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Haussmann's early portraits, like that of
Gottfried Reiches, display individual composition, technical careful execution, a high level of detail, and realistic emotional expressions. Many later portraits on the other hand, possess typical characteristics of serial images. Especially in the years
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Haussmann's oil paintings and the larger number of etchings show a cross section of the leading layer of the bourgeoisie of
Leipzig from the fields of politics, administration, judiciary, the church, business (especially trade and crafts), science and art. Examples include:
202:, King of Poland and Elector of Saxony. In 1725, he returned to Leipzig. In 1726, he took over the clientele of his predecessor, beginning with a portrait of the merchant Johann Heinrich Linke. In the 1760s, he and his school were replaced by Ernst Gottlob and
218:, where the Bach portrait hangs, also has several other oil paintings by Haussmann and a variety of his copperplate engravings. Most Haussmann paintings can easily be attributed – he regularly signed his works on the back with his name and the date.
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after 1760, they use the same measurements and often show the subjects in the same attitude. Often there are identical clothes in the same colors within a series of portraits of rather insignificant officials. Georg Müller writes of an "image factory".
161:. He was at first a pupil of his father, Elias Haußmann (1663–1733), who was the Landgrave of Hesse's court painter. Haussmann was in the royal Hessian service, as he was mentioned in a September 1717 letter of recommendation from
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From 1720, Haussmann was the official portrait painter of the city of
Leipzig, but left the city in 1722, probably because of differences with the
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or to come to agreements with the guild. These disputes are also accepted as a reason that Mányoki revoked his recommendation.
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191:(painters' guild) of Leipzig. Haussman and the guild quarrelled in 1729 and 1742 because he refused to become a
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Sigismund, Ernst (1950). "Der Porträtmaler Elias
Gottlob Haussmann und seine Zeit: die Bachbildnisse".
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Sigismund, Ernst (1929). "Der Maler des
Bachporträts E. G. Haussmann. Ein Gedenkblatt".
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The
Landgrave allowed him a study trip through Germany, where he met portraitist
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Engravings made by others were enhanced with titles, career and personal data.
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Allgemeines
Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart
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Art of Bach, paintings and drawings from collections East
Germany
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Der Leipziger Kupferstich im 16., 17. und 18. Jahrhundert
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Leipzig's engraving in the 16th, 17th and 18th centuries
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Georg Müller (1907–1947). "Elias Gottlob Haussmann". In
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Johann Sebastian Bach, Neue Ausgabe sämtlicher Werke
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J. S. Bach holding his Riddle Canon, BWV 1076 (1746)
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418:: CS1 maint: location missing publisher (
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352:: CS1 maint: location missing publisher (
342:. Vol. 16. Leipzig. pp. 145–146.
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163:Landgrave Ernst Ludwig of Hesse-Darmstadt
145:. He is mostly known for his portrait of
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236:Councillor and builder Kaspar Richter
99:, oil painting by Haussmann, 1726–27
110:, oil painting by Haussmann c. 1750
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149:which was painted in 1746.
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239:Councillor and city judge
16:German painter (1695–1774)
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255:Archdeacon Christian Weiß
129:era. Haussmann served as
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260:Johann Zacharias Richter
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408:. Vol. IV. Kassel.
252:Pastor Gottlieb Gauditz
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115:Elias Gottlob Haussmann
25:Elias Gottlob Haussmann
496:Elias Gottlob Haußmann
336:; et al. (eds.).
200:Augustus II the Strong
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284:Johann Sebastian Bach
170:Francesco Carlo Rusca
147:Johann Sebastian Bach
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498:at Wikimedia Commons
241:Johann Jacob Mascov
280:Kapellmeister and
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370:. Leipzig. 1985.
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204:Anton Graff
187:Malerinnung
139:portraitist
506:Categories
441:. Leipzig.
298:References
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462:(1907).
123:Hausmann
119:Haußmann
73:Movement
290:Writer
193:burgher
143:Leipzig
135:Dresden
77:Baroque
59:Germany
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174:Lugano
117:(also
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210:Works
472:OCLC
420:link
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159:Gera
153:Life
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38:Gera
34:1695
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