440:. Allin had parted with his previous label, Black and Blue Records once he signed with Homestead Records with Yarmouth's blessings.The goal was to get GG on a major label and both GG and Yarmouth felt Homestead was a good first step in getting there versus the small RI based label. Yarmouth is quoted "GG loved to trash any perceived or real authority including his record labels. I recall one show at The Populous Pudding in CT after the release of his second Homestead release where backstage GG pissed on my leg and yelled proudly that he now had pissed on both his labels. He said he pissed on Cosley's head. GG was that kind of guy. Back in the early days I spent a lot of money advertising GG in music publications. No label after Black & Blue had to sell an unknown artist."
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and many others by Black & Blue
Records, Allin's stature in the punk rock underground had grown considerably. However, Allin's uncompromising, and increasingly transgressive performances, and his tendency towards extremely lowbrow lyrics, made him an unlikely prospect not only for major labels,
566:
Jaques
Kralian reportedly asked Allin (who co-engineered the recording) and Cosloy if they really were serious about releasing the sessions. His question was answered a few months later when Allin and Cosloy immortalized his inquiry - "You guys aren't planning on pressing this into a record, are
467:
before those bands left for greener pastures. With room on the roster and a desire to work with Allin again, Cosloy courted the shock-rocker. Allin agreed almost immediately. Homestead would be the biggest label Allin would deal with up until this time.
488:, accompanied by a four-piece band that included Cosloy on second guitar, along with three other area musicians: lead guitarist Greg Bullock, bassist Mike Kirkland, and drummer Mike "Machine Gun" Edison. Allin dubbed the session band The Holy Men.
570:
All ten of the songs were rehearsed and recorded in one day-long session. Cosloy produced but did not take production credit, instead claiming on the liner notes that he "re-mixed, unmixed, and edited" the album as heard in its final form.
533:. (G.G. asked for—but did not receive—permission to record the song; he bought a cassette tape from Bad Tuna members after reading the lyrics, written by Bad Tuna's Carolyn and No Thanks' Donna Damage, in
383:
The album was the first to fully mark a distinct change in his vocal tone, which by this time began to take on a slurred and gravelly characteristic, and increasing usage of
603:(of the band Out Cold) playing all of the instruments, plus an interview conducted over the phone from prison on March 4, 1991, with journalist Jeff Koch.
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380:, recorded with his backing band the Holy Men. Reissues credit the release mistakenly to GG Allin and the Criminal Quartet.
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522:)is musically the track "Blood for You" but with new lyrics (both originally appeared on 1986's self-released cassette EP
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While most of the song titles are self-explanatory, "Suck Dog" is reportedly about writer and performance artist
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sometime in the mid-1980s.) The other cover version, "Garbage Dump", was written and originally recorded by
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942:
518:"Tough Fuckin' Shit" is an uncredited rewrite of Nancy Sinatra's "Sorry 'Bout That". And "I'm a Rapist" (
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in favor of the rough mid-tempo rock he began on his third full length, 1985's self-released cassette
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656:"Scars on My Body - Scabs on My Dick" (G.G. Allin, Bloody F. Mess, Gerald Cosloy) - 2:30
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through a deal with record distributor Dutch East India, and had released records by
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On May 18, 1987, Allin entered a low-budget studio called The Music Box, located on
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529:"Beer Picnic" is a faithful, if slower, version of a song by obscure NYC punk band
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Gerard Cosloy - guitar, editing, backing vocals, remixing, sequencing, mixing
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In 1992, while Allin was serving a prison sentence for parole violation in
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628:"Bloody Mary's Bloody Cunt" (G.G. Allin, Mike Edison) - 3:26
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653:"Stink Finger Clit" (G.G. Allin, Gerald Cosloy) - 3:04
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All songs written by G.G. Allin except where noted.
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53:. Unsourced material may be challenged and removed.
647:"Teenage Twats" (G.G. Allin, Gerald Cosloy) - 3:29
428:but also for many of the independent labels like
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625:"Swank Fuckin'" (G.G. Allin, Mike Edison) - 2:53
599:, by Allin, with himself and then-collaborator
789:
515:(the latter of which Allin was a major fan).
717:Greg Van Voorst - percussion, backing vocals
637:"Suck Dog" (G.G. Allin, Greg Bullock) - 2:50
443:Enter Gerard Cosloy, who had already played
331:
796:
782:
671:
650:"Beer Picnic" (Bad Tuna Experience) - 4:22
526:by GG Allin & The Cedar Street Sluts.
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113:Learn how and when to remove this message
567:you?" - on the back cover of the album.
595:7-inch EP recorded on July 7, 1991, in
1120:
1022:Hated: GG Allin and the Murder Junkies
677:"Watch Me Kill the Boston Girl" - 1:00
447:with Allin on the "new" recordings on
880:Freaks, Faggots, Drunks & Junkies
777:
720:Greg Bullock - guitar, backing vocals
312:
62:"You Give Love a Bad Name" album
708:- vocals, engineer, voices, producer
491:Musically, Allin eschewed the hyper
51:adding citations to reliable sources
22:
904:Carnival of Excess: Limited Edition
611:
293:Freaks, Faggots, Drunks and Junkies
13:
849:Always Was, Is and Always Shall Be
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495:tempos of his second studio album
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686:"Slaughterhouse Deathcamp" - 1:15
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125:1987 studio album by GG Allin
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912:Brutality and Bloodshed for All
695:"Interview from Prison" - 15:58
680:"Castration Crucifixion" - 2:06
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38:needs additional citations for
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1:
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738:Bloody F. Mess - liner notes
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524:The Sleaziest, Loosest Sluts
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1029:GG Allin: All in the Family
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631:"Tough Fuckin' Shit" - 2:08
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256:GG Allin & The Holy Men
16:For the Bon Jovi song, see
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729:Jaques Kralian - engineer
724:Mike "Machine Gun" Edison
683:"Snakeman's Dance" - 3:04
395:After the release of the
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174:March 4 and July 7, 1991
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1138:Homestead Records albums
1133:Awareness Records albums
872:You Give Love a Bad Name
762:You Give Love a Bad Name
689:"Feces and Blood" - 3:41
589:You Give Love a Bad Name
507:which is reminiscent of
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365:You Give Love a Bad Name
284:You Give Love a Bad Name
131:You Give Love a Bad Name
18:You Give Love a Bad Name
1003:The Troubled Troubadour
726:- drums, backing vocals
672:CD reissue bonus tracks
943:The Troubled Troubador
1091:William Gilmore Weber
692:"Master Daddy" - 1:45
634:"I'm a Rapest" - 4:27
597:Lowell, Massachusetts
562:During the sessions,
438:Alternative Tentacles
372:released by American
888:The Suicide Sessions
864:You'll Never Tame Me
714:Mike Kirkland - bass
504:You'll Never Tame Me
308:Professional ratings
47:improve this article
987:Hated in the Nation
552:Lisa Crystal Carver
531:Bad Tuna Experience
449:Hated in the Nation
398:Hated in the Nation
309:
275:Hated in the Nation
979:Compilation albums
936:Live Fast Die Fast
809:The Murder Junkies
564:recording engineer
513:the Rolling Stones
509:the New York Dolls
451:. Cosloy operated
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585:Awareness Records
581:Jackson, Michigan
535:Maximum RockNRoll
453:Homestead Records
414:Maximum RockNRoll
387:lyrical content.
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242:Awareness Records
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176:(CD bonus tracks)
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995:Banned in Boston
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612:Original 1987 LP
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1143:GG Allin albums
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1039:Related persons
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558:Recording tales
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744:- cover layout
742:Georgia Hubley
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1051:Gerard Cosloy
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842:Studio albums
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733:Wharton Tiers
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607:Track listing
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593:Watch Me Kill
591:, adding the
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493:hardcore punk
489:
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482:New York City
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445:rhythm guitar
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313:Review scores
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238:(original LP)
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218:(original LP)
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196:hardcore punk
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171:(original LP)
169:May 18, 1987
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64: –
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58:Find sources:
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36:This article
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1061:Wayne Kramer
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848:
828:The Primates
757:
735:- sequencing
661:Garbage Dump
615:
601:Mark Sheehan
592:
588:
578:
575:Bonus tracks
569:
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486:East Village
475:
448:
442:
434:Touch and Go
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370:studio album
364:
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362:
291:
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273:
245:(CD reissue)
223:(CD reissue)
146:Studio album
109:
103:January 2021
100:
90:
83:
76:
69:
57:
45:Please help
40:verification
37:
1128:1987 albums
1107:Discography
1081:Genya Ravan
1056:Mark Kramer
1046:Merle Allin
961:Love Tunnel
823:The Jabbers
465:Dinosaur Jr
461:Sonic Youth
424:Ben is Dead
402:compilation
1122:Categories
1071:David Peel
856:Eat My Fuc
749:References
498:Eat My Fuc
385:shock rock
264:chronology
73:newspapers
700:Personnel
587:reissued
457:Big Black
376:musician
374:punk rock
191:Punk rock
1100:See also
1066:J Mascis
930:No Rules
833:Antiseen
805:GG Allin
766:AllMusic
706:GG Allin
667:) - 2:23
642:Side two
620:Side one
478:Avenue B
419:Flipside
405:cassette
378:GG Allin
327:AllMusic
262:GG Allin
252:Producer
166:Recorded
158:Released
151:GG Allin
148: by
954:Singles
547:album.
391:History
297:(1988)
288:(1987)
279:(1987)
87:scholar
1031:(2017)
1025:(1993)
1006:(1996)
998:(1989)
990:(1987)
971:(1981)
963:(1977)
946:(1990)
938:(1984)
932:(1982)
915:(1993)
907:(1991)
899:(1991)
891:(1989)
883:(1988)
875:(1987)
867:(1985)
859:(1984)
851:(1980)
436:, and
321:Rating
318:Source
221:60:22
205:Length
89:
82:
75:
68:
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816:Bands
472:Music
230:Label
183:Genre
94:JSTOR
80:books
1014:Film
807:and
511:and
463:and
417:and
409:ROIR
161:1987
66:news
923:EPs
764:at
663:" (
544:Lie
520:sic
484:'s
480:in
430:SST
407:by
49:by
1124::
583:,
554:.
459:,
432:,
214:32
210:31
797:e
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110:(
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101:(
91:·
84:·
77:·
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
