Franz Liszt - Knowledge

1145: 1305: 2214:" and "paraphrase", the former being a faithful reproduction of the source material and the latter a more free reinterpretation. He wrote substantial quantities of both over the course of his life, and they form a large proportion of his total output—up to half of his solo piano output from the 1830s and 1840s is transcription and paraphrase, and of his total output only approximately a third is completely original. In the mid-19th century, orchestral performances were much less common than they are today and were not available at all outside major cities; thus, Liszt's transcriptions played a major role in popularising a wide array of music such as 454: 1689: 628: 706: 150: 1201: 1597: 790: 2163: 2014: 1965: 414:. To build on his son's success, Adam Liszt decided to take the family to Paris, the centre of the artistic world. At Liszt's final Viennese concert on 13 April 1823, Beethoven was reputed to have walked onstage and kissed Liszt on the forehead, to signify a kind of artistic christening. There is debate, however, on the extent to which this story is apocryphal. The family briefly returned to Hungary, and Liszt played a concert in traditional Hungarian dress, in order to emphasise his roots, in May 1823. 2343: 1804: 389:, who in his own youth had been a student of Beethoven and Hummel. Czerny, already extremely busy, had only begrudgingly agreed to hear Liszt play, and had initially refused to entertain the idea of regular lessons. Being so impressed by the initial audition, however, Czerny taught Liszt regularly, free of charge, for the next eighteen months, at which point he felt he had nothing more to teach. Liszt remained grateful to his former teacher, later dedicating to him the 12222: 9706: 8690: 9716: 12278: 12347: 592: 55: 1883: 8700: 7863: 862: 12330: 2218:. Liszt's transcriptions of Italian opera, Schubert songs and Beethoven symphonies are also significant indicators of his artistic development, the opera allowing him to improvise in concert and the Schubert and Beethoven influence indicating his compositional development towards the Germanic tradition. He also transcribed his own orchestral and choral music for piano in an attempt to make it better known. 12302: 315: 306: 1031: 1736:

enthusiastically studied exercises and works. In later life, however, he would express the opinion that despite his work under Czerny his early training had been unfocused, and he had excelled mainly "by force of personality". Reviews of his early concerts especially praise the brilliance, strength, and precision in his playing. At least one also mentions his ability to keep absolute tempo.

12266: 2493:, who features prominently in one of the chapters, admired the book. English translations garnered attention in the US and UK over the subsequent two decades, leading to a second edition in 1879. Once again Liszt asked Carolyne to help, but her contribution was so extensive that Liszt considered it over-involvement, going so far as to describe the book as having been "written by Carolyne". 1396:. The two musicians had very different personalities, with Liszt being extroverted and outgoing while Chopin was more introverted and reflective, so it is possible that the two never had an extremely close friendship to begin with, and the fact that they did not live physically close together would have been another barrier. On the topic, Liszt commented to Chopin's biographer 12290: 12254: 2933:. Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially 2507:

Furthermore, owners would blacklist performers who had appeared at a rival venue. Liszt was also concerned about the lack of professionalism of educational institutions, which were run by unqualified teachers and charged high tuition. In his view, their courses lacked rigour, and had an undue preference for older music over that of living composers.

1516:. Clara asked for Liszt's help that year in finding a performance venue in order to earn an income. Liszt arranged an all-Schumann concert with Clara as the star performer and published an extremely positive review, but Clara did not express any gratitude. In a posthumous edition of Robert's works, Clara changed the dedication of the 1911:

under Berlioz's supervision, using an 1853 Érard piano, and was a combination of piano and harmonium with three manuals and a pedal board. The company called it a "Liszt piano-harmonium" and installed it in Villa Altenburg in July 1854; the instrument is now exhibited in the Gesellschaft der Musikfreunde collection in Vienna.

2460:. Many scholars have doubted that he was their sole author, suggesting that the writings ascribed to Liszt were written partly or solely by Countess Marie d'Agoult or Princess Carolyne, but there is no consensus on this matter. It is known that the programs for some of his symphonic poems were ghost-written. 1777:... Now I no longer divorce a composition from the era in which it was written, and any claim to embellish or modernize the works of earlier periods seems just as absurd for a musician to make as it would be for an architect, for example, to place a Corinthian capital on the columns of an Egyptian temple. 1012:, intrinsically linked to the School, was founded at this time, with Liszt becoming its honorary president in 1873. However, as most of Liszt's work from the 1860s and 1870s received little attention, and Brendel and Berlioz died in the late 1860s, the focus of the progressive movement in music moved to 2312:

which invoked his experiences travelling – but he presented the novel argument that program music was artistically superior, counter to the prevailing view that such work was unserious. This developed into the idea that the historical development of music as an art form was destined to

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Today, Liszt's songs are relatively obscure. There are 137 secular vocal pieces, 82 of which were original songs with piano accompaniment, mostly composed in the 1840s. In most cases the lyrics are in German, but there are also some in Italian and French, three in Hungarian and one in each of Russian

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Despite his apparent contrition, however, Liszt did continue to make large interpretive changes while performing, although he would be more concerned with fidelity to the score and composer's intentions later in life. He would be more open to pupils revising his own compositions, and he himself often

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in Bonn were in danger of collapse for lack of funds and pledged his support, raising funds through concerts. The countess returned to Paris with the children, while Liszt gave six concerts in Vienna, then toured Hungary. Liszt would later spend holidays with Marie and their children on the island of

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in the summer of 1827, and for the next eight years Liszt continued to live in Paris with his mother. He gave up touring, and in order to earn money, he gave lessons on piano and composition, often from early morning until late at night. His students were scattered across the city and he had to cover

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From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was "so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time". Estimates of the total number of pupils he

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Scholar James Deaville writes that "few composers of the nineteenth century, except possibly Wagner, had the same influence upon succeeding generations as Liszt did. Indeed, one is hard-pressed to think of an innovative composer of the early twentieth century who was not influenced by Liszt's music,

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took the art form in new directions. Liszt's music seemed "flamboyant and excessive" in contrast with their leaner styles, and his work had neither become part of the established canon nor received credit for being avant-garde. His piano music received attention from few pianists during this period,

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Liszt owned two other organs which were installed later in his Budapest residence. The first was a "piano-orgue": this was a smaller version of Weimar's instrument, a combination of a 1864 Érard piano and a harmonium, with two independent manuals, the upper for the piano and lower for the harmonium,

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in his second string quartet, and Bartók, who admired Liszt's works greatly. Liszt's method of using Hungarian folk music in his compositions was developed further by these composers and their successors, who integrated such themes more subtly and valued the authenticity of the source material to a

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Up to 1840, most concerts featuring a solo pianist included other acts, such as an orchestra, singers and ballet. The increasing prominence of the solo piano virtuoso in the 1830s led to other acts on the bill being described as "assistant artists", with Liszt declaring his pre-eminence in a letter

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had been attempting to arrange Liszt's return to Weimar ever since he had left, and in January 1869 Liszt agreed to a residency to give masterclasses in piano playing. He was based in the Hofgärtnerei (court gardener's house), where he taught for the next seventeen years. From 1872 until the end of

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in 1844. In a fashion that has been described as similar to "the mass hysteria associated with revivalist meetings or 20th-century rock stars", women fought over his cigar stubs and coffee dregs, and his silk handkerchiefs and velvet gloves, which they ripped to shreds as souvenirs. This atmosphere

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The earliest records of Liszt playing the organ date from 1836. He developed an interest in J. S. Bach's organ music in the early 1840s, probably due to Mendelssohn's influence. Later, Liszt commissioned a "piano-organ" from the Paris company Alexandre Père et Fils. The instrument was made in 1854

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The orchestration of Berlioz had an influence on Liszt, especially with regards to his symphonic poems. Berlioz saw orchestration as part of the compositional process, rather than a final task to undertake after the music had already been written. Berlioz joined Liszt and Wagner as a figurehead of

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Believing in the power of music to transcend people's typical quotidian existence, with his program music Liszt attempted to "elevate listeners to a higher realm of consciousness". He argued that its purpose was less to do with depicting a specific scene or experience, and more about allowing the

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studied under Liszt in his later life, 1869–1875, and her writings align with Boissier's four decades earlier. She also notes that Liszt kept his fingers close to the keyboard to achieve a better legato, and that Liszt discouraged unnecessary hand movements, in contrast to his flamboyant gestures

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It is estimated that Liszt appeared in public well over one thousand times during this eight-year period. Moreover, his great fame as a pianist, which he would continue to enjoy long after he had officially retired from the concert stage, was based mainly on his accomplishments during this time.

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n order to wring bravos from the public that is always slow, in its awesome simplicity, to comprehend beautiful things, I had no qualms about changing the tempos of the pieces or the composers' intentions. In my arrogance I even went so far as to add a host of rapid runs and cadenzas, which, by

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but struggling to generate sufficient interest. The festival was dedicated to the works of her husband Richard Wagner, and had opened ten years previously; Wagner had died in 1883. Already frail, in his final week of life Liszt's health deteriorated further, as he experienced a fever, cough and

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of the 1950s Liszt's works and writings received greater attention, and scholars now appreciate the wide range and originality of his compositions. In the decades since, recordings of the vast majority of his output have become available, and a complete edition of scores is being published, to

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At first, after arriving in Weimar, Princess Carolyne lived apart from Liszt, in order to avoid suspicions of impropriety. She wished eventually to marry Liszt, but since her husband, Russian military officer Prince Nicholas von Sayn-Wittgenstein, was still alive, she had to convince the Roman

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in 1835. This work calls for the reform of theatres: Liszt perceived the physical buildings to be unsafe and unpleasant, and their managers to be incompetent. He argues that they would book the cheapest variety of acts without concern for artistic merit, leading to subpar concert experiences.

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produced different versions of his works over the course of his lifetime. This attitude was in keeping with the shift in audience preferences that began in the 1830s, which started to favour a faithfully rendered memorised performance over the improvisation that Liszt employed in these years.

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Liszt's performance style changed throughout his life, in his interpretive decisions as well as his physicality (the young Liszt was extremely animated at the keyboard, but in old age he was very still). No recordings of Liszt exist, so to get an impression of his style scholars must go by

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in 1860, Carolyne finally secured an annulment. It was planned that she and Liszt would marry in Rome, on 22 October 1861, Liszt's 50th birthday. Liszt arrived in Rome on 21 October, but a Vatican official had arrived the previous day in order to stop the marriage. This was a result of the

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moved to Paris in 1835 after several successful years of touring. His concerts there were extremely well received, and Liszt, at the time living in Geneva, received news of them from his friends in Paris. In the autumn of 1836 Liszt published an unfavourable review of several of Thalberg's

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Liszt fell very ill, to the extent that an obituary notice was printed in a Paris newspaper, and he underwent a long period of religious doubts and introspection. He stopped playing the piano and giving lessons, and developed an intense interest in religion, having many conversations with

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Liszt offered his students little technical advice, expecting them to "wash their dirty linen at home", as he phrased it. Instead, he focused on musical interpretation with a combination of anecdote, metaphor, and wit. He advised one student tapping out the opening chords of Beethoven's

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From a young age Liszt had displayed an aptitude for improvisation and sight reading. Czerny observed that Liszt was a natural who played according to feeling—"one saw that Nature herself had formed a pianist." Liszt's fourteen months under Czerny solidified his technical skills as he

614:), aiming to represent Paganini's virtuosity on the keyboard. The process of Liszt completely redeveloping his technique is often described as a direct result of attending Paganini's concert, but it is likely that he had already begun this work previously, during the period 1828–1832. 1751:... Mme Boissier writes that Liszt's 'hand is never unwieldy, for he moves it with grace according to his fancy', then she stresses that 'he does not play with his arms or shoulders'. In a later lesson, Liszt instructed Valerie to play 'without exception, entirely with a wrist action' 1376:

on 26 February 1832, which he admired greatly, and by mid-1833 the two had become close friends. They performed together a number of times, often for charity, and since Chopin only performed in public about 12 times, these events comprise a large proportion of his total appearances.

2411:, although he did continue to write transcriptions and paraphrases as well as sacred vocal music. Studies of his output from this period typically focus on pieces which display a willingness to push the boundaries of tonality and have an association with death and mourning, such as 2308:, which stands for itself and is intended to be appreciated without any particular reference to the outside world. This was not a new idea – such pieces had been written since the early 18th century, and Liszt himself had written works such as the early version of 662:

For the next four years, Liszt and the countess lived together. In 1835 and 1836 they travelled around Switzerland, and from August 1837 until November 1839 they toured Italy. It was these travels that later inspired the composer to write his cycle of piano collections entitled

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in 1849, for the first time outside Dresden, and published two transcriptions from it, writing to Wagner "Once and for all, number me in future among your most zealous and devoted admirers; near or far, count on me and make use of me." In 1850 he arranged the premiere of

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on the staff. Liszt himself only arrived to deliver lessons in March 1876. From 1881 when in Budapest he would stay in an apartment in the Academy, where he taught pupils in much the same way as he did in Weimar. In 1925 the institution was renamed in honour of Liszt.

2877:: "There you go, mixing salad again." Liszt also wanted to avoid creating carbon copies of himself, believing instead in preserving his pupils' artistic individuality. This was in contrast to his contemporaries, who focused on drilling students in a uniform approach. 2715:, anticipated future developments. Their use of parallel fifths, the whole-tone scale, unresolved dissonances and parallel diminished and augmented triads, predates similar compositional techniques used by Ravel and Bartók. Liszt also pioneered a tonal language of 1620:. Liszt disapproved of the relationship and broke off contact with the couple for a number of years, only learning of their 1870 marriage from the newspapers. Nevertheless the relationship recovered: Liszt contributed financially to the building of the 930:

Nicholas was aware that the couple's marriage had effectively ended, and Carolyne and Nicholas reached an agreement to annul in 1850 whereby the prince would receive some of Carolyne's estates. However, this arrangement was struck down in 1851 by the

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went on to become notable performers. He left behind an extensive and diverse body of work that influenced his forward-looking contemporaries and anticipated 20th-century ideas and trends. Among Liszt's musical contributions were the concept of the

2842:. Members of these classes would also accompany Liszt to concerts and other events. In later years some in Weimar would criticise the masterclasses as a vanity club more interested in praising Liszt than in learning pianistic excellence, although 1983: 1763:

During his performance career Liszt took unusually bold liberties with the score, changing tempo and adding embellishment at will. In one instance he decided on "a sudden, drastic slowing down" while performing the Scherzo movement of Beethoven's

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in September, then spent the winter with the princess at her estate in Woronińce. By retiring from the concert platform at the age of 35, while still at the height of his powers, Liszt succeeded in keeping the legend of his playing untarnished.

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Liszt heard Thalberg perform for the first time at the Paris Conservatoire in February 1837, and to settle the disagreement the two pianists each arranged a performance for the public to compare them the following month. Liszt performed his own

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long distances. Because of this, he kept uncertain hours and also took up smoking and drinking, habits he would continue throughout his life. During this period Liszt fell in love with one of his pupils, Caroline de Saint-Cricq, the daughter of

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Liszt was a prolific composer. He is best known for his piano music, which forms the majority of his oeuvre, but he also wrote for orchestra and for other ensembles. His piano works are often marked by their difficulty. Some of his works are

1567:. Liszt arranged a false passport and lent Wagner money to allow him to escape Germany for Switzerland, and for the next ten years continued to send money and visit, as well as petition officials for a pardon which eventually came in 1860. 493:, which premiered shortly before his fourteenth birthday. The premiere was warmly received, but the opera only ran for four performances, and is now obscure. Accompanied by his father, Liszt toured France and England, where he played for 1408:

Very shortly after Chopin's death in 1849, Liszt had a monument erected in his memory and began to write a biography. Chopin's relatives and friends found the timing of this insensitive, and many declined to help with Liszt's enquiries.

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Liszt fell down a flight of stairs at the Hofgärtnerei in July 1881, and remained bedridden for several weeks after this accident. He had been in good health up to that point, but a number of ailments subsequently manifested, such as a

775:, however, believes that "Liszt received the ovation of the evening and all doubts about his supremacy were dispelled. As for Thalberg, his humiliation was complete. He virtually disappeared from the concert platform after this date." 885:

until his retirement in 1852. During this period Liszt acted as conductor at court concerts and on special occasions at the theatre, arranged several festivals celebrating the work of Berlioz and Wagner, and produced the premiere of

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The 1860s were a period of great sadness in Liszt's private life. On 13 December 1859, he lost his 20-year-old son Daniel to an unknown illness. On 11 September 1862 his 26-year-old daughter Blandine also died, having contracted

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was fuelled in great part by the artist's mesmeric personality and stage presence: he was regarded as handsome, and Heine wrote of his showmanship during concerts: "How powerful, how shattering was his mere physical appearance".

2542:. This work proved controversial in the country, with Hungarians disputing Liszt's assertion that Romani communities were responsible for a large contribution to the native music. The second edition, published in 1881, contains 1321:. The two quickly became very close friends, exchanging intimate letters on their respective love lives, which also reveal that Liszt was aware of Berlioz's fixation on suicide. Liszt acted as a witness at Berlioz's wedding to 603:

in April 1832, Liszt resolved to become as great a virtuoso on the piano as Paganini was on the violin. He dramatically increased his practice, sometimes practising for up to fourteen hours a day, and in 1838 published the six

2373:. The symphonic poems were poorly received by critics, especially in Weimar, where Liszt was residing at the time—they criticised Liszt's compositional style as well as the whole idea of program music as the future of music. 1894:

presented Liszt with a grand piano featuring his newly patented double escapement mechanism, a key development in piano technology allowing for faster note repetition. Among the composer's pianos in Weimar were an Érard, a

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to escape creditors. Liszt was at this point a famous pianist, whereas Wagner was unknown; unlike Wagner, Liszt did not remember the meeting. In 1844 Liszt attended a performance of Wagner's first major success, the opera

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At his performing peak Liszt was considered the greatest pianist of his time, and was perhaps one of the greatest who ever lived. His popularity during the "Lisztomania" period of the 1840s was unrivalled, and the critic

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had earned more than one million marks from teaching: "As an artist, you do not rake in a million marks without performing some sacrifice on the altar of Art". He wrote an open letter to Kullak's sons, published in the

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identifies several themes which occurred through Liszt's teachings, including avoiding excessive sentimentality, imagining the orchestration of the piece, flexibility of tempo, and the importance of a sense of music.

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After his separation from Marie, Liszt continued to tour Europe. His concerts in Berlin in the winter of 1841–1842 marked the start of a period of immense public enthusiasm and popularity for his performances, dubbed

2430:. Its key signature is G minor, but ends in an ambiguous tonality; its texture is generated by a collection of fragments rather than a distinct melody and harmony; and it uses chromaticism and dissonance such as the 2361:, one-movement orchestral works in which some extramusical program or idea provides a narrative or illustrative element. The first twelve of these were written between 1848 and 1858, and the most well-known are 365:

personally. Franz began to improvise at the piano from before the age of five, and his father diligently encouraged his progress. Franz also found exposure to music through attending Mass, as well as travelling

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The great artist's true significance was revealed to me at last. I came to recognize that, for the continued development of musical art, his compositions were more important than either Wagner's or Strauss's.

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for information, but they had been uncooperative, finding the timing of his enquiries so soon after Chopin's death to be insensitive. As a result the work contained several factual inaccuracies. Nevertheless

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suggests that Chopin took offence at an equivocal 1841 review by Liszt, and was perhaps jealous of Liszt's popularity, while Liszt in turn may have been jealous of Chopin's reputation as a serious composer.

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listener to reach a higher state of existence. Such music would act as a more direct method of communication than language, allowing people to share exactly their own experiences. This view was endorsed by

1981: 1051:. Carolyne subsequently gave up all attempts to marry Liszt, even after her husband's death in 1864; she became a recluse, working for the rest of her life on a long work critical of the Catholic Church. 184:. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed " 1655:, although there is no consensus on whether Wagner was influenced by the song. There are similarities in their musical languages, however, and Wagner once even commented to Cosima that he was looking at 1076:

at the hands of Cardinal Hohenlohe, who had previously worked against Carolyne's efforts to secure an annulment; the two men became close friends. On 31 July 1865 Liszt received the four minor orders of

2561:, a pupil of Liszt's at the time, remembered seeing it among Liszt's papers at Weimar. Liszt told Friedheim that the time was not yet ripe to publish the manuscript. This treatise has since been lost. 1820:

to a friend dated June 1839: "Le concert, c'est moi". Liszt is credited as the first pianist to give solo recitals in the modern sense of the word; the term was first applied to Liszt's concert at the

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existence"). It is estimated that he travelled at least 4,000 miles a year during this period in his life – an exceptional figure given his advancing age and the rigors of road and rail in the 1870s.

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after surgery on a breast growth which developed shortly after giving birth to a son she named in memory of Daniel. In letters to friends, Liszt announced that he would retreat to a solitary living.

487:, and gave a series of highly successful concerts debuting on 8 March 1824. Paer was involved in the Parisian theatrical and operatic scene, and through his connections Liszt staged his only opera, 1560:

in an attempt to elicit approval. Liszt settled in Weimar in 1848, and the two grew close, Wagner still being located in Dresden. Wagner wrote to Liszt a number of times soliciting financial help.

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in the left eye, dental issues and fatigue. Since around 1877 he had become increasingly plagued by feelings of desolation, despair and preoccupation with death—feelings that he expressed in his

2030: 2421:. The morbid focus on loss may be ascribed to Liszt's mental state in his final decade, when he suffered episodes of depression. Many of these pieces remained unpublished in Liszt's lifetime. 1907:. It is known that Liszt was using Boisselot pianos in his Portugal tour and then later in 1847 in a tour to Kiev and Odessa. Liszt kept the piano at his Villa Altenburg residence in Weimar. 1982: 1325:

in 1833, despite cautioning Berlioz against it, and they worked together at several concerts over the following three years, and again in 1841 and 1844. In Weimar the two composers revised

844:. For some time he had been considering retiring from the life of a travelling virtuoso to concentrate on composition, and at this point he made the decision to take up a court position in 2100: 985:, and so the term is considered to be of limited use in describing a particular movement or set of unified principles. What commonalities the composers had were around the development of 173:

spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.

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to Wagner, but upon being told this Wagner replied that, while a fine piece, he would prefer to receive money. Liszt was offended by this comment, and did not publish the dedication.

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was agreed upon by the Hungarian Parliament in 1873, and in March 1875 Liszt was nominated its president. The academy was officially opened on 14 November 1875 with Liszt's colleague

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Boissier records that Liszt did not keep his hands 'in a rounded position' nor were they 'altogether flat', but rather his fingers were 'so flexible as to possess no fixed position'.

1281: 848:. Having known Liszt for only a few weeks, Carolyne resolved to join him there. After a tour of Turkey and Russia that summer, Liszt gave the final paid concert of his career at 2031: 1068:, just outside Rome, where on 20 June 1863 he took up quarters in a small, spartan apartment. He had a piano in his cell, and he continued to compose. He had already joined the 1501:

being held in his honour in the Schumanns' home. Liszt arrived two hours late with Wagner (who had not been invited), derided the piece, and spoke ill of the recently deceased

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has written that "Perhaps was not the most transcendent virtuoso who ever lived, but his audiences thought he was, and no pianist since has seriously challenged the legend."

215:" and "paraphrase", and would perform arrangements of his contemporaries' music to popularise it. Alongside Wagner, Liszt was one of the most prominent representatives of the 2141:), which he composed after the death of his daughter in 1862. He also wrote a Requiem for organ solo, intended to be performed liturgically during the service of the spoken 1044: 2094:

Liszt wrote his two largest organ works between 1850 and 1855 while he was living in Weimar, a city with a long tradition of organ music, most notably that of J. S. Bach.

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During his years as a travelling virtuoso Liszt performed an enormous amount of music, usually from memory. He was the first to include the full range of repertoire, from

12442: 12437: 2972:, rather than German, and referred to Hungary as his homeland. When later in his life he gave charity concerts in Hungary, he sometimes appeared wearing national dress.( 1759:... Crucially, Liszt emphasised the role of the wrist, not the arm, in producing a full tone for individual notes, and did so not just in relation to octaves or chords. 829:, and made private donations to public services such as hospitals and schools, as well as charitable organizations such as the Leipzig Musicians Pension Fund. After the 8411: 1645:, but Liszt claimed that the likenesses of the themes were coincidental. Scholars also note a similarity between the opening of Liszt's song "Lorelei" and the famous " 12552: 2182: 11908: 817:

Adding to his reputation was that Liszt gave away much of the proceeds of his work to charity and humanitarian causes. He donated large sums to the building fund of

771:". Belgiojoso declined to declare a winner, famously concluding that "Thalberg is the first pianist in the world – Liszt is unique." The biographer 907:

in 1857, who reduced the number of music productions, rejected Liszt's choices of repertoire, and even organised a demonstration against Liszt's 1858 premiere of

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Keeling, Geraldine (1992). "Concert Announcements, Programs and Reviews as Evidence for First or Early Performances by Liszt of His Keyboard Works to 1847".

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and Liszt first met in the early 1830s, both moving in the same circles of artists residing in Paris. Liszt attended Chopin's first Paris performance at the

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Diabelli's Vaterländischer Künstlerverein Part II as a representation of the development of the waltz within the socio-political context of Vienna ca. 1820

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remarked that he had "admiration for the great Liszt whose immense talent in composition is underrated." Liszt's piano music had a strong influence on the

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as its predecessor. A number of festivals were arranged to showcase the music of the New German School, notably in Leipzig in 1859 and Weimar in 1861. The

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Liszt's public debut in Vienna on 1 December 1822 was a great success. He was greeted in Austrian and Hungarian aristocratic circles and met Beethoven and

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in 1851 and published in book form the following year, having been edited by Carolyne. The book was poorly received. Liszt had approached Chopin's sister

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Liszt's final period is considered to have started from about 1869, during which he wrote a number of short and independent works, such as the collection

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Liszt's time in Budapest was the result of efforts from the Hungarian government in attracting him to work there. The plan of the foundation of the

896:, who married Liszt's daughter Cosima in 1857 (she would later marry Wagner). Liszt's work during this period made Weimar a nexus for modern music. 9608: 1974: 2951:

without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was

2118:, Franck and Saint-Saëns, among others. Liszt also wrote the monumental set of variations on the first section of the second movement chorus from 568:, which inspired him to sketch a symphony based on the events of the "three glorious days" (this piece was left unfinished, and later reworked as 2812: 927:, lodged before leaving Russia, was ultimately unsuccessful, and the couple abandoned pretence and began to live together in the autumn of 1848. 231: 458: 1520:

from Liszt to herself. After Liszt's death, she wrote in her diary "He was an eminent keyboard virtuoso but a dangerous example for the young.

529:. Lamennais dissuaded Liszt from becoming a monk or priest. Urhan was an early champion of Schubert, inspiring Liszt's own lifelong love of 12537: 740:. This was considered to be inconclusive, so the two agreed to perform at the same concert for comparison on 31 March, at the salon of the 8372: 2793:

Liszt is also credited with several proto-cinematic innovations which anticipate Wagner's more widely-recognised status as the 'father of

2723:'s final volume of Liszt's solo pieces in 1927, so much of his more radical experimentation cannot have influenced composers before then. 2056:, themselves revisions of his earlier Magyar Dalok/Rhapsódiák, which were influenced by the Romani bands he heard while visiting Hungary. 1732:

contemporary writings and the output of his pupils, while allowing for a certain amount of mythologising around his extraordinary talent.

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built again by Alexandre Père et Fils in 1865. The second was a "cabinet organ", a large concert harmonium built by the American company

1400:

that Marie d'Agoult and George Sand had frequently disagreed, and the musicians had felt obliged to side with their respective partners.

191:

During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including

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considered them among the most significant organ works of the nineteenth century, heralding the work of such key organist-musicians as

882: 2304:, the piece "describes" the scenes witnessed by the character Harold as he travels through Italy). This is presented in opposition to 12402: 12387: 7800: 2726:

Liszt's invention of the symphonic poem had an impact across Europe from the last years of his life through to the 1920s. His friend

1497:, who used it to publicise and support Liszt's New German School, to Schumann's chagrin. In 1848 Liszt attended a performance of the 445:). Liszt was the youngest contributor to the project, described in it as "a boy of eleven years old"; Czerny was also a participant. 12397: 12392: 8749: 8221: 418: 2719:, which was a technique later used by Schoenberg. However, many of Liszt's late works were not available until the publication of 2681:, a piece he heard Liszt perform in 1884. Liszt also had a marked influence on early 20th-century Hungarian composers, especially 12557: 12507: 2062:, also the result of a long gestation, was published around the same time, and dedicated to Princess Carolyne. Likewise, the six 1743:, whose daughter Valerie was a pupil of Liszt's from 1831 to 1832, when he was earning a living primarily as a teacher in Paris: 10742: 722:, calling them "boring" and "mediocre". A published exchange of views ensued between Liszt and Thalberg's supporter, the critic 471:

Having made significant sums from his concerts, Liszt and his family moved to Paris in 1823, with the hope of his attending the

12457: 12452: 12417: 8675: 2106: 2080:, which has been described as "one of the most original contributions to sonata form to come out of the 19th century"; and the 6760:. Vol. 2: Essays and Letters of a Traveling Bachelor of Music. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. 1421: 518: 12492: 12462: 12167: 9820: 9613: 7981: 7890: 7697: 7685: 7645: 6995: 6874: 6499: 6454: 2123: 2111: 1657: 8264: 6159: 2711: 2436: 2058: 1773:

securing ignorant applause for me, sent me off in the wrong direction—one that I fortunately knew enough to abandon quickly.

1286: 644: 12407: 11838: 9856: 7844: 6892:

Johns, Keith T. (1993). "Franz Liszt's Symphonic Poems and the Press: The Reception of the First Performances 1850–1861".

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Francis, Suzanne Marie (June 2014). "Liszt at the Piano: The Impact of Iconography on mid-Nineteenth Century Musicology".

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styles. While in Weimar Liszt coached the Court Opera singers, and several prominent musicians sang his songs, including

2023: 1934: 427: 170: 102: 10665: 8202: 6369: 1291:, according to Cosima's wishes; despite controversy over this as his final resting place, Liszt's body was never moved. 12487: 12477: 12472: 12422: 11680: 8241: 8020: 2610:, who organised concerts of Liszt's chamber and orchestral music in the 1930s and 1940s. Of his orchestral works, only 1795:

during his prime. Notes by his pupil Pauline Fichtener in the 1870s again stress freedom and flexibility of the wrist.

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The best-known portion of Liszt's music is his original piano work. During the Weimar period he composed the first 15

736: 12512: 12432: 10049: 9891: 9772: 9689: 7587: 7395: 7301: 7214: 6689: 6651:

Gould, John (2005). "What Did They Play?: The Changing Repertoire of the Piano Recital from the Beginnings to 1980".

6229: 188:", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. 10645: 5668: 2819:

taught range as high as over 400, although some of these may only have had one lesson, or perhaps even none at all.

2463:

One of Liszt's notable written works was his biography of Chopin, started less than a month after Chopin's funeral.

1768:. In a regretful letter to George Sand from 1837 Liszt admitted that he made such decisions to gain public acclaim: 12497: 6018: 439:

being taken up by Beethoven's 33 variations on the same theme, which are now separately better known simply as his

10640: 9937: 2086:, which are stylistically varied, technically difficult, and have been described as "Liszt at his most Lisztian". 354: 12447: 12412: 12182: 10346: 9745: 8461: 8277: 7722: 2887: 2867: 2839: 2077: 1862: 1509: 1272:

delirium. He died during the festival, near midnight on 31 July 1886, at the age of 74—officially as a result of

1009: 639:, who was married to a French cavalry officer but living independently. In order to escape scandal they moved to 284: 10701: 10351: 10125: 8069: 2131: 1547: 1417: 570: 12547: 12527: 10441: 9871: 9848: 7666: 7616: 6785: 6040: 1380:

Their relationship cooled in the early 1840s, and several reasons have been suggested for this, including that

1136:

in a six-section form. After the first performance, the Offertory was added and, two years later, the Gradual.

584:. Berlioz's music made a strong impression on Liszt, and the two quickly became friends. Liszt also befriended 11705: 9168: 7153:

Mishra, Jennifer (June–July 2016). "Playing from Memory: Development of a 19th-century performance practice".

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During this period Liszt came into contact with many of the leading authors and artists of his day, including

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refused his entry, however, as the Conservatoire did not accept foreigners. Nevertheless, Liszt studied under

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move from absolute to representational: Beethoven's symphonies had mostly been non-representational, but his

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asserted that there was no clear winner: "Two victors and no vanquished; it is fitting to say with the poet '

741: 121: 9592: 8215: 8196: 2826:, in which he would instruct each pupil in turn while the others observed. Students from this time included 1489: 1470: 968: 610: 382:. The publicity led to a group of wealthy sponsors offering to finance Franz's musical education in Vienna. 176:

Liszt achieved success as a concert pianist from an early age, and received lessons from esteemed musicians

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Certain information about Liszt's style can be inferred from the writings of his many pupils. Musicologist

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as a method of teaching performance. In a radical departure from his earlier compositional styles, many of

10177: 8838: 8404: 6940: 6922: 1276:, which he had contracted prior to arriving in Bayreuth, although the true cause of death may have been a 11978: 11793: 11635: 9947: 9896: 9651: 8379: 6135: 2716: 1667:

being very similar to that cantata. Both composers were also prominent members of the New German School.

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in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess

2651:

especially in its departures from traditional harmonies and novel approaches to form and formal unity".

1944:, based on extra-musical inspirations such as poetry or art. Liszt is credited with the creation of the 12532: 12244: 11615: 10844: 10356: 9738: 9696: 8938: 8893: 8767: 8476: 7760: 7741: 7558: 7190: 6426: 2314: 1858: 1765: 1425: 1162:

his life, Liszt made regular journeys between Rome, Weimar and Budapest, continuing what he called his

772: 723: 11923: 10589: 10366: 8330: 7364: 5178: 1583: 12162: 11562: 11513: 9813: 9515: 8833: 8511: 8227: 8149: 7927: 7883: 2944: 2855: 2394: 2382: 2300:, referring to pieces which are "driven by an overarching poetic image or narrative" (in the case of 2072: 1327: 1304: 1260:

for the musicians. Debussy in later years described Liszt's pedalling as "like a form of breathing."

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Extraordinaire" six years previously. He acted as the official court kapellmeister at the expense of

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Liszt published a number of prose works and letters over the course of his life, including his 1863

1861:. Liszt would champion Beethoven's work throughout his life, and his concerts helped popularise the 1739:

One of the most detailed descriptions of his playing from that time comes from the diary entries of

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In addition to piano transcriptions, Liszt also transcribed about a dozen works for organ, such as

2172: 1900: 1740: 1476: 534: 11640: 10930: 8481: 8271: 8189: 2631: 2082: 643:

in 1835; their daughter Blandine was born there on 18 December. Liszt taught at the newly founded

407:. Like Czerny, Salieri was highly impressed by Liszt's improvisation and sight-reading abilities. 391: 275: 11833: 11690: 11595: 11451: 10880: 10496: 9886: 9709: 9318: 8735: 8596: 8344: 8316: 8011: 8000: 2880:

Liszt did not charge for lessons. He was troubled when German newspapers revealed that pedagogue

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were revised from an earlier 1840 edition and published in 1851; these include the famous piece "

1833: 1624:

in 1871, and he began to correspond with Wagner and Cosima again, frequently visiting their home

1564: 1440:, and even an influence on the ornamentation and fingering of Liszt's works, have been proposed. 1244: 994: 240: 10706: 10406: 9028: 8541: 8295: 8208: 7796: 2720: 2481: 1412:

Scholars disagree on the extent to which Chopin and Liszt influenced each others' compositions.

919:

Catholic authorities that her marriage to him had been invalid. Her appeal to the Archbishop of

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Musical Education in Europe (1770–1914): Compositional, Institutional, and Political Challenges

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in 1907–1936. Liszt competitions occur across the world, and Liszt societies promote his work.

2401: 1688: 1621: 1048: 910: 472: 244: 11497: 11370: 11156: 11080: 10965: 10391: 9499: 9338: 9213: 9203: 8968: 7504:

Suttoni, Charles (1979). "Franz Liszt's Published Correspondence: An Annotated Bibliography".

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argues that no such connection exists. Stylistic similarities between other studies, Chopin's

1184: 989:, harmonic experimentation, wide-ranging modulation and formal innovations such as the use of 939:. Throughout the decade the couple would continue to negotiate through the complex situation. 12177: 12142: 12132: 12066: 11893: 11868: 11828: 11778: 11675: 11528: 11375: 11187: 11044: 10985: 10819: 10814: 10768: 10696: 10635: 10521: 10280: 9927: 9876: 9853: 9258: 9138: 9093: 9073: 8988: 8586: 8251: 8246: 7806: 6317: 2732: 2577:

generally fell out of favour during the first half of the 20th century, as composers such as

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in the summer of 1886. This was in order to support his daughter Cosima, who was running the

1169: 1004:". The "war" was largely carried out through articles, essays and reviews. Each side claimed 904: 830: 580: 553: 510: 362: 212: 10732: 10207: 10192: 9033: 8062: 6518:

Forte, Allen (1987). "Liszt's Experimental Idiom and Music of the Early Twentieth Century".

2692: 2243: 761: 12382: 12377: 12372: 12225: 11798: 11360: 11247: 11172: 10885: 10849: 10551: 10531: 10285: 9972: 9912: 9806: 9673: 9619: 9458: 8913: 8823: 8693: 8536: 8358: 8351: 8257: 7876: 6155: 2891:, urging them to create an endowment for needy musicians, as Liszt himself frequently did. 2787: 2598: 2539: 2524: 2350: 2053: 1891: 1821: 1724: 1436: 1369: 1254: 1117: 1005: 1001: 952: 585: 400: 264: 220: 196: 11898: 11715: 10950: 10727: 10584: 10305: 10270: 9418: 7256: 7145: 7113: 7081: 6731: 6643: 6463: 627: 8: 12157: 12016: 11720: 11605: 11446: 10829: 10824: 10660: 10401: 10336: 9952: 9668: 9586: 9288: 9123: 8365: 7414: 7045: 6606: 6322: 2772: 2336: 1904: 1870: 1358: 873:

In July 1848 Liszt settled in Weimar, where he had been appointed the honorary title of "

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on the Rhine in the summers of 1841 and 1843. In May 1844, the couple finally separated.

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Davison, Alan (Autumn 2006). "Franz Liszt and the Development of 19th-Century Pianism".

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The Death of Franz Liszt: based on the unpublished diary of his pupil Lina Schmalhausen

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in 1844, ten years after founding it. The journal was taken over the following year by

1430: 986: 714: 689: 224: 11095: 10975: 10172: 9373: 2741: 12147: 12117: 12081: 12026: 11948: 11878: 11803: 11740: 11645: 11630: 11600: 11441: 11416: 11390: 11329: 11319: 11217: 11212: 11207: 11202: 10870: 10839: 10783: 10778: 10594: 10579: 10501: 10386: 10331: 10255: 10167: 10120: 10023: 10013: 9977: 9843: 9761: 9715: 9598: 9478: 9463: 9403: 9383: 9343: 9328: 9308: 9243: 9233: 9228: 9223: 9208: 9193: 9188: 8963: 8958: 8863: 8642: 8581: 8471: 8171: 7839: 7693: 7662: 7641: 7612: 7583: 7513: 7391: 7297: 7210: 7026: 6991: 6949: 6931: 6870: 6781: 6743:. Vol. 1: F. Chopin. Translated by Hall-Swadley, Janita R. Plymouth: Scarecrow. 6685: 6495: 6450: 6405: 6225: 6192: 6143: 6075: 6036: 4328: 2965: 2755: 2673: 2582: 2518: 2190: 1916: 1720: 1708: 1629: 1605: 1577: 1502: 1381: 1354: 1268: 962: 948: 888: 818: 636: 526: 216: 115: 11487: 11482: 11365: 10202: 10152: 8933: 8466: 2831: 2448:, which contains some movements without key signatures and with ambiguous tonality. 1617: 1224:, "I carry a deep sadness of the heart which must now and then break out in sound." 893: 705: 522: 149: 12336: 12258: 11753: 11650: 11575: 11492: 11456: 11334: 11309: 11304: 11005: 10995: 10990: 10980: 10970: 10945: 10875: 10798: 10773: 10341: 10290: 10187: 10028: 10018: 10001: 9962: 9957: 9932: 9603: 9555: 9443: 9398: 9393: 9333: 9148: 9103: 8948: 8918: 8888: 8828: 8591: 8491: 8323: 8131: 8076: 7848: 7468: 7245: 7178: 7134: 7102: 7070: 6966: 6901: 6720: 6660: 6632: 6585: 6556: 6527: 6442: 6397: 6348: 6217: 6184: 6067: 2859: 2847: 2652: 2626: 2603: 2586: 2558: 2512: 2296: 2230: 1990: 1786: 1663: 1508:

The relationship between Liszt and the couple remained frosty. Liszt dedicated his

1397: 1322: 1200: 932: 789: 338: 71: 11928: 11918: 11136: 10910: 10747: 10411: 10089: 9278: 8983: 7755: 7736: 6471:

Engel, Carl; Siegmeister, Elie (1973). "Franz Liszt". In Siegmeister, Elie (ed.).

2444:. Some of his sacred vocal music also shows this type of experimentation, such as 1803: 1240: 564:. He composed practically nothing in the years between his father's death and the 399:, the accomplished music director of the Viennese court who had previously taught 357:; a keen amateur musician, he played the piano, cello, guitar and flute, and knew 12152: 12137: 12112: 12036: 11968: 11963: 11958: 11873: 11858: 11813: 11748: 11620: 11590: 11436: 11431: 11314: 11237: 11227: 11177: 11085: 10960: 10854: 10793: 10788: 10655: 10599: 10516: 10506: 10326: 10310: 10265: 10232: 10105: 10055: 9993: 9982: 9656: 9550: 9545: 9525: 9520: 9494: 9408: 9358: 9283: 9253: 9218: 9178: 8908: 8903: 8873: 8813: 8571: 8546: 8526: 8496: 8041: 7703: 7656: 7635: 7622: 7606: 7593: 7566: 7492: 7455: 7438: 7401: 7347: 7307: 7220: 7182: 7036: 6880: 6864: 6828: 6791: 6744: 6695: 6489: 6476: 6100: 6046: 4709: 4658: 2952: 2851: 2835: 2783: 2767: 2656: 2607: 2578: 2330: 2317:

had included some extramusical elements, and Berlioz had taken this further with

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and Liszt first met on 4 December 1830, the day before the premiere of Berlioz's

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That autumn relations between them became strained. Liszt heard that plans for a

565: 561: 484: 476: 463: 396: 350: 200: 181: 20: 11533: 10471: 9866: 9118: 9003: 8386: 8034: 7265: 2751: 2612: 2592: 2363: 1464:. The two began to correspond, and the following year he met Schumann's fiancée 12282: 12076: 12046: 12011: 12001: 11983: 11888: 11848: 11783: 11655: 11585: 11426: 11411: 11339: 11283: 11273: 11242: 11222: 11131: 11054: 11034: 11019: 10940: 10900: 10604: 10556: 10486: 10381: 10361: 10300: 10197: 10061: 9987: 9787: 9777: 9646: 9560: 9453: 9438: 9413: 9353: 9348: 9313: 9173: 9153: 9143: 9098: 9078: 9058: 9038: 9023: 9013: 8998: 8978: 8883: 8843: 8808: 8798: 8758: 8616: 8611: 8576: 8561: 8551: 8516: 8456: 8337: 8122: 8114: 8083: 7835: 6313: 2881: 2873:, "Do not chop beefsteak for us." To another who blurred the rhythm in Liszt's 2794: 2664: 2618: 2574: 2441: 2335:, and in this sense Liszt's programmatic works were part of his vision of the " 2305: 2269: 2265: 1945: 1847: 1808: 1677: 1637: 1596: 1589: 1532: 1465: 1393: 1345: 1312: 1228: 1112:

In 1867 Liszt was commissioned to write a piece for the coronation ceremony of

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for prior approval. This did not cause large problems until the appointment of

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Hall-Swadley, Janita R.; Liszt, Franz (2012). Hall-Swadley, Janita R. (ed.).

6739:

Hall-Swadley, Janita R.; Liszt, Franz (2011). Hall-Swadley, Janita R. (ed.).

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and English. The influence of Italian opera can be seen in the songs' use of

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on their 1830 republication. Liszt also received lessons in composition from

370:

bands that toured the Hungarian countryside. His first public concert was in

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Millington, Barry; Deathridge, John; Dahlhaus, Carl; Bailey, Robert (2009).

6884: 6832: 6795: 6748: 6699: 6560: 6104: 2327:. Wagner saw these developments as a stepping stone to the all-encompassing 1563:

In 1849 Liszt sheltered Wagner after the latter's involvement in the failed

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with Wagner in the 1870s, who definitively moved on from the School and the

230:

Liszt taught piano performance to hundreds of students throughout his life,

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to Robert, who had by that point been committed to a mental institution in

1401: 1389: 1373: 1357:, but an unwilling one, as he was unconvinced by Wagner's ideas about the " 1277: 1232: 1180: 1113: 1039: 978: 899:

As kapellmeister Liszt was required to submit every programme to the court

849: 794: 649: 480: 11421: 8923: 6221: 6050: 5062: 12071: 11938: 11788: 11385: 11232: 11039: 10905: 10609: 10541: 10275: 10136: 10095: 10044: 9917: 9829: 9641: 9388: 9323: 9108: 8953: 8928: 8601: 8302: 7963: 7939: 7780: 7339: 2827: 2701: 2490: 2426: 1712: 1704: 1632:, dedicated to Wagner's work, Wagner having died three years previously. 1385: 1221: 1133: 802: 784: 756: 694: 557: 549: 386: 248: 185: 177: 7770: 7525: 7166: 7030: 6913: 6672: 6597: 6568: 6360: 6087: 5964: 5962: 5960: 5958: 5956: 5954: 5328: 5258: 5256: 5207: 5205: 5081: 5079: 5077: 2746: 2606:, who delivered all-Liszt recitals in Berlin in 1904–1905 and 1911, and 1661:

to ensure he had not overtly plagiarised the work, the opening theme of

1535:

first met Liszt in Paris in 1841, while living in poverty after fleeing

892:. He gave lessons to a number of pianists, including the great virtuoso 11192: 10511: 10491: 10481: 10130: 9967: 9530: 9133: 8428: 8097: 7956: 4564: 3959: 3957: 3830: 3828: 3826: 3824: 2261: 2202: 2044: 2002: 1828: 1581:, which Wagner dedicated to Liszt, and he also mounted performances of 1236: 489: 379: 334: 324: 7676:

Walker, Alan (1 November 2011b). "The World Around Us: Counterpoint".

6978: 6539: 6417: 6204: 4376: 3632: 3630: 3628: 3626: 3624: 3609: 3491: 3489: 3487: 3485: 3483: 3242: 3240: 3238: 3236: 3015: 3013: 3011: 3009: 3007: 2502:("On the situation of artists"), which was serialised in the Parisian 2070:". Other notable pieces include the thoroughly revised collections of 1000:

The disagreements between the two factions is often described as the "

374:

in 1820 at the age of nine; its success led to further appearances in

11853: 11182: 11064: 10396: 10115: 9473: 8878: 8818: 6905: 6842:"Franz Liszt: Musician, Celebrity, Superstar by Oliver Hilmes review" 6664: 6589: 6576:

Friedheim, Philip (1962). "The Piano Transcriptions of Franz Liszt".

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Franz Liszt and Agnes Street-Klindworth: A Correspondence, 1854–1886

5620: 5596: 5050: 4552: 4167: 4080: 3954: 3821: 2770:, and the influence of Liszt's symphonic poems is seen in Sibelius' 2076:("Years of Pilgrimage"), inspired by his travels around Europe; the 1047:, who wanted to protect a complex inheritance agreement brokered by 11993: 9565: 7857: 7680:(Interview). Interviewed by Helen Smith Tarchalski. pp. 32–35. 6970: 6531: 6401: 6188: 5656: 5608: 4530: 4528: 4513: 4501: 4472: 4460: 3621: 3480: 3468: 3432: 3233: 3004: 2550: 1513: 1505:. This upset the Schumanns, and Robert physically assaulted Liszt. 1264: 1213: 1204:

Liszt in March 1886, four months before his death, photographed by

1152: 1121: 1086: 1013: 936: 591: 411: 314: 263:. Today he is best known for his original piano works, such as the 162: 90: 54: 7561:(1970). "Liszt and the Twentieth Century". In Walker, Alan (ed.). 7450:

Searle, Humphrey (1995). "Liszt, Franz". In Sadie, Stanley (ed.).

7120: 5974: 5548: 4715: 4664: 4334: 3573: 1882: 11665: 10416: 10007: 9540: 8727: 8486: 7820: 6869:. Translated by Spencer, Stewart. London: Yale University Press. 4841: 2778: 2431: 2110: – Liszt's "only important original organ works"; 1791: 1481: 1308:

Berlioz (standing, left) listening to Liszt play the piano (1846)

1090: 1073: 435:, includes 50 variations on his waltz by 50 different composers ( 431:

as his first published composition. This volume, commissioned by

5854: 5632: 5584: 5572: 4525: 2227:

Ecclesiastical Festival Overture on the chorale "Ein feste Burg"

1128:

was performed on 8 June 1867, at the coronation ceremony in the

1096: 861: 10110: 7232:

Pesce, Dolores; Eckhardt, Maria; Mueller, Rena Charnin (2023).

6058:

Bloom, Peter (2013). "Berlioz and Liszt 'in the Locker Room'".

5364: 4316: 4268: 3585: 2939: 2699:

It is now held that many of Liszt's late compositions, such as

2257: 2238: 1831:

to Chopin. His concerts included original compositions such as

1542: 1082: 1056: 845: 640: 513:. Her father, however, insisted that the affair be broken off. 371: 9798: 8699: 7868: 6175:

Cook, Nicholas (1986). "Liszt – 100 Years On".

5934:

Romanticism and Film: Franz Liszt and Audio-Visual Explanation

5680: 5448: 5304: 4352: 3780: 2762:

and Debussy all wrote symphonic poems in the 1880s and 1890s.

1072:

previously, on 23 June 1857. On 25 April 1865 he received the

417:

In 1824 a piece Liszt had written at the age of 11 – his

333:

Franz Liszt was born to Anna Liszt (née Maria Anna Lager) and

12312: 6825:

After the Golden Age: Romantic Pianism and Modern Performance

5844: 5842: 4781: 4624: 4622: 4620: 4618: 4616: 4614: 4612: 2790:

around this time, and these are similarly indebted to Liszt.

2510:

During his Weimar years, Liszt wrote essays for audiences on

2101:

Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam"

1205: 1030: 833:

in May 1842, he gave concerts in aid of those left homeless.

358: 305: 12301: 5878: 5424: 4889: 4865: 4853: 4022: 4020: 2813:

List of music students by teacher: K to M § Franz Liszt

1628:. Liszt died in 1886 while at the latest incarnation of the 1034:

Liszt, photo (mirror-imaged) by Franz Hanfstaengl, June 1870

10066: 9535: 5914: 4949: 4757: 3392: 3390: 3127: 1536: 1343:, later dedicated to Liszt (in return, Liszt dedicated his 837: 682: 681:

on 24 December 1837, and their son Daniel on 9 May 1839 in

678: 161:(22 October 1811 – 31 July 1886) was a Hungarian composer, 7776: 7346:. Translated by Cowdery, E. London: W. H. Allen & Co. 6803:

Baker, James M., "Liszt's Late Piano Works: A Survey". In

6160:"Forget the Beatles – Liszt was music's first 'superstar'" 5902: 5866: 5839: 5827: 5735: 5733: 5731: 5704: 5436: 5103: 5091: 4697: 4609: 4304: 4056: 3674: 3672: 3180: 3178: 2846:

commented that the success of many of its pupils, such as

2602:

were published in collections. Two notable champions were

1886:

One of Franz Liszt's pianos from his apartment in Budapest

1546:, in Dresden. The two met in Berlin at the instigation of 6140:

Franz Liszt, Eine Lebenschronik in Bildern und Dokumenten

5769: 5767: 5400: 5316: 4901: 4829: 4675: 4673: 4104: 4017: 3891: 3879: 3809: 3375: 2766:

was introduced to the music of Liszt through his teacher

2655:

admired Liszt's concertos, which influenced his own, and

1612:

By 1864 Wagner had begun an affair with Liszt's daughter

1388:, or that Liszt used Chopin's home for a rendezvous with 5412: 5340: 5292: 5217: 5156: 5154: 4961: 4817: 4805: 4793: 4769: 4587: 4585: 4583: 4581: 4579: 4448: 4436: 4400: 4340: 4280: 4258: 4256: 4254: 4191: 3840: 3647: 3645: 3561: 3549: 3456: 3387: 3202: 8412:

Fantasy on Themes from Mozart's Figaro and Don Giovanni

6812:

Deaville, James, "Liszt and the Twentieth Century". In

6475:. Irvington-on-Hudson: Harvey House. pp. 220–222. 5890: 5815: 5803: 5791: 5728: 5560: 5460: 5014: 5004: 5002: 5000: 4925: 4913: 4491: 4489: 4487: 4157: 4155: 3981: 3932: 3930: 3857: 3855: 3720: 3669: 3501: 3444: 3422: 3420: 3363: 3351: 3329: 3327: 3312: 3223: 3221: 3219: 3217: 3190: 3175: 3115: 3103: 2968:

is now a museum. Throughout his life, he claimed to be

1331:, and Liszt organised a "Berlioz Week", which included 744:, in aid of Italian refugees. Thalberg opened with his 578:

on 4 December 1830, the day before the premiere of the

533:. Much of Urhan's emotive music which moved beyond the 8658:

Franz Liszt International Piano Competition (Budapest)

5779: 5764: 5268: 5166: 4985: 4973: 4670: 3969: 3799: 3797: 3795: 3407: 3405: 3081: 3079: 3054: 3052: 3037: 2994: 2992: 2424:

Liszt's experimentation can be seen in his 1881 piece

2353:, that in turn inspired one of Liszt's symphonic poems 915:. Faced with this opposition, Liszt resigned in 1858. 635:

In 1833, Liszt began a relationship with the Countess

622: 545:, may have helped to develop Liszt's taste and style. 353:. Liszt's father was a land steward in the service of 12242: 6513:. Vol. 2. Berlin: Berliner Wissenschafts-Verlag. 6424: 5968: 5939: 5936:. London and New York: Bloomsbury Academic, pp. 41-77 5698: 5677:, §14, § Writings: Books and essays from later years. 5674: 5508: 5496: 5484: 5472: 5388: 5376: 5280: 5262: 5241: 5196: 5184: 5151: 5121: 5068: 5056: 4937: 4877: 4745: 4721: 4685: 4576: 4540: 4424: 4388: 4370: 4298: 4251: 4203: 4179: 4173: 4086: 4044: 4005: 3993: 3963: 3942: 3867: 3834: 3768: 3708: 3696: 3642: 3636: 3495: 3474: 3438: 3339: 3276: 3246: 3151: 3091: 3025: 3019: 1294: 7231: 6959:

Studia Musicologica Academiae Scientiarum Hungaricae

6390:

Studia Musicologica Academiae Scientiarum Hungaricae

5998:"Ferenc Erkel, the Director of the Academy of Music" 5754: 5752: 5750: 5748: 5716: 5352: 5334: 5211: 5127: 5085: 5038: 5026: 4997: 4597: 4484: 4412: 4152: 4140: 4116: 4092: 4068: 4032: 3927: 3852: 3756: 3744: 3684: 3615: 3597: 3417: 3324: 3300: 3288: 3264: 3252: 3214: 3163: 3139: 2630:

modernise the previous such collection published by

525:, a German-born violinist who introduced him to the 219:, a progressive group of composers involved in the " 7454:. Vol. 11. London: Macmillan. pp. 28–74. 6948:(in English, German, and French). G. Henle Verlag. 6930:(in English, German, and French). G. Henle Verlag. 5139: 4646: 4634: 4239: 4215: 4128: 3903: 3792: 3732: 3657: 3513: 3402: 3076: 3049: 2989: 1139: 1101:Liszt". On 14 August 1879, he was made an honorary 12443:Honorary members of the Royal Philharmonic Society 12438:Academic staff of the Franz Liszt Academy of Music 7363: 7233: 7122: 7090: 7058: 6708: 6622: 6430: 5536: 5229: 4733: 4227: 3064: 2797:', such as audio-visual performance practices and 1635:Similarities have been suggested between Wagner's 943:The New German School and the War of the Romantics 836:During a tour of Ukraine in 1847, Liszt played in 6766: 6755: 6738: 5745: 5662: 5650: 5638: 5626: 5614: 5602: 5590: 5578: 5554: 4570: 4558: 4534: 4519: 4507: 4478: 4466: 3591: 3579: 2590:and only a few select popular pieces such as the 2148: 1487:Schumann resigned as editor of the music journal 606:Études d'exécution transcendante d'après Paganini 12364: 7209:. Rochester, NY: University of Rochester Press. 6990:. Oxford and New York: Oxford University Press. 6470: 5860: 3915: 3537: 3525: 1243:, director of the French Academy. Liszt played " 7452:The New Grove Dictionary of Music and Musicians 7386:Schmalhausen, Lina (2002). Walker, Alan (ed.). 2357:Liszt's main contribution to program music was 12553:Recipients of the Pour le Mérite (civil class) 7611:(revised ed.). Cornell University Press. 7266:"Liszt and the issue of so called Gypsy music" 6620: 5920: 1839:Fantaisie romantique sur deux mélodies suisses 755:The result of this "duel" is disputed. Critic 9814: 9746: 8743: 8719: 7884: 7173: 6942:Années de pèlerinage, Deuxième Année – Italie 6924:Années de pèlerinage, Première Année – Suisse 6388:Eckhardt, Mária (1982). "Liszt à Marseille". 6266:Deaville, James, "The New German School". In 4628: 2822:In Weimar Liszt pioneered the concept of the 1616:, who was married to Liszt's erstwhile pupil 1093:. After this ordination he was often called " 1063: 793:Earliest known photograph of Liszt (1843) by 7385: 7139:10.1093/gmo/9781561592630.article.6002278269 6370:"The Queen of Instruments in Liszt's Oeuvre" 5996: 4703: 4382: 4358: 4322: 4274: 4197: 2529: 2497: 2328: 1550:, and Wagner later sent Liszt the scores of 1480:to Liszt. The two met for the first time in 1468:, to whom he dedicated the early version of 1443: 1163: 1094: 1017: 966: 908: 19:"Liszt" redirects here. For other uses, see 12518:Members of the Third Order of Saint Francis 8653:International Franz Liszt Piano Competition 6866:Franz Liszt: Musician, Celebrity, Superstar 6238: 6154: 3678: 3184: 2549:Liszt also worked until at least 1885 on a 2531:Des Bohémiens et de leur musique en Hongrie 2129: 1649:" from the opening of Wagner's later opera 1038:After a visit to Rome and an audience with 865:Franz Liszt, portrait by Hungarian painter 766: 9821: 9807: 9753: 9739: 8750: 8736: 7891: 7877: 7608:Franz Liszt, The Virtuoso Years, 1811–1847 7263: 6508: 6239:Bertagnolli, Paul, "Liszt's Teachers". In 5686: 4110: 2538:) about the Romani and their influence on 1587:. Liszt had intended to dedicate the 1857 1570:To publicise Wagner's music, Liszt staged 1384:was infatuated with Chopin, or Liszt with 53: 16:Hungarian composer and pianist (1811–1886) 7801:International Music Score Library Project 7565:. New York: Taplinger. pp. 350–364. 7088: 7056: 6780:. Cambridge: Cambridge University press. 6621:Gilliam, Bryan; Youmans, Charles (2010). 6575: 6216:. Cambridge: Cambridge University Press. 6117:"What Makes Franz Liszt Still Important?" 6035:. Cambridge: Cambridge University Press. 5346: 5298: 5223: 4442: 3396: 1448:In 1837 Liszt wrote a positive review of 1416:identifies similarities between Chopin's 1280:. He was buried on 3 August 1886, in the 385:There, Liszt received piano lessons from 7637:Franz Liszt: The Weimar Years, 1848–1861 7291: 7004: 6822: 6813: 6811: 6804: 6775: 6684:. New York: Cambridge University Press. 6604: 6425:Eckhardt, Maria; Mueller, Rena Charnin; 6387: 6301: 6293:Trippett, David, "Liszt and Wagner". In 6292: 6275:Hooker, Lynn M., "Liszt in Hungary". In 6265: 6111: 5908: 5896: 5884: 5848: 5821: 5809: 5797: 5739: 5247: 5020: 4895: 4871: 4859: 4847: 4823: 4799: 4787: 4775: 4591: 3936: 3227: 3169: 3031: 2998: 2546:passages included by Princess Carolyne. 2341: 1881: 1802: 1687: 1600:Cosima and Richard Wagner at their home 1595: 1303: 1199: 1143: 1029: 860: 788: 732:Grande fantaisie sur des motifs de Niobe 704: 626: 590: 452: 211:, among others. Liszt coined the terms " 7675: 7658:Franz Liszt, The Final Years, 1861–1886 7633: 7532: 7503: 7486: 7412: 7318: 7273:Interdisciplinary Studies in Musicology 7250:10.1093/gmo/9781561592630.article.48265 7107:10.1093/gmo/9781561592630.article.51424 7075:10.1093/gmo/9781561592630.article.27250 7014:Warrack, John, "New German School". In 7013: 6956: 6839: 6725:10.1093/gmo/9781561592630.article.40621 6637:10.1093/gmo/9781561592630.article.40117 6546: 6487: 6447:10.1093/gmo/9781561592630.article.48265 6367: 6338: 6256: 6247: 6016: 5773: 5526: 5187:, Works: Organ, harmonium, pedal piano. 5133: 5008: 4991: 4955: 4907: 4835: 4763: 4727: 4495: 3975: 3909: 3803: 3738: 3663: 3519: 3462: 3270: 3208: 3157: 2098:calls these works – the 1845:; and his transcriptions of Schubert's 1755:... without any interference by the arm 12365: 8676:University of Music Franz Liszt Weimar 8643:Liszthaus Raiding (Liszt's birthplace) 7684: 7654: 7604: 7577: 7557: 7466: 7449: 7432: 7344:Franz Liszt, Artist and Man: 1811–1840 7338: 7152: 7015: 7006: 7005:Hamilton, Kenneth, "Liszt, Franz". In 6985: 6859: 6764: 6509:Fend, Michael; Noiray, Michel (2005). 6491:Liszt – Technical Exercises (Complete) 6303: 6294: 6285: 6284:Loya, Shay, "Lateness in Context". In 6276: 6274: 6267: 6258: 6249: 6240: 6211: 6134: 6097:Absolute Music: The History of an Idea 5945: 5872: 5833: 5785: 5710: 5566: 5274: 5172: 5160: 5145: 5109: 5097: 5032: 4979: 4967: 4943: 4883: 4811: 4751: 4691: 4679: 4546: 4454: 4430: 4394: 4346: 4310: 4262: 4233: 4209: 4185: 4161: 4146: 4122: 4098: 4074: 4062: 4050: 4038: 4026: 4011: 3999: 3987: 3948: 3897: 3885: 3873: 3861: 3846: 3815: 3786: 3774: 3762: 3750: 3726: 3714: 3702: 3690: 3651: 3603: 3567: 3555: 3507: 3450: 3426: 3381: 3369: 3357: 3345: 3333: 3318: 3306: 3294: 3282: 3258: 3196: 3145: 3133: 3121: 3109: 3097: 3085: 3070: 3058: 3043: 2973: 2107:Fantasy and Fugue on the Theme B-A-C-H 1699:. The imagined gathering shows seated 879:Grand Duchess Maria Pavlovna of Russia 337:on 22 October 1811, in the village of 165:pianist, conductor and teacher of the 12168:Romanticism and the French Revolution 9802: 9760: 9734: 8731: 8718: 7982:The Bells of the Strasbourg Cathedral 7872: 7491:(revised ed.). New York: Dover. 7358: 7204: 7043: 7024: 6891: 6802: 6758:The Collected Writings of Franz Liszt 6741:The Collected Writings of Franz Liszt 6650: 6517: 6312: 6094: 6057: 6030: 5980: 5542: 5514: 5502: 5490: 5478: 5466: 5454: 5442: 5430: 5418: 5406: 5394: 5382: 5370: 5358: 5322: 5310: 5286: 5235: 5044: 4931: 4919: 4739: 4418: 4406: 4286: 4245: 4221: 4134: 3411: 2928: 2915: 2124:Weinen, Klagen, Sorgen, Zagen, BWV 12 1798: 1658:The Bells of the Strasbourg Cathedral 883:Hippolyte André Jean Baptiste Chélard 327:(left), and mother Anna Liszt (right) 74:, Kingdom of Hungary, Austrian Empire 12319: 7467:Searle, Humphrey (18 October 2023). 7390:. Ithaca: Cornell University Press. 7052:. Translated by Walker-Cook, Martha. 6939:Jost, Peter, ed. (2021). "Preface". 6938: 6921:Jost, Peter, ed. (2020). "Preface". 6920: 6706: 6679: 6283: 6174: 5758: 5722: 4652: 4640: 4603: 3921: 3543: 3531: 2862:, proved the groups' effectiveness. 2788:his notable collection of tone poems 2677:, which has clear similarities with 2555:Sketches for a Harmony of the Future 1693:Franz Liszt Fantasizing at the Piano 1524:... As a composer he was terrible." 599:After attending a concert featuring 12538:People from Oberpullendorf District 9609:Tchaikovsky and the Belyayev circle 7692:. Oxford: Oxford University Press. 7319:Predota, Georg (14 February 2019). 7189:. Interviewed by Sophie Rashbrook. 6827:. Oxford: Oxford University Press. 6368:Domokos, Zsuzsanna (9 April 2019). 6248:Celenza, Anna Harwell, "Italy". In 6099:. Oxford: Oxford University Press. 6026:. Pretoria: University of Pretoria. 5969:Eckhardt, Mueller & Walker 2001 5699:Eckhardt, Mueller & Walker 2001 5675:Eckhardt, Mueller & Walker 2001 5263:Eckhardt, Mueller & Walker 2001 5197:Eckhardt, Mueller & Walker 2001 5185:Eckhardt, Mueller & Walker 2001 5122:Eckhardt, Mueller & Walker 2001 5069:Eckhardt, Mueller & Walker 2001 5057:Eckhardt, Mueller & Walker 2001 4371:Eckhardt, Mueller & Walker 2001 4299:Eckhardt, Mueller & Walker 2001 4174:Eckhardt, Mueller & Walker 2001 4087:Eckhardt, Mueller & Walker 2001 3964:Eckhardt, Mueller & Walker 2001 3835:Eckhardt, Mueller & Walker 2001 3637:Eckhardt, Mueller & Walker 2001 3496:Eckhardt, Mueller & Walker 2001 3475:Eckhardt, Mueller & Walker 2001 3439:Eckhardt, Mueller & Walker 2001 3247:Eckhardt, Mueller & Walker 2001 3020:Eckhardt, Mueller & Walker 2001 1935:List of compositions by Franz Liszt 1807:Liszt giving a concert for Emperor 1683: 840:, where he met the Polish Princess 623:Affair with Countess Marie d'Agoult 539:Elle et moi, La Salvation angélique 93:, Kingdom of Bavaria, German Empire 13: 12483:Hungarian people of German descent 8757: 8265:Harmonies poétiques et religieuses 7563:Franz Liszt: The Man And His Music 7535:"Liszt on Chopin, Chopin on Liszt" 7437:. London: Williams & Norgate. 7413:Schwarm, Betsy (3 November 2016). 5335:Pesce, Eckhardt & Mueller 2023 5212:Pesce, Eckhardt & Mueller 2023 5086:Pesce, Eckhardt & Mueller 2023 3616:Pesce, Eckhardt & Mueller 2023 2811:For Liszt's notable students, see 2496:One significant essay by Liszt is 2191:Totentanz: Paraphrase on Dies irae 2161: 2127:(which Bach later reworked as the 2059:Harmonies poétiques et religieuses 2012: 1963: 1364: 1295:Relationships with other composers 1235:in Rome, Liszt met him there with 656:Revue et gazette musicale de Paris 378:and for Prince Nikolaus' court in 14: 12569: 12503:Hungarian male conductors (music) 9773:Allgemeiner Deutscher Musikverein 7716: 6682:The Cambridge Companion to Wagner 2707:Les jeux d'eaux à la villa d'Este 2679:Les jeux d'eaux à la villa d'Este 1951: 1890:After arriving in Paris in 1823, 1527: 1420:and the early version of Liszt's 1299: 700: 617: 12403:19th-century Hungarian musicians 12388:19th-century classical composers 12345: 12328: 12300: 12288: 12276: 12264: 12252: 12221: 12220: 9714: 9705: 9704: 8698: 8689: 8688: 8222:Variation on a Waltz by Diabelli 7861: 7533:Szilasi, Alex (5 January 2011). 7365:"The Super Power of Franz Liszt" 7183:"Richard Wagner and Franz Liszt" 6840:Hensher, Philip (29 July 2016). 6778:The Cambridge Companion to Liszt 6765:Saffle, Michael, "Foreword". In 6302:Whitelaw, Bryan A., "Paris". In 5926: 2528:. In addition he wrote the book 2294:" in an 1855 essay on Berlioz's 2275: 2201:Problems playing this file? See 2179: 2043:Problems playing this file? See 2028: 2001:Problems playing this file? See 1979: 1253:, as well as his arrangement of 419:Variation on a Waltz by Diabelli 313: 304: 259:, foreshadowing developments in 148: 12398:19th-century conductors (music) 12393:19th-century classical pianists 9828: 8462:Hans Bronsart von Schellendorff 8021:Ce qu'on entend sur la montagne 7898: 7292:Pocknell, Pauline, ed. (2000). 7235:"Liszt, Franz [Ferenc]" 6776:Hamilton, Kenneth, ed. (2005). 6432:"Liszt, Franz [Ferenc]" 2888:Allgemeine musikalische Zeitung 2840:Hans Bronsart von Schellendorff 2569: 1010:Allgemeine Deutsche Musikverein 12558:Hungarian emigrants to Germany 12508:Hungarian male opera composers 7582:. New York: T. Y. Crowell Co. 6473:The New Music Lover's Handbook 2958: 2906: 2499:"De la situation des artistes" 2467:was serialised in the journal 2434:. Additional examples include 2149:Transcriptions and paraphrases 1877: 1392:, the wife of Chopin's friend 1282:municipal cemetery of Bayreuth 1195: 778: 428:Vaterländischer Künstlerverein 227:and harmonic experimentation. 1: 12458:Hungarian classical organists 12453:Hungarian classical composers 12418:Catholic liturgical composers 12191:Wanderer above the Sea of Fog 7845:Works by or about Franz Liszt 7487:Sitwell, Sacheverell (1967). 7321:"When Liszt Visited Istanbul" 7035:. Vol. 1. Translated by 6988:The Oxford Companion to Music 6767:Hall-Swadley & Liszt 2012 6680:Grey, Thomas Spencer (2008). 6257:Cormac, Joanne, "Weimar". In 5663:Hall-Swadley & Liszt 2012 5651:Hall-Swadley & Liszt 2012 5639:Hall-Swadley & Liszt 2011 5627:Hall-Swadley & Liszt 2011 5615:Hall-Swadley & Liszt 2011 5603:Hall-Swadley & Liszt 2011 5591:Hall-Swadley & Liszt 2011 5579:Hall-Swadley & Liszt 2011 5555:Hall-Swadley & Liszt 2011 4571:Hall-Swadley & Liszt 2012 4559:Hall-Swadley & Liszt 2012 4535:Hall-Swadley & Liszt 2012 4520:Hall-Swadley & Liszt 2011 4508:Hall-Swadley & Liszt 2011 4479:Hall-Swadley & Liszt 2011 4467:Hall-Swadley & Liszt 2011 3592:Hall-Swadley & Liszt 2012 3580:Hall-Swadley & Liszt 2012 2949:Carolyne zu Sayn-Wittgenstein 2894: 2388: 2155:Transcriptions by Franz Liszt 1474:. Schumann in turn dedicated 1149:Liszt Ferenc Academy of Music 842:Carolyne zu Sayn-Wittgenstein 746:Fantasia on Rossini's "Moses" 295: 122:Carolyne zu Sayn-Wittgenstein 12493:Hungarian Romantic composers 12463:Hungarian classical pianists 8648:Franz Liszt Academy of Music 7811:Choral Public Domain Library 7761:Resources in other libraries 7742:Resources in other libraries 7661:. Cornell University Press. 7640:. Cornell University Press. 7371:The New York Review of Books 7264:Piotrowska, Anna G. (2013). 7257:UK public library membership 7146:UK public library membership 7114:UK public library membership 7082:UK public library membership 6986:Latham, Alison, ed. (2002). 6732:UK public library membership 6644:UK public library membership 6488:Esteban, Julio, ed. (1971). 6464:UK public library membership 6212:Cormac, Joanne, ed. (2021). 5861:Engel & Siegmeister 1973 2983: 2359:his thirteen symphonic poems 1929:Musical works of Franz Liszt 1919:and given to Liszt in 1877. 1548:Wilhelmine Schröder-Devrient 1159:Grand Duke Charles Alexander 1070:Third Order of Saint Francis 500:Adam Liszt died suddenly of 421:(S. 147) – appeared in 355:Prince Nikolaus II Esterházy 261:20th-century classical music 255:also feature experiments in 38:when mentioning individuals. 7: 12408:19th-century male musicians 9652:Gothic Revival architecture 7860:(public domain audiobooks) 7124:"Wagner, (Wilhelm) Richard" 6614:The New Hungarian Quarterly 6494:. Alfred Music Publishing. 2804: 2671:; one example is Debussy's 2553:on modern harmony entitled 2451: 1857:by Berlioz and Beethoven's 1422:Transcendental Étude No. 10 768:et adhuc sub judice lis est 748:, then Liszt performed his 647:and contributed essays for 247:, and the invention of the 10: 12574: 12108:Coleridge's theory of life 9593:Neue Zeitschrift für Musik 8768:List of Romantic composers 8203:Morceau de salon, Ab Irato 8197:Grandes études de Paganini 7807:Free scores by Franz Liszt 7797:Free scores by Franz Liszt 7580:The Great Composers: Liszt 7191:Longborough Festival Opera 6823:Hamilton, Kenneth (2008). 6624:"Strauss, Richard (Georg)" 6607:"The Organ Music of Liszt" 5989: 5921:Gilliam & Youmans 2010 2810: 2717:building chords in fourths 2622:were performed regularly. 2392: 2279: 2152: 2064:Grandes Études de Paganini 1932: 1926: 1824:in London on 9 June 1840. 1670: 1490:Neue Zeitschrift für Musik 1471:Grandes études de Paganini 1227:On 13 January 1886, while 1062:He moved to the monastery 969:Neue Zeitschrift für Musik 946: 782: 611:Grandes études de Paganini 25: 18: 12488:Hungarian philanthropists 12478:Hungarian opera composers 12473:Hungarian music educators 12423:Composers for pedal piano 12200: 12163:Romanticism and economics 12100: 11992: 11739: 11561: 11506: 11475: 11399: 11348: 11297: 11256: 11165: 11109: 11073: 11027: 11018: 10863: 10807: 10756: 10715: 10674: 10628: 10570: 10440: 10319: 10241: 10178:Manuel Antônio de Almeida 10160: 10151: 10037: 9905: 9836: 9768: 9684: 9629: 9574: 9508: 9487: 8774: 8765: 8725: 8720:Links to related articles 8684: 8635: 8444: 8421: 8405:Réminiscences de Don Juan 8396: 8181: 8141: 8107: 8010: 7973: 7948: 7915: 7906: 7756:Resources in your library 7737:Resources in your library 7433:Searle, Humphrey (1954). 7092:"Berlioz, (Louis-)Hector" 6605:Gárdonyi, Zoltán (1985), 6504:– via Google Books. 6095:Bonds, Mark Evan (2014). 5373:, pp. 17–18, 19, 22. 4629:Negus & Hamilton 2021 4385:, pp. 151, 166, 181. 2564: 2395:Late works of Franz Liszt 2383:Friedrich Theodor Vischer 1444:Robert and Clara Schumann 1126:Hungarian Coronation Mass 881:until 1859, jointly with 856: 709:Sigismond Thalberg (1836) 509:'s minister of commerce, 223:" who developed ideas of 147: 142: 131: 108: 98: 79: 64: 52: 45: 12513:Male classical organists 12433:Composers for pipe organ 9943:German historical school 9614:Tchaikovsky and The Five 8028:Tasso: lamento e trionfo 7988:Slavimo slavno, Slaveni! 7296:. Hillsdale: Pendragon. 7089:Macdonald, Hugh (2005). 7057:Macdonald, Hugh (2001). 6952: 979-0-2018-1389-9. 6934: 979-0-2018-1490-2. 6707:Grey, Thomas S. (2001). 6121:The Public Domain Review 6072:10.1556/smus.54.2013.1.6 6017:de Beer, Willem (2008). 5457:, pp. 90, 112, 113. 5313:, pp. 210–211, 213. 4850:, pp. 228, 234–235. 3789:, pp. 101, 115–117. 2930:[ˈlistˈfɛrɛnt͡s] 2899: 2744:, another friend, wrote 2250: 2210:Liszt coined the terms " 2089: 1975:Hungarian Rhapsody No. 2 1956: 1922: 1741:Caroline Boissier-Butini 448: 34:. This article uses 26:The native form of this 12498:Male classical pianists 10590:Józef Ignacy Kraszewski 8597:Agnes Street-Klindworth 8345:Grand galop chromatique 8331:Bagatelle sans tonalité 7415:"Transcendental Études" 7205:Pesce, Dolores (2014). 7187:The Longborough Podcast 6561:10.1556/6.2014.55.1-2.9 2405:and a piano version of 2290:Liszt coined the term " 2286:Symphonic poems (Liszt) 2237:and excerpts of Bach's 2078:Piano Sonata in B minor 1843:Grande Valse di Bravura 1834:Grand galop chromatique 1584:Der fliegende Holländer 1565:May Uprising in Dresden 1025: 995:thematic transformation 737:Konzertstück in F minor 595:Niccolò Paganini (1828) 566:July Revolution of 1830 290: 285:Piano Sonata in B minor 241:thematic transformation 12448:Pupils of Anton Reicha 12413:19th-century organists 12173:Romanticism in science 12128:Middle Ages in history 12123:List of Romantic poets 10835:Josiah Gilbert Holland 9637:Common practice period 8283:Sarabande and Chaconne 8108:Other orchestral works 7771:American Liszt Society 7634:Walker, Alan (1987b). 7155:American Music Teacher 7044:Liszt, Franz (2013) . 7032:Letters of Franz Liszt 7025:Liszt, Franz (2021) . 6894:Revista de Musicología 6578:Studies in Romanticism 5932:Kitchen, Will. (2020) 5433:, pp. 89, 90, 99. 4716:Millington et al. 2009 4665:Millington et al. 2009 4335:Millington et al. 2009 4111:Fend & Noiray 2005 2935:Franz Ritter von Liszt 2921: 2642: 2632:Breitkopf & Härtel 2530: 2498: 2354: 2329: 2216:Beethoven's symphonies 2166: 2130: 2017: 1993:on an 1851 Érard piano 1968: 1887: 1816: 1779: 1761: 1728: 1622:Bayreuth Festspielhaus 1609: 1309: 1218:works from this period 1208: 1177:Royal Academy of Music 1164: 1155: 1140:"Tripartite existence" 1120:, and he travelled to 1095: 1064: 1035: 1018: 967: 911:Der Barbier von Bagdad 909: 870: 823:St. Stephen's Basilica 797: 767: 742:Princess of Belgiojoso 710: 632: 596: 473:Conservatoire de Paris 468: 245:Impressionism in music 12548:Pupils of Carl Czerny 12528:Musicians from Weimar 12143:Romantic epistemology 12133:Opium and Romanticism 10702:Stojadinović-Srpkinja 9928:Counter-Enlightenment 8587:William Hall Sherwood 8482:Élie-Miriam Delaborde 8190:Transcendental Études 7655:Walker, Alan (1997). 7605:Walker, Alan (1987). 7578:Walker, Alan (1973). 6222:10.1017/9781108378253 6156:Burton-Hill, Clemency 6031:Bloom, Peter (1998). 4573:, pp. 26–27, 29. 3136:, pp. 18–19, 23. 2738:La jeunesse d'Hercule 2637: 2345: 2324:Symphonie fantastique 2165: 2083:Transcendental Études 2016: 1967: 1885: 1854:Symphonie Fantastique 1806: 1770: 1745: 1691: 1599: 1340:La damnation de Faust 1318:Symphonie fantastique 1307: 1203: 1147: 1033: 977:, Hans von Bülow and 965:" in his publication 905:Franz von Dingelstedt 864: 831:Great Fire of Hamburg 792: 783:Further information: 724:François-Joseph Fétis 708: 631:Marie d'Agoult (1843) 630: 594: 581:Symphonie fantastique 554:Alphonse de Lamartine 511:Pierre de Saint-Cricq 456: 392:Transcendental Études 341:(German: Raiding) in 323:Franz Liszt's father 276:Transcendental Études 12523:Musicians from Paris 12468:Hungarian Freemasons 12207:Age of Enlightenment 9849:England (literature) 9674:Romantic nationalism 9620:War of the Romantics 8542:José Vianna da Motta 8537:Sebastian Bach Mills 8359:Hungarian Rhapsodies 8296:Dem Andenken Petőfis 8228:Années de pèlerinage 8209:Three Concert Études 8166:Piano Concerto No. 3 8161:Piano Concerto No. 2 8156:Piano Concerto No. 1 7909:List of compositions 7854:Works by Franz Liszt 7836:Works by Franz Liszt 7506:Fontes Artis Musicae 7362:(23 February 2012). 7207:Liszt's Final Decade 6769:, pp. xiii–xxii 5445:, pp. 171, 216. 4790:, pp. 225, 229. 4065:, pp. 181, 197. 2943:(knight) by Emperor 2721:José Vianna da Motta 2645:Béla Bartók on Liszt 2599:Hungarian Rhapsodies 2540:Hungarian folk music 2525:Alfonso und Estrella 2351:Wilhelm von Kaulbach 2310:Années de pèlerinage 2073:Années de pèlerinage 2054:Hungarian Rhapsodies 1822:Hanover Square Rooms 1250:Années de pèlerinage 1245:Au bord d'une source 1118:Elisabeth of Bavaria 1002:War of the Romantics 953:War of the Romantics 718:compositions in the 666:Années de pèlerinage 645:Geneva Conservatoire 270:Années de pèlerinage 265:Hungarian Rhapsodies 221:War of the Romantics 103:List of compositions 12428:Composers for piano 12158:Romantic psychology 9953:Hudson River School 9897:Sweden (literature) 9882:Russia (literature) 9669:Musical nationalism 9587:Musical nationalism 8380:Rhapsodie espagnole 8373:Rondeau fantastique 8366:Glanes de Woronince 8142:Piano and orchestra 7777:"Discovering Liszt" 6710:"New German School" 6549:Studia Musicologica 6115:(17 October 2011). 6060:Studia Musicologica 6033:The Life of Berlioz 5983:, 23 December 1829. 5887:, pp. 31, 254. 5875:, pp. 360–361. 5836:, pp. 351–352. 5713:, pp. 362–363. 5689:, pp. 132–133. 5653:, pp. 78, 110. 5409:, pp. 216–217. 5325:, pp. 212–213. 5112:, pp. 226–227. 5100:, pp. 235–237. 4958:, pp. 400–401. 4898:, pp. 242–243. 4874:, pp. 235–236. 4862:, pp. 234–235. 4766:, pp. 140–141. 4313:, pp. 475–476. 4029:, pp. 191–192. 3900:, pp. 142–175. 3888:, pp. 143–144. 3818:, pp. 36, 119. 3384:, pp. 137–138. 2937:; he was created a 2799:cinematic listening 2337:Music of the Future 1871:Diabelli Variations 1418:Étude Op. 10, No. 9 1359:music of the future 1263:Liszt travelled to 1231:was staying at the 1124:to conduct it. The 1065:Madonna del Rosario 673:). Their daughter, 671:Years of Pilgrimage 442:Diabelli Variations 253:Liszt's later works 10143:White Mountain art 10084:Historical fiction 9892:Spain (literature) 9582:Indianist movement 9500:Romantic orchestra 8671:Lisztomania (song) 8310:La lugubre gondola 8216:Two Concert Études 8001:Les quatre élémens 7435:The Music of Liszt 7241:Grove Music Online 7130:Grove Music Online 7098:Grove Music Online 7066:Grove Music Online 7009:, pp. 698–701 6716:Grove Music Online 6629:Grove Music Online 6520:19th-Century Music 6438:Grove Music Online 6288:, pp. 271–281 6158:(17 August 2016). 5629:, pp. 19, 41. 5605:, pp. 18, 30. 5421:, pp. 86, 88. 4561:, pp. 26, 27. 4409:, pp. 76, 79. 4325:, pp. 2, 192. 4289:, pp. 87, 90. 4277:, pp. 14, 16. 3849:, pp. 77, 92. 3570:, pp. 73, 85. 3558:, pp. 65, 59. 2924:, in modern usage 2733:Le Rouet d'Omphale 2688:Psalmus Hungaricus 2536:The Gypsy in Music 2470:La France musicale 2414:La lugubre gondola 2355: 2347:Die Hunnenschlacht 2167: 2018: 1969: 1917:Mason & Hamlin 1899:, the Beethovens' 1888: 1817: 1799:Concert repertoire 1729: 1652:Tristan und Isolde 1610: 1456:and piano sonatas 1310: 1209: 1156: 1045:Cardinal Hohenlohe 1036: 987:programmatic music 871: 798: 762:Journal des débats 715:Sigismond Thalberg 711: 690:Beethoven Monument 633: 608:(later revised as 597: 588:around this time. 537:paradigm, such as 469: 347:Kingdom of Hungary 225:programmatic music 36:Western name order 12533:Organ improvisers 12240: 12239: 12234: 12233: 12148:Romantic medicine 12118:List of romantics 11557: 11556: 11208:Felix Mendelssohn 11203:Fanny Mendelssohn 11014: 11013: 10728:Rosalía de Castro 10666:Soares dos Passos 10014:Transcendentalism 9978:Nazarene movement 9938:Düsseldorf School 9796: 9795: 9762:New German School 9728: 9727: 9599:New German School 9194:Felix Mendelssohn 9189:Fanny Mendelssohn 8712: 8711: 8582:Giovanni Sgambati 8397:Opera paraphrases 8278:Sonata in B minor 8150:Hungarian Fantasy 7840:Project Gutenberg 7723:Library resources 7699:978-0-02-872705-9 7678:Clavier Companion 7647:978-0-8014-9721-6 7255:(Subscription or 7179:Hamilton, Kenneth 7144:(Subscription or 7112:(Subscription or 7080:(Subscription or 7050:www.gutenberg.org 6997:978-0-19-866212-9 6876:978-0-300-21946-3 6807:, pp. 86–119 6730:(Subscription or 6653:The Musical Times 6642:(Subscription or 6501:978-0-7390-2212-2 6462:(Subscription or 6456:978-1-56159-263-0 6341:The Musical Times 6326:. pp. 68, 73 6316:(16 March 1987). 6183:(1720): 372–376. 6177:The Musical Times 5911:, pp. 38–39. 5851:, pp. 40–41. 5665:, pp. 30–32. 5617:, pp. 18–19. 5469:, pp. 87–88. 4970:, pp. 24–25. 4934:, pp. 63–64. 4922:, pp. 62–63. 4910:, pp. 39–40. 4838:, pp. 37–38. 4814:, pp. 80–81. 4704:Schmalhausen 2002 4522:, pp. 33–34. 4510:, pp. 17–18. 4481:, pp. 30–33. 4469:, pp. 31–32. 4457:, pp. 95–96. 4383:Schmalhausen 2002 4361:, pp. 1, 15. 4359:Schmalhausen 2002 4349:, pp. 96–97. 4323:Schmalhausen 2002 4275:Schmalhausen 2002 3990:, pp. 71–72. 3729:, pp. 55–56. 3582:, pp. 17–18. 3510:, pp. 54–55. 3465:, pp. 38–39. 3453:, pp. 31–32. 3372:, pp. 27–28. 3360:, pp. 26–27. 3321:, pp. 24–26. 3211:, pp. 10–11. 3199:, pp. 67–69. 3124:, pp. 16–17. 3112:, pp. 21–23. 2184: 2033: 1984: 1723:; with a bust of 1721:Gioachino Rossini 1630:Bayreuth Festival 1606:Hans von Wolzogen 1604:, with Liszt and 1510:1854 piano sonata 1355:New German School 1334:Roméo et Juliette 1328:Benvenuto Cellini 1049:Tsar Alexander II 963:New German School 961:coined the name " 949:New German School 819:Cologne Cathedral 519:Abbé de Lamennais 457:Liszt in 1826 by 239:, innovations in 217:New German School 169:. With a diverse 156: 155: 12565: 12358: 12350: 12349: 12348: 12341: 12333: 12332: 12331: 12321: 12305: 12304: 12293: 12292: 12291: 12281: 12280: 12279: 12269: 12268: 12267: 12257: 12256: 12255: 12248: 12224: 12223: 12183:Evolution theory 11025: 11024: 10158: 10157: 10019:Ukrainian school 9823: 9816: 9809: 9800: 9799: 9755: 9748: 9741: 9732: 9731: 9718: 9708: 9707: 9604:Post-romanticism 9469:Vaughan Williams 8752: 8745: 8738: 8729: 8728: 8716: 8715: 8702: 8692: 8691: 8622:Józef Wieniawski 8592:Alexander Siloti 8492:Arthur Friedheim 8324:Mephisto Waltzes 8242:Feuilles d'album 8132:Mephisto Waltzes 7893: 7886: 7879: 7870: 7869: 7865: 7864: 7849:Internet Archive 7784: 7711: 7681: 7672: 7651: 7630: 7601: 7574: 7554: 7552: 7550: 7539:Hungarian Review 7529: 7500: 7483: 7481: 7479: 7463: 7446: 7429: 7427: 7425: 7409: 7382: 7380: 7378: 7367: 7355: 7335: 7333: 7331: 7315: 7288: 7286: 7284: 7270: 7260: 7253: 7237: 7228: 7201: 7199: 7197: 7170: 7149: 7142: 7126: 7117: 7110: 7094: 7085: 7078: 7062: 7060:"Symphonic poem" 7053: 7046:"Life of Chopin" 7040: 7037:Bache, Constance 7019: 7010: 7001: 6982: 6965:(3/4): 397–404. 6953: 6947: 6935: 6929: 6917: 6906:10.2307/20796952 6900:(6): 3531–3542. 6888: 6856: 6854: 6852: 6836: 6817: 6816:, pp. 28–56 6808: 6799: 6770: 6761: 6752: 6735: 6728: 6712: 6703: 6676: 6665:10.2307/30044125 6647: 6640: 6626: 6617: 6611: 6601: 6590:10.2307/25599545 6572: 6555:(1–2): 131–144. 6543: 6514: 6505: 6484: 6467: 6460: 6434: 6421: 6396:(1/2): 163–197. 6384: 6382: 6380: 6364: 6353:10.2307/25434402 6335: 6333: 6331: 6307: 6306:, pp. 20–28 6298: 6297:, pp. 38–47 6289: 6280: 6279:, pp. 74–82 6271: 6270:, pp. 48–57 6262: 6261:, pp. 58–65 6253: 6252:, pp. 29–37 6244: 6243:, pp. 10–19 6235: 6214:Liszt In Context 6208: 6171: 6169: 6167: 6151: 6142:. Munich: List. 6131: 6129: 6127: 6108: 6091: 6054: 6027: 6025: 6013: 6011: 6009: 5984: 5978: 5972: 5966: 5949: 5943: 5937: 5930: 5924: 5918: 5912: 5906: 5900: 5894: 5888: 5882: 5876: 5870: 5864: 5858: 5852: 5846: 5837: 5831: 5825: 5819: 5813: 5807: 5801: 5795: 5789: 5783: 5777: 5771: 5762: 5756: 5743: 5737: 5726: 5720: 5714: 5708: 5702: 5696: 5690: 5684: 5678: 5672: 5666: 5660: 5654: 5648: 5642: 5636: 5630: 5624: 5618: 5612: 5606: 5600: 5594: 5588: 5582: 5576: 5570: 5564: 5558: 5557:, pp. 4–11. 5552: 5546: 5540: 5534: 5524: 5518: 5512: 5506: 5500: 5494: 5488: 5482: 5476: 5470: 5464: 5458: 5452: 5446: 5440: 5434: 5428: 5422: 5416: 5410: 5404: 5398: 5392: 5386: 5380: 5374: 5368: 5362: 5356: 5350: 5344: 5338: 5332: 5326: 5320: 5314: 5308: 5302: 5296: 5290: 5284: 5278: 5272: 5266: 5260: 5251: 5245: 5239: 5233: 5227: 5221: 5215: 5209: 5200: 5194: 5188: 5182: 5176: 5170: 5164: 5158: 5149: 5143: 5137: 5131: 5125: 5119: 5113: 5107: 5101: 5095: 5089: 5083: 5072: 5066: 5060: 5054: 5048: 5042: 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4009: 4003: 3997: 3991: 3985: 3979: 3973: 3967: 3961: 3952: 3946: 3940: 3934: 3925: 3919: 3913: 3907: 3901: 3895: 3889: 3883: 3877: 3871: 3865: 3859: 3850: 3844: 3838: 3832: 3819: 3813: 3807: 3801: 3790: 3784: 3778: 3772: 3766: 3760: 3754: 3748: 3742: 3736: 3730: 3724: 3718: 3712: 3706: 3700: 3694: 3688: 3682: 3679:Burton-Hill 2016 3676: 3667: 3661: 3655: 3649: 3640: 3634: 3619: 3613: 3607: 3601: 3595: 3589: 3583: 3577: 3571: 3565: 3559: 3553: 3547: 3541: 3535: 3529: 3523: 3517: 3511: 3505: 3499: 3493: 3478: 3472: 3466: 3460: 3454: 3448: 3442: 3436: 3430: 3424: 3415: 3409: 3400: 3394: 3385: 3379: 3373: 3367: 3361: 3355: 3349: 3343: 3337: 3331: 3322: 3316: 3310: 3304: 3298: 3292: 3286: 3280: 3274: 3268: 3262: 3256: 3250: 3244: 3231: 3225: 3212: 3206: 3200: 3194: 3188: 3185:Bertagnolli 2021 3182: 3173: 3167: 3161: 3155: 3149: 3143: 3137: 3131: 3125: 3119: 3113: 3107: 3101: 3095: 3089: 3083: 3074: 3068: 3062: 3056: 3047: 3046:, p. xviii. 3041: 3035: 3029: 3023: 3017: 3002: 2996: 2977: 2962: 2956: 2945:Francis Joseph I 2932: 2919: 2914: 2910: 2860:Alexander Siloti 2848:Arthur Friedheim 2696:greater extent. 2646: 2627:Romantic Revival 2604:Ferruccio Busoni 2559:Arthur Friedheim 2533: 2504:Gazette musicale 2501: 2478: 2349:, as painted by 2334: 2231:Orlando di Lasso 2186: 2185: 2164: 2135: 2035: 2034: 2015: 1991:Martha Goldstein 1986: 1985: 1966: 1787:Kenneth Hamilton 1776: 1758: 1754: 1750: 1717:Niccolò Paganini 1684:Performing style 1523: 1499:Piano Trio No. 1 1398:Frederick Niecks 1323:Harriet Smithson 1290: 1183:as director and 1167: 1100: 1067: 1043:machinations of 1021: 1019:Neue Zeitschrift 972: 933:consistory court 914: 770: 720:Gazette musicale 601:Niccolò Paganini 531:Schubert's songs 467: 438: 424: 317: 308: 152: 86: 57: 43: 42: 12573: 12572: 12568: 12567: 12566: 12564: 12563: 12562: 12543:Piano educators 12363: 12362: 12361: 12351: 12346: 12344: 12334: 12329: 12327: 12324: 12320:sister projects 12317:at Knowledge's 12311: 12299: 12289: 12287: 12277: 12275: 12271:Classical music 12265: 12263: 12253: 12251: 12243: 12241: 12236: 12235: 12230: 12229: 12218: 12210: 12196: 12153:Romantic poetry 12138:Romantic ballet 12113:German idealism 12096: 12062:Lacoue-Labarthe 11988: 11735: 11553: 11502: 11471: 11452:Rimsky-Korsakov 11395: 11344: 11293: 11252: 11161: 11105: 11069: 11010: 10859: 10803: 10752: 10711: 10670: 10624: 10566: 10507:Maria Edgeworth 10443: 10436: 10315: 10237: 10147: 10126:Romantic genius 10056:Gesamtkunstwerk 10033: 9994:Sturm und Drang 9901: 9832: 9827: 9797: 9792: 9764: 9759: 9729: 9724: 9701: 9697:Modernist music 9693: 9690:Classical music 9680: 9625: 9570: 9551:Romantic ballet 9546:Orchestral song 9526:Chorale prelude 9521:Character piece 9504: 9495:Romantic guitar 9488:Instrumentation 9483: 9319:Rimsky-Korsakov 8939:Ferdinand David 8776: 8770: 8761: 8756: 8721: 8713: 8708: 8680: 8631: 8572:Moriz Rosenthal 8547:Dionys Pruckner 8527:Heinrich Lutter 8512:Frederic Lamond 8497:Karl Klindworth 8477:Arthur De Greef 8440: 8417: 8392: 8317:Valse-Impromptu 8177: 8137: 8103: 8070:Héroïde funèbre 8012:Symphonic poems 8006: 7969: 7944: 7911: 7902: 7897: 7862: 7775: 7767: 7766: 7765: 7747: 7746: 7731: 7730: 7726: 7719: 7714: 7700: 7669: 7648: 7619: 7590: 7548: 7546: 7477: 7475: 7423: 7421: 7398: 7376: 7374: 7329: 7327: 7304: 7282: 7280: 7268: 7254: 7217: 7195: 7193: 7143: 7111: 7079: 6998: 6945: 6927: 6877: 6850: 6848: 6788: 6729: 6692: 6659:(1893): 61–76. 6641: 6609: 6502: 6461: 6457: 6378: 6376: 6347:(1896): 33–43. 6329: 6327: 6314:Davis, Peter G. 6232: 6165: 6163: 6125: 6123: 6043: 6023: 6007: 6005: 6004:. Liszt Academy 5992: 5987: 5979: 5975: 5967: 5952: 5944: 5940: 5931: 5927: 5919: 5915: 5907: 5903: 5895: 5891: 5883: 5879: 5871: 5867: 5859: 5855: 5847: 5840: 5832: 5828: 5820: 5816: 5808: 5804: 5796: 5792: 5784: 5780: 5772: 5765: 5757: 5746: 5738: 5729: 5721: 5717: 5709: 5705: 5697: 5693: 5687:Piotrowska 2013 5685: 5681: 5673: 5669: 5661: 5657: 5649: 5645: 5637: 5633: 5625: 5621: 5613: 5609: 5601: 5597: 5589: 5585: 5577: 5573: 5569:, p. xiii. 5565: 5561: 5553: 5549: 5541: 5537: 5525: 5521: 5513: 5509: 5501: 5497: 5489: 5485: 5477: 5473: 5465: 5461: 5453: 5449: 5441: 5437: 5429: 5425: 5417: 5413: 5405: 5401: 5393: 5389: 5381: 5377: 5369: 5365: 5357: 5353: 5345: 5341: 5333: 5329: 5321: 5317: 5309: 5305: 5297: 5293: 5285: 5281: 5273: 5269: 5261: 5254: 5246: 5242: 5234: 5230: 5222: 5218: 5210: 5203: 5195: 5191: 5183: 5179: 5171: 5167: 5159: 5152: 5144: 5140: 5132: 5128: 5120: 5116: 5108: 5104: 5096: 5092: 5084: 5075: 5067: 5063: 5055: 5051: 5043: 5039: 5031: 5027: 5019: 5015: 5007: 4998: 4990: 4986: 4978: 4974: 4966: 4962: 4954: 4950: 4942: 4938: 4930: 4926: 4918: 4914: 4906: 4902: 4894: 4890: 4882: 4878: 4870: 4866: 4858: 4854: 4846: 4842: 4834: 4830: 4822: 4818: 4810: 4806: 4798: 4794: 4786: 4782: 4774: 4770: 4762: 4758: 4750: 4746: 4738: 4734: 4726: 4722: 4714: 4710: 4702: 4698: 4690: 4686: 4678: 4671: 4663: 4659: 4651: 4647: 4639: 4635: 4627: 4610: 4602: 4598: 4590: 4577: 4569: 4565: 4557: 4553: 4545: 4541: 4533: 4526: 4518: 4514: 4506: 4502: 4494: 4485: 4477: 4473: 4465: 4461: 4453: 4449: 4441: 4437: 4429: 4425: 4417: 4413: 4405: 4401: 4393: 4389: 4381: 4377: 4369: 4365: 4357: 4353: 4345: 4341: 4333: 4329: 4321: 4317: 4309: 4305: 4297: 4293: 4285: 4281: 4273: 4269: 4261: 4252: 4244: 4240: 4232: 4228: 4220: 4216: 4208: 4204: 4196: 4192: 4184: 4180: 4172: 4168: 4160: 4153: 4145: 4141: 4133: 4129: 4121: 4117: 4109: 4105: 4097: 4093: 4085: 4081: 4073: 4069: 4061: 4057: 4049: 4045: 4037: 4033: 4025: 4018: 4010: 4006: 3998: 3994: 3986: 3982: 3974: 3970: 3962: 3955: 3947: 3943: 3935: 3928: 3920: 3916: 3908: 3904: 3896: 3892: 3884: 3880: 3872: 3868: 3860: 3853: 3845: 3841: 3833: 3822: 3814: 3810: 3802: 3793: 3785: 3781: 3773: 3769: 3761: 3757: 3749: 3745: 3737: 3733: 3725: 3721: 3713: 3709: 3701: 3697: 3689: 3685: 3677: 3670: 3662: 3658: 3650: 3643: 3635: 3622: 3614: 3610: 3602: 3598: 3590: 3586: 3578: 3574: 3566: 3562: 3554: 3550: 3542: 3538: 3530: 3526: 3518: 3514: 3506: 3502: 3494: 3481: 3473: 3469: 3461: 3457: 3449: 3445: 3437: 3433: 3425: 3418: 3410: 3403: 3395: 3388: 3380: 3376: 3368: 3364: 3356: 3352: 3344: 3340: 3332: 3325: 3317: 3313: 3305: 3301: 3293: 3289: 3281: 3277: 3269: 3265: 3257: 3253: 3245: 3234: 3226: 3215: 3207: 3203: 3195: 3191: 3183: 3176: 3168: 3164: 3156: 3152: 3144: 3140: 3132: 3128: 3120: 3116: 3108: 3104: 3100:, pp. 8–9. 3096: 3092: 3084: 3077: 3069: 3065: 3057: 3050: 3042: 3038: 3030: 3026: 3018: 3005: 2997: 2990: 2986: 2981: 2980: 2963: 2959: 2953:Franz von Liszt 2917:[ˈlɪst] 2912: 2911: 2907: 2902: 2897: 2856:Frederic Lamond 2852:Moriz Rosenthal 2836:Karl Klindworth 2816: 2807: 2784:Richard Strauss 2768:Martin Wegelius 2712:Czardas macabre 2661:Impressionistic 2648: 2644: 2608:Humphrey Searle 2572: 2567: 2534:(translated as 2513:Harold in Italy 2472: 2454: 2442:false relations 2437:Czardas macabre 2397: 2391: 2331:Gesamtkunstwerk 2319:Harold in Italy 2302:Harold in Italy 2297:Harold in Italy 2288: 2278: 2253: 2208: 2207: 2199: 2197: 2196: 2195: 2194: 2187: 2180: 2177: 2168: 2162: 2157: 2151: 2139:Mass in B minor 2096:Humphrey Searle 2092: 2050: 2049: 2041: 2039: 2038: 2037: 2036: 2029: 2026: 2019: 2013: 2008: 2007: 1999: 1997: 1996: 1995: 1994: 1987: 1980: 1977: 1970: 1964: 1959: 1954: 1937: 1931: 1925: 1892:Sébastien Érard 1880: 1801: 1774: 1756: 1752: 1748: 1701:Alexandre Dumas 1686: 1673: 1530: 1521: 1450:Robert Schumann 1446: 1367: 1365:Frédéric Chopin 1302: 1297: 1284: 1198: 1189:Robert Volkmann 1142: 1130:Matthias Church 1028: 975:Peter Cornelius 955: 947:Main articles: 945: 859: 787: 781: 703: 625: 620: 586:Frédéric Chopin 571:Héroïde funèbre 562:Alfred de Vigny 527:Saint-Simonists 485:Ferdinando Paer 477:Luigi Cherubini 475:. The director 461: 451: 436: 422: 397:Antonio Salieri 351:Austrian Empire 331: 330: 329: 328: 320: 319: 318: 310: 309: 298: 293: 201:Robert Schumann 197:Frédéric Chopin 182:Antonio Salieri 167:Romantic period 127: 94: 88: 84: 75: 69: 68:22 October 1811 60: 48: 39: 24: 21:Liszt (surname) 17: 12: 11: 5: 12571: 12561: 12560: 12555: 12550: 12545: 12540: 12535: 12530: 12525: 12520: 12515: 12510: 12505: 12500: 12495: 12490: 12485: 12480: 12475: 12470: 12465: 12460: 12455: 12450: 12445: 12440: 12435: 12430: 12425: 12420: 12415: 12410: 12405: 12400: 12395: 12390: 12385: 12380: 12375: 12360: 12359: 12357:from Wikiquote 12342: 12313: 12310: 12309: 12297: 12285: 12273: 12261: 12238: 12237: 12232: 12231: 12211: 12203: 12202: 12201: 12198: 12197: 12195: 12194: 12187: 12186: 12185: 12180: 12170: 12165: 12160: 12155: 12150: 12145: 12140: 12135: 12130: 12125: 12120: 12115: 12110: 12104: 12102: 12101:Related topics 12098: 12097: 12095: 12094: 12089: 12084: 12079: 12074: 12069: 12064: 12059: 12054: 12049: 12044: 12039: 12034: 12029: 12024: 12019: 12014: 12009: 12004: 11998: 11996: 11990: 11989: 11987: 11986: 11981: 11976: 11971: 11966: 11961: 11956: 11951: 11946: 11941: 11936: 11931: 11926: 11921: 11916: 11911: 11906: 11901: 11896: 11891: 11886: 11881: 11876: 11871: 11866: 11861: 11856: 11851: 11846: 11841: 11836: 11831: 11829:Gallen-Kallela 11826: 11821: 11816: 11811: 11806: 11804:David d'Angers 11801: 11796: 11791: 11786: 11781: 11776: 11771: 11766: 11761: 11756: 11751: 11745: 11743: 11741:Visual artists 11737: 11736: 11734: 11733: 11728: 11723: 11718: 11713: 11708: 11703: 11701:Schleiermacher 11698: 11693: 11688: 11683: 11678: 11673: 11668: 11663: 11658: 11653: 11648: 11643: 11638: 11633: 11628: 11623: 11618: 11613: 11608: 11603: 11598: 11593: 11588: 11583: 11578: 11573: 11567: 11565: 11559: 11558: 11555: 11554: 11552: 11551: 11546: 11541: 11536: 11531: 11526: 11521: 11516: 11510: 11508: 11504: 11503: 11501: 11500: 11495: 11490: 11485: 11479: 11477: 11473: 11472: 11470: 11469: 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10878: 10873: 10867: 10865: 10861: 10860: 10858: 10857: 10852: 10847: 10842: 10837: 10832: 10827: 10822: 10817: 10811: 10809: 10805: 10804: 10802: 10801: 10796: 10791: 10786: 10781: 10776: 10771: 10766: 10760: 10758: 10754: 10753: 10751: 10750: 10745: 10740: 10735: 10730: 10725: 10719: 10717: 10713: 10712: 10710: 10709: 10704: 10699: 10694: 10689: 10684: 10678: 10676: 10672: 10671: 10669: 10668: 10663: 10658: 10653: 10648: 10643: 10638: 10636:Castelo Branco 10632: 10630: 10626: 10625: 10623: 10622: 10617: 10612: 10607: 10602: 10597: 10592: 10587: 10582: 10576: 10574: 10568: 10567: 10565: 10564: 10559: 10554: 10549: 10544: 10539: 10534: 10529: 10524: 10519: 10514: 10509: 10504: 10499: 10494: 10489: 10484: 10479: 10474: 10469: 10464: 10459: 10454: 10448: 10446: 10438: 10437: 10435: 10434: 10429: 10424: 10419: 10414: 10409: 10404: 10399: 10394: 10389: 10384: 10379: 10374: 10369: 10364: 10362:Brothers Grimm 10359: 10354: 10349: 10344: 10339: 10334: 10329: 10323: 10321: 10317: 10316: 10314: 10313: 10308: 10303: 10298: 10293: 10288: 10283: 10278: 10273: 10268: 10263: 10258: 10253: 10247: 10245: 10239: 10238: 10236: 10235: 10230: 10225: 10220: 10215: 10210: 10205: 10200: 10195: 10190: 10185: 10180: 10175: 10170: 10164: 10162: 10155: 10149: 10148: 10146: 10145: 10140: 10133: 10128: 10123: 10118: 10113: 10108: 10103: 10098: 10093: 10086: 10081: 10080: 10079: 10074: 10064: 10062:Gothic fiction 10059: 10052: 10050:British Marine 10047: 10041: 10039: 10035: 10034: 10032: 10031: 10026: 10021: 10016: 10011: 10004: 9999: 9998: 9997: 9985: 9980: 9975: 9970: 9965: 9960: 9955: 9950: 9948:Gothic revival 9945: 9940: 9935: 9930: 9925: 9920: 9915: 9909: 9907: 9903: 9902: 9900: 9899: 9894: 9889: 9884: 9879: 9874: 9869: 9864: 9859: 9851: 9846: 9840: 9838: 9834: 9833: 9826: 9825: 9818: 9811: 9803: 9794: 9793: 9791: 9790: 9788:Richard Wagner 9785: 9780: 9778:Hector Berlioz 9775: 9769: 9766: 9765: 9758: 9757: 9750: 9743: 9735: 9726: 9725: 9723: 9722: 9712: 9694: 9686: 9685: 9682: 9681: 9679: 9678: 9677: 9676: 9666: 9665: 9664: 9659: 9654: 9649: 9639: 9633: 9631: 9627: 9626: 9624: 9623: 9616: 9611: 9606: 9601: 9596: 9589: 9584: 9578: 9576: 9572: 9571: 9569: 9568: 9563: 9561:Symphonic poem 9558: 9556:Romantic opera 9553: 9548: 9543: 9538: 9533: 9528: 9523: 9518: 9512: 9510: 9506: 9505: 9503: 9502: 9497: 9491: 9489: 9485: 9484: 9482: 9481: 9476: 9471: 9466: 9461: 9456: 9451: 9446: 9441: 9436: 9431: 9426: 9421: 9416: 9411: 9406: 9401: 9396: 9391: 9386: 9381: 9376: 9371: 9366: 9361: 9356: 9351: 9346: 9341: 9336: 9331: 9326: 9321: 9316: 9311: 9306: 9301: 9296: 9291: 9286: 9281: 9276: 9271: 9266: 9261: 9256: 9251: 9246: 9241: 9236: 9231: 9226: 9221: 9216: 9211: 9206: 9201: 9196: 9191: 9186: 9181: 9176: 9171: 9166: 9161: 9156: 9151: 9146: 9141: 9136: 9131: 9126: 9121: 9116: 9111: 9106: 9101: 9096: 9091: 9086: 9081: 9076: 9071: 9066: 9061: 9056: 9051: 9046: 9041: 9036: 9031: 9026: 9021: 9016: 9011: 9006: 9001: 8996: 8991: 8986: 8981: 8976: 8971: 8966: 8961: 8956: 8951: 8946: 8941: 8936: 8934:Félicien David 8931: 8926: 8921: 8916: 8911: 8906: 8901: 8896: 8891: 8886: 8881: 8876: 8871: 8866: 8861: 8856: 8851: 8846: 8841: 8836: 8831: 8826: 8821: 8816: 8811: 8806: 8801: 8796: 8791: 8786: 8780: 8778: 8772: 8771: 8766: 8763: 8762: 8759:Romantic music 8755: 8754: 8747: 8740: 8732: 8726: 8723: 8722: 8710: 8709: 8707: 8706: 8696: 8685: 8682: 8681: 8679: 8678: 8673: 8668: 8660: 8655: 8650: 8645: 8639: 8637: 8633: 8632: 8630: 8629: 8624: 8619: 8617:Bettina Walker 8614: 8612:Anton Urspruch 8609: 8604: 8599: 8594: 8589: 8584: 8579: 8577:Emil von Sauer 8574: 8569: 8564: 8562:Martha Remmert 8559: 8554: 8552:Laura Rappoldi 8549: 8544: 8539: 8534: 8529: 8524: 8519: 8517:Georg Liebling 8514: 8509: 8504: 8499: 8494: 8489: 8484: 8479: 8474: 8472:Eugen d'Albert 8469: 8467:Hans von Bülow 8464: 8459: 8457:Arthur H. Bird 8454: 8448: 8446: 8442: 8441: 8439: 8438: 8432: 8425: 8423: 8419: 8418: 8416: 8415: 8408: 8400: 8398: 8394: 8393: 8391: 8390: 8383: 8376: 8369: 8362: 8355: 8348: 8341: 8338:Mephisto Polka 8334: 8327: 8320: 8313: 8306: 8299: 8292: 8289:Weihnachtsbaum 8285: 8280: 8275: 8268: 8261: 8254: 8249: 8244: 8239: 8231: 8224: 8219: 8212: 8205: 8200: 8193: 8185: 8183: 8179: 8178: 8176: 8175: 8168: 8163: 8158: 8153: 8145: 8143: 8139: 8138: 8136: 8135: 8128: 8120: 8111: 8109: 8105: 8104: 8102: 8101: 8094: 8091:Hunnenschlacht 8087: 8080: 8073: 8066: 8059: 8052: 8045: 8038: 8031: 8024: 8016: 8014: 8008: 8007: 8005: 8004: 7997: 7990: 7985: 7977: 7975: 7971: 7970: 7968: 7967: 7960: 7952: 7950: 7946: 7945: 7943: 7942: 7937: 7936: 7935: 7933:Transcriptions 7930: 7919: 7917: 7913: 7912: 7907: 7904: 7903: 7896: 7895: 7888: 7881: 7873: 7867: 7866: 7851: 7842: 7832: 7831: 7825: 7824: 7814: 7804: 7793: 7792: 7786: 7785: 7773: 7764: 7763: 7758: 7752: 7750:By Franz Liszt 7748: 7745: 7744: 7739: 7733: 7732: 7721: 7720: 7718: 7717:External links 7715: 7713: 7712: 7698: 7682: 7673: 7667: 7652: 7646: 7631: 7617: 7602: 7588: 7575: 7555: 7530: 7512:(3): 191–234. 7501: 7484: 7464: 7447: 7430: 7410: 7396: 7383: 7360:Rosen, Charles 7356: 7336: 7316: 7302: 7289: 7261: 7229: 7215: 7202: 7181:(March 2021). 7175:Negus, Anthony 7171: 7150: 7118: 7086: 7054: 7041: 7022: 7021: 7020: 7011: 6996: 6983: 6971:10.2307/902290 6954: 6936: 6918: 6889: 6875: 6861:Hilmes, Oliver 6857: 6837: 6820: 6819: 6818: 6809: 6786: 6773: 6772: 6771: 6753: 6736: 6704: 6690: 6677: 6648: 6618: 6602: 6573: 6544: 6532:10.2307/746436 6526:(3): 209–228. 6515: 6506: 6500: 6485: 6468: 6455: 6422: 6402:10.2307/901828 6385: 6365: 6336: 6310: 6309: 6308: 6299: 6290: 6281: 6272: 6263: 6254: 6245: 6230: 6209: 6189:10.2307/965235 6172: 6152: 6132: 6113:Botstein, Leon 6109: 6092: 6055: 6041: 6028: 6014: 5993: 5991: 5988: 5986: 5985: 5973: 5950: 5938: 5925: 5913: 5901: 5889: 5877: 5865: 5863:, p. 222. 5853: 5838: 5826: 5814: 5802: 5790: 5788:, p. 364. 5778: 5763: 5744: 5727: 5725:, p. 375. 5715: 5703: 5691: 5679: 5667: 5655: 5643: 5631: 5619: 5607: 5595: 5583: 5571: 5559: 5547: 5535: 5519: 5517:, p. 220. 5507: 5505:, p. 211. 5495: 5493:, p. 171. 5483: 5481:, p. 113. 5471: 5459: 5447: 5435: 5423: 5411: 5399: 5397:, p. 214. 5387: 5385:, p. 213. 5375: 5363: 5351: 5347:Macdonald 2001 5339: 5327: 5315: 5303: 5299:Macdonald 2005 5291: 5289:, p. 210. 5279: 5277:, p. 305. 5267: 5252: 5240: 5228: 5224:Friedheim 1962 5216: 5201: 5189: 5177: 5175:, p. 286. 5165: 5150: 5138: 5126: 5114: 5102: 5090: 5073: 5061: 5049: 5037: 5025: 5013: 4996: 4984: 4982:, p. 409. 4972: 4960: 4948: 4936: 4924: 4912: 4900: 4888: 4876: 4864: 4852: 4840: 4828: 4826:, p. 165. 4816: 4804: 4802:, p. 250. 4792: 4780: 4778:, p. 242. 4768: 4756: 4744: 4732: 4720: 4708: 4696: 4684: 4682:, p. 146. 4669: 4657: 4645: 4633: 4608: 4606:, p. xxi. 4596: 4575: 4563: 4551: 4539: 4524: 4512: 4500: 4483: 4471: 4459: 4447: 4443:Macdonald 2005 4435: 4423: 4411: 4399: 4387: 4375: 4363: 4351: 4339: 4327: 4315: 4303: 4291: 4279: 4267: 4250: 4238: 4226: 4214: 4212:, p. 263. 4202: 4190: 4188:, p. 262. 4178: 4166: 4151: 4139: 4127: 4115: 4113:, p. 542. 4103: 4091: 4079: 4067: 4055: 4043: 4031: 4016: 4014:, p. 189. 4004: 4002:, p. 177. 3992: 3980: 3978:, p. 224. 3968: 3953: 3951:, p. 181. 3941: 3926: 3914: 3902: 3890: 3878: 3876:, p. 113. 3866: 3851: 3839: 3820: 3808: 3791: 3779: 3777:, p. 442. 3767: 3755: 3743: 3731: 3719: 3717:, p. 290. 3707: 3705:, p. 285. 3695: 3683: 3668: 3656: 3654:, p. 289. 3641: 3620: 3608: 3596: 3584: 3572: 3560: 3548: 3536: 3524: 3512: 3500: 3479: 3467: 3455: 3443: 3431: 3416: 3401: 3397:Macdonald 2005 3386: 3374: 3362: 3350: 3348:, p. 131. 3338: 3323: 3311: 3299: 3287: 3285:, p. 357. 3275: 3263: 3251: 3232: 3213: 3201: 3189: 3174: 3162: 3150: 3138: 3126: 3114: 3102: 3090: 3075: 3063: 3048: 3036: 3024: 3003: 2987: 2985: 2982: 2979: 2978: 2957: 2904: 2903: 2901: 2898: 2896: 2893: 2882:Theodor Kullak 2832:Hans von Bülow 2806: 2803: 2750:in the 1870s. 2674:L'isle joyeuse 2636: 2619:Faust Symphony 2575:Romantic music 2571: 2568: 2566: 2563: 2458:Life of Chopin 2453: 2450: 2402:Weihnachtsbaum 2393:Main article: 2390: 2387: 2315:ninth symphony 2306:absolute music 2277: 2274: 2270:Hans von Milde 2252: 2249: 2239:Cantata No. 21 2198: 2188: 2178: 2171: 2170: 2169: 2160: 2159: 2158: 2153:Main article: 2150: 2147: 2120:Bach's cantata 2091: 2088: 2040: 2027: 2022: 2021: 2020: 2011: 2010: 2009: 1998: 1988: 1978: 1973: 1972: 1971: 1962: 1961: 1960: 1958: 1955: 1953: 1952:Keyboard music 1950: 1946:symphonic poem 1927:Main article: 1924: 1921: 1879: 1876: 1859:sixth symphony 1848:Schwanengesang 1809:Franz Joseph I 1800: 1797: 1766:Sixth Symphony 1709:Marie d'Agoult 1685: 1682: 1678:Peter G. Davis 1672: 1669: 1643:Faust Symphony 1638:Faust Overture 1618:Hans von Bülow 1590:Dante Symphony 1529: 1528:Richard Wagner 1526: 1445: 1442: 1382:Marie d'Agoult 1366: 1363: 1346:Faust Symphony 1301: 1300:Hector Berlioz 1298: 1296: 1293: 1229:Claude Debussy 1197: 1194: 1185:Kornél Ábrányi 1165:vie trifurquée 1141: 1138: 1027: 1024: 944: 941: 894:Hans von Bülow 867:Miklós Barabás 858: 855: 807:Heinrich Heine 780: 777: 713:Swiss pianist 702: 701:The Ivory Duel 699: 677:, was born in 637:Marie d'Agoult 624: 621: 619: 618:Touring Europe 616: 576:Hector Berlioz 523:Chrétien Urhan 495:King George IV 450: 447: 433:Anton Diabelli 322: 321: 312: 311: 303: 302: 301: 300: 299: 297: 294: 292: 289: 237:symphonic poem 209:Richard Wagner 205:Clara Schumann 193:Hector Berlioz 154: 153: 145: 144: 140: 139: 133: 129: 128: 126: 125: 119: 116:Marie d'Agoult 112: 110: 106: 105: 100: 96: 95: 89: 87:(aged 74) 81: 77: 76: 70: 66: 62: 61: 58: 50: 49: 46: 15: 9: 6: 4: 3: 2: 12570: 12559: 12556: 12554: 12551: 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10964: 10962: 10959: 10957: 10954: 10952: 10949: 10947: 10944: 10942: 10939: 10937: 10934: 10932: 10929: 10927: 10924: 10922: 10921:Nikolai Gogol 10919: 10917: 10914: 10912: 10909: 10907: 10904: 10902: 10899: 10897: 10894: 10892: 10889: 10887: 10884: 10882: 10879: 10877: 10874: 10872: 10869: 10868: 10866: 10862: 10856: 10853: 10851: 10848: 10846: 10843: 10841: 10838: 10836: 10833: 10831: 10828: 10826: 10823: 10821: 10818: 10816: 10813: 10812: 10810: 10806: 10800: 10797: 10795: 10792: 10790: 10787: 10785: 10782: 10780: 10777: 10775: 10772: 10770: 10767: 10765: 10762: 10761: 10759: 10755: 10749: 10746: 10744: 10741: 10739: 10736: 10734: 10731: 10729: 10726: 10724: 10721: 10720: 10718: 10714: 10708: 10705: 10703: 10700: 10698: 10695: 10693: 10690: 10688: 10685: 10683: 10680: 10679: 10677: 10673: 10667: 10664: 10662: 10659: 10657: 10654: 10652: 10649: 10647: 10644: 10642: 10639: 10637: 10634: 10633: 10631: 10627: 10621: 10618: 10616: 10613: 10611: 10608: 10606: 10603: 10601: 10598: 10596: 10593: 10591: 10588: 10586: 10583: 10581: 10578: 10577: 10575: 10573: 10569: 10563: 10560: 10558: 10555: 10553: 10552:P. B. Shelley 10550: 10548: 10545: 10543: 10540: 10538: 10535: 10533: 10532:Mary Robinson 10530: 10528: 10525: 10523: 10520: 10518: 10515: 10513: 10510: 10508: 10505: 10503: 10500: 10498: 10495: 10493: 10490: 10488: 10485: 10483: 10480: 10478: 10475: 10473: 10470: 10468: 10465: 10463: 10460: 10458: 10455: 10453: 10450: 10449: 10447: 10445: 10439: 10433: 10430: 10428: 10425: 10423: 10420: 10418: 10415: 10413: 10410: 10408: 10405: 10403: 10400: 10398: 10395: 10393: 10390: 10388: 10385: 10383: 10380: 10378: 10375: 10373: 10370: 10368: 10365: 10363: 10360: 10358: 10355: 10353: 10350: 10348: 10345: 10343: 10340: 10338: 10335: 10333: 10330: 10328: 10325: 10324: 10322: 10318: 10312: 10309: 10307: 10304: 10302: 10299: 10297: 10294: 10292: 10289: 10287: 10284: 10282: 10279: 10277: 10274: 10272: 10269: 10267: 10264: 10262: 10261:Chateaubriand 10259: 10257: 10254: 10252: 10249: 10248: 10246: 10244: 10240: 10234: 10231: 10229: 10226: 10224: 10221: 10219: 10216: 10214: 10211: 10209: 10206: 10204: 10201: 10199: 10196: 10194: 10191: 10189: 10186: 10184: 10181: 10179: 10176: 10174: 10171: 10169: 10166: 10165: 10163: 10159: 10156: 10154: 10150: 10144: 10141: 10139: 10138: 10134: 10132: 10129: 10127: 10124: 10122: 10119: 10117: 10114: 10112: 10109: 10107: 10104: 10102: 10099: 10097: 10094: 10092: 10091: 10090:Mal du siècle 10087: 10085: 10082: 10078: 10075: 10073: 10070: 10069: 10068: 10065: 10063: 10060: 10058: 10057: 10053: 10051: 10048: 10046: 10043: 10042: 10040: 10036: 10030: 10027: 10025: 10022: 10020: 10017: 10015: 10012: 10010: 10009: 10005: 10003: 10000: 9996: 9995: 9991: 9990: 9989: 9986: 9984: 9981: 9979: 9976: 9974: 9971: 9969: 9966: 9964: 9961: 9959: 9956: 9954: 9951: 9949: 9946: 9944: 9941: 9939: 9936: 9934: 9931: 9929: 9926: 9924: 9921: 9919: 9916: 9914: 9911: 9910: 9908: 9904: 9898: 9895: 9893: 9890: 9888: 9885: 9883: 9880: 9878: 9875: 9873: 9870: 9868: 9865: 9863: 9860: 9858: 9855: 9852: 9850: 9847: 9845: 9842: 9841: 9839: 9835: 9831: 9824: 9819: 9817: 9812: 9810: 9805: 9804: 9801: 9789: 9786: 9784: 9781: 9779: 9776: 9774: 9771: 9770: 9767: 9763: 9756: 9751: 9749: 9744: 9742: 9737: 9736: 9733: 9721: 9717: 9713: 9711: 9703: 9702: 9699: 9698: 9692: 9691: 9683: 9675: 9672: 9671: 9670: 9667: 9663: 9660: 9658: 9655: 9653: 9650: 9648: 9645: 9644: 9643: 9640: 9638: 9635: 9634: 9632: 9628: 9621: 9617: 9615: 9612: 9610: 9607: 9605: 9602: 9600: 9597: 9595: 9594: 9590: 9588: 9585: 9583: 9580: 9579: 9577: 9573: 9567: 9564: 9562: 9559: 9557: 9554: 9552: 9549: 9547: 9544: 9542: 9539: 9537: 9534: 9532: 9529: 9527: 9524: 9522: 9519: 9517: 9514: 9513: 9511: 9507: 9501: 9498: 9496: 9493: 9492: 9490: 9486: 9480: 9477: 9475: 9472: 9470: 9467: 9465: 9462: 9460: 9457: 9455: 9452: 9450: 9447: 9445: 9442: 9440: 9437: 9435: 9432: 9430: 9427: 9425: 9422: 9420: 9417: 9415: 9412: 9410: 9407: 9405: 9404:J. Strauss II 9402: 9400: 9397: 9395: 9392: 9390: 9387: 9385: 9382: 9380: 9377: 9375: 9372: 9370: 9367: 9365: 9362: 9360: 9357: 9355: 9352: 9350: 9347: 9345: 9342: 9340: 9337: 9335: 9332: 9330: 9327: 9325: 9322: 9320: 9317: 9315: 9312: 9310: 9307: 9305: 9302: 9300: 9297: 9295: 9292: 9290: 9287: 9285: 9282: 9280: 9277: 9275: 9272: 9270: 9267: 9265: 9262: 9260: 9257: 9255: 9252: 9250: 9247: 9245: 9242: 9240: 9237: 9235: 9232: 9230: 9227: 9225: 9222: 9220: 9217: 9215: 9212: 9210: 9207: 9205: 9202: 9200: 9197: 9195: 9192: 9190: 9187: 9185: 9182: 9180: 9177: 9175: 9172: 9170: 9167: 9165: 9162: 9160: 9157: 9155: 9152: 9150: 9147: 9145: 9142: 9140: 9137: 9135: 9132: 9130: 9127: 9125: 9122: 9120: 9117: 9115: 9112: 9110: 9107: 9105: 9102: 9100: 9097: 9095: 9092: 9090: 9087: 9085: 9082: 9080: 9077: 9075: 9072: 9070: 9067: 9065: 9062: 9060: 9057: 9055: 9052: 9050: 9047: 9045: 9042: 9040: 9037: 9035: 9032: 9030: 9027: 9025: 9022: 9020: 9017: 9015: 9012: 9010: 9007: 9005: 9002: 9000: 8997: 8995: 8992: 8990: 8987: 8985: 8982: 8980: 8977: 8975: 8972: 8970: 8967: 8965: 8962: 8960: 8957: 8955: 8952: 8950: 8947: 8945: 8942: 8940: 8937: 8935: 8932: 8930: 8927: 8925: 8922: 8920: 8917: 8915: 8912: 8910: 8907: 8905: 8902: 8900: 8897: 8895: 8892: 8890: 8887: 8885: 8882: 8880: 8877: 8875: 8872: 8870: 8867: 8865: 8862: 8860: 8857: 8855: 8852: 8850: 8847: 8845: 8842: 8840: 8837: 8835: 8832: 8830: 8827: 8825: 8822: 8820: 8817: 8815: 8812: 8810: 8807: 8805: 8802: 8800: 8797: 8795: 8792: 8790: 8787: 8785: 8782: 8781: 8779: 8775:Composers and 8773: 8769: 8764: 8760: 8753: 8748: 8746: 8741: 8739: 8734: 8733: 8730: 8724: 8717: 8705: 8701: 8697: 8695: 8687: 8686: 8683: 8677: 8674: 8672: 8669: 8667: 8665: 8661: 8659: 8656: 8654: 8651: 8649: 8646: 8644: 8641: 8640: 8638: 8634: 8628: 8625: 8623: 8620: 8618: 8615: 8613: 8610: 8608: 8607:István Thomán 8605: 8603: 8600: 8598: 8595: 8593: 8590: 8588: 8585: 8583: 8580: 8578: 8575: 8573: 8570: 8568: 8565: 8563: 8560: 8558: 8557:Carl Reinecke 8555: 8553: 8550: 8548: 8545: 8543: 8540: 8538: 8535: 8533: 8532:Sophie Menter 8530: 8528: 8525: 8523: 8520: 8518: 8515: 8513: 8510: 8508: 8507:Carl Lachmund 8505: 8503: 8502:Martin Krause 8500: 8498: 8495: 8493: 8490: 8488: 8485: 8483: 8480: 8478: 8475: 8473: 8470: 8468: 8465: 8463: 8460: 8458: 8455: 8453: 8452:Carl Baermann 8450: 8449: 8447: 8443: 8436: 8435:Cosima Wagner 8433: 8430: 8427: 8426: 8424: 8420: 8414: 8413: 8409: 8407: 8406: 8402: 8401: 8399: 8395: 8389: 8388: 8384: 8382: 8381: 8377: 8374: 8370: 8368: 8367: 8363: 8361: 8360: 8356: 8354: 8353: 8349: 8346: 8342: 8339: 8335: 8332: 8328: 8326: 8325: 8321: 8318: 8314: 8311: 8307: 8304: 8300: 8297: 8293: 8291: 8290: 8286: 8284: 8281: 8279: 8276: 8274: 8273: 8272:Deux légendes 8269: 8267: 8266: 8262: 8260: 8259: 8255: 8253: 8252:Ballade No. 2 8250: 8248: 8247:Ballade No. 1 8245: 8243: 8240: 8238: 8236: 8232: 8230: 8229: 8225: 8223: 8220: 8218: 8217: 8213: 8211: 8210: 8206: 8204: 8201: 8199: 8198: 8194: 8192: 8191: 8187: 8186: 8184: 8180: 8174: 8173: 8169: 8167: 8164: 8162: 8159: 8157: 8154: 8152: 8151: 8147: 8146: 8144: 8140: 8134: 8133: 8129: 8127: 8125: 8121: 8119: 8117: 8113: 8112: 8110: 8106: 8100: 8099: 8095: 8093: 8092: 8088: 8086: 8085: 8081: 8079: 8078: 8074: 8072: 8071: 8067: 8065: 8064: 8060: 8058: 8057: 8053: 8051: 8050: 8046: 8044: 8043: 8039: 8037: 8036: 8032: 8030: 8029: 8025: 8023: 8022: 8018: 8017: 8015: 8013: 8009: 8003: 8002: 7998: 7996: 7995: 7991: 7989: 7986: 7984: 7983: 7979: 7978: 7976: 7972: 7966: 7965: 7961: 7959: 7958: 7954: 7953: 7951: 7947: 7941: 7938: 7934: 7931: 7929: 7926: 7925: 7924: 7923:Musical works 7921: 7920: 7918: 7914: 7910: 7905: 7901: 7894: 7889: 7887: 7882: 7880: 7875: 7874: 7871: 7859: 7855: 7852: 7850: 7846: 7843: 7841: 7837: 7834: 7833: 7830: 7827: 7826: 7822: 7818: 7815: 7812: 7808: 7805: 7802: 7798: 7795: 7794: 7791: 7788: 7787: 7782: 7778: 7774: 7772: 7769: 7768: 7762: 7759: 7757: 7754: 7753: 7751: 7743: 7740: 7738: 7735: 7734: 7729: 7724: 7709: 7705: 7701: 7695: 7691: 7687: 7686:Watson, Derek 7683: 7679: 7674: 7670: 7664: 7660: 7659: 7653: 7649: 7643: 7639: 7638: 7632: 7628: 7624: 7620: 7614: 7610: 7609: 7603: 7599: 7595: 7591: 7589:9780690496994 7585: 7581: 7576: 7572: 7568: 7564: 7560: 7556: 7544: 7540: 7536: 7531: 7527: 7523: 7519: 7515: 7511: 7507: 7502: 7498: 7494: 7490: 7485: 7474: 7470: 7469:"Franz Liszt" 7465: 7461: 7457: 7453: 7448: 7444: 7440: 7436: 7431: 7420: 7416: 7411: 7407: 7403: 7399: 7397:9780801440762 7393: 7389: 7384: 7373: 7372: 7366: 7361: 7357: 7353: 7349: 7345: 7341: 7337: 7326: 7322: 7317: 7313: 7309: 7305: 7303:9781576470060 7299: 7295: 7290: 7278: 7274: 7267: 7262: 7258: 7251: 7247: 7243: 7242: 7236: 7230: 7226: 7222: 7218: 7216:9781580464840 7212: 7208: 7203: 7192: 7188: 7184: 7180: 7176: 7172: 7168: 7164: 7160: 7156: 7151: 7147: 7140: 7136: 7132: 7131: 7125: 7119: 7115: 7108: 7104: 7100: 7099: 7093: 7087: 7083: 7076: 7072: 7068: 7067: 7061: 7055: 7051: 7047: 7042: 7038: 7034: 7033: 7028: 7023: 7018:, p. 834 7017: 7012: 7008: 7003: 7002: 6999: 6993: 6989: 6984: 6980: 6976: 6972: 6968: 6964: 6960: 6955: 6951: 6944: 6943: 6937: 6933: 6926: 6925: 6919: 6915: 6911: 6907: 6903: 6899: 6895: 6890: 6886: 6882: 6878: 6872: 6868: 6867: 6862: 6858: 6847: 6843: 6838: 6834: 6830: 6826: 6821: 6815: 6814:Hamilton 2005 6810: 6806: 6805:Hamilton 2005 6801: 6800: 6797: 6793: 6789: 6783: 6779: 6774: 6768: 6763: 6762: 6759: 6754: 6750: 6746: 6742: 6737: 6733: 6726: 6722: 6718: 6717: 6711: 6705: 6701: 6697: 6693: 6691:9780521642996 6687: 6683: 6678: 6674: 6670: 6666: 6662: 6658: 6654: 6649: 6645: 6638: 6634: 6630: 6625: 6619: 6616:(Winter 1985) 6615: 6608: 6603: 6599: 6595: 6591: 6587: 6583: 6579: 6574: 6570: 6566: 6562: 6558: 6554: 6550: 6545: 6541: 6537: 6533: 6529: 6525: 6521: 6516: 6512: 6507: 6503: 6497: 6493: 6492: 6486: 6482: 6478: 6474: 6469: 6465: 6458: 6452: 6448: 6444: 6440: 6439: 6433: 6428: 6423: 6419: 6415: 6411: 6407: 6403: 6399: 6395: 6391: 6386: 6375: 6374:Liszt Academy 6371: 6366: 6362: 6358: 6354: 6350: 6346: 6342: 6337: 6325: 6324: 6319: 6315: 6311: 6305: 6300: 6296: 6291: 6287: 6282: 6278: 6273: 6269: 6264: 6260: 6255: 6251: 6246: 6242: 6237: 6236: 6233: 6231:9781108378253 6227: 6223: 6219: 6215: 6210: 6206: 6202: 6198: 6194: 6190: 6186: 6182: 6178: 6173: 6161: 6157: 6153: 6149: 6145: 6141: 6137: 6136:Burger, Ernst 6133: 6122: 6118: 6114: 6110: 6106: 6102: 6098: 6093: 6089: 6085: 6081: 6077: 6073: 6069: 6065: 6061: 6056: 6052: 6048: 6044: 6038: 6034: 6029: 6022: 6021: 6015: 6003: 5999: 5995: 5994: 5982: 5977: 5970: 5965: 5963: 5961: 5959: 5957: 5955: 5948:, p. 26. 5947: 5942: 5935: 5929: 5922: 5917: 5910: 5909:Deaville 2005 5905: 5899:, p. 45. 5898: 5897:Deaville 2005 5893: 5886: 5885:Deaville 2005 5881: 5874: 5869: 5862: 5857: 5850: 5849:Deaville 2005 5845: 5843: 5835: 5830: 5824:, p. 43. 5823: 5822:Deaville 2005 5818: 5812:, p. 44. 5811: 5810:Deaville 2005 5806: 5800:, p. 31. 5799: 5798:Deaville 2005 5794: 5787: 5782: 5776:, p. 32. 5775: 5770: 5768: 5760: 5755: 5753: 5751: 5749: 5742:, p. 28. 5741: 5740:Deaville 2005 5736: 5734: 5732: 5724: 5719: 5712: 5707: 5700: 5695: 5688: 5683: 5676: 5671: 5664: 5659: 5652: 5647: 5641:, p. 19. 5640: 5635: 5628: 5623: 5616: 5611: 5604: 5599: 5593:, p. 18. 5592: 5587: 5581:, p. 17. 5580: 5575: 5568: 5563: 5556: 5551: 5544: 5539: 5532: 5528: 5523: 5516: 5511: 5504: 5499: 5492: 5487: 5480: 5475: 5468: 5463: 5456: 5451: 5444: 5439: 5432: 5427: 5420: 5415: 5408: 5403: 5396: 5391: 5384: 5379: 5372: 5367: 5361:, p. 13. 5360: 5355: 5348: 5343: 5336: 5331: 5324: 5319: 5312: 5307: 5300: 5295: 5288: 5283: 5276: 5271: 5264: 5259: 5257: 5249: 5248:Gárdonyi 1985 5244: 5237: 5232: 5226:, p. 83. 5225: 5220: 5213: 5208: 5206: 5198: 5193: 5186: 5181: 5174: 5169: 5163:, p. 46. 5162: 5157: 5155: 5147: 5142: 5135: 5130: 5123: 5118: 5111: 5106: 5099: 5094: 5087: 5082: 5080: 5078: 5070: 5065: 5058: 5053: 5047:, p. 67. 5046: 5041: 5034: 5029: 5023:, p. 68. 5022: 5021:Pocknell 2000 5017: 5010: 5005: 5003: 5001: 4994:, p. 77. 4993: 4988: 4981: 4976: 4969: 4964: 4957: 4952: 4946:, p. 51. 4945: 4940: 4933: 4928: 4921: 4916: 4909: 4904: 4897: 4896:Hamilton 2008 4892: 4886:, p. 13. 4885: 4880: 4873: 4872:Hamilton 2008 4868: 4861: 4860:Hamilton 2008 4856: 4849: 4848:Hamilton 2008 4844: 4837: 4832: 4825: 4824:Eckhardt 1982 4820: 4813: 4808: 4801: 4800:Hamilton 2008 4796: 4789: 4788:Hamilton 2008 4784: 4777: 4776:Hamilton 2008 4772: 4765: 4760: 4754:, p. 30. 4753: 4748: 4741: 4736: 4729: 4724: 4717: 4712: 4705: 4700: 4694:, p. 93. 4693: 4688: 4681: 4676: 4674: 4666: 4661: 4655:, p. 47. 4654: 4649: 4643:, p. xx. 4642: 4637: 4630: 4625: 4623: 4621: 4619: 4617: 4615: 4613: 4605: 4600: 4593: 4592:Trippett 2021 4588: 4586: 4584: 4582: 4580: 4572: 4567: 4560: 4555: 4549:, p. 66. 4548: 4543: 4537:, p. 25. 4536: 4531: 4529: 4521: 4516: 4509: 4504: 4497: 4492: 4490: 4488: 4480: 4475: 4468: 4463: 4456: 4451: 4444: 4439: 4433:, p. 30. 4432: 4427: 4421:, p. 81. 4420: 4415: 4408: 4403: 4397:, p. 27. 4396: 4391: 4384: 4379: 4372: 4367: 4360: 4355: 4348: 4343: 4336: 4331: 4324: 4319: 4312: 4307: 4300: 4295: 4288: 4283: 4276: 4271: 4265:, p. 94. 4264: 4259: 4257: 4255: 4248:, p. 87. 4247: 4242: 4235: 4230: 4224:, p. 50. 4223: 4218: 4211: 4206: 4199: 4194: 4187: 4182: 4175: 4170: 4164:, p. 87. 4163: 4158: 4156: 4149:, p. 83. 4148: 4143: 4137:, p. 86. 4136: 4131: 4125:, p. 82. 4124: 4119: 4112: 4107: 4101:, p. 80. 4100: 4095: 4088: 4083: 4077:, p. 79. 4076: 4071: 4064: 4059: 4052: 4047: 4041:, p. 74. 4040: 4035: 4028: 4023: 4021: 4013: 4008: 4001: 3996: 3989: 3984: 3977: 3972: 3965: 3960: 3958: 3950: 3945: 3938: 3937:Deaville 2021 3933: 3931: 3923: 3918: 3911: 3906: 3899: 3894: 3887: 3882: 3875: 3870: 3864:, p. 68. 3863: 3858: 3856: 3848: 3843: 3836: 3831: 3829: 3827: 3825: 3817: 3812: 3805: 3800: 3798: 3796: 3788: 3783: 3776: 3771: 3765:, p. 31. 3764: 3759: 3753:, p. 55. 3752: 3747: 3740: 3735: 3728: 3723: 3716: 3711: 3704: 3699: 3693:, p. 73. 3692: 3687: 3680: 3675: 3673: 3665: 3660: 3653: 3648: 3646: 3638: 3633: 3631: 3629: 3627: 3625: 3617: 3612: 3606:, p. 40. 3605: 3600: 3594:, p. 18. 3593: 3588: 3581: 3576: 3569: 3564: 3557: 3552: 3545: 3540: 3533: 3528: 3521: 3516: 3509: 3504: 3497: 3492: 3490: 3488: 3486: 3484: 3476: 3471: 3464: 3459: 3452: 3447: 3440: 3435: 3429:, p. 36. 3428: 3423: 3421: 3414:, p. 64. 3413: 3408: 3406: 3398: 3393: 3391: 3383: 3378: 3371: 3366: 3359: 3354: 3347: 3342: 3336:, p. 30. 3335: 3330: 3328: 3320: 3315: 3309:, p. 23. 3308: 3303: 3297:, p. 62. 3296: 3291: 3284: 3279: 3272: 3267: 3261:, p. 20. 3260: 3255: 3248: 3243: 3241: 3239: 3237: 3229: 3228:Whitelaw 2021 3224: 3222: 3220: 3218: 3210: 3205: 3198: 3193: 3186: 3181: 3179: 3171: 3170:Hamilton 2002 3166: 3160:, p. 57. 3159: 3154: 3148:, p. 60. 3147: 3142: 3135: 3130: 3123: 3118: 3111: 3106: 3099: 3094: 3088:, p. 16. 3087: 3082: 3080: 3072: 3067: 3061:, p. 15. 3060: 3055: 3053: 3045: 3040: 3034:, p. 56. 3033: 3032:Deaville 2005 3028: 3021: 3016: 3014: 3012: 3010: 3008: 3000: 2999:Botstein 2011 2995: 2993: 2988: 2976:, p. 48) 2975: 2971: 2967: 2961: 2954: 2950: 2946: 2942: 2941: 2936: 2931: 2927: 2923: 2922:Liszt Ferencz 2920:; Hungarian: 2918: 2909: 2905: 2892: 2890: 2889: 2883: 2878: 2876: 2872: 2870: 2863: 2861: 2857: 2853: 2849: 2845: 2844:Carl Lachmund 2841: 2837: 2833: 2829: 2825: 2820: 2814: 2809: 2802: 2800: 2796: 2791: 2789: 2785: 2781: 2780: 2775: 2774: 2769: 2765: 2761: 2757: 2753: 2749: 2748: 2743: 2739: 2735: 2734: 2729: 2724: 2722: 2718: 2714: 2713: 2708: 2704: 2703: 2697: 2694: 2690: 2689: 2684: 2680: 2676: 2675: 2670: 2666: 2662: 2658: 2654: 2647: 2641: 2635: 2633: 2628: 2623: 2621: 2620: 2615: 2614: 2609: 2605: 2601: 2600: 2595: 2594: 2588: 2584: 2580: 2576: 2562: 2560: 2556: 2552: 2547: 2545: 2541: 2537: 2532: 2527: 2526: 2521: 2520: 2515: 2514: 2508: 2505: 2500: 2494: 2492: 2487: 2486:Jane Stirling 2483: 2479: 2476: 2471: 2466: 2461: 2459: 2449: 2447: 2443: 2439: 2438: 2433: 2429: 2428: 2422: 2420: 2416: 2415: 2410: 2409: 2404: 2403: 2396: 2386: 2384: 2381:, Wagner and 2380: 2379:Franz Brendel 2374: 2372: 2371: 2366: 2365: 2360: 2352: 2348: 2344: 2340: 2338: 2333: 2332: 2326: 2325: 2320: 2316: 2311: 2307: 2303: 2299: 2298: 2293: 2292:program music 2287: 2283: 2282:Program music 2276:Program music 2273: 2271: 2267: 2263: 2259: 2248: 2246: 2245: 2241:and Wagner's 2240: 2236: 2232: 2228: 2224: 2219: 2217: 2213: 2212:transcription 2206: 2204: 2193: 2192: 2176: 2175: 2156: 2146: 2144: 2140: 2136: 2134: 2133: 2126: 2125: 2121: 2117: 2113: 2109: 2108: 2103: 2102: 2097: 2087: 2085: 2084: 2079: 2075: 2074: 2069: 2068:La campanella 2065: 2061: 2060: 2055: 2048: 2046: 2025: 2024:La Campanella 2006: 2004: 1992: 1989:Performed by 1976: 1949: 1947: 1943: 1936: 1930: 1920: 1918: 1912: 1908: 1906: 1902: 1898: 1893: 1884: 1875: 1873: 1872: 1867: 1865: 1864:Hammerklavier 1860: 1856: 1855: 1850: 1849: 1844: 1840: 1836: 1835: 1830: 1825: 1823: 1814: 1810: 1805: 1796: 1793: 1788: 1783: 1778: 1769: 1767: 1760: 1744: 1742: 1737: 1733: 1726: 1722: 1718: 1714: 1710: 1707:, Liszt, and 1706: 1702: 1698: 1694: 1690: 1681: 1679: 1668: 1666: 1665: 1660: 1659: 1654: 1653: 1648: 1647:Tristan chord 1644: 1640: 1639: 1633: 1631: 1627: 1623: 1619: 1615: 1607: 1603: 1598: 1594: 1592: 1591: 1586: 1585: 1580: 1579: 1573: 1568: 1566: 1561: 1559: 1558: 1553: 1549: 1545: 1544: 1538: 1534: 1525: 1519: 1515: 1511: 1506: 1504: 1500: 1496: 1495:Franz Brendel 1492: 1491: 1485: 1483: 1479: 1478: 1477:Fantasie in C 1473: 1472: 1467: 1463: 1459: 1455: 1451: 1441: 1439: 1438: 1433: 1432: 1427: 1423: 1419: 1415: 1414:Charles Rosen 1410: 1406: 1403: 1399: 1395: 1391: 1387: 1383: 1378: 1375: 1371: 1362: 1360: 1356: 1350: 1349:to Berlioz). 1348: 1347: 1342: 1341: 1336: 1335: 1330: 1329: 1324: 1320: 1319: 1314: 1306: 1292: 1288: 1283: 1279: 1275: 1270: 1266: 1261: 1259: 1258: 1252: 1251: 1246: 1242: 1241:Ernest Hébert 1238: 1234: 1230: 1225: 1223: 1220:. As he told 1219: 1215: 1207: 1202: 1193: 1190: 1186: 1182: 1178: 1173: 1171: 1166: 1160: 1154: 1150: 1146: 1137: 1135: 1131: 1127: 1123: 1119: 1115: 1110: 1108: 1104: 1099: 1098: 1092: 1088: 1084: 1080: 1075: 1071: 1066: 1060: 1058: 1052: 1050: 1046: 1041: 1032: 1023: 1020: 1015: 1011: 1007: 1003: 998: 996: 992: 988: 984: 980: 976: 971: 970: 964: 960: 959:Franz Brendel 954: 950: 940: 938: 934: 928: 926: 922: 921:St Petersburg 916: 913: 912: 906: 902: 897: 895: 891: 890: 884: 880: 876: 875:Kapellmeister 868: 863: 854: 851: 847: 843: 839: 834: 832: 828: 824: 820: 815: 811: 808: 804: 796: 791: 786: 776: 774: 769: 764: 763: 759:'s report in 758: 753: 751: 747: 743: 739: 738: 733: 727: 725: 721: 716: 707: 698: 696: 691: 686: 684: 680: 676: 672: 668: 667: 660: 658: 657: 652: 651: 646: 642: 638: 629: 615: 613: 612: 607: 602: 593: 589: 587: 583: 582: 577: 574:). Liszt met 573: 572: 567: 563: 559: 555: 551: 546: 544: 540: 536: 532: 528: 524: 520: 514: 512: 508: 503: 502:typhoid fever 498: 496: 492: 491: 486: 482: 478: 474: 465: 460: 455: 446: 444: 443: 434: 430: 429: 420: 415: 413: 408: 406: 402: 398: 394: 393: 388: 383: 381: 377: 373: 369: 364: 360: 356: 352: 348: 344: 343:Sopron County 340: 336: 326: 316: 307: 288: 286: 282: 281:La campanella 278: 277: 272: 271: 266: 262: 258: 254: 250: 246: 242: 238: 233: 228: 226: 222: 218: 214: 213:transcription 210: 206: 202: 198: 194: 189: 187: 183: 179: 174: 172: 168: 164: 160: 151: 146: 141: 138: 137:Cosima Wagner 135:3, including 134: 130: 123: 120: 117: 114: 113: 111: 107: 104: 101: 97: 92: 82: 78: 73: 67: 63: 59:Liszt in 1858 56: 51: 44: 41: 37: 33: 29: 28:personal name 22: 12352: 12340:from Commons 12335: 12314: 12219: 12212: 12205: 12189: 11909:Porto-Alegre 11563:Philosophers 11447:Rachmaninoff 11288: 10896:Chavchavadze 10886:Baratashvili 10646:João de Deus 10615:Wincenty Pol 10407:Küchelbecker 10135: 10101:Noble savage 10088: 10054: 10029:Wallenrodism 10006: 9992: 9923:Coppet group 9857:(literature) 9782: 9695: 9688: 9591: 9575:Other topics 9399:J. Strauss I 9289:Rachmaninoff 9128: 9044:Gretchaninov 8663: 8567:Eduard Reuss 8522:Max Liebling 8410: 8403: 8387:Liebesträume 8385: 8378: 8364: 8357: 8350: 8322: 8287: 8270: 8263: 8258:Consolations 8256: 8234: 8226: 8214: 8207: 8195: 8188: 8170: 8148: 8130: 8123: 8115: 8096: 8089: 8082: 8075: 8068: 8061: 8054: 8047: 8040: 8035:Les préludes 8033: 8026: 8019: 7999: 7992: 7980: 7974:Choral works 7962: 7955: 7899: 7828: 7813:(ChoralWiki) 7789: 7749: 7727: 7689: 7677: 7657: 7636: 7607: 7579: 7562: 7559:Walker, Alan 7547:. Retrieved 7542: 7538: 7509: 7505: 7488: 7476:. Retrieved 7472: 7451: 7434: 7422:. Retrieved 7418: 7387: 7375:. Retrieved 7369: 7343: 7340:Ramann, Lina 7328:. Retrieved 7324: 7293: 7281:. Retrieved 7276: 7272: 7239: 7206: 7194:. Retrieved 7186: 7161:(6): 12–16. 7158: 7154: 7128: 7096: 7064: 7049: 7031: 6987: 6962: 6958: 6941: 6923: 6897: 6893: 6865: 6849:. Retrieved 6846:The Guardian 6845: 6824: 6777: 6757: 6740: 6714: 6681: 6656: 6652: 6628: 6613: 6584:(2): 83–96. 6581: 6577: 6552: 6548: 6523: 6519: 6510: 6490: 6472: 6436: 6427:Walker, Alan 6393: 6389: 6377:. Retrieved 6373: 6344: 6340: 6328:. Retrieved 6321: 6213: 6180: 6176: 6164:. Retrieved 6139: 6124:. Retrieved 6120: 6096: 6066:(1): 75–85. 6063: 6059: 6032: 6019: 6006:. Retrieved 6002:Liszt Museum 6001: 5976: 5941: 5933: 5928: 5916: 5904: 5892: 5880: 5868: 5856: 5829: 5817: 5805: 5793: 5781: 5774:Walker 2011b 5718: 5706: 5694: 5682: 5670: 5658: 5646: 5634: 5622: 5610: 5598: 5586: 5574: 5562: 5550: 5538: 5530: 5527:Suttoni 1979 5522: 5510: 5498: 5486: 5474: 5462: 5450: 5438: 5426: 5414: 5402: 5390: 5378: 5366: 5354: 5342: 5330: 5318: 5306: 5294: 5282: 5270: 5243: 5231: 5219: 5192: 5180: 5168: 5141: 5134:Schwarm 2016 5129: 5117: 5105: 5093: 5064: 5052: 5040: 5035:, p. 1. 5028: 5016: 5009:Domokos 2019 4992:Walker 1987b 4987: 4975: 4963: 4956:Keeling 1992 4951: 4939: 4927: 4915: 4908:Davison 2006 4903: 4891: 4879: 4867: 4855: 4843: 4836:Davison 2006 4831: 4819: 4807: 4795: 4783: 4771: 4764:Francis 2014 4759: 4747: 4735: 4730:, p. 4. 4728:Esteban 1971 4723: 4711: 4706:, p. 2. 4699: 4687: 4660: 4648: 4636: 4599: 4566: 4554: 4542: 4515: 4503: 4496:Szilasi 2011 4474: 4462: 4450: 4438: 4426: 4414: 4402: 4390: 4378: 4366: 4354: 4342: 4330: 4318: 4306: 4294: 4282: 4270: 4241: 4229: 4217: 4205: 4193: 4181: 4169: 4142: 4130: 4118: 4106: 4094: 4082: 4070: 4058: 4046: 4034: 4007: 3995: 3983: 3976:Sitwell 1967 3971: 3944: 3917: 3910:Warrack 2002 3905: 3893: 3881: 3869: 3842: 3811: 3804:Cormac 2021b 3782: 3770: 3758: 3746: 3739:Predota 2019 3734: 3722: 3710: 3698: 3686: 3664:Hensher 2016 3659: 3611: 3599: 3587: 3575: 3563: 3551: 3539: 3527: 3520:Celenza 2021 3515: 3503: 3470: 3463:Davison 2006 3458: 3446: 3434: 3377: 3365: 3353: 3341: 3314: 3302: 3290: 3278: 3273:, p. 6. 3271:de Beer 2008 3266: 3254: 3209:Sitwell 1967 3204: 3192: 3165: 3158:Sitwell 1967 3153: 3141: 3129: 3117: 3105: 3093: 3073:, p. 7. 3066: 3039: 3027: 2960: 2938: 2934: 2926:Liszt Ferenc 2925: 2908: 2886: 2879: 2875:Gnomenreigen 2874: 2868: 2864: 2821: 2817: 2808: 2792: 2777: 2771: 2745: 2737: 2736:in 1869 and 2731: 2725: 2710: 2706: 2700: 2698: 2686: 2678: 2672: 2649: 2643: 2638: 2624: 2617: 2613:Les préludes 2611: 2597: 2593:Liebesträume 2591: 2573: 2570:Compositions 2554: 2548: 2535: 2523: 2517: 2511: 2509: 2503: 2495: 2468: 2464: 2462: 2457: 2455: 2445: 2435: 2425: 2423: 2418: 2412: 2406: 2400: 2398: 2375: 2368: 2364:Les préludes 2362: 2356: 2346: 2322: 2318: 2309: 2301: 2295: 2289: 2254: 2242: 2235:Regina coeli 2234: 2226: 2223:Otto Nicolai 2220: 2209: 2200: 2189: 2173: 2143:Requiem Mass 2128: 2122: 2112:Derek Watson 2105: 2099: 2093: 2081: 2071: 2063: 2057: 2051: 2042: 2000: 1942:programmatic 1938: 1913: 1909: 1903:grand and a 1889: 1869: 1863: 1852: 1846: 1842: 1838: 1832: 1826: 1818: 1784: 1780: 1771: 1762: 1746: 1738: 1734: 1730: 1692: 1674: 1662: 1656: 1650: 1642: 1641:and Liszt's 1636: 1634: 1611: 1588: 1582: 1576: 1571: 1569: 1562: 1555: 1551: 1541: 1531: 1517: 1507: 1488: 1486: 1475: 1469: 1453: 1447: 1437:Consolations 1435: 1434:and Liszt's 1429: 1411: 1407: 1402:Alex Szilasi 1390:Marie Pleyel 1379: 1374:Salle Pleyel 1368: 1351: 1344: 1338: 1337:and part of 1332: 1326: 1316: 1311: 1278:heart attack 1262: 1256: 1248: 1233:Villa Medici 1226: 1210: 1181:Ferenc Erkel 1174: 1157: 1125: 1114:Franz Joseph 1111: 1061: 1053: 1040:Pope Pius IX 1037: 999: 979:Joachim Raff 956: 929: 917: 898: 887: 872: 850:Elizabetgrad 835: 816: 812: 799: 795:Hermann Biow 760: 754: 749: 745: 735: 734:and Weber's 731: 728: 719: 712: 687: 670: 664: 661: 654: 648: 634: 609: 605: 598: 579: 569: 547: 542: 538: 515: 499: 488: 481:Anton Reicha 470: 459:Jean Vignaud 440: 426: 416: 409: 390: 384: 332: 274: 268: 232:many of whom 229: 190: 175: 171:body of work 158: 157: 85:(1886-07-31) 83:31 July 1886 40: 32:Liszt Ferenc 31: 12383:1886 deaths 12378:1811 births 12373:Franz Liszt 12315:Franz Liszt 11899:Michałowski 11731:Wackenroder 11696:F. Schlegel 11691:A. Schlegel 11467:Tchaikovsky 11356:Bortkiewicz 11228:R. Schumann 11223:C. Schumann 11188:Kalkbrenner 11157:Saint-Saëns 10462:Anne Brontë 10347:Eichendorff 10332:B. v. Arnim 10327:A. v. Arnim 10137:Weltschmerz 10096:Medievalism 10045:Blue flower 9973:Nationalist 9918:Bohemianism 9830:Romanticism 9783:Franz Liszt 9642:Romanticism 9424:Tchaikovsky 9359:R. Schumann 9354:C. Schumann 9339:Saint-Saëns 9234:Niedermeyer 9124:Leoncavallo 9094:Kalkbrenner 8869:Bortkiewicz 8666:(1975 film) 8664:Lisztomania 8602:Karl Tausig 8303:Nuages gris 7964:Sardanapalo 7940:Lisztomania 7900:Franz Liszt 7817:Franz Liszt 7781:BBC Radio 3 7728:Franz Liszt 7283:17 February 7196:19 February 7016:Latham 2002 7007:Latham 2002 6318:"Hit Liszt" 6304:Cormac 2021 6295:Cormac 2021 6286:Cormac 2021 6277:Cormac 2021 6268:Cormac 2021 6259:Cormac 2021 6250:Cormac 2021 6241:Cormac 2021 6008:2 September 5946:Walker 1973 5873:Walker 1970 5834:Walker 1970 5786:Walker 1970 5711:Walker 1970 5567:Saffle 2012 5275:Watson 2000 5173:Watson 2000 5161:Searle 1995 5146:Searle 2023 5110:Watson 2000 5098:Watson 2000 5071:, §15, §17. 5033:Searle 1954 4980:Walker 1987 4968:Walker 1973 4944:Walker 1973 4884:Mishra 2016 4812:Ramann 1882 4752:Walker 1973 4692:Walker 1973 4680:Watson 2000 4547:Walker 1973 4455:Watson 2000 4431:Watson 2000 4395:Watson 2000 4347:Walker 1973 4311:Walker 1997 4263:Walker 1973 4234:Hooker 2021 4210:Hilmes 2016 4186:Hilmes 2016 4162:Walker 1973 4147:Walker 1973 4123:Walker 1973 4099:Walker 1973 4075:Walker 1973 4063:Hilmes 2016 4051:Burger 1986 4039:Walker 1973 4027:Hilmes 2016 4012:Hilmes 2016 4000:Hilmes 2016 3988:Walker 1973 3949:Hilmes 2016 3898:Hilmes 2016 3886:Hilmes 2016 3874:Hilmes 2016 3862:Walker 1973 3847:Walker 1973 3816:Hilmes 2016 3787:Hilmes 2016 3775:Walker 1987 3763:Searle 1995 3751:Walker 1973 3727:Walker 1973 3715:Walker 1987 3703:Walker 1987 3691:Hilmes 2016 3652:Walker 1987 3604:Walker 1973 3568:Hilmes 2016 3556:Hilmes 2016 3508:Hilmes 2016 3451:Walker 1973 3427:Walker 1973 3382:Walker 1987 3370:Walker 1973 3358:Walker 1973 3346:Walker 1987 3334:Searle 1995 3319:Walker 1973 3307:Walker 1973 3295:Ramann 1882 3283:Latham 2002 3259:Walker 1970 3197:Ramann 1882 3146:Ramann 1882 3134:Walker 1973 3122:Walker 1973 3110:Ramann 1882 3098:Ramann 1882 3086:Walker 1973 3071:Ramann 1882 3059:Walker 1973 3044:Walker 1987 2974:Walker 1987 2828:Karl Tausig 2824:masterclass 2786:also wrote 2728:Saint-Saëns 2702:Nuages gris 2625:During the 2544:antisemitic 2491:George Sand 2473: [ 2427:Nuages gris 1878:Instruments 1813:Bösendorfer 1727:looking on. 1713:Victor Hugo 1711:; standing 1705:George Sand 1695:(1840), by 1503:Mendelssohn 1466:Clara Wieck 1426:Alan Walker 1386:George Sand 1285: [ 1255:Schubert's 1222:Lina Ramann 1196:Final years 1134:Buda Castle 803:Lisztomania 785:Lisztomania 779:Lisztomania 773:Alan Walker 757:Jules Janin 695:Nonnenwerth 558:George Sand 550:Victor Hugo 543:Les Regrets 462: [ 387:Carl Czerny 283:", and the 249:masterclass 186:Lisztomania 178:Carl Czerny 159:Franz Liszt 118:(1833–1839) 47:Franz Liszt 12367:Categories 12354:Quotations 11774:Chassériau 11749:Aivazovsky 11457:Rubinstein 11442:Mussorgsky 11391:Wieniawski 11376:Paderewski 11218:Moszkowski 11001:Vörösmarty 10991:Shevchenko 10845:Longfellow 10769:Batyushkov 10764:Baratynsky 10733:Espronceda 10600:Mickiewicz 10595:Malczewski 10562:Wordsworth 10547:M. Shelley 10502:de Quincey 10367:Günderrode 10251:Baudelaire 10131:Wanderlust 9968:Lake Poets 9630:Background 9531:Intermezzo 9464:Wieniawski 9444:Vieuxtemps 9409:R. Strauss 9334:Rubinstein 9259:Paderewski 9229:Mussorgsky 9224:Moszkowski 9199:Mercadante 8627:Géza Zichy 8437:(daughter) 8429:Adam Liszt 8182:Solo piano 8098:Die Ideale 8063:Festklänge 8049:Prometheus 7994:Via crucis 7957:Don Sanche 7928:Late works 7668:0801484537 7618:0801494214 7549:6 February 7478:23 January 7473:Britannica 7424:23 January 7419:Britannica 7330:9 February 7259:required.) 7148:required.) 7116:required.) 7084:required.) 6851:19 January 6787:0521622042 6734:required.) 6646:required.) 6466:required.) 6379:23 January 6330:19 January 6166:19 January 6126:19 January 6042:0521480914 5981:Liszt 2021 5543:Liszt 2013 5515:Forte 1987 5503:Pesce 2014 5491:Pesce 2014 5479:Baker 2005 5467:Baker 2005 5455:Baker 2005 5443:Pesce 2014 5431:Baker 2005 5419:Baker 2005 5407:Bonds 2014 5395:Bonds 2014 5383:Bonds 2014 5371:Johns 1993 5359:Johns 1993 5337:, preface. 5323:Bonds 2014 5311:Bonds 2014 5287:Bonds 2014 5236:Rosen 2012 5045:Gould 2005 4932:Gould 2005 4920:Gould 2005 4740:Davis 1987 4419:Bloom 2013 4407:Bloom 2013 4287:Baker 2005 4246:Baker 2005 4222:Pesce 2014 4135:Baker 2005 3412:Bloom 1998 2966:birthplace 2895:References 2657:Stravinsky 2583:Schoenberg 2579:Stravinsky 2484:and pupil 2446:Via crucis 2408:Via crucis 2389:Late works 2280:See also: 2262:recitative 2244:Tannhäuser 2203:media help 2132:Crucifixus 2045:media help 2003:media help 1933:See also: 1829:J. S. Bach 1572:Tannhäuser 1557:Tannhäuser 1454:Impromptus 1237:Paul Vidal 1170:tripartite 991:leitmotifs 490:Don Sanche 380:Eisenstadt 335:Adam Liszt 325:Adam Liszt 296:Early life 12259:Biography 12214:Modernism 11874:Kiprensky 11834:Géricault 11819:Friedrich 11809:Delacroix 11784:Constable 11764:Bonington 11754:Bierstadt 11706:Senancour 11681:Schelling 11636:Lamennais 11631:Khomyakov 11596:Coleridge 11591:Chaadayev 11498:Stanković 11493:Mokranjac 11412:Balakirev 11371:Moniuszko 11320:Donizetti 11315:Cherubini 11213:Meyerbeer 11198:Marschner 11173:Beethoven 11086:Moscheles 11020:Musicians 11006:Wergeland 10971:Orbeliani 10926:Grundtvig 10830:Hawthorne 10799:Zhukovsky 10794:Vyazemsky 10779:Lermontov 10738:Gutiérrez 10697:Radičević 10661:Herculano 10585:Krasiński 10527:Radcliffe 10497:Coleridge 10472:E. Brontë 10467:C. Brontë 10397:Jean Paul 10392:Hölderlin 10281:Lamartine 10218:Magalhães 10208:Guimarães 10116:Pantheism 10106:Nostalgia 9958:Indianism 9906:Movements 9837:Countries 9244:Offenbach 9219:Moscheles 9214:Moniuszko 9209:Meyerbeer 9164:Marschner 9149:MacDowell 8964:Donizetti 8909:Cherubini 8899:Chaminade 8824:Beethoven 8809:Balakirev 8799:Atterberg 8777:musicians 8172:Totentanz 7708:24861665M 7688:(2000) . 7598:21091256M 7571:26352341M 7518:0015-6191 7497:21091397M 7460:18342085M 7406:17068266M 7325:Interlude 7312:12238972M 7279:: 127–140 7225:26185377M 6885:26316088M 6833:10133750M 6796:19319043M 6749:25076988M 6700:10436070M 6410:0039-3266 6197:0027-4666 6148:924748359 6105:26883046M 6080:1788-6244 5759:Loya 2021 5723:Cook 1986 4653:Grey 2008 4641:Grey 2008 4604:Grey 2008 4337:, §6, §8. 3922:Grey 2001 3618:, §1.iii. 3544:Jost 2020 3532:Jost 2021 2984:Citations 2869:Waldstein 2740:in 1877; 2685:with his 2663:music of 2653:Prokofiev 2519:Lohengrin 2465:F. Chopin 2233:'s motet 2174:Totentanz 1905:Boisselot 1901:Broadwood 1897:Bechstein 1725:Beethoven 1697:Danhauser 1626:Wahnfried 1602:Wahnfried 1578:Lohengrin 1484:in 1840. 1431:Nocturnes 1274:pneumonia 1257:Ave Maria 1006:Beethoven 925:annulment 901:Intendant 889:Lohengrin 752:fantasy. 650:L'Artiste 535:Classical 507:Charles X 401:Beethoven 376:Pressburg 345:, in the 257:atonality 143:Signature 12226:Category 12042:Dahlhaus 12027:Blanning 11994:Scholars 11964:Tropinin 11959:Tidemand 11949:Stattler 11944:Scheffer 11844:Głowacki 11814:Edelfelt 11769:Bryullov 11711:Snellman 11686:Schiller 11676:Rousseau 11656:Michelet 11601:Constant 11571:Belinsky 11544:Sibelius 11488:Konjović 11462:Scriabin 11432:Lyapunov 11366:Lipiński 11335:Spontini 11325:Paganini 11269:Goldmark 11060:Thalberg 11055:Schubert 11035:Bruckner 10996:Topelius 10986:Runeberg 10976:Prešeren 10946:Leopardi 10911:Frashëri 10901:Eminescu 10881:Andersen 10789:Tyutchev 10774:Karamzin 10748:Zorrilla 10743:Saavedra 10641:Castilho 10629:Portugal 10620:Słowacki 10522:Polidori 10452:Barbauld 10387:Hoffmann 10342:Brentano 10256:Bertrand 10077:Romantic 9913:Ancients 9887:Scotland 9710:Category 9687: ← 9566:Symphony 9429:Thalberg 9394:Spontini 9369:Sibelius 9364:Scriabin 9349:Schubert 9344:Sarasate 9309:Respighi 9304:Reinecke 9264:Paganini 9174:Massenet 9169:Masarnau 9154:Madetoja 9099:Kreisler 9089:Kalivoda 9034:J. Gomis 9019:Glazunov 9014:Giuliani 8904:Chausson 8894:Chadwick 8884:Bruckner 8694:Category 8431:(father) 8126:Symphony 8118:Symphony 8077:Hungaria 7858:LibriVox 7627:2394803M 7526:23505430 7443:6157654M 7377:11 March 7352:7103128M 7342:(1882). 7167:26385978 6914:20796952 6863:(2016). 6673:30044125 6598:25599545 6569:24898486 6481:5447957M 6429:(2001). 6361:25434402 6323:New York 6138:(1986). 6088:43289705 2805:Teaching 2773:Kullervo 2764:Sibelius 2747:Má vlast 2693:Dohnányi 2616:and the 2551:treatise 2452:Writings 2419:Unstern! 2104:and the 1664:Parsifal 1518:Fantasie 1514:Endenich 1269:festival 1265:Bayreuth 1214:cataract 1153:Budapest 1122:Budapest 1087:exorcist 1014:Bayreuth 957:In 1859 937:Zhytomyr 653:and the 412:Schubert 405:Schubert 339:Doborján 163:virtuoso 132:Children 109:Partners 91:Bayreuth 72:Doborján 12283:Hungary 12245:Portals 12067:Lovejoy 12002:Abraham 11924:Richard 11914:Préault 11839:Girodet 11721:Thoreau 11666:Novalis 11651:Mazzini 11646:Maistre 11621:Hazlitt 11606:Emerson 11586:Carlyle 11576:Berchet 11519:Berwald 11514:Bennett 11483:Hristić 11437:Medtner 11417:Borodin 11407:Arensky 11330:Rossini 11305:Bellini 11284:Joachim 11257:Hungary 11238:Strauss 11166:Germany 11132:Berlioz 11101:Voříšek 11096:Smetana 11074:Czechia 11028:Austria 10961:Maturin 10956:Manzoni 10931:Heliade 10906:Foscolo 10876:Alfieri 10871:Abovian 10825:Emerson 10784:Pushkin 10723:Bécquer 10656:Garrett 10610:Potocki 10557:Southey 10517:Maturin 10487:Carlyle 10444:Britain 10417:Novalis 10372:Gutzkow 10320:Germany 10286:Mérimée 10271:Gautier 10198:Barreto 10193:Azevedo 10173:Alencar 10153:Writers 10072:Byronic 10008:Purismo 9862:Germany 9844:Denmark 9700:→ 9662:Science 9541:Mazurka 9516:Ballade 9449:Voříšek 9419:Tárrega 9414:Taneyev 9374:Smetana 9329:Rossini 9284:Puccini 9279:Prudent 9239:Nielsen 9204:Méreaux 9179:Medtner 9144:Lysenko 9114:Lachner 9079:Joachim 9059:Herbert 8979:Farrenc 8944:Delibes 8919:Crusell 8864:Borodin 8854:Berwald 8844:Berlioz 8834:Bennett 8829:Bellini 8814:Bazzini 8794:Arensky 8636:Related 8487:Amy Fay 8352:Csárdás 8056:Mazeppa 8042:Orpheus 7847:at the 7823:project 7821:Musopen 7819:at the 7809:in the 7803:(IMSLP) 7799:at the 7029:(ed.). 7027:La Mara 6051:344098M 5990:Sources 5214:, §4.v. 5088:, §1.v. 2913:German: 2779:En saga 2742:Smetana 2665:Debussy 2482:Ludwika 2432:tritone 2370:Mazeppa 2137:in the 1792:Amy Fay 1671:Pianist 1482:Dresden 1394:Camille 1313:Berlioz 1247:" from 1091:acolyte 1074:tonsure 923:for an 423:Part II 12092:Wellek 12072:de Man 12057:Janion 12047:Ferber 12022:Berlin 12017:Beiser 12012:Barzun 12007:Abrams 11984:Wiertz 11969:Turner 11919:Révoil 11904:Palmer 11894:Martin 11889:Leutze 11864:Janmot 11824:Fuseli 11779:Church 11671:Quinet 11661:Müller 11616:Goethe 11611:Fichte 11534:Franck 11476:Serbia 11427:Glinka 11400:Russia 11386:Tausig 11381:Stolpe 11361:Chopin 11349:Poland 11310:Busoni 11274:Heller 11243:Wagner 11178:Brahms 11152:Onslow 11142:Halévy 11110:France 11091:Reicha 11081:Dvořák 11050:Mahler 11045:Hummel 11040:Czerny 10936:Isaacs 10916:Geijer 10850:Lowell 10840:Irving 10820:Cooper 10815:Bryant 10757:Russia 10692:Njegoš 10687:Kostić 10682:Jakšić 10675:Serbia 10605:Norwid 10580:Fredro 10572:Poland 10542:Seward 10432:Uhland 10422:Schwab 10412:Mörike 10402:Kleist 10357:Goethe 10352:Fouqué 10301:Nodier 10296:Nerval 10291:Musset 10243:France 10233:Varela 10228:Taunay 10213:Macedo 10161:Brazil 10111:Ossian 10038:Themes 9877:Poland 9872:Norway 9854:France 9720:Portal 9657:Poetry 9509:Genres 9454:Wagner 9434:Tobias 9299:Reicha 9274:Popper 9254:Pacini 9249:Onslow 9159:Mahler 9139:Lumbye 9104:Kuhlau 9084:Joplin 9074:Hummel 9064:Hérold 9054:Halévy 9039:Gounod 9024:Glinka 9004:Franck 8999:Foster 8969:Dvořák 8959:d'Indy 8949:Delius 8929:Czerny 8914:Chopin 8889:Busoni 8874:Brahms 8849:Bertin 8839:Bériot 8445:Pupils 8422:Family 8237:Sonata 8084:Hamlet 7949:Operas 7790:Scores 7725:about 7706: 7696: 7665: 7644: 7625: 7615: 7596: 7586: 7569: 7524: 7516: 7495: 7458: 7441: 7404: 7394: 7350: 7310: 7300: 7223: 7213: 7165: 6994: 6979:902290 6977: 6912: 6883: 6873: 6831: 6794: 6784: 6747: 6698: 6688: 6671: 6596: 6567: 6540:746436 6538: 6498: 6479: 6453: 6418:901828 6416: 6408: 6359: 6228: 6205:965235 6203: 6195: 6146: 6103: 6086: 6078: 6049: 6039: 5971:, §23. 5701:, §14. 5531:passim 5265:, §19. 5199:, §10. 5124:, §17. 4373:, §27. 4301:, §25. 4176:, §24. 4089:, §21. 4053:, 209. 3966:, §20. 3837:, §12. 3399:, §17. 3022:, §28. 2970:Magyar 2940:Ritter 2871:Sonata 2795:cinema 2760:Dvořák 2756:d'Indy 2752:Franck 2730:wrote 2683:Kodály 2587:Bartók 2565:Legacy 2258:arioso 1866:sonata 1775: 1757: 1753: 1749: 1719:, and 1614:Cosima 1608:(1880) 1552:Rienzi 1543:Rienzi 1533:Wagner 1522: 1424:, but 1370:Chopin 1107:Albano 1083:lector 1079:porter 1057:sepsis 983:Brahms 869:, 1847 857:Weimar 846:Weimar 675:Cosima 641:Geneva 437:Part I 372:Sopron 368:Romani 363:Hummel 124:(1847) 12337:Media 12307:Opera 12295:Music 12178:Bacon 12087:Rosen 12082:Ricks 12077:Nancy 12037:Blume 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