid atmospherics."

392:(1990), his first venture in such a direction, did not perform well at the box office. It however received critical acclaim, and won 6109: 5118: 9865: 9855: 4384: 3915: 1865:

Both Stringer and Nochimson claim that Wong has one of the most distinctive filmmaking styles in the industry. From his first film

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received awards and nominations from organisations in Asia, Europe, North America, and South America. In 2006, Wong accepted the

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Wong is wary of sharing his favourite directors, but has stated that he watched a range of films growing up, from Hong Kong

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was complete, reportedly becoming obsessed with it. In Bettinson's account, it "became a behemoth, impossible to finish".

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Man, and included new scenes not seen in the Chinese version. Some critics have argued that the US version is inferior.

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occurs at night and explores the dark side of Hong Kong, which Wong planned intentionally to balance the sweetness of

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47 million. Upon release in September 1994, audiences were confused by the film's vague plotting and atypical take on

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received no attention from Western critics upon its initial release, but it was selected to be screened during the

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Biancorosso, Giorgio (2010). "Global Music/Local Cinema: Two Wong Kar-wai Pop Compilations". In Kam, Louie (ed.).

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praised it as an "enigmatic, rapturously beautiful meditation on romance and remembrance", while Steve Erikson of

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The Chinese government stated in 1997 that for 50 years Hong Kong was guaranteed to stay the same and keep its

599:, and given the opportunity to direct his own picture. Gangster films were popular at the time, in the wake of 170: 6797: 3320: 1016:

dragged out to four months – the film was released in May 1997 to great critical acclaim. It competed for the

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Wong began the project when there had not been any other Ip Man biopics, but in the time it took him to make

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gets off on sheer innocence, exuberance, and cinematic freedom, a striking triumph of style over substance".

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restoration of his entire filmography, which was released in 2021 in celebration of the 20th anniversary of

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Wong's next film was not released for five years, as he underwent another long and difficult production on

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internationally. With its experimental narrative, expressive camerawork, and themes of lost time and love,

48: 17: 5262:"Interview: Wong Kar-Wai Talks Kung Fu, The Different 'The Grandmaster' Cuts & His Favorite Directors" 4552:"Interview: Wong Kar-Wai Talks Kung Fu, The Different 'The Grandmaster' Cuts & His Favorite Directors" 1316:, but Wong decided to focus on an earlier period of Ip's life (1936–1956) that covered the turmoil of the 8378: 8086: 5740:"How Wong Kar-wai's Use of Emotional Music Creates Worlds Within Worlds | Sound of Life | Powered by KEF" 4629: 2299: 1560: 1548: 561: 4703: 1120:, with the first footage dating back to December 1999. Wong immediately continued with the project once 854:

is split into two distinct parts – both set in contemporary Hong Kong and focusing on lonely policemen (

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was ranked 24th, the highest-ranked film since 1980 and the sixth greatest film by a living director.

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were cast to play the women who consume Mo-wan, as the character plans a science fiction novel titled

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He soon began a screenwriting career, firstly at a Hong Kong local TV series and soap operas, such as

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was a commercial failure in Hong Kong, but the majority of western critics gave it positive reviews.

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Struggling to get support for his work, Wong formed his own production company, Jet Tone Films, with

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was released in June 1988 and was popular with audiences. Several journalists named Wong among the "

6682: 4449: 1991: 1885:(1990) placed at number three, the highest position for a post-1980s film; other films ranked were 1749: 1317: 1113: 937:, but with new characters. Wong conceived both films as complementary studies of Hong Kong: "To me 9463: 5405: 4912:"Amazon Orders Fred Armisen-Maya Rudolph Comedy, Wong Kar-wai Drama, 3 Other Projects (EXCLUSIVE)" 4881: 2695: 1392:, but commented in October 2017 that he was no longer involved in the project. In September 2017, 931:

had originally been conceived as three stories; one of them was later included in his later film,

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poll, whereby industry professionals submit ballots to determine the greatest films of all time,

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in 1980, but later dropped out of college after being accepted to a training course with the

370: 9071: 7403: 6528: 6087: 5079:"Wong Kar Wai Announces Next Project, Jim Jarmusch & 'Zombieland' Writers Land New Gigs" 4820: 3665: 2643:"Wong Kar-Wai interview: the revered film director on returning to his first love – kung fu" 1304:. The idea had occurred to him in 1999, but he did not commit to it until the completion of 9825: 9630: 7578: 7520: 6813: 6805: 6752: 6156: 3464: 2170: 1716: 1668: 1420: 1166: 1054: 1040: 1021: 811:

where Doyle won Best Cinematography. In 2008, Wong reworked the film and re-released it as

808: 717:, who became one of Wong's most important collaborators, photographing his next six films. 469: 336: 7624: 7290: 2005:

from the French Government. In 2013, he was bestowed with the title of a Commander of the

1352:

won twelve Hong Kong Film Awards, including Best Film and Best Director, and received two

8: 9594: 9445: 9433: 9202: 8606: 8338: 8078: 7946: 7834: 6768: 6117: 5714:"A Deeper Understanding: In the Mood for Love and 'Yumeji's Theme' | TAKE ONE | Features" 5108: 3234: 2207: 1727:

fundamental part of expressing the inner turmoil and complex emotions of the characters.

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that occurred in nineteenth-century San Francisco, but Amazon later dropped the series.

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The Cinema of Wong Kar Wai: Chinese and Western Culture Differences in Narrative Cinemas

4475: 3923: 1470:

says adds "to the alluring sense of mystery that swirls around the man and his movies."

968:. Upon release in September 1995, several critics felt that the film was too similar to 9516: 9510: 9286: 9262: 9172: 8993: 8981: 8913: 8646: 7666: 7397: 7336: 7320: 6712: 6634: 6593: 4984: 2564: 2063: 1979: 1809: 1722: 1269:

took place over seven weeks in 2006, on location in Manhattan, Memphis, Las Vegas, and

700: 685: 643: 388: 296: 288: 9767: 9683: 9528: 7487: 4428: 4426: 3540: 410:(1994), met with a mixed reception because of its vague plot and atypical take on the 9689: 9274: 9160: 9053: 9041: 8919: 8769: 8656: 7630: 7566: 7560: 7463: 7244: 7238: 7180: 7165: 6970: 6890: 6864: 6720: 6624: 6599: 6578: 6559: 6540: 6529: 6509: 6503: 6488: 6467: 6448: 6429: 6410: 6391: 6372: 6353: 6334: 6315: 3632: 2262: 2085: 1943: 1737: 1631: 1618: 1536: 1532: 1442: 1432: 1339: 1205: 892: 855: 840: 794: 714: 615:, tells the story of a conflicted youth who has to watch over his hot-headed friend. 605: 427: 9469: 9011: 6426:

Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures

4790: 4673:"Wong Kar Wai Says His 108-Minute 'The Grandmaster' Is Not 'A Watered-Down Version'" 2778: 1564: 9743: 9719: 9648: 9546: 9457: 9355: 9250: 9226: 9101: 9065: 8736: 8726: 8686: 8666: 7421: 7391: 7308: 7296: 7272: 5538: 4423: 3871:"Film critics' society honors 'Mulholland Drive' / 'Gosford Park' also wins awards" 2002: 1907: 1857: 1835: 1524: 1259: 1160: 741:

in 1992. In need of further backing, Wong accepted a studio's offer that he make a

552: 378:

was fairly successful in Hong Kong, Wong moved away from the contemporary trend of

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The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance

5693: 3645: 1714:

In Wong's films, music often acts as an extension of the characters' emotions. In

1662: 1007:

tells the story of a couple (Tony Leung Chiu-wai and Leslie Cheung) who travel to

9642: 9636: 9421: 9403: 9379: 9343: 9337: 9331: 9268: 9166: 9059: 8931: 8789: 8759: 8636: 8042: 8018: 8006: 7988: 7894: 7888: 7858: 7612: 7608: 7602: 7584: 7572: 7554: 7409: 7375: 7256: 7075: 5880: 4197: 2416: 1831: 1777:

Wong frequently uses music to express what characters are feeling internally. In

1568: 1544: 1540: 1516: 1446:

was officially announced as a TV series and was released on December 27, 2023 on

1430:

Regarding his next project, the Asian media had reported that it would be titled

1380: 1251: 710: 514:

and English, only becoming fluent in these new languages when he was a teenager.

35: 9564: 8856: 4764: 4288: 1807:

named him the third greatest director of the previous quarter-century. In 2015,

881:

with the summary: "While other films by Wong may pack more emotional resonance,

9791: 9773: 9731: 9707: 9695: 9618: 9600: 9570: 9552: 9522: 9481: 9238: 9077: 8937: 8871: 8066: 7642: 7596: 7590: 7542: 7427: 7387: 7284: 7278: 7135: 7120: 7030: 7015: 7000: 6955: 5113: 4630:"Wong Kar-wai, Master of Hong Kong Cinema, on His Journey to 'The Grandmaster'" 2426: 2010: 1843: 1821:

designate him the filmmaker from China with the greatest impact. Together with

1606: 1474: 1385: 1344: 1274: 1237: 1192: 730: 647: 518: 40: 8999: 7314: 7250: 4219: 1052:

marked "a new stage in artistic development", and along with its successor –

759:. Wong was enthusiastic about the idea, claiming he had long wanted to make a 67: 9819: 9755: 9737: 9624: 9540: 9493: 9397: 9391: 9373: 9220: 9196: 9190: 9178: 9142: 9089: 9023: 9017: 9005: 8946: 8024: 7756: 7726: 7714: 7648: 7618: 7510: 7469: 7457: 7445: 7439: 7381: 7342: 7324: 6728: 6524: 3445: 2511: 2104: 1975: 1947: 1678: 1627: 1451: 1408: 1353: 1035: 1017: 961: 788: 760: 706: 631: 566: 507: 406: 323: 9487: 6215: 5649: 3484: 1367: 1224:

was not well received, Wong's segment was often called the most successful.

9803: 9749: 9582: 9576: 9558: 9534: 9475: 9439: 9367: 9361: 9256: 9232: 9184: 9113: 9095: 8987: 8958: 8907: 8901: 8877: 8779: 8696: 8324: 8230: 8190: 8160: 8048: 7958: 7930: 7822: 7530: 7524: 7481: 7433: 7363: 7346: 7330: 7302: 7262: 4590:"Wong Kar Wai On China's Growth, Kung Fu, Oscar Contenders & Bruce Lee" 2421: 1951: 1393: 1389: 1321: 1255: 1008: 859: 783: 764: 635: 251: 230: 31: 6877: 6053: 6006: 5853: 5570: 5312: 4943:"Huanxi releases details on Wong Kar Wai web series 'Paradise Guesthouse'" 927:

into another film about alienated young adults in contemporary Hong Kong.

344:

film director, screenwriter, and producer. His films are characterised by

9677: 9671: 9612: 9588: 9154: 9083: 9035: 9029: 8964: 8865: 8706: 8626: 8616: 8513: 8503: 8290: 8036: 7536: 7514: 7493: 7415: 7160: 7150: 7115: 7090: 7085: 6995: 6950: 6940: 6826: 6760: 5146: 4122: 3500: 3407: 3286: 3254: 2886: 2192: 1963: 1822: 1803:, Wong's international standing grew further, and in 2002 voters for the 1779: 1643: 1578: 1556: 1437: 1270: 1232: 1196: 1178: 1108: 475: 383: 341: 5205:"Le cinéma soutient Roman Polanski / Petition for Roman Polanski – SACD" 4047: 3568: 3188: 3172: 1031: 529:

television network, where he learned the processes of media production.

9725: 9654: 9427: 9409: 9244: 9208: 8895: 8889: 8716: 8543: 8533: 8483: 8408: 8388: 8368: 8348: 8334: 8304: 8280: 8270: 8170: 8140: 8120: 8060: 8000: 7976: 7964: 7952: 7942: 7936: 7924: 7906: 7636: 7451: 6620: 5351: 5349: 5347: 5046:"Wong Kar Wai Explains the Controversial New Restorations of His Films" 5017: 3767:"Interview: The "Mood" of Wong Kar-wai; the Asian Master Does it Again" 2483: 1959: 1602: 1511: 1217: 1173: 1135: 768: 379: 244: 8841: 3037: 1308:. Ip Man is a legendary figure in Hong Kong, known for training actor 497:

Hong Kong in 1965, shortly after Wong's family emigrated from Shanghai

205: 202: 199: 183: 180: 177: 9785: 9713: 9148: 8472: 8418: 8358: 8294: 8240: 8220: 8180: 8054: 8030: 7912: 7900: 7876: 7846: 7810: 7708: 7055: 7040: 5841: 5782: 5677: 5050: 1971: 1551:, who was an important mentor and likely inspired his use of colour. 1401: 1313: 1309: 1213: 965: 863: 619: 577: 511: 267: 5962: 5344: 4190:"Love and desire: with 2046, Wong Kar-wai completes his masterpiece" 1613: 8200: 7982: 7852: 7840: 7792: 7762: 7720: 6985: 6281:"Tencent Nabs Rights to 'Blossoms' Series Produced by Wong Kar-wai" 5554: 5498: 5328: 5280: 4882:"Wong Kar-Wai Talks Amazon Series 'Tong Wars,' Drops 'Gucci' Movie" 2715: 2713: 2517: 1686: 1605:

or plan camera placement, preferring to experiment as he goes. His

1331: 1247: 1200:(2004), providing one of three short films (the others directed by 957: 756: 738: 627: 600: 581: 274: 5978: 5586: 5109:"Pilot of Wong Kar-wai's TV directorial debut to air on Wednesday" 4075: 2834: 2473:, and in both films Maggie Cheung's character is named Su Li-zhen. 493: 9125: 8493: 8462: 8428: 8398: 8314: 8260: 8130: 8012: 7994: 7970: 7918: 7882: 7798: 7060: 5829: 5637: 5296: 3408:"List of Nominees and Awardees of The 14th Hong Kong Film Awards" 3255:"List of Nominees and Awardees of The 14th Hong Kong Film Awards" 2982: 1852: 1531:. Some of his favorite contemporary filmmakers include Scorsese, 1424: 1155: 1139: 872: 485:(2013), both of which received awards and nominations worldwide. 8589: 7223: 5175:"Release Polanski, demands petition by film industry luminaries" 3516: 3456:

sfn error: no target: CITEREFWai-ming_Lee,_2017Micky_Lee,_2017 (

2879:"List of Nominees and Awardees of The 7th Hong Kong Film Awards" 2710: 445:

in 1995. Although it was initially tepidly received by critics,

8150: 7864: 7070: 6640: 5232: 5230: 4652: 1978:. In 2018, he was awarded an Honorary Doctor of Arts degree by 1942:

Wong's influence has impacted contemporary directors including

1874: 1447: 1400:, a television drama to be directed by Wong. It focuses on the 1301: 923:

Wong continued to work without break, expanding his ideas from

421:

Exhausted by the time-consuming filming and post-production of

353: 4159:"Wong's '2046' is a mind-altering cocktail, perfectly blended" 3053: 2003:

National Order of the Legion of Honour: Knight (Lowest Degree)

896:

was sunshiny and suffused with bright, lovely daytime colors,

779:− the latter of which became one of Wong's key collaborators. 7175: 7145: 7130: 7100: 7025: 6980: 6965: 6935: 5994: 5013:"Wong Kar-wai masterpiece restores Hong Kong's mood for love" 3825: 3693: 3451: 1818: 1455: 742: 413: 5227: 4249: 4247: 4245: 3435: 3433: 3150: 3148: 3146: 2957: 2955: 2953: 2951: 2949: 1672:(2000), showing Wong's use of vivid colour and step-printing 1646:, producer Jacky Pang, and assistant director Johnnie Kong. 7010: 6333:. Hong Kong: Hong Kong University Press. pp. 229–245. 5603: 5601: 4411: 1208:) that centre on the theme of lust. Wong's segment, titled 1130:

continues the story of Chow Mo-wan, Leung's character from

998: 8108: 5904:"Wong Kar-wai to Produce First Movie for Alibaba Pictures" 5385: 5242: 4528: 4025: 4023: 4021: 4019: 3947:"Busan Festival Proposes Ranking of Best-Ever Asian Films" 3348: 3346: 3160: 3133: 3131: 2861: 2859: 2857: 2855: 2853: 2851: 2849: 2812: 2810: 2808: 6034: 5938: 5665: 5625: 5406:"Hong Kong Legend Tony Leung Tries His Hand at Hollywood" 4242: 4035: 3801: 3430: 3388: 3204: 3143: 3089: 2946: 2912: 2910: 2908: 2906: 2904: 2595: 2593: 2591: 2589: 2587: 1939:

also featured (all but two of Wong's films at the time).

1582: 1300:(2013) – a biographical film of the martial arts teacher 978:

enough to confirm presence on the international scene."

526: 293: 279: 9316: 7696: 5598: 5526: 5514: 5486: 5373: 3895: 3528: 2934: 1191:

Before starting on his next feature, Wong worked on the

258: 6250:"Wong Kar-wai To Get Lifetime Accolade At Goa Festival" 6022: 5410: 5142:"TV series dives into the bustles of Shanghai in 1990s" 4735:"Hong Kong Film Awards: 'The Grandmaster' Nabs 12 Wins" 4016: 3813: 3789: 3746: 3580: 3343: 3128: 3065: 2998: 2846: 2805: 1996:

List of awards and nominations received by Wong Kar-wai

1473:

In 2009, Wong signed a petition in support of director

749:(ancient martial arts) film based on the popular novel 622:, Wong was given considerable freedom in the making of 6920: 6216:"Wong Kar-wai Awarded France's Biggest Cultural Honor" 6152:"What Wong Kar-wai Taught Barry Jenkins About Longing" 5926: 5765:"The Subtle Sensitivity of the Cinema of Wong Kar-wai" 4351:"Wong Kar-wai exclusive My Blueberry Nights interview" 4006: 4004: 3724: 3722: 3720: 3681: 2901: 2584: 1330:

is described by Bettinson as a mixture of popular and

5950: 3378: 3376: 3363: 3361: 3106: 3104: 3015: 3013: 2972: 2970: 1419:'s film restoration laboratory L'Immagine Ritrovata. 981: 798: 743: 411: 235: 9836:

Cannes Film Festival Award for Best Director winners

6501: 6132: 5613: 5450: 5436: 5361: 5355: 3671: 3574: 3546: 2840: 1024:, where Wong became Hong Kong's first winner of the 858:

and Tony Leung Chiu-wai) who each fall for a woman (

6423: 5592: 5548: 5440: 4973:"Wong Kar-wai films to get 4K restoration ahead of 4436: 4103: 4091: 4063: 4001: 3734: 3717: 3705: 3592: 1577:, also provided inspiration, as did the writing of 8843:Berlin International Film Festival jury presidents 6214: 3556: 3373: 3358: 3116: 3101: 3077: 3025: 3010: 2967: 2922: 2822: 646:". While it was a conventional crime film, critic 618:Because he was well acquainted with the producer, 6591: 6056:(in Chinese). Hong Kong Film Awards Association. 5847: 5835: 5807:"Style and Kinetics Triumph in a Turbulent China" 5173:Shoard, Catherine; agencies (29 September 2009). 3522: 2605: 1547:. Wong's most direct influence was his colleague 1097: 902:is more about neon, and night time, and grunge." 9861:Commandeurs of the Ordre des Arts et des Lettres 9817: 6447:. New York: Palgrave Macmillan. pp. 19–34. 4852:"Wong Kar-Wai to return with Gucci murder movie" 2017:gave Wong a Lifetime Achievement Award in 2014. 2009:, the highest order, by French Foreign Minister 1730: 1348:as Wong's most accessible film since his debut, 913:together are the bright and dark of Hong Kong." 6352:. Champaign, IL: University of Illinois Press. 1458:) during the economic changes of Huanghe Road. 1440:'s book of the same name. After several years, 1378:When asked about his career in 2014, Wong told 945:are one film that should be three hours long." 683:—Wong on the transition from his first film to 665: 5264:. The Playlist. 22 August 2013. Archived from 5172: 4278: 4187: 1720:, the recurring use of Yumeji's Theme made by 992:(1997). Its development was influenced by the 570:(1987), for which he was nominated at the 7th 386:to embark on more personal filmmaking styles. 9302: 8827: 8575: 8094: 7682: 7209: 6906: 6656: 3913: 2425:(1971). Wong later admitted that he borrowed 2367: 2350: 2336: 2319: 2305: 2268: 2228: 2176: 2154: 2132: 2110: 2091: 2069: 2047: 1477:following his arrest in relation to his 1977 1277:– remained the same. Premiering in May 2007, 197: 175: 8753:IFFI Satyajit Ray Lifetime Achievement Award 8591:IFFI Satyajit Ray Lifetime Achievement Award 7225:Cannes Film Festival Award for Best Director 6523:Stringer, Julian (2002). "Wong Kar-wai". In 6502:Stokes, Lisa Odham; Hoover, Michael (1999). 6385: 6328: 6247: 5643: 5476: 5322: 5236: 4417: 3976: 3974: 3972: 3637:: CS1 maint: multiple names: authors list ( 3478: 3198: 3182: 3154: 1610:unexpected, invigorating, and interesting." 1048:In his 2005 monograph, Brunette opines that 6882: 6836:"I Travelled 9000 km To Give It To You" in 1589: 1338:, and again for its US distribution by the 818: 439:. Wong followed up with the crime thriller 9309: 9295: 8834: 8820: 8582: 8568: 8101: 8087: 7689: 7675: 7216: 7202: 6913: 6899: 6663: 6649: 6480: 6461: 6309: 6212: 6016: 5972: 5788: 5683: 5631: 5580: 5576: 5468: 5391: 5379: 5334: 4940: 4658: 4534: 4432: 4253: 4081: 4041: 4029: 3807: 3494: 3474: 3439: 3394: 3210: 3095: 3047: 2865: 2719: 2599: 1423:released Wong's restored filmography as a 672:"I could have continued making films like 66: 6558:. Hong Kong: Hong Kong University Press. 6553: 6522: 6390:. Hong Kong: Hong Kong University Press. 6347: 6314:. Hong Kong: Hong Kong University Press. 6040: 6028: 6012: 6000: 5984: 5944: 5863: 5859: 5699: 5671: 5659: 5655: 5607: 5564: 5544: 5532: 5520: 5504: 5492: 5444: 5306: 5286: 5248: 4309: 4053: 3969: 3901: 3831: 3819: 3752: 3699: 3687: 3675: 3659: 3655: 3586: 3550: 3534: 3510: 3490: 3470: 3352: 3194: 3178: 3166: 3137: 3071: 3059: 3043: 3004: 2992: 2961: 2940: 2916: 2816: 1985: 1415:. The restoration was carried out by the 1181:starred in Wong's English-language film, 1106:took two years to complete, its sequel – 537: 6248:Ramachandran, Naman (12 November 2014). 6116:. British Film Institute. Archived from 5879:. British Film Institute. Archived from 4701: 4627: 4378: 4376: 3922:. British Film Institute. Archived from 3452:Wai-ming Lee, 2017 & Micky Lee, 2017 1661: 1612: 1366: 1172: 1030: 918:—Journalist Han Ong conversing with Wong 822: 584:starred in Wong's debut, the crime film 576: 492: 6484:1001 Movies You Must See Before You Die 6442: 6184:"Harvard awards seven honorary degrees" 5932: 5792: 5711: 5702:, p. xv (for quote from Tsui), 87. 5043: 4623: 4621: 4619: 4617: 4615: 4345: 4343: 4341: 4274: 4272: 4270: 4268: 4266: 4264: 4262: 4152: 4150: 4148: 3916:"The Top 50 Greatest Films of All Time" 3764: 2772: 2770: 2768: 2766: 2764: 2762: 2760: 2758: 2756: 2754: 2752: 2686: 2684: 2682: 2680: 2678: 2676: 2674: 2672: 2670: 2668: 2640: 2636: 2634: 2632: 2630: 2628: 2626: 2624: 2622: 2620: 2452:Lisa Stokes and Michael Hoover believe 1596:Wong Kar-wai filmography § Casting 1074:received the Technical Grand Prize and 878:1001 Movies You Must See Before You Die 709:was cast in the central role. Hired as 14: 9846:Best Director Asian Film Award winners 9818: 8110:Hong Kong Film Award for Best Director 6592:Zhang, Yingjin; Xiao, Zhiwei (1999) . 6054:"The Best 100 Chinese Motion Pictures" 5901: 5804: 4850:Shoard, Catherine (17 November 2016). 4849: 4670: 4587: 4583: 4581: 4579: 4577: 4549: 4545: 4543: 4326:from the original on 30 September 2015 4230:from the original on 24 September 2015 3989:from the original on 11 September 2015 3957:from the original on 25 September 2015 3944: 3777:from the original on 24 September 2015 3331:from the original on 25 September 2015 2750: 2748: 2746: 2744: 2742: 2740: 2738: 2736: 2734: 2732: 2653:from the original on 25 September 2015 2557: 1813:named him an icon of arthouse cinema. 1709: 1396:issued a straight-to-series order for 1286:became Wong's first critical failure. 1227:Following the difficult production of 295: 9851:European Film Awards winners (people) 9290: 8815: 8563: 8082: 7670: 7197: 6894: 6881: 6644: 6466:. Chichester: John Wiley & Sons. 6404: 6278: 5956: 5817:from the original on 15 December 2018 5687: 5418:from the original on 27 December 2021 5154:from the original on 12 February 2024 5121:from the original on 28 December 2023 5076: 5025:from the original on 20 December 2021 5010: 4922:from the original on 29 December 2017 4801:from the original on 28 November 2015 4745:from the original on 11 November 2020 4640:from the original on 11 December 2015 4373: 4169:from the original on 16 December 2015 3980: 3313: 3285: 2793:from the original on 29 December 2014 9318:Cannes Film Festival jury presidents 7698:Golden Horse Award for Best Director 6572: 6424:Khoo, Olivia; Metzger, Sean (2009). 6371:. Boca Raton: Universal Publishers. 6366: 6260:from the original on 8 December 2015 6138: 6110:"The Greatest Films Poll: All Films" 6060:from the original on 22 October 2019 5988: 5968: 5619: 5560: 5508: 5480: 5472: 5456: 5403: 5367: 5338: 5318: 5302: 5290: 5089:from the original on 8 December 2015 4831:from the original on 10 January 2016 4714:from the original on 8 December 2015 4683:from the original on 8 December 2015 4612: 4600:from the original on 8 December 2015 4486:from the original on 29 October 2015 4338: 4303: 4259: 4181: 4156: 4145: 4133:from the original on 2 December 2010 4109: 4097: 4085: 4069: 4057: 4010: 3851:from the original on 19 October 2015 3795: 3765:Kaufman, Anthony (2 February 2001). 3740: 3728: 3711: 3651: 3610: 3598: 3562: 3506: 3382: 3367: 3321:"Christopher Doyle and Wong Kar-wai" 3122: 3110: 3083: 3031: 3019: 2988: 2976: 2928: 2828: 2723: 2665: 2617: 2611: 2015:International Film Festival of India 1700: 1427:in the United States in March 2021. 352:, Wong is considered a contemporary 6481:Schneider, Steven Jay, ed. (2009). 6229:from the original on 5 January 2022 6194:from the original on 17 August 2019 5914:from the original on 3 October 2015 5902:Frater, Patrick (11 January 2015). 5712:Brindle, Lewis (2 September 2019). 5185:from the original on 8 January 2018 5058:from the original on 5 January 2022 5011:Scott, Matthew (16 November 2021). 4992:from the original on 5 January 2022 4732: 4574: 4540: 4456:from the original on 5 October 2015 4382: 3883:from the original on 5 January 2022 3301:from the original on 4 January 2022 2776: 2729: 1373:Toronto International Film Festival 27:Hong Kong film director (born 1958) 24: 6922:Asian Film Award for Best Director 6577:. London: British Film Institute. 6279:Davis, Rebecca (30 October 2019). 5805:Dargis, Manohla (22 August 2013). 5404:Chee, Alexander (31 August 2021). 5139: 5077:Davis, Edward (17 February 2015). 4953:from the original on 16 March 2020 4771:from the original on 17 April 2018 4767:. Academy Awards. 7 October 2014. 4628:Feinberg, Scott (24 August 2013). 4588:Patten, Dominic (22 August 2013). 3945:Frater, Patrick (12 August 2015). 3613:"Wong Kar-wai Exclusive Interview" 3241:from the original on 20 April 2021 2641:Mottram, James (6 December 2014). 2509:three others were released first: 1758: 1220:as her potential client. Although 982:Widespread recognition (1996–2000) 25: 9907: 6614: 6331:Hong Kong Culture: Word and Image 6164:from the original on 3 March 2017 4941:Shackleton, Liz (19 March 2019). 4862:from the original on 1 March 2017 4702:Mulligan, Jake (15 August 2013). 4550:Taylor, Drew (14 December 2013). 4516:from the original on 8 March 2016 4399:from the original on 3 March 2016 4361:from the original on 4 March 2016 3611:Khoi, Lebinh; Eng, David (1997). 3418:from the original on 28 June 2021 3412:Hong Kong Film Awards Association 3265:from the original on 28 June 2021 3259:Hong Kong Film Awards Association 2883:Hong Kong Film Awards Association 1621:, Wong's "defining collaborator" 1567:, which he attempted to emulate. 1504:Hong Kong Culture: Word and Image 7174: 7159: 7144: 7129: 7114: 7099: 7084: 7069: 7054: 7039: 7024: 7009: 6994: 6979: 6964: 6949: 6934: 6670: 6272: 6241: 6206: 6176: 6144: 6102: 6072: 6046: 5895: 5869: 5798: 5757: 5737: 5731: 5705: 5397: 5254: 5197: 5166: 5133: 5101: 5070: 5044:Ehrlich, David (25 March 2021). 5037: 5004: 4965: 4934: 4904: 4874: 4843: 4813: 4783: 4757: 4726: 4695: 4664: 4498: 4468: 4442: 4310:Guerrasio, Jason (15 May 2007). 4279:Kung, Michelle (13 April 2008). 4188:Erikson, Steve (1 August 2005). 2530: 2499: 1461: 1407:In May 2019, Wong announced the 1086:. Wong said after its release: " 1084:National Society of Film Critics 322: 9866:English-language film directors 9856:Knights of the Legion of Honour 8600:IFFI Lifetime Achievement Award 6409:. London: Thames & Hudson. 6213:Napolitano, Dean (6 May 2013). 4892:from the original on 7 May 2019 4212: 4115: 3938: 3914:Christie, Ian (1 August 2012). 3907: 3863: 3837: 3758: 3604: 3400: 3279: 3216: 2871: 2489: 2476: 2460: 2446: 2432: 2409: 1289: 752:The Legend of the Condor Heroes 558:The Haunted Cop Shop of Horrors 294: 280: 259: 6535:. London: Routledge. pp. 6505:City on Fire: Hong Kong Cinema 5769:reviewsofthebosch.blogspot.com 4671:Apello, Tim (6 January 2014). 4299:– via HighBeam Research. 4208:– via HighBeam Research. 3615:. Asia Studios. Archived from 3231:"The 31st Golden Horse Awards" 2551: 2415:The plot has been compared to 2384: 1772: 1170:called it Wong's masterpiece. 1098:International work (2001–2007) 834:During the long production of 236: 198: 176: 13: 1: 6556:Wong Kar-wai's Happy Together 6531:Fifty Contemporary Filmmakers 6462:Nochimson, Martha P. (2010). 5211:. 4 June 2012. Archived from 4383:Toy, Sam (21 February 2008). 4312:"Cannes '07: Wong Kar-wai on 2779:"Interview with Wong Kar-wai" 2544: 2007:Ordre des Arts et des Lettres 1838:, the chic existentialism of 1731:Music and the passage of time 1490: 1485: 1212:, starred Gong Li as a 1960s 830:, Wong's frequent leading man 488: 9871:Film directors from Shanghai 6595:Encyclopedia of Chinese Film 6428:. Chicago: Intellect Books. 6388:Wong Kar-wai's Ashes of Time 4733:Chu, Karen (13 April 2014). 4476:"My Blueberry Nights (2007)" 1923:both ranked in the top 250; 1846:'s brooding uncertainties." 1793:Encyclopedia of Chinese Film 1539:. He is often compared with 1386:the murder of Maurizio Gucci 1146:. The film premiered at the 729:is described by film critic 666:Developing style (1990–1994) 7: 9891:Screenwriters from Shanghai 9780:Alejandro González Iñárritu 7549:Alejandro González Iñárritu 6386:Dissanayake, Wimal (2003). 4157:Burr, Ty (19 August 2005). 3222:Awards and nominations for 2457:happy together after 1997". 2300:The Other Side of Gentleman 2242:Directed television series 1956:Alejandro González Iñárritu 799: 744: 412: 10: 9912: 6405:Kemp, Philip, ed. (2011). 6302: 5140:Xu, Fan (2 January 2024). 4765:"86th Academy Awards 2014" 2560:"Wong Kar-wai – Biography" 2524:The Legend Is Born: Ip Man 1989: 1834:, the visual fantasias of 1593: 1092:greatest films of all time 1044:and three other Wong films 437:1995 Hong Kong Film Awards 402:1991 Hong Kong Film Awards 46: 29: 9664: 9503: 9324: 9135: 8974: 8849: 8750: 8597: 8116: 7704: 7503: 7356: 7231: 6928: 6888: 6856: 6787: 6696: 6678: 6554:Tambling, Jeremy (2003). 4704:"Interview: Wong Kar-wai" 3291:"Ashes 1, Time 0. Repeat" 2368: 2361: 2351: 2344: 2337: 2330: 2327: 2320: 2313: 2306: 2297: 2294: 2269: 2229: 2220: 2205: 2190: 2177: 2168: 2155: 2146: 2133: 2124: 2111: 2102: 2092: 2083: 2080: 2070: 2061: 2048: 2039: 1786: 1751:The Mamas & The Papas 1581:. The television channel 1571:, particularly his novel 1502:—Giorgio Biancorosso, in 1336:2013 Berlin Film Festival 1148:2004 Cannes Film Festival 660:1989 Cannes Film Festival 532: 340:(born 17 July 1958) is a 321: 316: 312: 308: 287: 273: 266: 250: 243: 229: 222: 217: 213: 191: 169: 164: 160: 156: 146: 138: 130: 122: 102: 80: 74:2013 Berlin Film Festival 65: 58: 9896:Postmodernist filmmakers 9881:Hong Kong film producers 9876:Hong Kong film directors 6487:. London: Quintessence. 6348:Brunette, Peter (2005). 6310:Bettinson, Gary (2014). 6080:"Critics' Top 250 Films" 5437:Stokes & Hoover 1999 5356:Stokes & Hoover 1999 4791:"The Grandmaster (2013)" 3672:Stokes & Hoover 1999 3575:Stokes & Hoover 1999 3547:Stokes & Hoover 1999 2841:Stokes & Hoover 1999 2777:Ong, Han (Winter 1998). 2562:. Movies & TV Dept. 2377: 1992:Wong Kar-wai filmography 1653: 1590:Method and collaborators 1318:Second Sino-Japanese War 1114:One country, two systems 1078:for Leung. It was named 819:Breakthrough (1994–1995) 720:With its popular stars, 171:Traditional Chinese 47:Not to be confused with 9886:Hong Kong screenwriters 6883:Awards for Wong Kar Wai 6798:Wkw/tk/1996@7'55"hk.net 6407:Cinema: The Whole Story 6222:The Wall Street Journal 5593:Khoo & Metzger 2009 5549:Khoo & Metzger 2009 5441:Khoo & Metzger 2009 4437:Khoo & Metzger 2009 3876:San Francisco Chronicle 2694:. Film4. Archived from 2469:is set two years after 2363:The First Monday in May 1388:from previous director 193:Simplified Chinese 8943:Bjørn Rasmussen (1971) 8482:Frank Hui, Jevons Au, 6838:To Each His Own Cinema 6688:Awards and nominations 6367:Cui, Mengyang (2007). 4739:The Hollywood Reporter 4677:The Hollywood Reporter 4634:The Hollywood Reporter 4452:. Festival de Cannes. 3847:. Festival de Cannes. 3845:"In the Mood for Love" 3513:, pp. 57, 60, 70. 2558:Ankeny, Jason (2013). 2332:The Haunted Cop Shop 2 1986:Filmography and awards 1848: 1805:British Film Institute 1673: 1622: 1561:Gabriel García Márquez 1521:Michelangelo Antonioni 1499: 1375: 1202:Michelangelo Antonioni 1188: 1045: 915: 831: 680: 591: 538:Beginnings (1980–1989) 498: 9464:Miguel Ángel Asturias 9048:Klaus Maria Brandauer 6598:. London: Routledge. 6573:Teo, Stephen (2005). 6445:East Asian Film Stars 5848:Zhang & Xiao 1999 5836:Zhang & Xiao 1999 3674:, pp. 268, 270; 3523:Zhang & Xiao 1999 3062:, pp. 17–19, 24. 2440:Asian economic crisis 1828: 1665: 1616: 1495: 1370: 1176: 1034: 994:handover of Hong Kong 888: 826: 670: 603:'s highly-successful 580: 572:Hong Kong Film Awards 523:Hong Kong Polytechnic 496: 356:, and ranks third on 9631:Francis Ford Coppola 8926:Luis García Berlanga 8379:Patrick Tam Kar-Ming 7579:Nicolas Winding Refn 7521:Paul Thomas Anderson 6846:There's Only One Sun 6806:Hua Yang De Nian Hua 6753:In the Mood for Love 6160:. 29 November 2016. 6157:Criterion Collection 5646:, pp. 230, 241. 5117:. 27 December 2023. 4975:In the Mood for Love 4918:. 8 September 2017. 4661:, pp. 128, 130. 4194:Los Angeles Magazine 4056:, p. 102, 105; 3834:, pp. xvii, 93. 3702:, pp. xvii, 70. 3577:, pp. 268, 278. 3549:, pp. 269–270; 3327:. 25 November 2008. 3289:(11 November 2008). 2467:In the Mood for Love 2402:was released before 2171:In the Mood for Love 1931:in the top 500; and 1913:In the Mood for Love 1903:In the Mood for Love 1801:In the Mood for Love 1717:In the Mood for Love 1669:In the Mood for Love 1630:and cinematographer 1479:sexual abuse charges 1421:Criterion Collection 1413:In the Mood for Love 1167:Los Angeles Magazine 1132:In the Mood for Love 1122:In the Mood for Love 1104:In the Mood for Love 1088:In the Mood for Love 1072:In the Mood for Love 1055:In the Mood for Love 1041:In the Mood for Love 1022:Cannes Film Festival 809:Venice Film Festival 656:Directors' Fortnight 470:In the Mood for Love 462:Cannes Film Festival 346:nonlinear narratives 9841:César Award winners 9756:Joel and Ethan Coen 9595:Bernardo Bertolucci 9446:Alessandro Blasetti 9434:Olivia de Havilland 9203:Isabella Rossellini 8607:Bernardo Bertolucci 6769:My Blueberry Nights 6188:The Harvard Gazette 6003:, pp. 399–400. 5658:, p. 397–398; 4980:s 20th anniversary" 4389:: The RT Interview" 4387:My Blueberry Nights 4314:My Blueberry Nights 4200:on 22 February 2016 3619:on 29 December 2007 3493:, pp. 58, 61; 3235:Golden Horse Awards 2280: 2243: 2208:My Blueberry Nights 2022: 1710:Emotional extension 1529:Bernardo Bertolucci 1482:know the effects." 1417:Cineteca di Bologna 1306:My Blueberry Nights 1284:My Blueberry Nights 1279:My Blueberry Nights 1267:My Blueberry Nights 1243:My Blueberry Nights 1184:My Blueberry Nights 1026:Best Director Award 828:Tony Leung Chiu-wai 813:Ashes of Time Redux 777:Tony Leung Chiu-wai 503:Cultural Revolution 456:, for which he won 9517:Roberto Rossellini 9511:Tennessee Williams 9263:M. Night Shyamalan 9173:Charlotte Rampling 9072:Volker Schlöndorff 8994:Patricia Highsmith 8982:Jerzy Kawalerowicz 8914:Pierre Braunberger 8862:Jay Carmody (1957) 8647:Bertrand Tavernier 7398:Bertrand Tavernier 6713:Days of Being Wild 5850:, p. 367–368. 5811:The New York Times 5321:, p. 41, 51; 4985:The Indian Express 3879:. 7 January 2002. 3798:, p. 118–119. 3678:, p. 399–400. 3658:, pp. 70–71; 2889:on 4 November 2020 2698:on 12 January 2015 2572:on 25 October 2013 2565:The New York Times 2471:Days of Being Wild 2278: 2241: 2160:Chun gwong cha sit 2097:Chung Hing sam lam 2064:Days of Being Wild 2021:Directed features 2020: 1980:Harvard University 1921:Days of Being Wild 1905:(90). In the 2012 1883:Days of Being Wild 1871:Days of Being Wild 1744:California Dreamin 1723:Umebayashi Shigeru 1674: 1636:Days of Being Wild 1623: 1376: 1189: 1060:Days of Being Wild 1046: 832: 727:Days of Being Wild 722:Days of Being Wild 701:Days of Being Wild 686:Days of Being Wild 644:Hong Kong New Wave 592: 499: 389:Days of Being Wild 9813: 9812: 9690:Quentin Tarantino 9284: 9283: 9161:Frances McDormand 9054:Guglielmo Biraghi 9042:Gina Lollobrigida 8920:Thorold Dickinson 8809: 8808: 8803: 8802: 8657:Krzysztof Zanussi 8557: 8556: 8076: 8075: 7664: 7663: 7631:Dardenne brothers 7625:Paweł Pawlikowski 7567:Brillante Mendoza 7561:Nuri Bilge Ceylan 7464:Mathieu Kassovitz 7291:François Truffaut 7191: 7190: 7181:Hirokazu Kore-eda 7166:Hirokazu Kore-eda 6971:Hirokazu Kore-eda 6875: 6874: 6865:Blossoms Shanghai 6857:Television series 6721:Chungking Express 6508:. London: Verso. 6494:978-1-84403-680-6 6416:978-0-500-28947-1 6120:on 19 August 2012 6114:Sight & Sound 6090:on 19 August 2012 6084:Sight & Sound 5268:on 26 August 2013 4821:"The Grandmaster" 3981:Salisbury, Mark. 3920:Sight & Sound 3169:, pp. 33–34. 2392:Chungking Express 2375: 2374: 2276: 2275: 2263:Blossoms Shanghai 2239: 2238: 2086:Chungking Express 1944:Quentin Tarantino 1917:Chungking Express 1908:Sight & Sound 1887:Chungking Express 1738:Chungking Express 1701:Music and emotion 1632:Christopher Doyle 1619:Christopher Doyle 1537:Quentin Tarantino 1533:Christopher Nolan 1443:Blossoms Shanghai 1433:Blossoms Shanghai 1371:Wong at the 2008 1362:Production Design 1340:Weinstein Company 1206:Steven Soderbergh 1080:Best Foreign Film 970:Chungking Express 939:Chungking Express 929:Chungking Express 925:Chungking Express 907:Chungking Express 883:Chungking Express 856:Takeshi Kaneshiro 852:Chungking Express 841:Chungking Express 715:Christopher Doyle 606:A Better Tomorrow 428:Chungking Express 404:. His next film, 359:Sight & Sound 330: 329: 304: 303: 224:Standard Mandarin 123:Years active 16:(Redirected from 9903: 9744:Steven Spielberg 9720:Isabelle Huppert 9649:David Cronenberg 9607:Gérard Depardieu 9547:Giorgio Strehler 9458:Luchino Visconti 9416:Tetsurō Furukaki 9356:Maurice Genevoix 9311: 9304: 9297: 9288: 9287: 9251:Juliette Binoche 9227:Darren Aronofsky 9102:Nikita Mikhalkov 9066:Michael Ballhaus 8836: 8829: 8822: 8813: 8812: 8795: 8785: 8775: 8765: 8742: 8737:Vittorio Storaro 8732: 8727:Isabelle Huppert 8722: 8712: 8702: 8692: 8687:Nikita Mikhalkov 8682: 8672: 8662: 8652: 8642: 8632: 8622: 8612: 8584: 8577: 8570: 8561: 8560: 8103: 8096: 8089: 8080: 8079: 7787:Chang Tseng-chai 7751:Chang Tseng-chai 7691: 7684: 7677: 7668: 7667: 7422:Fernando Solanas 7392:Andrei Tarkovsky 7309:Sergei Yutkevich 7297:Yuliya Solntseva 7273:Sergei Yutkevich 7218: 7211: 7204: 7195: 7194: 7184: 7179: 7178: 7169: 7164: 7163: 7154: 7149: 7148: 7139: 7134: 7133: 7124: 7119: 7118: 7109: 7104: 7103: 7094: 7089: 7088: 7079: 7074: 7073: 7064: 7059: 7058: 7049: 7044: 7043: 7034: 7029: 7028: 7019: 7014: 7013: 7004: 6999: 6998: 6989: 6984: 6983: 6974: 6969: 6968: 6959: 6954: 6953: 6944: 6939: 6938: 6915: 6908: 6901: 6892: 6891: 6879: 6878: 6665: 6658: 6651: 6642: 6641: 6609: 6588: 6569: 6550: 6534: 6519: 6498: 6477: 6458: 6439: 6420: 6401: 6382: 6363: 6344: 6325: 6296: 6295: 6293: 6291: 6276: 6270: 6269: 6267: 6265: 6245: 6239: 6238: 6236: 6234: 6218: 6210: 6204: 6203: 6201: 6199: 6180: 6174: 6173: 6171: 6169: 6148: 6142: 6136: 6130: 6129: 6127: 6125: 6106: 6100: 6099: 6097: 6095: 6086:. Archived from 6076: 6070: 6069: 6067: 6065: 6050: 6044: 6038: 6032: 6026: 6020: 6010: 6004: 5998: 5992: 5982: 5976: 5966: 5960: 5954: 5948: 5942: 5936: 5930: 5924: 5923: 5921: 5919: 5899: 5893: 5892: 5890: 5888: 5873: 5867: 5857: 5851: 5845: 5839: 5833: 5827: 5826: 5824: 5822: 5802: 5796: 5786: 5780: 5779: 5777: 5775: 5761: 5755: 5754: 5752: 5750: 5738:Life, Sound of. 5735: 5729: 5728: 5726: 5724: 5709: 5703: 5697: 5691: 5681: 5675: 5669: 5663: 5653: 5647: 5644:Biancorosso 2010 5641: 5635: 5629: 5623: 5617: 5611: 5605: 5596: 5590: 5584: 5574: 5568: 5558: 5552: 5547:, p. xiii; 5542: 5536: 5530: 5524: 5518: 5512: 5502: 5496: 5490: 5484: 5477:Dissanayake 2003 5466: 5460: 5454: 5448: 5434: 5428: 5427: 5425: 5423: 5401: 5395: 5389: 5383: 5377: 5371: 5365: 5359: 5353: 5342: 5332: 5326: 5323:Biancorosso 2010 5316: 5310: 5300: 5294: 5284: 5278: 5277: 5275: 5273: 5258: 5252: 5246: 5240: 5237:Biancorosso 2010 5234: 5225: 5224: 5222: 5220: 5201: 5195: 5194: 5192: 5190: 5170: 5164: 5163: 5161: 5159: 5137: 5131: 5130: 5128: 5126: 5105: 5099: 5098: 5096: 5094: 5074: 5068: 5067: 5065: 5063: 5041: 5035: 5034: 5032: 5030: 5008: 5002: 5001: 4999: 4997: 4979: 4969: 4963: 4962: 4960: 4958: 4938: 4932: 4931: 4929: 4927: 4908: 4902: 4901: 4899: 4897: 4878: 4872: 4871: 4869: 4867: 4847: 4841: 4840: 4838: 4836: 4817: 4811: 4810: 4808: 4806: 4787: 4781: 4780: 4778: 4776: 4761: 4755: 4754: 4752: 4750: 4730: 4724: 4723: 4721: 4719: 4699: 4693: 4692: 4690: 4688: 4668: 4662: 4656: 4650: 4649: 4647: 4645: 4625: 4610: 4609: 4607: 4605: 4585: 4572: 4571: 4569: 4567: 4558:. 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Archived from 4185: 4179: 4178: 4176: 4174: 4163:The Boston Globe 4154: 4143: 4142: 4140: 4138: 4119: 4113: 4107: 4101: 4095: 4089: 4079: 4073: 4067: 4061: 4051: 4045: 4039: 4033: 4027: 4014: 4008: 3999: 3998: 3996: 3994: 3978: 3967: 3966: 3964: 3962: 3942: 3936: 3935: 3933: 3931: 3911: 3905: 3899: 3893: 3892: 3890: 3888: 3867: 3861: 3860: 3858: 3856: 3841: 3835: 3829: 3823: 3817: 3811: 3805: 3799: 3793: 3787: 3786: 3784: 3782: 3762: 3756: 3750: 3744: 3738: 3732: 3726: 3715: 3709: 3703: 3697: 3691: 3685: 3679: 3669: 3663: 3649: 3643: 3642: 3636: 3628: 3626: 3624: 3608: 3602: 3596: 3590: 3584: 3578: 3572: 3566: 3560: 3554: 3544: 3538: 3532: 3526: 3520: 3514: 3504: 3498: 3488: 3482: 3479:Biancorosso 2010 3468: 3462: 3461: 3449: 3443: 3437: 3428: 3427: 3425: 3423: 3410:(in Cantonese). 3404: 3398: 3392: 3386: 3380: 3371: 3365: 3356: 3350: 3341: 3340: 3338: 3336: 3317: 3311: 3310: 3308: 3306: 3283: 3277: 3274: 3272: 3270: 3257:(in Cantonese). 3250: 3248: 3246: 3220: 3214: 3208: 3202: 3199:Dissanayake 2003 3192: 3186: 3183:Dissanayake 2003 3176: 3170: 3164: 3158: 3155:Dissanayake 2003 3152: 3141: 3135: 3126: 3120: 3114: 3108: 3099: 3093: 3087: 3081: 3075: 3069: 3063: 3057: 3051: 3041: 3035: 3029: 3023: 3017: 3008: 3002: 2996: 2986: 2980: 2974: 2965: 2959: 2944: 2938: 2932: 2926: 2920: 2914: 2899: 2898: 2896: 2894: 2885:. Archived from 2881:(in Cantonese). 2875: 2869: 2863: 2844: 2838: 2832: 2826: 2820: 2814: 2803: 2802: 2800: 2798: 2774: 2727: 2717: 2708: 2707: 2705: 2703: 2688: 2663: 2662: 2660: 2658: 2638: 2615: 2609: 2603: 2597: 2582: 2581: 2579: 2577: 2568:. Archived from 2555: 2538: 2534: 2528: 2503: 2497: 2493: 2487: 2480: 2474: 2464: 2458: 2450: 2444: 2436: 2430: 2413: 2407: 2390:While Wong made 2388: 2371: 2370: 2354: 2353: 2340: 2339: 2323: 2322: 2309: 2308: 2281: 2277: 2272: 2271: 2244: 2240: 2232: 2231: 2180: 2179: 2158: 2157: 2136: 2135: 2116:Dung che sai duk 2114: 2113: 2095: 2094: 2075:Ah fei zing zyun 2073: 2072: 2053:Wong gok ka moon 2051: 2050: 2023: 2019: 1861: 1858:The Boston Globe 1666:Screenshot from 1617:Cinematographer 1525:Alfred Hitchcock 1506: 1260:David Strathairn 1161:The Boston Globe 919: 802: 747: 690: 425:, Wong directed 417: 364: 350:Hong Kong cinema 339: 326: 300: 299: 298: 283: 282: 262: 261: 239: 238: 215: 214: 209: 208: 187: 186: 94: 90: 88: 70: 56: 55: 21: 9911: 9910: 9906: 9905: 9904: 9902: 9901: 9900: 9816: 9815: 9814: 9809: 9768:Pedro Almodóvar 9684:Patrice Chéreau 9660: 9643:Martin Scorsese 9637:Isabelle Adjani 9529:Françoise Sagan 9499: 9422:Armand Salacrou 9404:Georges Simenon 9380:Maurice Lehmann 9344:Georges Huisman 9338:Georges Huisman 9332:Georges Huisman 9320: 9315: 9285: 9280: 9269:Kristen Stewart 9167:Roland Emmerich 9131: 9060:Rolf Liebermann 8970: 8932:Johannes Schaaf 8845: 8840: 8810: 8805: 8804: 8799: 8793: 8790:Michael Douglas 8783: 8773: 8763: 8760:Martin Scorsese 8752: 8746: 8740: 8730: 8720: 8710: 8700: 8690: 8680: 8670: 8660: 8650: 8640: 8637:Lata Mangeshkar 8630: 8620: 8610: 8599: 8593: 8588: 8558: 8553: 8112: 8107: 8077: 8072: 8043:Chung Mong-hong 8019:Hou Hsiao-hsien 8007:Tsai Ming-liang 7989:Chung Mong-hong 7895:Hou Hsiao-hsien 7889:Tsai Ming-liang 7859:Hou Hsiao-hsien 7781:Chang Pei-cheng 7700: 7695: 7665: 7660: 7613:Cristian Mungiu 7609:Olivier Assayas 7603:Hou Hsiao-hsien 7585:Carlos Reygadas 7573:Mathieu Amalric 7555:Julian Schnabel 7499: 7488:Pedro Almodóvar 7410:Martin Scorsese 7376:Terrence Malick 7352: 7267:Sergei Vasilyev 7257:Christian-Jaque 7227: 7222: 7192: 7187: 7173: 7172: 7158: 7157: 7143: 7142: 7128: 7127: 7113: 7112: 7098: 7097: 7083: 7082: 7076:Hou Hsiao-hsien 7068: 7067: 7053: 7052: 7038: 7037: 7023: 7022: 7008: 7007: 6993: 6992: 6978: 6977: 6963: 6962: 6948: 6947: 6933: 6932: 6924: 6919: 6884: 6876: 6871: 6852: 6789: 6783: 6777:The Grandmaster 6692: 6674: 6669: 6617: 6612: 6606: 6585: 6566: 6547: 6516: 6495: 6474: 6455: 6436: 6417: 6398: 6379: 6360: 6341: 6322: 6305: 6300: 6299: 6289: 6287: 6277: 6273: 6263: 6261: 6246: 6242: 6232: 6230: 6211: 6207: 6197: 6195: 6190:. 24 May 2018. 6182: 6181: 6177: 6167: 6165: 6150: 6149: 6145: 6137: 6133: 6123: 6121: 6108: 6107: 6103: 6093: 6091: 6078: 6077: 6073: 6063: 6061: 6052: 6051: 6047: 6039: 6035: 6027: 6023: 6015:, p. 397; 6011: 6007: 5999: 5995: 5987:, p. 395; 5983: 5979: 5967: 5963: 5955: 5951: 5943: 5939: 5931: 5927: 5917: 5915: 5900: 5896: 5886: 5884: 5875: 5874: 5870: 5866:, p. xvii. 5862:, p. 400; 5858: 5854: 5846: 5842: 5834: 5830: 5820: 5818: 5803: 5799: 5787: 5783: 5773: 5771: 5763: 5762: 5758: 5748: 5746: 5736: 5732: 5722: 5720: 5710: 5706: 5698: 5694: 5682: 5678: 5670: 5666: 5654: 5650: 5642: 5638: 5630: 5626: 5618: 5614: 5606: 5599: 5591: 5587: 5579:, p. 349; 5575: 5571: 5563:, p. 125; 5559: 5555: 5543: 5539: 5531: 5527: 5519: 5515: 5503: 5499: 5491: 5487: 5471:, p. 340; 5467: 5463: 5455: 5451: 5435: 5431: 5421: 5419: 5402: 5398: 5390: 5386: 5378: 5374: 5366: 5362: 5354: 5345: 5333: 5329: 5317: 5313: 5301: 5297: 5289:, p. xvi; 5285: 5281: 5271: 5269: 5260: 5259: 5255: 5251:, p. xiii. 5247: 5243: 5235: 5228: 5218: 5216: 5203: 5202: 5198: 5188: 5186: 5171: 5167: 5157: 5155: 5138: 5134: 5124: 5122: 5107: 5106: 5102: 5092: 5090: 5075: 5071: 5061: 5059: 5042: 5038: 5028: 5026: 5009: 5005: 4995: 4993: 4977: 4971: 4970: 4966: 4956: 4954: 4939: 4935: 4925: 4923: 4910: 4909: 4905: 4895: 4893: 4886:theplaylist.net 4880: 4879: 4875: 4865: 4863: 4848: 4844: 4834: 4832: 4825:Box Office Mojo 4819: 4818: 4814: 4804: 4802: 4795:Rotten Tomatoes 4789: 4788: 4784: 4774: 4772: 4763: 4762: 4758: 4748: 4746: 4731: 4727: 4717: 4715: 4700: 4696: 4686: 4684: 4669: 4665: 4657: 4653: 4643: 4641: 4626: 4613: 4603: 4601: 4586: 4575: 4565: 4563: 4562:on 21 July 2015 4548: 4541: 4533: 4529: 4519: 4517: 4510:Rotten Tomatoes 4504: 4503: 4499: 4489: 4487: 4480:Rotten Tomatoes 4474: 4473: 4469: 4459: 4457: 4448: 4447: 4443: 4435:, p. 349; 4431: 4424: 4416: 4412: 4402: 4400: 4393:Rotten Tomatoes 4381: 4374: 4364: 4362: 4355:The Diva Review 4349: 4348: 4339: 4329: 4327: 4308: 4304: 4294: 4292: 4277: 4260: 4252: 4243: 4233: 4231: 4224:Rotten Tomatoes 4218: 4217: 4213: 4203: 4201: 4186: 4182: 4172: 4170: 4155: 4146: 4136: 4134: 4127:Rotten Tomatoes 4121: 4120: 4116: 4108: 4104: 4096: 4092: 4080: 4076: 4068: 4064: 4052: 4048: 4040: 4036: 4028: 4017: 4009: 4002: 3992: 3990: 3979: 3970: 3960: 3958: 3943: 3939: 3929: 3927: 3926:on 1 March 2017 3912: 3908: 3900: 3896: 3886: 3884: 3869: 3868: 3864: 3854: 3852: 3843: 3842: 3838: 3830: 3826: 3818: 3814: 3806: 3802: 3794: 3790: 3780: 3778: 3763: 3759: 3751: 3747: 3739: 3735: 3727: 3718: 3710: 3706: 3698: 3694: 3686: 3682: 3670: 3666: 3650: 3646: 3630: 3629: 3622: 3620: 3609: 3605: 3597: 3593: 3585: 3581: 3573: 3569: 3561: 3557: 3545: 3541: 3533: 3529: 3521: 3517: 3505: 3501: 3489: 3485: 3477:, p. 342; 3469: 3465: 3455: 3454:, p. xiii. 3450: 3446: 3438: 3431: 3421: 3419: 3406: 3405: 3401: 3393: 3389: 3381: 3374: 3366: 3359: 3351: 3344: 3334: 3332: 3319: 3318: 3314: 3304: 3302: 3284: 3280: 3268: 3266: 3253: 3244: 3242: 3229: 3221: 3217: 3209: 3205: 3193: 3189: 3177: 3173: 3165: 3161: 3153: 3144: 3136: 3129: 3121: 3117: 3109: 3102: 3098:, pp. 4–5. 3094: 3090: 3082: 3078: 3070: 3066: 3058: 3054: 3042: 3038: 3030: 3026: 3018: 3011: 3003: 2999: 2987: 2983: 2975: 2968: 2964:, p. xvii. 2960: 2947: 2943:, pp. 5–6. 2939: 2935: 2927: 2923: 2915: 2902: 2892: 2890: 2877: 2876: 2872: 2864: 2847: 2839: 2835: 2827: 2823: 2815: 2806: 2796: 2794: 2775: 2730: 2718: 2711: 2701: 2699: 2690: 2689: 2666: 2656: 2654: 2647:The Independent 2639: 2618: 2610: 2606: 2598: 2585: 2575: 2573: 2556: 2552: 2547: 2542: 2541: 2535: 2531: 2507:The Grandmaster 2504: 2500: 2494: 2490: 2481: 2477: 2465: 2461: 2451: 2447: 2437: 2433: 2417:Martin Scorsese 2414: 2410: 2389: 2385: 2380: 2346:Chaos By Design 2279:Acted features 2234:Yi dai zong shi 2223:The Grandmaster 2182:Fa yeung nin wa 1998: 1990:Main articles: 1988: 1863: 1850: 1789: 1775: 1761: 1759:Cultural marker 1733: 1712: 1703: 1656: 1598: 1592: 1569:Haruki Murakami 1545:Jean-Luc Godard 1541:French New Wave 1517:Martin Scorsese 1508: 1501: 1493: 1488: 1468:The Independent 1464: 1381:The Independent 1350:The Grandmaster 1342:. Described in 1328:The Grandmaster 1297:The Grandmaster 1292: 1252:Natalie Portman 1100: 1001:films had not. 984: 921: 917: 821: 782:Set during the 711:cinematographer 692: 682: 668: 564:'s action film 540: 535: 491: 482:The Grandmaster 467:The 2000 drama 362: 335: 254: 118: 98: 97:Shanghai, China 95: 92: 86: 84: 76: 61: 52: 45: 28: 23: 22: 15: 12: 11: 5: 9909: 9899: 9898: 9893: 9888: 9883: 9878: 9873: 9868: 9863: 9858: 9853: 9848: 9843: 9838: 9833: 9828: 9811: 9810: 9808: 9807: 9801: 9795: 9792:Vincent Lindon 9789: 9783: 9777: 9774:Cate Blanchett 9771: 9765: 9759: 9753: 9747: 9741: 9735: 9732:Robert De Niro 9729: 9723: 9717: 9711: 9708:Stephen Frears 9705: 9699: 9696:Emir Kusturica 9693: 9687: 9681: 9675: 9668: 9666: 9662: 9661: 9659: 9658: 9652: 9646: 9640: 9634: 9628: 9622: 9619:Clint Eastwood 9616: 9610: 9604: 9601:Roman Polanski 9598: 9592: 9586: 9580: 9574: 9571:Sydney Pollack 9568: 9562: 9556: 9553:William Styron 9550: 9544: 9538: 9532: 9526: 9523:Alan J. Pakula 9520: 9514: 9507: 9505: 9501: 9500: 9498: 9497: 9491: 9485: 9482:Ingrid Bergman 9479: 9473: 9470:Michèle Morgan 9467: 9461: 9455: 9449: 9443: 9437: 9431: 9425: 9419: 9413: 9407: 9401: 9395: 9389: 9383: 9377: 9371: 9365: 9359: 9353: 9347: 9341: 9335: 9328: 9326: 9322: 9321: 9314: 9313: 9306: 9299: 9291: 9282: 9281: 9279: 9278: 9275:Lupita Nyong'o 9272: 9266: 9260: 9254: 9248: 9242: 9239:Paul Verhoeven 9236: 9230: 9224: 9218: 9212: 9206: 9200: 9194: 9188: 9182: 9176: 9170: 9164: 9158: 9152: 9146: 9139: 9137: 9133: 9132: 9130: 9129: 9123: 9117: 9111: 9105: 9099: 9093: 9087: 9081: 9078:Annie Girardot 9075: 9069: 9063: 9057: 9051: 9045: 9039: 9033: 9027: 9021: 9015: 9012:Jutta Brückner 9009: 9003: 8997: 8991: 8985: 8978: 8976: 8972: 8971: 8969: 8968: 8962: 8956: 8953:David Robinson 8950: 8944: 8941: 8938:George Stevens 8935: 8929: 8923: 8917: 8911: 8905: 8899: 8893: 8887: 8881: 8875: 8872:Robert Aldrich 8869: 8863: 8860: 8853: 8851: 8847: 8846: 8839: 8838: 8831: 8824: 8816: 8807: 8806: 8801: 8800: 8798: 8797: 8787: 8777: 8767: 8756: 8754: 8748: 8747: 8745: 8744: 8734: 8724: 8714: 8704: 8694: 8684: 8674: 8664: 8654: 8644: 8634: 8624: 8614: 8603: 8601: 8595: 8594: 8587: 8586: 8579: 8572: 8564: 8555: 8554: 8552: 8551: 8541: 8531: 8521: 8511: 8501: 8491: 8480: 8470: 8460: 8450: 8436: 8426: 8416: 8406: 8396: 8386: 8376: 8366: 8356: 8346: 8332: 8322: 8312: 8302: 8288: 8278: 8268: 8258: 8248: 8238: 8228: 8218: 8208: 8198: 8188: 8178: 8168: 8158: 8148: 8138: 8128: 8117: 8114: 8113: 8106: 8105: 8098: 8091: 8083: 8074: 8073: 8071: 8070: 8067:Hsiao Ya-chuan 8064: 8058: 8052: 8046: 8040: 8034: 8028: 8022: 8016: 8010: 8004: 7998: 7992: 7986: 7980: 7974: 7968: 7962: 7956: 7950: 7940: 7934: 7928: 7922: 7916: 7910: 7904: 7898: 7892: 7886: 7880: 7874: 7868: 7862: 7856: 7850: 7844: 7838: 7832: 7826: 7820: 7814: 7808: 7802: 7796: 7790: 7784: 7778: 7772: 7766: 7760: 7754: 7748: 7742: 7736: 7730: 7724: 7718: 7712: 7705: 7702: 7701: 7694: 7693: 7686: 7679: 7671: 7662: 7661: 7659: 7658: 7652: 7646: 7643:Park Chan-wook 7640: 7634: 7628: 7622: 7616: 7606: 7600: 7597:Bennett Miller 7594: 7591:Amat Escalante 7588: 7582: 7576: 7570: 7564: 7558: 7552: 7546: 7543:Michael Haneke 7540: 7534: 7528: 7518: 7507: 7505: 7501: 7500: 7498: 7497: 7491: 7485: 7479: 7473: 7467: 7461: 7455: 7449: 7443: 7437: 7431: 7428:Emir Kusturica 7425: 7419: 7413: 7407: 7401: 7395: 7388:Robert Bresson 7385: 7379: 7373: 7367: 7360: 7358: 7354: 7353: 7351: 7350: 7340: 7334: 7328: 7318: 7312: 7306: 7300: 7294: 7288: 7285:Ingmar Bergman 7282: 7279:Robert Bresson 7276: 7270: 7260: 7254: 7248: 7242: 7235: 7233: 7229: 7228: 7221: 7220: 7213: 7206: 7198: 7189: 7188: 7186: 7185: 7170: 7155: 7140: 7136:Wang Xiaoshuai 7125: 7121:Lee Chang-dong 7110: 7095: 7080: 7065: 7050: 7035: 7031:Takeshi Kitano 7020: 7016:Asghar Farhadi 7005: 7001:Lee Chang-dong 6990: 6975: 6960: 6956:Lee Chang-dong 6945: 6929: 6926: 6925: 6918: 6917: 6910: 6903: 6895: 6889: 6886: 6885: 6873: 6872: 6870: 6869: 6860: 6858: 6854: 6853: 6851: 6850: 6842: 6833: 6827:"The Hand" in 6824: 6818: 6810: 6802: 6793: 6791: 6785: 6784: 6782: 6781: 6773: 6765: 6757: 6749: 6745:Happy Together 6741: 6733: 6725: 6717: 6709: 6705:As Tears Go By 6700: 6698: 6694: 6693: 6691: 6690: 6685: 6679: 6676: 6675: 6668: 6667: 6660: 6653: 6645: 6639: 6638: 6627: 6616: 6615:External links 6613: 6611: 6610: 6604: 6589: 6583: 6570: 6564: 6551: 6545: 6525:Tasker, Yvonne 6520: 6514: 6499: 6493: 6478: 6473:978-1405139786 6472: 6459: 6454:978-1137029188 6453: 6440: 6434: 6421: 6415: 6402: 6397:978-9622095847 6396: 6383: 6377: 6364: 6358: 6345: 6340:978-9888028412 6339: 6326: 6321:978-9888139293 6320: 6306: 6304: 6301: 6298: 6297: 6271: 6240: 6205: 6175: 6143: 6141:, p. 163. 6131: 6101: 6071: 6045: 6043:, p. 397. 6033: 6021: 6019:, p. 349. 6017:Nochimson 2010 6005: 5993: 5977: 5975:, p. 835. 5973:Schneider 2009 5971:, p. 82; 5961: 5959:, p. 499. 5949: 5947:, p. 395. 5937: 5925: 5894: 5883:on 4 July 2012 5877:"Modern Times" 5868: 5852: 5840: 5838:, p. 367. 5828: 5797: 5789:Bettinson 2014 5781: 5756: 5730: 5704: 5692: 5690:, p. 499. 5686:, p. 29; 5684:Bettinson 2014 5676: 5674:, p. 398. 5664: 5648: 5636: 5632:Bettinson 2014 5624: 5622:, p. 125. 5612: 5597: 5585: 5581:Bettinson 2014 5577:Nochimson 2010 5569: 5553: 5537: 5525: 5513: 5511:, p. 115. 5507:, p. 29; 5497: 5485: 5479:, p. 42; 5475:, p. 78; 5469:Nochimson 2010 5461: 5459:, p. 160. 5449: 5447:, p. xvi. 5443:, p. 16; 5429: 5396: 5394:, p. 865. 5392:Schneider 2009 5384: 5380:Bettinson 2014 5372: 5370:, p. 159. 5360: 5358:, p. 270. 5343: 5341:, p. 160. 5335:Bettinson 2014 5327: 5325:, p. 229. 5311: 5305:, p. 13; 5295: 5279: 5253: 5241: 5239:, p. 229. 5226: 5215:on 4 June 2012 5196: 5165: 5132: 5100: 5069: 5036: 5003: 4988:. 7 May 2019. 4964: 4933: 4903: 4873: 4842: 4812: 4782: 4756: 4725: 4708:Slant Magazine 4694: 4663: 4659:Bettinson 2014 4651: 4611: 4573: 4539: 4537:, p. 127. 4535:Bettinson 2014 4527: 4506:"Kar-wai Wong" 4497: 4467: 4450:"Wong Kar-wai" 4441: 4433:Nochimson 2010 4422: 4420:, p. 349. 4410: 4372: 4337: 4302: 4258: 4256:, p. 349. 4254:Nochimson 2010 4241: 4211: 4180: 4144: 4114: 4112:, p. 153. 4102: 4100:, p. 136. 4090: 4088:, p. 135. 4082:Bettinson 2014 4074: 4072:, p. 134. 4062: 4060:, p. 135. 4046: 4044:, p. 348. 4042:Nochimson 2010 4034: 4030:Bettinson 2014 4015: 4013:, p. 114. 4000: 3985:. London Net. 3968: 3937: 3906: 3904:, p. 101. 3894: 3862: 3836: 3824: 3812: 3810:, p. 893. 3808:Schneider 2009 3800: 3788: 3757: 3745: 3743:, p. 117. 3733: 3731:, p. 115. 3716: 3714:, p. 128. 3704: 3692: 3680: 3664: 3654:, p. 98; 3644: 3603: 3601:, p. 100. 3591: 3579: 3567: 3555: 3539: 3537:, p. 400. 3527: 3525:, p. 368. 3515: 3509:, p. 83; 3499: 3497:, p. 342. 3495:Nochimson 2010 3483: 3481:, p. 230. 3475:Nochimson 2010 3473:, p. 61; 3463: 3444: 3442:, p. 835. 3440:Schneider 2009 3429: 3399: 3397:, p. 337. 3395:Nochimson 2010 3387: 3372: 3357: 3342: 3312: 3295:rogerebert.com 3278: 3276: 3275: 3251: 3233:(in Chinese). 3215: 3213:, p. 341. 3211:Nochimson 2010 3203: 3197:, p. 31; 3187: 3181:, p. 40; 3171: 3159: 3142: 3127: 3115: 3100: 3096:Bettinson 2014 3088: 3076: 3064: 3052: 3048:Bettinson 2014 3046:, p. 30; 3036: 3024: 3009: 2997: 2991:, p. 44; 2981: 2966: 2945: 2933: 2921: 2900: 2870: 2866:Bettinson 2014 2845: 2833: 2821: 2819:, p. xvi. 2804: 2728: 2720:Bettinson 2014 2709: 2692:"Wong Kar-Wai" 2664: 2616: 2604: 2600:Bettinson 2014 2583: 2549: 2548: 2546: 2543: 2540: 2539: 2529: 2498: 2488: 2475: 2459: 2454:Happy Together 2445: 2431: 2427:Robert De Niro 2408: 2382: 2381: 2379: 2376: 2373: 2372: 2365: 2360: 2356: 2355: 2348: 2342: 2341: 2334: 2329: 2325: 2324: 2317: 2315:Silent Romance 2311: 2310: 2303: 2296: 2292: 2291: 2290:Chinese title 2288: 2285: 2274: 2273: 2266: 2259: 2255: 2254: 2253:Chinese title 2251: 2248: 2237: 2236: 2226: 2219: 2215: 2214: 2211: 2204: 2200: 2199: 2196: 2189: 2185: 2184: 2174: 2167: 2163: 2162: 2152: 2149:Happy Together 2145: 2141: 2140: 2130: 2123: 2119: 2118: 2108: 2100: 2099: 2089: 2082: 2078: 2077: 2067: 2060: 2056: 2055: 2045: 2042:As Tears Go By 2038: 2034: 2033: 2032:Chinese title 2030: 2027: 2011:Laurent Fabius 1987: 1984: 1937:As Tears Go By 1925:Happy Together 1899:Happy Together 1895:As Tears Go By 1867:As Tears Go By 1827: 1797:Happy Together 1788: 1785: 1774: 1771: 1766:Happy Together 1760: 1757: 1732: 1729: 1711: 1708: 1702: 1699: 1655: 1652: 1607:shooting ratio 1591: 1588: 1574:Norwegian Wood 1565:Julio Cortázar 1494: 1492: 1489: 1487: 1484: 1475:Roman Polanski 1463: 1460: 1358:Cinematography 1345:Slant Magazine 1312:in the art of 1291: 1288: 1275:Darius Khondji 1238:Lawrence Block 1193:anthology film 1099: 1096: 1050:Happy Together 1013:Happy Together 1005:Happy Together 989:Happy Together 983: 980: 887: 820: 817: 731:Peter Brunette 696:As Tears Go By 675:As Tears Go By 669: 667: 664: 652:As Tears Go By 648:David Bordwell 640:As Tears Go By 624:As Tears Go By 612:As Tears Go By 587:As Tears Go By 544:Don't Look Now 539: 536: 534: 531: 519:graphic design 490: 487: 453:Happy Together 376:As Tears Go By 374:(1988). While 371:As Tears Go By 328: 327: 319: 318: 314: 313: 310: 309: 306: 305: 302: 301: 291: 285: 284: 277: 271: 270: 268:Yue: Cantonese 264: 263: 256: 248: 247: 241: 240: 233: 227: 226: 220: 219: 218:Transcriptions 211: 210: 195: 189: 188: 173: 167: 166: 162: 161: 158: 157: 154: 153: 148: 144: 143: 140: 136: 135: 132: 128: 127: 124: 120: 119: 117: 116: 113: 110: 106: 104: 100: 99: 96: 82: 78: 77: 71: 63: 62: 59: 26: 9: 6: 4: 3: 2: 9908: 9897: 9894: 9892: 9889: 9887: 9884: 9882: 9879: 9877: 9874: 9872: 9869: 9867: 9864: 9862: 9859: 9857: 9854: 9852: 9849: 9847: 9844: 9842: 9839: 9837: 9834: 9832: 9831:Living people 9829: 9827: 9824: 9823: 9821: 9805: 9802: 9799: 9798:Ruben Östlund 9796: 9793: 9790: 9787: 9784: 9781: 9778: 9775: 9772: 9769: 9766: 9763: 9762:George Miller 9760: 9757: 9754: 9751: 9748: 9745: 9742: 9739: 9738:Nanni Moretti 9736: 9733: 9730: 9727: 9724: 9721: 9718: 9715: 9712: 9709: 9706: 9703: 9700: 9697: 9694: 9691: 9688: 9685: 9682: 9679: 9676: 9673: 9670: 9669: 9667: 9663: 9656: 9653: 9650: 9647: 9644: 9641: 9638: 9635: 9632: 9629: 9626: 9625:Jeanne Moreau 9623: 9620: 9617: 9614: 9611: 9608: 9605: 9602: 9599: 9596: 9593: 9590: 9587: 9584: 9581: 9578: 9575: 9572: 9569: 9566: 9563: 9560: 9557: 9554: 9551: 9548: 9545: 9542: 9541:Jacques Deray 9539: 9536: 9533: 9530: 9527: 9524: 9521: 9518: 9515: 9512: 9509: 9508: 9506: 9502: 9495: 9494:Jeanne Moreau 9492: 9489: 9486: 9483: 9480: 9477: 9474: 9471: 9468: 9465: 9462: 9459: 9456: 9453: 9452:André Chamson 9450: 9447: 9444: 9441: 9438: 9435: 9432: 9429: 9426: 9423: 9420: 9417: 9414: 9411: 9408: 9405: 9402: 9399: 9398:Marcel Achard 9396: 9393: 9392:Marcel Achard 9390: 9387: 9386:André Maurois 9384: 9381: 9378: 9375: 9374:Marcel Pagnol 9372: 9369: 9366: 9363: 9360: 9357: 9354: 9351: 9350:André Maurois 9348: 9345: 9342: 9339: 9336: 9333: 9330: 9329: 9327: 9323: 9319: 9312: 9307: 9305: 9300: 9298: 9293: 9292: 9289: 9276: 9273: 9270: 9267: 9264: 9261: 9258: 9255: 9252: 9249: 9246: 9243: 9240: 9237: 9234: 9231: 9228: 9225: 9222: 9221:James Schamus 9219: 9216: 9213: 9210: 9207: 9204: 9201: 9198: 9197:Werner Herzog 9195: 9192: 9191:Tilda Swinton 9189: 9186: 9183: 9180: 9179:Paul Schrader 9177: 9174: 9171: 9168: 9165: 9162: 9159: 9156: 9153: 9150: 9147: 9144: 9143:Bill Mechanic 9141: 9140: 9138: 9134: 9127: 9124: 9121: 9120:Ángela Molina 9118: 9115: 9112: 9109: 9106: 9103: 9100: 9097: 9094: 9091: 9090:Jeremy Thomas 9088: 9085: 9082: 9079: 9076: 9073: 9070: 9067: 9064: 9061: 9058: 9055: 9052: 9049: 9046: 9043: 9040: 9037: 9034: 9031: 9028: 9025: 9024:Jeanne Moreau 9022: 9019: 9018:Joan Fontaine 9016: 9013: 9010: 9007: 9006:Ingrid Thulin 9004: 9001: 8998: 8995: 8992: 8989: 8986: 8983: 8980: 8979: 8977: 8973: 8966: 8963: 8960: 8957: 8954: 8951: 8948: 8947:Eleanor Perry 8945: 8942: 8939: 8936: 8933: 8930: 8927: 8924: 8921: 8918: 8915: 8912: 8909: 8906: 8903: 8900: 8897: 8894: 8891: 8888: 8885: 8882: 8879: 8876: 8873: 8870: 8867: 8864: 8861: 8858: 8855: 8854: 8852: 8848: 8844: 8837: 8832: 8830: 8825: 8823: 8818: 8817: 8814: 8796: 8791: 8788: 8786: 8781: 8778: 8776: 8771: 8768: 8766: 8761: 8758: 8757: 8755: 8749: 8743: 8738: 8735: 8733: 8728: 8725: 8723: 8718: 8715: 8713: 8708: 8705: 8703: 8698: 8695: 8693: 8688: 8685: 8683: 8678: 8675: 8673: 8668: 8665: 8663: 8658: 8655: 8653: 8648: 8645: 8643: 8638: 8635: 8633: 8628: 8625: 8623: 8618: 8615: 8613: 8608: 8605: 8604: 8602: 8596: 8592: 8585: 8580: 8578: 8573: 8571: 8566: 8565: 8562: 8549: 8545: 8542: 8539: 8535: 8532: 8529: 8525: 8522: 8519: 8515: 8512: 8509: 8505: 8502: 8499: 8495: 8492: 8489: 8485: 8481: 8478: 8474: 8471: 8468: 8464: 8461: 8458: 8454: 8451: 8448: 8444: 8440: 8439:Longman Leung 8437: 8434: 8430: 8427: 8424: 8420: 8417: 8414: 8410: 8407: 8404: 8400: 8397: 8394: 8390: 8387: 8384: 8380: 8377: 8374: 8370: 8367: 8364: 8360: 8357: 8354: 8350: 8347: 8344: 8340: 8336: 8333: 8330: 8326: 8323: 8320: 8316: 8313: 8310: 8306: 8303: 8300: 8296: 8292: 8289: 8286: 8282: 8279: 8276: 8272: 8269: 8266: 8262: 8259: 8256: 8252: 8249: 8246: 8242: 8239: 8236: 8232: 8229: 8226: 8222: 8219: 8216: 8212: 8209: 8206: 8202: 8199: 8196: 8192: 8189: 8186: 8182: 8179: 8176: 8172: 8169: 8166: 8162: 8159: 8156: 8152: 8149: 8146: 8142: 8139: 8136: 8132: 8129: 8126: 8122: 8119: 8118: 8115: 8111: 8104: 8099: 8097: 8092: 8090: 8085: 8084: 8081: 8068: 8065: 8062: 8059: 8056: 8053: 8050: 8047: 8044: 8041: 8038: 8035: 8032: 8029: 8026: 8025:Feng Xiaogang 8023: 8020: 8017: 8014: 8011: 8008: 8005: 8002: 7999: 7996: 7993: 7990: 7987: 7984: 7981: 7978: 7975: 7972: 7969: 7966: 7963: 7960: 7957: 7954: 7951: 7948: 7944: 7941: 7938: 7935: 7932: 7929: 7926: 7923: 7920: 7917: 7914: 7911: 7908: 7905: 7902: 7899: 7896: 7893: 7890: 7887: 7884: 7881: 7878: 7875: 7872: 7869: 7866: 7863: 7860: 7857: 7854: 7851: 7848: 7845: 7842: 7839: 7836: 7833: 7830: 7827: 7824: 7821: 7818: 7815: 7812: 7809: 7806: 7805:Wang Chu-chin 7803: 7800: 7797: 7794: 7791: 7788: 7785: 7782: 7779: 7776: 7773: 7770: 7767: 7764: 7761: 7758: 7757:Ting Shan-hsi 7755: 7752: 7749: 7746: 7745:Pai Ching-jui 7743: 7740: 7739:Pai Ching-jui 7737: 7734: 7731: 7728: 7727:Li Han-hsiang 7725: 7722: 7719: 7716: 7715:Li Han-hsiang 7713: 7710: 7707: 7706: 7703: 7699: 7692: 7687: 7685: 7680: 7678: 7673: 7672: 7669: 7656: 7653: 7650: 7649:Tran Anh Hung 7647: 7644: 7641: 7638: 7635: 7632: 7629: 7626: 7623: 7620: 7619:Sofia Coppola 7617: 7614: 7610: 7607: 7604: 7601: 7598: 7595: 7592: 7589: 7586: 7583: 7580: 7577: 7574: 7571: 7568: 7565: 7562: 7559: 7556: 7553: 7550: 7547: 7544: 7541: 7538: 7535: 7532: 7529: 7526: 7522: 7519: 7516: 7512: 7509: 7508: 7506: 7502: 7495: 7492: 7489: 7486: 7483: 7480: 7477: 7474: 7471: 7468: 7465: 7462: 7459: 7458:Nanni Moretti 7456: 7453: 7450: 7447: 7446:Robert Altman 7444: 7441: 7438: 7435: 7432: 7429: 7426: 7423: 7420: 7417: 7414: 7411: 7408: 7405: 7404:André Téchiné 7402: 7399: 7396: 7393: 7389: 7386: 7383: 7382:Werner Herzog 7380: 7377: 7374: 7371: 7370:Nagisa Ōshima 7368: 7365: 7362: 7361: 7359: 7355: 7348: 7344: 7343:Michel Brault 7341: 7338: 7337:Miklós Jancsó 7335: 7332: 7329: 7326: 7325:Glauber Rocha 7322: 7321:Vojtěch Jasný 7319: 7316: 7313: 7310: 7307: 7304: 7301: 7298: 7295: 7292: 7289: 7286: 7283: 7280: 7277: 7274: 7271: 7268: 7264: 7261: 7258: 7255: 7252: 7249: 7246: 7243: 7240: 7237: 7236: 7234: 7230: 7226: 7219: 7214: 7212: 7207: 7205: 7200: 7199: 7196: 7182: 7177: 7171: 7167: 7162: 7156: 7152: 7147: 7141: 7137: 7132: 7126: 7122: 7117: 7111: 7107: 7102: 7096: 7092: 7087: 7081: 7077: 7072: 7066: 7062: 7057: 7051: 7047: 7042: 7036: 7032: 7027: 7021: 7017: 7012: 7006: 7002: 6997: 6991: 6987: 6982: 6976: 6972: 6967: 6961: 6957: 6952: 6946: 6942: 6937: 6931: 6930: 6927: 6923: 6916: 6911: 6909: 6904: 6902: 6897: 6896: 6893: 6887: 6880: 6867: 6866: 6862: 6861: 6859: 6855: 6848: 6847: 6843: 6840: 6839: 6834: 6831: 6830: 6825: 6822: 6819: 6816: 6815: 6811: 6808: 6807: 6803: 6800: 6799: 6795: 6794: 6792: 6786: 6779: 6778: 6774: 6771: 6770: 6766: 6763: 6762: 6758: 6755: 6754: 6750: 6747: 6746: 6742: 6739: 6738: 6737:Fallen Angels 6734: 6731: 6730: 6729:Ashes of Time 6726: 6723: 6722: 6718: 6715: 6714: 6710: 6707: 6706: 6702: 6701: 6699: 6697:Feature films 6695: 6689: 6686: 6684: 6681: 6680: 6677: 6673: 6666: 6661: 6659: 6654: 6652: 6647: 6646: 6643: 6637: 6636: 6631: 6628: 6626: 6622: 6619: 6618: 6607: 6601: 6597: 6596: 6590: 6586: 6580: 6576: 6571: 6567: 6565:9789622095885 6561: 6557: 6552: 6548: 6542: 6538: 6533: 6532: 6526: 6521: 6517: 6515:1-85984-203-8 6511: 6507: 6506: 6500: 6496: 6490: 6486: 6485: 6479: 6475: 6469: 6465: 6464:World on Film 6460: 6456: 6450: 6446: 6441: 6437: 6435:9781841502748 6431: 6427: 6422: 6418: 6412: 6408: 6403: 6399: 6393: 6389: 6384: 6380: 6378:9781581123807 6374: 6370: 6365: 6361: 6355: 6351: 6346: 6342: 6336: 6332: 6327: 6323: 6317: 6313: 6308: 6307: 6286: 6282: 6275: 6259: 6255: 6251: 6244: 6228: 6224: 6223: 6217: 6209: 6193: 6189: 6185: 6179: 6163: 6159: 6158: 6153: 6147: 6140: 6135: 6119: 6115: 6111: 6105: 6089: 6085: 6081: 6075: 6059: 6055: 6049: 6042: 6041:Stringer 2002 6037: 6030: 6029:Brunette 2005 6025: 6018: 6014: 6013:Stringer 2002 6009: 6002: 6001:Stringer 2002 5997: 5990: 5986: 5985:Stringer 2002 5981: 5974: 5970: 5965: 5958: 5953: 5946: 5945:Stringer 2002 5941: 5935:, p. 23. 5934: 5929: 5913: 5909: 5905: 5898: 5882: 5878: 5872: 5865: 5864:Brunette 2005 5861: 5860:Stringer 2002 5856: 5849: 5844: 5837: 5832: 5816: 5812: 5808: 5801: 5795:, p. 22. 5794: 5791:, p. 1; 5790: 5785: 5770: 5766: 5760: 5745: 5744:Sound of Life 5741: 5734: 5719: 5715: 5708: 5701: 5700:Brunette 2005 5696: 5689: 5685: 5680: 5673: 5672:Stringer 2002 5668: 5662:, p. 27. 5661: 5660:Brunette 2005 5657: 5656:Stringer 2002 5652: 5645: 5640: 5634:, p. 27. 5633: 5628: 5621: 5616: 5610:, p. 26. 5609: 5608:Brunette 2005 5604: 5602: 5595:, p. 23. 5594: 5589: 5583:, p. 70. 5582: 5578: 5573: 5567:, p. 62. 5566: 5565:Brunette 2005 5562: 5557: 5551:, p. 23. 5550: 5546: 5545:Brunette 2005 5541: 5535:, p. 54. 5534: 5533:Brunette 2005 5529: 5523:, p. 72. 5522: 5521:Brunette 2005 5517: 5510: 5506: 5505:Brunette 2005 5501: 5495:, p. xv. 5494: 5493:Brunette 2005 5489: 5482: 5478: 5474: 5470: 5465: 5458: 5453: 5446: 5445:Brunette 2005 5442: 5439:, p. x; 5438: 5433: 5417: 5413: 5412: 5407: 5400: 5393: 5388: 5381: 5376: 5369: 5364: 5357: 5352: 5350: 5348: 5340: 5337:, p. 1; 5336: 5331: 5324: 5320: 5315: 5308: 5307:Brunette 2005 5304: 5299: 5293:, p. 88. 5292: 5288: 5287:Brunette 2005 5283: 5267: 5263: 5257: 5250: 5249:Brunette 2005 5245: 5238: 5233: 5231: 5214: 5210: 5206: 5200: 5184: 5180: 5176: 5169: 5153: 5149: 5148: 5143: 5136: 5120: 5116: 5115: 5110: 5104: 5088: 5084: 5080: 5073: 5057: 5053: 5052: 5047: 5040: 5024: 5020: 5019: 5014: 5007: 4991: 4987: 4986: 4981: 4976: 4968: 4952: 4948: 4944: 4937: 4921: 4917: 4913: 4907: 4891: 4887: 4883: 4877: 4861: 4857: 4853: 4846: 4830: 4826: 4822: 4816: 4800: 4796: 4792: 4786: 4770: 4766: 4760: 4744: 4740: 4736: 4729: 4713: 4709: 4705: 4698: 4682: 4678: 4674: 4667: 4660: 4655: 4639: 4635: 4631: 4624: 4622: 4620: 4618: 4616: 4599: 4595: 4591: 4584: 4582: 4580: 4578: 4561: 4557: 4553: 4546: 4544: 4536: 4531: 4515: 4511: 4507: 4501: 4485: 4481: 4477: 4471: 4455: 4451: 4445: 4439:, p. 23. 4438: 4434: 4429: 4427: 4419: 4414: 4398: 4394: 4390: 4388: 4379: 4377: 4360: 4356: 4352: 4346: 4344: 4342: 4325: 4321: 4317: 4315: 4306: 4291:on 6 May 2016 4290: 4286: 4282: 4275: 4273: 4271: 4269: 4267: 4265: 4263: 4255: 4250: 4248: 4246: 4229: 4225: 4221: 4220:"Eros (2004)" 4215: 4199: 4195: 4191: 4184: 4168: 4164: 4160: 4153: 4151: 4149: 4132: 4128: 4124: 4118: 4111: 4106: 4099: 4094: 4087: 4084:, p. 1; 4083: 4078: 4071: 4066: 4059: 4055: 4054:Brunette 2005 4050: 4043: 4038: 4031: 4026: 4024: 4022: 4020: 4012: 4007: 4005: 3988: 3984: 3977: 3975: 3973: 3956: 3952: 3948: 3941: 3925: 3921: 3917: 3910: 3903: 3902:Brunette 2005 3898: 3882: 3878: 3877: 3872: 3866: 3850: 3846: 3840: 3833: 3832:Brunette 2005 3828: 3822:, p. 87. 3821: 3820:Brunette 2005 3816: 3809: 3804: 3797: 3792: 3776: 3772: 3768: 3761: 3755:, p. 86. 3754: 3753:Brunette 2005 3749: 3742: 3737: 3730: 3725: 3723: 3721: 3713: 3708: 3701: 3700:Brunette 2005 3696: 3689: 3688:Tambling 2003 3684: 3677: 3676:Stringer 2002 3673: 3668: 3661: 3660:Tambling 2003 3657: 3656:Brunette 2005 3653: 3648: 3640: 3634: 3618: 3614: 3607: 3600: 3595: 3589:, p. 13. 3588: 3587:Tambling 2003 3583: 3576: 3571: 3565:, p. 99. 3564: 3559: 3553:, p. 76. 3552: 3551:Brunette 2005 3548: 3543: 3536: 3535:Stringer 2002 3531: 3524: 3519: 3512: 3511:Brunette 2005 3508: 3503: 3496: 3492: 3491:Brunette 2005 3487: 3480: 3476: 3472: 3471:Brunette 2005 3467: 3459: 3453: 3448: 3441: 3436: 3434: 3417: 3413: 3409: 3403: 3396: 3391: 3385:, p. 49. 3384: 3379: 3377: 3370:, p. 48. 3369: 3364: 3362: 3355:, p. 46. 3354: 3353:Brunette 2005 3349: 3347: 3330: 3326: 3322: 3316: 3300: 3296: 3292: 3288: 3282: 3264: 3260: 3256: 3252: 3240: 3236: 3232: 3228: 3227: 3225: 3224:Ashes of Time 3219: 3212: 3207: 3200: 3196: 3195:Brunette 2005 3191: 3184: 3180: 3179:Brunette 2005 3175: 3168: 3167:Brunette 2005 3163: 3156: 3151: 3149: 3147: 3140:, p. 32. 3139: 3138:Brunette 2005 3134: 3132: 3125:, p. 69. 3124: 3119: 3113:, p. 65. 3112: 3107: 3105: 3097: 3092: 3086:, p. 31. 3085: 3080: 3074:, p. 30. 3073: 3072:Brunette 2005 3068: 3061: 3060:Brunette 2005 3056: 3049: 3045: 3044:Brunette 2005 3040: 3034:, p. 35. 3033: 3028: 3022:, p. 44. 3021: 3016: 3014: 3007:, p. 16. 3006: 3005:Brunette 2005 3001: 2995:, p. 18. 2994: 2993:Brunette 2005 2990: 2985: 2979:, p. 34. 2978: 2973: 2971: 2963: 2962:Brunette 2005 2958: 2956: 2954: 2952: 2950: 2942: 2941:Brunette 2005 2937: 2931:, p. 15. 2930: 2925: 2918: 2917:Brunette 2005 2913: 2911: 2909: 2907: 2905: 2888: 2884: 2880: 2874: 2867: 2862: 2860: 2858: 2856: 2854: 2852: 2850: 2843:, p. 26. 2842: 2837: 2831:, p. 13. 2830: 2825: 2818: 2817:Brunette 2005 2813: 2811: 2809: 2792: 2788: 2784: 2783:Bomb Magazine 2780: 2773: 2771: 2769: 2767: 2765: 2763: 2761: 2759: 2757: 2755: 2753: 2751: 2749: 2747: 2745: 2743: 2741: 2739: 2737: 2735: 2733: 2726:, p. 13. 2725: 2722:, p. 2; 2721: 2716: 2714: 2697: 2693: 2687: 2685: 2683: 2681: 2679: 2677: 2675: 2673: 2671: 2669: 2652: 2648: 2644: 2637: 2635: 2633: 2631: 2629: 2627: 2625: 2623: 2621: 2614:, p. 10. 2613: 2608: 2601: 2596: 2594: 2592: 2590: 2588: 2571: 2567: 2566: 2561: 2554: 2550: 2533: 2526: 2525: 2520: 2519: 2514: 2513: 2508: 2502: 2492: 2485: 2479: 2472: 2468: 2463: 2455: 2449: 2441: 2435: 2428: 2424: 2423: 2418: 2412: 2405: 2401: 2397: 2396:Ashes of Time 2393: 2387: 2383: 2366: 2364: 2358: 2357: 2349: 2347: 2343: 2335: 2333: 2326: 2318: 2316: 2312: 2304: 2302: 2301: 2293: 2289: 2286: 2283: 2282: 2267: 2265: 2264: 2260: 2257: 2256: 2252: 2249: 2246: 2245: 2235: 2227: 2225: 2224: 2217: 2216: 2212: 2210: 2209: 2202: 2201: 2197: 2195: 2194: 2187: 2186: 2183: 2175: 2173: 2172: 2165: 2164: 2161: 2153: 2151: 2150: 2143: 2142: 2139: 2138:Do lok tin si 2131: 2129: 2128: 2127:Fallen Angels 2121: 2120: 2117: 2109: 2107: 2106: 2105:Ashes of Time 2101: 2098: 2090: 2088: 2087: 2079: 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8677:Wong Kar-wai 8676: 8453:Wong Kar-wai 8452: 8325:Stephen Chow 8251:Wong Kar-wai 8250: 8231:Jacob Cheung 8211:Wong Kar-wai 8210: 8191:Stanley Kwan 8161:Mabel Cheung 8049:Chen Yu-hsun 7959:Stephen Chow 7931:Stanley Kwan 7871:Wong Kar-wai 7870: 7823:Chen Kun-hou 7655:Miguel Gomes 7531:Gus Van Sant 7525:Im Kwon-taek 7504:2001–present 7482:John Boorman 7476:Wong Kar-wai 7475: 7434:Pavel Lungin 7364:Ettore Scola 7347:Costa-Gavras 7331:John Boorman 7303:Liviu Ciulei 7263:Jules Dassin 7245:René Clément 7239:René Clément 7046:Wong Kar-wai 7045: 6863: 6844: 6837: 6828: 6812: 6804: 6796: 6790:and segments 6775: 6767: 6759: 6751: 6743: 6735: 6727: 6719: 6711: 6703: 6672:Wong Kar-wai 6671: 6633: 6630:Wong Kar-wai 6621:Wong Kar-wai 6594: 6575:Wong Kar-wai 6574: 6555: 6530: 6504: 6482: 6463: 6444: 6425: 6406: 6387: 6368: 6350:Wong Kar-wai 6349: 6330: 6311: 6288:. 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8315:Ang Lee 8261:Ann Hui 8131:Ann Hui 8013:Ann Hui 7995:Ann Hui 7971:Ang Lee 7919:Ann Hui 7883:Ang Lee 7799:King Hu 7061:Ann Hui 6635:Variety 6527:(ed.). 6303:Sources 6285:Variety 6254:Variety 6168:2 March 5908:Variety 4916:Variety 3951:Variety 2527:(2010). 1853:Ty Burr 1844:Bergman 1836:Fellini 1810:Variety 1425:box set 1177:Singer 1156:Ty Burr 1140:Gong Li 1082:by the 1020:at the 873:Miramax 658:of the 597:In-Gear 521:at the 460:at the 418:genre. 400:at the 9806:(2024) 9800:(2023) 9794:(2022) 9788:(2021) 9782:(2019) 9776:(2018) 9770:(2017) 9764:(2016) 9758:(2015) 9752:(2014) 9746:(2013) 9740:(2012) 9734:(2011) 9728:(2010) 9722:(2009) 9716:(2008) 9710:(2007) 9704:(2006) 9698:(2005) 9692:(2004) 9686:(2003) 9680:(2002) 9674:(2001) 9657:(2000) 9651:(1999) 9645:(1998) 9639:(1997) 9633:(1996) 9627:(1995) 9621:(1994) 9615:(1993) 9609:(1992) 9603:(1991) 9597:(1990) 9591:(1989) 9585:(1988) 9579:(1987) 9573:(1986) 9567:(1985) 9561:(1984) 9555:(1983) 9549:(1982) 9543:(1981) 9537:(1980) 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