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Zhiguai xiaoshuo

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however, does not see the stories as "fiction", since the literati authors believed that their accounts were factual. Lydia Sing-Chen Chiang suggests that one function of the stories in this genre was to provide a "context by which the unknown may be ascribed names and meanings and therefore become 'known,' controlled, and used."
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Robert Ford Campany sees the genre loosely characterized in its early examples by relatively brief form, often only a list of narrations or description, written in non-rhyming classical prose with a "clear and primary" focus on things which are anomalous, with a Buddhist or Taoist moral. Campany,
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is the most prominent early source, and contains the earliest versions of a number of Chinese folk legends. Later, tales of Indian origins were included and used for spreading Buddhist concepts, such as reincarnation. Another of the richest early collections is
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materials had been widely reprinted and supplemented by contemporary works. Judith Zeitlin suggests that the accounts of the strange "inevitably began to lose their sense of novelty and to seem stereotype..." and such writers as
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in 618 CE. They were among the first examples of Chinese fiction and deal with the existence of the supernatural, rebirth and reincarnation, gods, ghosts, and spirits.
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features with other styles, was left unfinished at his death in 1715. Its thematic elements include ghosts, romances, spirits, uncanny dreams, and karma.
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Classical Chinese Tales of the Supernatural and the Fantastic: Selections from the Third to the Tenth Century
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Buddhism and Tales of the Supernatural in Early Medieval China: A Study of Liu Yiqing's (403-444) Youming Lu
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powers including the abilities to "walk...through walls or stand...in light without casting a shadow".
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therefore needed to renew the category of "strange". His anomalous collection of short pieces
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Collecting the Self: Body and Identity in Strange Tale Collections of Late Imperial China
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stories continue to appear in print and on screen. A recent collection, for example,
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and connects them to the more-recent genre of glitch-in-the-matrix tales.
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Zhiguai: Chinese True Tales of the Paranormal and Glitches in the Matrix
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Historian of the Strange: Pu Songling and the Chinese Classical Tale
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and developed after the fall of the dynasty in 220 CE and in the
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Reading Tolkien in Chinese: Religion, Fantasy, and Translation
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By the late Ming and early Qing dynasties, the collections of
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Strange Writing: Anomaly Accounts in Early Medieval China
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is an allusion to a passage in the inner chapters of the
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Index

Zhiguai
Traditional Chinese
Simplified Chinese
Standard Mandarin
Hanyu Pinyin
IPA

Chinese literature
Han dynasty
Tang dynasty
Zhuangzi
Six Dynasties
xian
Tao
Soushen Ji
Gan Bao
You Ming Lu
Chinese
A New Account of the Tales of the World
chuanqi
Taiping guangji
Pu Songling
Strange Stories from a Chinese Studio
Campany (1996)
Campany (1996)
Chiang (2005)
12
Campany (1996)

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