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called him "Cavaliere", which is why he later referred to himself as "Ritter" (Knight). He left
England a few years later and returned to Italy. While there, in the 1750s, he was employed by a branch of the
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were especially influential. He first gained attention at this time with portraits of the
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That year, he settled in London. His portraits were so well thought of that King
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237:(exhibition catalog, Staatliche Museen Kassel). Minerva, Wolfratshausen 2000,
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Mit Pinsel, Feder und Stift – Meisterzeichnungen der
Graphischen Sammlung.
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then, in 1737, on to
Potsdam and Berlin, where he painted for the
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54:(1 January 1693 – 11 May 1769) was an itinerant
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His connection with
Germany began when he married in
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66:Little is known of his early life. He was born in
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23:Marie Ana Ludowiga von Roll von Emmenholz (1760s)
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90:. Later, he returned to Switzerland, working in
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39:Vision of St. John the Evangelist (1737)
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58:painter, best known for his portraits.
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217:Historical Dictionary of Switzerland
170:"Rusca, Carlo Francesco (Cavaliere)"
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109:at the invitation of Landgrave
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285:18th-century Italian painters
177:Lexicon on art in Switzerland
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31:Portrait of an Actor (1730s)
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295:Italian portrait painters
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194:Rusca, Carlo Francesco
105:. In 1733, he went to
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290:Italian male painters
262:at Wikimedia Commons
260:Francesco Carlo Rusca
119:Prussian royal family
48:Carlo Francesco Rusca
44:Francesco Carlo Rusca
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139:Spanish royal family
121:. He also worked in
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78:. The works of
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275:1693 births
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269:Categories
149:References
68:Torricella
134:George II
92:Solothurn
115:Hannover
211:Italian
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205:French
199:German
175:SIKART
107:Kassel
80:Titian
143:Milan
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96:Bern
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