Johann Sebastian Bach

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all the notes are not those of the true Bass—or treated with simple embellishments in the upper parts or with simple chords used to be called "homophony". But it is a very different thing when two melodies are so interwoven that they converse together like two persons upon a footing of pleasant equality. In the first case, the accompaniment is subordinate and serves merely to support the first or principal part. In the second case, the two parts are not similarly related. New melodic combinations spring from their interweaving, out of which new forms of musical expression emerge. Suppose more parts are interwoven in the same free and independent manner. In that case, the apparatus of language is correspondingly enlarged and becomes practically inexhaustible if, in addition, varieties of form and rhythm are introduced. Hence, harmony becomes no longer a mere accompaniment of melody but rather a potent agency for augmenting the richness and expressiveness of musical conversation. To serve that end, a simple accompaniment will not suffice. True harmony is the interweaving of several melodies, which emerge now in the upper, now in the middle, and now in the lower parts.

4650: 1217:. But when Bach was installed as cantor in 1723, he was put in charge only of music for festal (church holiday) services at St. Paul's Church; his petition to also provide music for regular Sunday services there (for a corresponding salary increase) went all the way to the Elector but was denied. After this, in 1725, Bach "lost interest" in working even for festal services at St. Paul's Church and decided to appear there only on "special occasions". The St. Paul's Church had a much better and newer (1716) organ than the St. Thomas Church or the St. Nicholas Church. Bach was not required to play any organ in his official duties, but it is believed he liked to play on the St. Paul's Church organ "for his own pleasure". 4986:

spiritual ends. They are rooted in archaic chants, hymns, and chorales. They honour, with consummate skill, the scholastic discipline of canon and fugue. They make expert use of the word-painting techniques of the Renaissance madrigal and Baroque opera. They absorb such stock scenes as the lament, the pastoral, the lullaby, the rage aria, the tempest. They allude to courtly French dances, Italian love songs, the polonaise. Their furious development of brief motifs anticipates Beethoven, who worshipped Bach when he was young. And their most daring harmonic adventures—for example, the otherworldly modulations in the 'Confiteor' of the B-Minor Mass—look ahead to Wagner, even to Schoenberg."

16021: 1767: 1997: 731: 4442: 4275: 5072: 4246: 135: 612: 2169: 4642: 3513: 1072: 1680: 1221: 654:). Late one evening, Geyersbach went after Bach with a stick. Bach filed a complaint against Geyersbach with the authorities. They acquitted Geyersbach with a minor reprimand and ordered Bach to be more moderate regarding the musical qualities he expected from his students. Some months later, Bach upset his employer with a prolonged absence from Arnstadt: after obtaining leave for four weeks, he was absent for around four months in 1705–1706 to take lessons from the organist and composer 2694: 3472:, whom the young organist visited in Lübeck in 1704 on an extended leave of absence from his job in Arnstadt. Around this time, Bach copied the works of numerous French and Italian composers to gain insights into their compositional languages and later arranged violin concertos by Vivaldi and others for organ and harpsichord. During his most productive period (1708–1714), he composed about a dozen pairs of preludes and fugues, five toccatas and fugues, and the 44: 16226: 15819: 13455: 12858: 15829: 1980: 9862: 16292: 910: 748:(director of music) at the ducal court, where he had an opportunity to work with a large, well-funded contingent of professional musicians. Bach and his wife moved into a house near the ducal palace. Later the same year, their first child, Catharina Dorothea, was born, and Maria Barbara's elder, unmarried sister joined them. She remained to help run the household until she died in 1729. Three sons were also born in Weimar: 12868: 447: 1154:. Bach collected his cantatas in annual cycles. Five are mentioned in obituaries, and three are extant. Of the more than 300 cantatas Bach composed in Leipzig, over 100 have been lost to posterity. Most of these works expound on the Gospel readings prescribed for every Sunday and feast day in the Lutheran year. Bach started a second annual cycle on the first Sunday after the Trinity of 1724 and composed only 16236: 2172: 2171: 2176: 2175: 2170: 1293: 2177: 16280: 2083:, which already had harpsichord soloists in the 1720s, Bach wrote and arranged his harpsichord concertos in the 1730s, and in his sonatas for viola da gamba and harpsichord neither instrument plays a continuo part: they are treated as equal soloists, far beyond the figured bass. In this sense, Bach played a key role in the development of genres such as the keyboard concerto. 16304: 2104:, the virtuoso music seems tailored for the instrument, the best of what is offered for it, yet Bach made an arrangement for lute of one of these suites. The same applies to much of his most virtuoso keyboard music. Bach exploited the capabilities of an instrument to the fullest while keeping the core of such music independent of the instrument on which it is performed. 2174: 2483:, or lyrics, of his vocal compositions played an essential role for Bach. He sought collaboration with various text authors for his cantatas and major vocal compositions, possibly writing or adapting such texts himself to make them fit the structure of the composition he was designing when he could not rely on the talents of other text authors. His collaboration with 16268: 3413: 1241:, a secular performance ensemble started by Telemann. This was one of the dozens of private societies in the major German-speaking cities that were established by musically active university students; these societies had become increasingly important in public musical life and were typically led by the most prominent professionals in a city. In the words of 3949: 3431: 12303: 2372: 921: 2390: 3139:, would have allowed Leipzig audiences, deprived of opera since 1720, to experience musical performances comparable to the royal opera in Dresden. These were not "poor or makeshift substitutes for real opera" but spectacles displaying "full mastery of the dramatic genre and the proper pacing of the dialogues." 2355: 2255: 2237: 2219: 4985:

writes that "Bach became an absolute master of his art by never ceasing to be a student of it. His most exalted sacred works—the two extant Passions, from the seventeen-twenties, and the Mass in B Minor, completed not long before his death in 1750—are feats of synthesis, mobilising secular devices to

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Sometimes, "who copied whom" is not clear. For instance, Forkel mentions a Mass for double chorus among the works composed by Bach. The work was published and performed in the early 19th century. Although a score partially in Bach's handwriting exists, the work was later considered spurious. In 1950,

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Bach's time in Weimar began a sustained period of composing keyboard and orchestral works. He attained the proficiency and confidence to extend the prevailing structures and include influences from abroad. He learned to write dramatic openings and employ the dynamic rhythms and harmonic schemes found

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If the language of music is merely the utterance of a melodic line, a simple sequence of musical notes, it can justly be accused of poverty. The addition of a Bass puts it upon a harmonic foundation and clarifies it but defines rather than gives it added richness. A melody so accompanied—even though

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saw its 19th-century premiere in 1833, and the first public performance of the Mass in B minor followed in 1844. Besides these and other public performances and increased coverage of the composer and his compositions in printed media, the 1830s and 1840s also saw the first publication of more vocal

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In his own time, Bach was highly regarded amongst his colleagues. However, his reputation outside of this small circle of connoisseurs was due not to his compositions (which had an extremely narrow circulation), but due to his virtuosic abilities. Nevertheless, during his life, Bach received public

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accompaniment. The new system was at the core of Bach's style, and his compositions are to a large extent considered as laying down the rules for the evolving scheme that would dominate musical expression in the next centuries. Some examples of this characteristic of Bach's style and its influence:

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was the basis of much of his work. In elaborating these hymns into his chorale preludes, he wrote more cogent and tightly integrated works than most, even when they were massive and lengthy. The large-scale structure of every major Bach sacred vocal work is evidence of subtle, elaborate planning to

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and other Baroque instruments rather than on modern pianos and 19th-century romantic organs. Ensembles playing and singing Bach's music not only kept to the instruments and the performance style of his day but were also reduced to the size of the groups Bach used for his performances. But that was

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called the Mass in B minor the greatest composition ever. Bach's influence was felt in the next generation of early Romantic composers. When Abraham's son Felix, aged 13, produced his first Magnificat setting in 1822, it is clear that he had been inspired by the then-unpublished D major version of

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From 1720, when he was thirty-five until he died in 1750, Bach's harmony consists of this melodic interweaving of independent melodies, so perfect in their union that each part seems to constitute the true melody. Herein, Bach excels all the composers in the world. At least, I have found no one to

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used in his four-part Chorale settings, for example. Bach's canons, and especially his fugues, are the most characteristic of this style, which he did not invent but contributed to so fundamentally that he defined it to a large extent. Fugues are as characteristic to Bach's style as, for instance,

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are interpolated according to a grand plan. There are nine canons within the 30 variations; every third variation is a canon. These variations move in order from canon at unison to canon at the ninth. The first eight are in pairs (unison and octave, second and seventh, third and sixth, fourth and

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In 1717, Bach eventually fell out of favour in Weimar and, according to a translation of the court secretary's report, was jailed for almost a month before being unfavourably dismissed: "On November 6, , the quondam concertmaster and organist Bach was confined to the County Judge's place of

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In Germany throughout the century, Bach was coupled to nationalist feelings, and the composer was inscribed in a religious revival. In England, Bach was coupled with a revival of religious and baroque music. By the end of the century, Bach was firmly established as one of the greatest composers,

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put the composer's art in a wider perspective. Bach's music was extensively listened to, performed, broadcast, arranged, adapted, and commented upon in the 1990s. Around 2000, the 250th anniversary of Bach's death, three record companies issued box sets with complete recordings of Bach's music.

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on Catherine Street off the main market square; and during the summer months in the proprietor's outdoor coffee garden just outside the town walls, near the East Gate. The concerts, all free of charge, ended with Gottfried Zimmermann's death in 1741. Apart from showcasing his earlier orchestral

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notation and performance guide that Bach wrote for his eldest son, who was nine years old at the time. Bach was generally quite specific on ornamentation in his compositions (where in his time, much of the ornamentation was not written out by composers but rather considered a liberty of the

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Despite strong family connections and a musically enthusiastic employer, tension built up between Bach and the authorities after several years in the post. Bach felt discontented with the calibre of musicians he was collaborating with. He called one of them, Geyersbach, a "Zippel Fagottist"

4325:, his second eldest son, was most active in safeguarding his father's legacy: he co-authored his father's obituary, contributed to the publication of his four-part chorales, staged some of his works, and the bulk of previously unpublished works of his father were preserved with his help. 3611: 3629: 1888:

Bach's insistence on the tonal system and contribution to shaping it did not imply he was less at ease with the older modal system and the genres associated with it: more than his contemporaries (who had "moved on" to the tonal system without much exception), Bach often returned to the

2323: 2287: 2010: 2305: 3985: 3967: 1543:, a set of six chorale preludes transcribed from cantata movements Bach had composed some two decades earlier, were published within a year. Around the same time, the set of five canonic variations which Bach had submitted when entering Mizler's society in 1747 were also printed. 4253:

Throughout the 18th century, the appreciation of Bach's music was mostly limited to distinguished connoisseurs. The 19th century started with the publication of the first biography of the composer and ended with the completion and publication of all of Bach's known works by the

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Bach drew the soprano and alto choristers from the school and the tenors and basses from the school and elsewhere in Leipzig. Performing at weddings and funerals provided extra income for these groups; probably for this purpose, and for in-school training, he wrote at least six

643:, located about 30 kilometres (19 mi) southwest of Weimar. On 14 August 1703, he became the organist at the New Church, with light duties, a relatively generous salary, and a new organ tuned in a temperament that allowed music written in a wider range of keys to be played. 536:. There he studied, performed, and copied music, including his own brother's, despite being forbidden to do so because scores were so valuable and private, and blank ledger paper of that type was costly. He received valuable teaching from his brother, who instructed him on the 4027:

Bach composed and transcribed concertos for one to four harpsichords. Many of the harpsichord concertos were not original works, but arrangements of his concertos for other instruments are now lost. Several violin, oboe, and flute concertos have been reconstructed from these.

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From an early age, Bach studied the works of his musical contemporaries of the Baroque period and those of prior generations, and those influences were reflected in his music. Like his contemporaries Handel, Telemann and Vivaldi, Bach composed concertos, suites, recitatives,

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when he was fifteen years old. Bach later wrote several other works on the same theme. When Bach revisited Reincken in 1720 and showed him his improvisatory skills on the organ, Reincken reportedly remarked: "I thought that this art was dead, but I see that it lives in you."

2963:. Overall, the extant early works show remarkable mastery and skill. Many feature an instrumental opening which displays effective use of the limited instrumental forces available to Bach, whether it be in the subdued combination of two recorders and two violas de gamba for 3324: 595:, some two weeks' travel north of Ohrdruf. Their journey was probably undertaken mostly on foot. His two years there were critical in exposing Bach to a broader range of European culture. In addition to singing in the choir, he played the school's three-manual organ and 635:. His role there is unclear, but it probably included menial, non-musical duties. During his seven-month tenure at Weimar, his reputation as a keyboardist spread so much that he was invited to inspect the new organ and give the inaugural recital at the New Church (now 2804: 2803: 2192: 1329:, the music for which was partly based on his own cantatas and partly original. Bach's appointment as Court Composer was an element of his long-term struggle to achieve greater bargaining power with the Leipzig council. Between 1737 and 1739, Bach's former pupil 2975:, Bach's early cantatas are impressive evidence of how the modest means at his disposal did not restrain the composer in the slightest, and they compare favourably with compositions by the most talented composers from the beginning of the 18th century, such as 1093:

had been Thomaskantor in Leipzig from 1701 until his death on 5 June 1722. Bach had visited Leipzig during Kuhnau's tenure: in 1714, he attended the service at the St. Thomas Church on the first Sunday of Advent, and in 1717 he had tested the organ of the

666:. The visit to Buxtehude and Reincken involved a 450-kilometre (280 mi) journey each way, reportedly on foot. Buxtehude probably introduced Bach to his friend Reincken so that he could learn from his compositional technique (especially his mastery of the 4629:, the standard work on Bach's life and music. Throughout the 19th century, 200 books were published on Bach. By the end of the century, local Bach societies were established in several cities, and his music had been performed in all major musical centres. 2476:. Bach's known preoccupation with structure led (peaking around the 1970s) to various numerological analyses of his compositions, although many such over-interpretations were later rejected, especially when wandering off into symbolism-ridden hermeneutics. 2173: 2095:

are considered the pinnacle of what has been written for this instrument, only within reach of accomplished players. The music fits the instrument, pushing it to the full scale of its possibilities and requiring the virtuosity of the player but without

1947:, another early experimenter with modulation, seems to have avoided confrontation with Bach because the latter went further than anyone had done before. In the "Suscepit Israel" of his 1723 Magnificat, he had the trumpets in E-flat play a melody in the 3947: 2371: 3891:(BWV 1007–1012), are widely considered to be among the most profound in the repertoire. He wrote sonatas for a solo instrument such as the viola de gamba accompanied by harpsichord or continuo, as well as trio sonatas (two instruments and continuo). 1954:

The major development taking place in Bach's time, and to which he contributed in no small way, was a temperament for keyboard instruments that allowed their use in all available keys (12 major and 12 minor) and also modulation without retuning. His

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or "Little Organ Book", an unfinished collection of 46 short chorale preludes that demonstrate compositional techniques in the setting of chorale tunes. After leaving Weimar, Bach wrote less for organ, although some of his best-known works (the six

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Bach's cantatas vary greatly in form and instrumentation. Many consist of a large opening chorus followed by one or more recitative-aria pairs for soloists (or duets) and a concluding chorale. The melody of the concluding chorale often appears as a

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These strictly contrapuntal compositions, and most of Bach's music in general, are characterised by distinct melodic lines for each of the voices, where the chords formed by the notes sounding at a given point follow the rules of four-part harmony.

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which he later incorporated in his Mass in B minor. He presented the manuscript to the Elector in an eventually successful bid to persuade the prince to give him the title of Court Composer. He later extended this work into a full mass by adding a

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for harpsichord and organ; many of these transcribed works are still regularly performed. Bach was particularly attracted to the Italian style, in which one or more solo instruments alternate section-by-section with the full orchestra throughout a

3412: 3948: 1943:, about a century before they were fitted with valves, were tied to the key of their tuning. Bach pushed the limits: he added "strange tones" in his organ playing, confusing the singers, according to an indictment he had to face in Arnstadt, and 3430: 3533: 1857: 1746:

with Bible text reflected in recitatives, arias, choruses, and chorales, but in crafting this work, Bach created an overall experience that has been found over the intervening centuries to be both musically thrilling and spiritually profound.

1487: 3522: 2193: 2389: 2353: 2151: 413:, and by the end of that century, all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him and other publications such as the 2253: 2235: 2217: 700:. A month later, Bach's application was accepted, and he took up the post in July. The position included significantly higher remuneration, improved conditions, and a better choir. Four months after arriving at Mühlhausen, Bach married 3940: 3561: 2858: 2802: 2364: 1875: 2373: 3591: 3405: 919: 4120: 2894: 2840: 3609: 3423: 987:

with the intention of meeting Handel; however, Handel had left the town. In 1730, Bach's oldest son, Wilhelm Friedemann, travelled to Halle to invite Handel to visit the Bach family in Leipzig, but the visit did not take place.

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Bach was originally buried at Old St. John's Cemetery in Leipzig. His grave went unmarked for nearly 150 years, but in 1894 his remains were located and moved to a vault in St. John's Church. This building was destroyed by

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but was allowed to employ four "prefects" (deputies) to do this instead. The prefects also aided with musical instruction. A cantata was required for the church services on Sundays and additional church holidays during the

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in the course of a piece, is another style characteristic where Bach goes beyond what was usual in his time. Baroque instruments vastly limited modulation possibilities: keyboard instruments, prior to a workable system of

295:, granted him the title of court composer in 1736. In the last decades of his life, he reworked and extended many of his earlier compositions. He died of complications after a botched eye surgery in 1750 at the age of 65. 4318:, at least the remembered parts, was for the organ and the harpsichord. Thus, his reputation as a composer was initially mostly limited to his keyboard music, which was relatively limited in its value to music education. 3534: 2254: 2236: 2218: 4077: 3523: 3322: 1796:

to the next according to certain rules, each chord being characterised by four notes. The principles of four-part harmony are found not only in Bach's four-part choral music: he also prescribes it for instance for the

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Bach devoted more attention than his contemporaries to the structure of his compositions. This can be seen in minor adjustments he made when adapting someone else's composition, such as his earliest version of the

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were named after the composer. While by the end of the 19th century, Bach had been inscribed in nationalism and religious revival, the late 20th century saw Bach as the subject of a secularised art-as-religion

4899:). Tributes to Bach in the 20th century include statues erected in his honour and a variety of things such as streets and space objects being named after him. Also, a multitude of musical ensembles such as the 3628: 3414: 2322: 2286: 2246: 2228: 2210: 2011: 9982: 2304: 3984: 3966: 3432: 10497: 3494:, revised late in his life) were composed after leaving Weimar. Later in his life, Bach extensively consulted on organ projects, tested new organs, and dedicated playing organs to afternoon recitals. The 3323: 3559: 4182: 2856: 2800: 2710: 2190: 1855: 4603:(Bach Society) was founded to promote Bach's music. In the second half of the 19th century, the Society published a comprehensive edition of the composer's works. In 1854, Bach was deemed one of the 4227:. For other works, Bach's authorship was put in doubt without a generally accepted answer to the question of whether or not he composed it: the best-known organ composition in the BWV catalogue, the 3584: 4118: 2838: 12521: 4315: 2892: 2782: 2042:

Although Bach did not write any operas, he was not averse to the genre or its ornamented vocal style. In church music, Italian composers had imitated the operatic vocal style in genres such as the

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In his early youth, Bach copied pieces by other composers to learn from them. Later, he copied and arranged music for performance or as study material for his pupils. Some of these pieces, like "

2874: 2820: 4075: 2570: 2533:, a comprehensive edition of the composer's works that was produced between 1850 and 1900. The first edition of the catalogue listed 1,080 surviving compositions indisputably composed by Bach. 2472:. In the last years of his life, Bach revised several of his prior compositions. Often, recasting such previously composed music in an enhanced structure was the most visible change, as in the 1003:, a young, highly gifted soprano 16 years his junior, who performed at the court in Köthen; they married on 3 December 1721. Together they had 13 children, six of whom survived into adulthood: 4556: 4170: 1750:

Bach published or carefully compiled in manuscript many collections of pieces that explored the range of artistic and technical possibilities inherent in almost every genre of his time except

1051:, which he held for 27 years until his death. During that time he gained further prestige through honorary appointments at the courts of Köthen and Weissenfels, as well as that of the Elector 4446: 7599: 3656:, are intended for a harpsichord with two manuals: performing them on a keyboard instrument with a single manual (like a piano) may present technical difficulties for the crossing of hands. 2923:

and additional church cantatas for weddings and funerals. Approximately 200 of these sacred works are extant, an estimated two-thirds of the total number of church cantatas he composed. The

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was printed concurrently by Simrock (Germany), Nägeli (Switzerland) and Hoffmeister (Germany and Austria) in 1801. Vocal music was also published: motets in 1802 and 1803, followed by the E

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The first decades of the 19th century saw an increasing number of first publications of Bach's music: Breitkopf started publishing chorale preludes, Hoffmeister harpsichord music, and the

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and fugues). At a young age, he established a reputation for creativity and the ability to integrate foreign styles into his organ works. A decidedly North German influence was exerted by

1856: 939:(director of music) in 1717. Prince Leopold, himself a musician, appreciated Bach's talents, paid him well and gave him considerable latitude in composing and performing. The prince was a 3620: 5029:, so in 1950, Bach's remains were taken to their present grave in St. Thomas Church. Later research has called into question whether the remains in the grave are actually those of Bach. 1820:, he upgraded the viola part (which in the original composition plays in unison with the bass part) to fill out the harmony, thus adapting the composition to his four-part harmony style. 2314: 2278: 3560: 2857: 2801: 1874: 291:

and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer. This situation was little remedied when his sovereign,

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Stauffer, George B. (2008). "Music for "Cavaliers et Dames": Bach and the Repertoire of His Collegium Musicum". In Butler, Gregory G.; Stauffer, George B.; Greer, Mary Galton (eds.).

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equal him in music known to me. Even in his four-part writing, we can, not infrequently, leave out the upper and lower parts and still find the middle parts harmonious and agreeable.

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the design of the Bach-Werke-Verzeichnis was to keep such works out of the main catalogue: if there was a strong association with Bach they could be listed in its appendix (German:

4119: 3976: 3958: 2893: 2839: 2783: 1492: 4295:. Such highly placed appreciation contrasted with the humiliations he had to cope with, for instance, in Leipzig. Also in the contemporary press, Bach had his detractors, such as 13738: 2875: 2821: 13964: 13942: 12537: 12443: 12416: 4474:, who had married one of Itzig's granddaughters, bought a substantial collection of Bach manuscripts that had come down from C. P. E. Bach, and donated it to the 4144: 3535: 2108: 2046:. In Protestant surroundings, there was more reluctance to adopt such a style for liturgical music. For instance, Kuhnau, Bach's predecessor in Leipzig, had notoriously shunned 420: 359: 4076: 3524: 1603:, a man widely understood today as a charlatan and believed to have blinded hundreds of people. Bach died on 28 July 1750 from complications due to the unsuccessful treatment. 16444: 16439: 12871: 3021:, containing the chorale that is known in English as "Jesu, Joy of Man's Desiring", belongs to this first cycle. The cantata cycle of his second year in Leipzig is called the 2111:

so often, and that his melodies turn up in unexpected places such as jazz music. Apart from this, Bach left several compositions without specified instrumentation: the canons

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comprises two books, each of which presents a prelude and fugue in every major and minor key, displaying a dizzying variety of structural, contrapuntal and fugal techniques.

1109:, both of whom chose to stay where they were – Telemann in Hamburg and Graupner in Darmstadt – after using the Leipzig offer to negotiate improved conditions of employment. 14694: 10402: 3315: 2100:. Notwithstanding that the music and the instrument seem inseparable, Bach made transcriptions for other instruments of some pieces of this collection. Similarly, for the 1568:

in the last years of his life. Although the complete mass was never performed during the composer's lifetime, it is considered among the greatest choral works in history.

725: 3640: 2620: 704:, his second cousin. Bach convinced the church and town government at Mühlhausen to fund an expensive renovation of the organ at the Blasius Church. In 1708, Bach wrote 3062:. Only the first three Leipzig cycles are more or less completely extant. Apart from his own work, Bach also performed cantatas by Telemann and by his distant relative 10571: 7153: 4321:

Bach's surviving family members, who inherited a large part of his manuscripts, were not all equally concerned with preserving them, leading to considerable losses.

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When starting in the 19th century in Russia, there was a discussion about the authenticity of four-part court chant settings compared to earlier Russian traditions,

1659: 3104:). Many of the secular cantatas were lost, but for some of them, the text and occasion are known. For instance, when Picander later published their librettos (e.g. 1433:, for two-manual harpsichord, contained nine canons and was published in 1741. Throughout this period, Bach also continued to adopt music of contemporaries such as 5857: 5422: 2670: 454: 10036: 3645:

Bach wrote many works for harpsichord, some of which may also have been played on the clavichord or lute-harpsichord. Some of his more significant works, such as

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posts "upon the eventual ... decease of Mr. Bach". Becoming blind, Bach underwent eye surgery, in March 1750 and again in April, by the British eye surgeon

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detention for too stubbornly forcing the issue of his dismissal and finally on December 2 was freed from arrest with notice of his unfavourable discharge."

347: 8168: 4186: 16239: 7003: 6986: 4361:, who was in Berlin from 1774 to 1784. Sara Itzig Levy became an avid collector of works by Johann Sebastian Bach and his sons and was a "patron" of CPE Bach. 4153:" (copied not by Bach but by Anna Magdalena), became famous before being dissociated with Bach. Bach copied and arranged Italian masters such as Vivaldi (e.g. 2066:

or harpsichord, usually had the role of accompaniment, providing the harmonic and rhythmic foundation of a piece. From the late 1720s, Bach had the organ play

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By 3 April 1700, Bach and his school friend Georg Erdmann – who was two years older than Bach – were enrolled in the prestigious

13235: 12131:'s complete thematic catalogue, but useful as a handy reference tool for only the instrumental works of Bach and as a partial alternative to Schmieder's work. 8884: 1519:. The king played a theme for Bach and challenged him to improvise a fugue based on his theme. Bach obliged, playing a three-part fugue on one of Frederick's 9960: 9521: 1961:, a very early work, showed a gusto for modulation, unlike any contemporary work this composition has been compared to, but the full expansion came with the 10760: 7853: 3799:

fifth). The ninth canon stands on its own due to compositional dissimilarities. The final variation, instead of being the expected canon at the tenth, is a

2112: 837:, an honour that entailed performing a church cantata monthly in the castle church. The first three cantatas in the new series Bach composed in Weimar were 12816: 12450: 9793: 3874: 2640: 1419:). Bach's own style shifted in the last decade of his life, showing an increased integration of polyphonic structures and canons and other elements of the 379: 3448:

Bach was best known during his lifetime as an organist, organ consultant, and composer of organ works in both the traditional German free genres (such as

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The hundreds of sacred works Bach created are usually seen as manifesting not just his craft but also a truly devout relationship with God. He had taught

16399: 14010: 13253: 12436: 10513: 7231: 3443: 2610: 1139:, most composed within three years of his relocation to Leipzig. He assumed the office of Thomaskantor on 30 May 1723, presenting the first new cantata, 355: 7830: 7558: 6095: 5357: 6059: 3669:, in chromatic order from C major to B minor (thus, the whole collection is often referred to as "the 48"). "Well-tempered" in the title refers to the 2682: 433:", and of recordings, such as three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death. 12026: 10876: 13902: 13153: 12457: 7023: 3878: 3075: 2650: 2070:(i.e. as a soloist) with the orchestra in instrumental cantata movements, a decade before Handel published his first organ concertos. Apart from the 1527:, which was a new type of instrument at the time. Upon his return to Leipzig he composed a set of fugues and canons, and a trio sonata, based on the 1343:

in 1739. From around that year he started to compile and compose the set of preludes and fugues for harpsichord that would become his second book of

323: 10145: 7389: 4375:. A new generation of Bach aficionados emerged: they studiously collected and copied his music, including some of his large-scale works such as the 1546:

Two large-scale compositions occupied a central place in Bach's last years. From around 1742, he wrote and revised the various canons and fugues of

12532: 12429: 7913: 7596: 7090: 7062: 6957: 6932: 6919: 6893: 6842: 6829: 6804: 6751: 6740: 6706: 6656: 6631: 6620: 6594: 6569: 6544: 4006: 2600: 1989: 1967: 351: 3777:. The partitas expand the model further with elaborate introductory movements and miscellaneous movements between the basic elements of the model. 15865: 12810: 12372: 10011: 7715: 6867: 6681: 4920: 2462: 1957: 8267: 4196:), and music from members of his own family. He also often copied and arranged his own music (e.g. movements from cantatas for his short masses 1245:, assuming the directorship was a shrewd move that "consolidated Bach's firm grip on Leipzig's principal musical institutions". Every week, the 760:. Johann Sebastian and Maria Barbara had three more children – twins born in 1713 and a single birth; none survived until their first birthday. 16364: 16229: 10997: 10270: 8041: 4466: 4357:, a high official of Frederick the Great's court, venerated Bach. His eldest daughters took lessons from Kirnberger and their sister Sara from 3180: 2107:

In this sense, it is no surprise that Bach's music is easily and often performed on instruments it was not necessarily written for, that it is

9951: 9417: 419:(BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude 13163: 13158: 12527: 12389: 12324: 10546: 10286: 4240: 3673:(system of tuning); many temperaments before Bach's time were not flexible enough to allow compositions to utilise more than just a few keys. 2504: 1702: 311: 111: 14030: 14110: 13031: 12464: 10254: 7582: 7512: 5872: 2964: 2405: 788:

In Weimar, Bach continued to play and compose for the organ and perform concert music with the duke's ensemble. He also began to write the

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has rich ornamentation in nearly every measure. Bach's dealing with ornamentation can also be seen in a keyboard arrangement he made of

13491: 8383: 8063: 7687: 3552: 3226: 2849: 2793: 1848: 505:. His uncles were all professional musicians whose posts included church organists, court chamber musicians, and composers. One uncle, 363: 9263: 7423: 4217: 4132:, BWV 208: composed for soprano, recorders, and continuo, the music of this movement exists in a variety of instrumental arrangements. 2971:. Bach's compositional skills also manifest through his daring harmonies and advanced, unprecedented chord progressions. According to 16339: 12569: 12297: 10040: 9363: 6311: 5387: 4945: 4402: 4334: 4310:

After his death, Bach's reputation as a composer initially declined: his work was regarded as old-fashioned compared to the emerging

4178: 1015:, who both, especially Johann Christian, became significant musicians; Johanna Carolina (1737–1781); and Regina Susanna (1742–1809). 154:. He is known for his prolific authorship of music across a variety of instruments and forms, including orchestral music such as the 16419: 16414: 8031: 7622: 6771: 5459: 5457: 4868:, a gramophone record containing a broad sample of the images, sounds, languages, and music of Earth, sent into space with the two 4406: 4197: 3172: 3054: 3013: 2765: 1172: 11496: 10665: 9657: 6221: 4266:, used by the composer in his own compositions, was used in dozens of tributes to the composer from the 19th century to the 21st. 840: 15941: 14668: 13196: 12509: 12411: 10394: 4111: 3162: 2955: 2885: 2831: 2660: 2560: 339: 9840: 8901: 5454: 1262:

and orchestral suites, many of Bach's newly composed or reworked pieces were performed for these venues, including parts of his

16344: 11713: 10818: 10603: 10433: 9641: 7940: 7535: 7342: 6396: 5009: 2900: 2775: 2455: 1866: 24: 10467: 10302: 9903: 6280: 6264: 5899: 4801: 4190: 2435:, Bach's first biographer, gives this description of this feature of Bach's music, which sets it apart from most other music: 671: 670:), his organ playing and his skills with improvisation. Bach knew Reincken's music very well; he copied Reincken's monumental 15972: 15885: 14020: 12917: 12741: 12214: 12195: 12174: 12153: 12099: 12049: 12011: 11992: 11971: 11954: 11932: 11925:

George Frideric Handel: A Music Lover's Guide to His Life, His Faith & the Development of Messiah and His Other Oratorios

11913: 11876: 11803: 11779: 11740: 11721: 11698: 11666: 11644: 11625: 11607: 11581: 11559: 11484: 11458: 11385: 11354: 11341: 11322: 11296: 11277: 11258: 11116: 11090: 11055: 11026: 10982: 10948: 10918: 10795: 10652: 10237: 10202: 10118: 9898: 9201: 8123: 8012: 7681: 6426: 6001: 5754: 5334: 5124:

Johann Sebastian Bach drafted a genealogy around 1735, titled "Origin of the musical Bach family", printed in translation in

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in 1845. Bach's music was transcribed and arranged to suit contemporary tastes and performance practice by composers such as

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A strictly contrapuntal composition (the two violins playing in canon throughout) in the guise of an Italian type of concerto

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and did not use elaborate music in his worship; accordingly, most of Bach's work from this period was secular, including the

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Bach also wrote secular cantatas, for instance for members of the royal Polish and prince-electoral Saxonian families (e.g.

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Johann Sebastian Bach's noch wenig bekannte Orgelcompositionen (auch am Pianoforte von einem oder zwei Spielern ausführbar)

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among those creating jazz versions of his works. Several 20th-century composers referred to Bach or his music, for example

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far from the only way Bach's music came to the forefront in the 20th century: his music was heard in versions ranging from

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Bach's mother died in 1694, and his father died eight months later. The 10-year-old Bach moved in with his eldest brother,

410: 9394: 16404: 16003: 15858: 14619: 12365: 11846:"Verzeichnis der bis zum Jahre 1851 gedruckten (und der geschrieben im Handel gewesenen) Werke von Johann Sebastian Bach" 10811: 9587: 6518: 3117: 10296: 10280: 9302: 5849: 5776: 5646: 4249:

The church in Arnstadt where Bach had been the organist from 1703 to 1707. In 1935, the church was renamed "Bachkirche".

4213: 928: 802:("clavier" meaning clavichord or harpsichord), consisting of two books, each containing 24 preludes and fugues in every 16454: 16379: 16354: 15683: 12831: 11845: 10264: 9689: 9479: 7104: 5038: 5026: 4065: 3860: 2184: 1210:. As part of his regular church work, he performed other composers' motets, which served as formal models for his own. 824:

when he advised the authorities during a renovation by Christoph Cuntzius of the main organ in the west gallery of the

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Bach wrote virtuoso music for specific instruments as well as music independent of instrumentation. For instance, the

1237:

Bach broadened his composing and performing beyond the liturgy by taking over, in March 1729, the directorship of the

16389: 16374: 16040: 15930: 15809: 15708: 12821: 12659: 11535: 11427: 11230: 11002: 5098: 4924: 4831: 4705: 4625: 4353:, contributed to the dissemination of his legacy. The early devotees were not all musicians; for example, in Berlin, 3914: 3910: 3344: 1307: 1161: 695: 15101: 14778: 12293: 10669: 4200:), as his music was likewise copied and arranged by others. Some of these arrangements, like the late 19th-century " 2927:

website lists 50 known secular cantatas by the composer, about half of which are extant or largely reconstructable.

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28 July 1950: memorial service for Bach in Leipzig's Thomaskirche, on the 200th anniversary of the composer's death

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Bach's predecessor as cantor, Johann Kuhnau, had also been music director for the St. Paul's Church, the church of

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organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France.

16424: 15948: 15066: 13926: 13574: 13091: 13037: 12733: 12491: 11841: 10635: 7850: 7307: 7195:– Ein pythagoreisches Werk und seine Verwirklichung", Mainz 2004; Hans-Eberhard Dentler: "Johann Sebastian Bachs 7115: 5804: 4884: 3918: 3678: 3491: 3258: 2968: 2339: 2039:: he added explicit ornamentation, which some centuries later is played by oboists when performing the concerto. 1459: 1008: 825: 327: 10228:

Chromatic Completion in the Late Vocal Music of Haydn and Mozart: A Technical, Philosophic, and Historical Study

8029:"The Libretto of Bach's John Passion and the Doctrine of Reconciliation: An Historical Perspective", pp. 179–203 6350: 16324: 15851: 15536: 15531: 14609: 13641: 13534: 13484: 13049: 12861: 12358: 12260: 7465: 4712:

acquiring prominence through their performances of Bach's music. His keyboard music was again performed on the

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In January 1703, shortly after graduating from St. Michael's and being turned down for the post of organist at

430: 10510: 7222: 3682:(BWV 772–801). These short two- and three-part contrapuntal works are arranged in the same chromatic order as 3196: 1463:, their final revisions. He also programmed and adapted music by composers of a younger generation, including 1063:. Bach frequently disagreed with his employer, Leipzig's city council, which he regarded as "penny-pinching". 707: 16449: 15703: 15419: 14405: 13971: 13949: 12664: 12502: 12091: 11942: 11242: 6088: 5001: 4957: 4843: 4769: 3034: 3030: 3003: 486: 482: 147: 77: 65: 14115: 12965: 9703: 9168: 9113: 8214: 6052: 4383:, a high-ranking Austrian official who was instrumental in passing Bach's legacy on to the composers of the 4314:

style. He was remembered more as a virtuoso organ player and a teacher. The bulk of the music that had been

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libretto is best known. However, there was a similar process in achieving a multi-layered structure for his

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performed by the Fulda Symphonic Orchestra conducted by Simon Schindler with Johannes Volker Schmidt (piano)

1552:, which he continued to prepare for publication until shortly before his death. After extracting a cantata, 1442: 494: 16394: 15304: 14763: 14435: 13841: 13550: 13542: 13126: 11905: 11502: 10837: 8158: 4730: 4543: 4262:, he began to be regarded as one of the greatest composers, a reputation he has maintained ever since. The 4224: 3842: 3830: 3706: 3665:, Books 1 and 2 (BWV 846–893). Each book consists of a prelude and fugue in each of the 24 major and minor 3360: 3115:

Some of the surviving secular cantatas have a plot involving mythological figures of Greek antiquity (e.g.

1891: 1838: 1771: 1036: 599:. He also came into contact with sons of aristocrats from northern Germany who had been sent to the nearby 540:. Johann Christoph exposed him to the works of great composers of the day, including South Germans such as 9996: 9992: 9913: 9850: 9667: 9229: 9082: 9060: 9056: 9034: 9012: 8990: 8986: 8964: 8864: 8855: 8843: 8831: 8819: 8807: 8795: 8783: 8771: 8759: 8747: 8735: 8723: 8711: 8699: 8687: 8675: 8663: 8651: 8639: 8627: 8615: 8603: 8591: 8579: 8567: 8555: 8543: 8531: 8519: 8507: 8495: 8483: 8471: 8459: 8447: 8435: 8423: 8411: 8399: 8387: 8375: 8363: 8351: 8339: 8327: 8315: 8303: 8291: 8279: 8146: 7963: 7568: 7352: 6290: 6274: 6231: 5882: 5827: 5341:

And of course the greatest master of harmony and counterpoint of all time was Johann Sebastian Bach, 'the

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In 2019, Bach was named the greatest composer of all time in a poll conducted among 174 living composers.

1935:, limited the keys that could be modulated to, and wind instruments, especially brass instruments such as 16429: 16089: 15131: 15031: 14661: 13189: 10324: 10312: 10142: 9651: 7950: 7377: 4292: 4158: 3188: 1811: 1766: 1724: 1650:, although still unfinished, was published in 1751. Together with one of the composer's former students, 1464: 1098:. In 1716, Bach and Kuhnau had met on the occasion of the testing and inauguration of an organ in Halle. 713: 16152: 13956: 10080: 10052: 7901: 7087: 7059: 6952: 6927: 6913: 6887: 6837: 6824: 6799: 6748: 6737: 6701: 6651: 6628: 6617: 6589: 6564: 6539: 4333:

but after becoming unemployed sold part of the large collection of his father's works he owned. Several

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Unpartheyische Anmerckungen über eine bedenckliche stelle in dem Sechsten stück des Critischen Musicus.

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Bach wrote for single instruments, duets, and small ensembles. Many of his solo works, such as the six

3854: 2071: 1666: 1572: 1407: 1079: 1075: 1032: 1028: 409:, was appreciated for its didactic qualities. The 19th century saw the publication of some significant 268: 211:

already counted several composers when Johann Sebastian was born as the last child of a city musician,

14998: 14345: 10008: 9561: 8937:"Especially in its opening chorus, it is one of Bach's contrapuntal masterpieces": Robin A. Leaver in 7712: 6862: 6676: 5295: 4826:

publications of the Neue Bachgesellschaft, but various other biographies and studies by, among others

2050:

and Italian virtuoso vocal music. Bach was less moved. One of the comments after a performance of his

1720:

chords and progressions, often with extensive exploration of harmonic possibilities within one piece.

776:. Bach absorbed these stylistic aspects to a certain extent by transcribing Vivaldi's string and wind 588: 150:

21 March] 1685 – 28 July 1750) was a German composer and musician of the late

16409: 16020: 15735: 15279: 15224: 14853: 14848: 14823: 14686: 14380: 14370: 14245: 13477: 13349: 12959: 12953: 12910: 11821: 11817: 10493:"And Nowhere Bach. Bach Reception in a Late Twentieth-Century Dutch Composition by Elmer Schönberger" 9885:"Chapter twelve: Wilhelm Friedemann Bach's Halle performances of cantatas by his father", pp. 202–228 7144: 7140: 4393: 4342: 4322: 3661: 3204: 2473: 1904: 1717: 1651: 1394: 798: 753: 525: 459: 176: 14390: 14285: 13337: 12330: 10761:"JS Bach is the greatest composer of all time, say today's leading composers for BBC Music Magazine" 9774: 4436: 4364:

While in Leipzig, performances of Bach's church music were limited to some of his motets, and under

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in singing and provide church music for the main churches in Leipzig. He was also assigned to teach

16158: 15249: 15126: 15056: 14893: 14873: 14515: 14295: 13665: 13558: 13343: 12344: 11476: 11419: 11377: 11314: 9750: 9725:

Johann Sebastian Bach. Letter to Augustus III of Poland. 27 July 1733; Quoted in Hans T. David and

9425: 7758: 5066: 4982: 4880: 4698: 4043: 4037: 2984: 2949: 2920: 2424: 2036: 1816: 1472: 1302:

in a mirror image topped with a crown. The flanking letters illustrate the arrangement on the seal.

944: 383: 204:, he has been generally regarded as one of the greatest composers in the history of Western music. 14150: 13714: 10543: 10381: 10344: 10062: 9697: 8115: 7122: 7000: 6983: 4669:, the first major performer to record these suites. Leading performers of classical music such as 2062:

In concerted playing in Bach's time, the basso continuo, consisting of instruments such as organ,

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For more information, please click the articles on performers; see also reviews and listings in

3347:. Near the end of his life, around 1748–1749, he expanded this composition into the large-scale 2183:

This video shows the intertwining of melodies and motives, including the melody of the chorale "

1716:. Bach's music was harmonically more innovative than his peer composers, employing surprisingly 1047:. This was "the leading cantorate in Protestant Germany", located in the mercantile city in the 16459: 16284: 16183: 15832: 15822: 15761: 15314: 15171: 15096: 15091: 15061: 14913: 14654: 14050: 13649: 13458: 13409: 13391: 13325: 13182: 12634: 12604: 12398: 11767: 10992: 9948: 9800: 7826: 5954: 4851: 4538:, and the Mass in B minor. A series of organ compositions saw their first publication in 1833. 4461: 4368: 4284: 2976: 2520: 2461:, where he enhances scene transitions, and in the architecture of his own compositions such as 2432: 2342:

performed by the Advent Chamber Orchestra with David Perry and Roxana Pavel Goldstein (violins)

1831:, were considered as foreign-influenced models. Such influence was deemed unavoidable, however. 1828: 1434: 1348: 1155: 1102: 1052: 976: 975:

Despite being born in the same year and only about 130 kilometres (80 mi) apart, Bach and

730: 545: 415: 292: 14165: 12775: 12139: 12041: 10226: 10191: 9884: 9713: 8091:. Leipzig: Breitkopf & Härtel, 1950. It was unaltered through its eighth printing in 1986. 7988: 6360: 5991: 5799: 5744: 5436: 5326: 4856: 4478:. The Sing-Akademie occasionally performed Bach's works in public concerts, for instance, his 4098: 3901:

are late contrapuntal works containing pieces for unspecified or combinations of instruments.

1296:

Bach's seal (centre), used throughout his Leipzig years. It contains the superimposed letters

16102: 15922: 15874: 15698: 15299: 15229: 15186: 15146: 15136: 14813: 14758: 14500: 14445: 14415: 14320: 14185: 13934: 13864: 13625: 13582: 13283: 13019: 13007: 12989: 12770: 12720: 12406: 11859: 11188: 10928: 9191: 8245: 5814: 5731: 5291: 5138: 4904: 4873: 4865: 4818: 4561: 4384: 4380: 4212:, abbreviated as Anh.). Thus, for instance, the aforementioned Mass for double chorus became 4094: 4061:

Some of Bach's most popular melodies are, more often than not, heard in various arrangements:

3996: 3695: 3169:. Several of them were composed for funerals. The six motets definitely composed by Bach are 3022: 2936: 2914: 2711:

List of masses, passions and oratorios by Johann Sebastian Bach § Passions and oratorios

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performer), and his ornamentation was often quite elaborate. For instance, the "Aria" of the

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date from his years in Arnstadt and Mühlhausen. The earliest surviving work in the genre is

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Sonata No. 3 in G minor for viola da gamba and harpsichord BWV 1029 performed by John Michel

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In 1735, Bach started preparing his first organ music publication, which was printed as the

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with Bach's handwritten corrections and additions from before August 1748 – description at

7030:; letter of Mizler to Spieß, 29 June 1748, in: Hans Rudolf Jung and Hans-Eberhard Dentler: 4968: 4944:

In the 21st century, Bach's compositions have become available online, for instance at the

4912: 4847: 4738: 4722: 4709: 4539: 4410: 4296: 3701: 3480: 3165:(BWV 225–231) are pieces on sacred themes for choir and continuo, with instruments playing 2998:

in late May 1723, Bach performed a cantata each Sunday and feast day, corresponding to the

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An inventory drawn up a few months after Bach's death shows that his estate included five

1539: 1337: 8: 16171: 16062: 15693: 15329: 15274: 15264: 15121: 15076: 14928: 14918: 14868: 14748: 14585: 14550: 14455: 14330: 14125: 14070: 14055: 13878: 13693: 13566: 13526: 13397: 13229: 13067: 12947: 12754: 12748: 12684: 12619: 11654: 11595: 11216: 11201: 11010: 9679: 7224:

Johann Sebastian Bach's Mass in B Minor: The Greatest Artwork of All Times and All People

6048: 5395: 5142: 4961: 4805: 4793: 4749: 4744: 4682: 4662: 4471: 4350: 4288: 4245: 4201: 4089: 3888: 3790:. The collection has a complex and unconventional structure: the variations build on the 3782: 3670: 3469: 2101: 2032: 2002: 1932: 1512: 1429: 1402: 1378: 1000: 948: 659: 553: 541: 425: 288: 219:. After being orphaned at the age of 10, he lived for five years with his eldest brother 170: 161: 15284: 12609: 11890: 11677: 10582: 8028: 7616: 7469: 3747:). The English Suites closely follow the traditional model, adding a prelude before the 3653: 3646: 3330:

performed by Solomija Drozd (voice), Petro Titiajev (violin) and Ivan Ostapovych (organ)

16178: 15996: 15269: 15191: 15156: 15106: 15086: 15036: 14798: 14788: 14604: 14545: 14475: 14375: 14355: 14255: 14215: 14180: 14175: 14155: 14095: 14080: 14075: 14060: 14040: 13808: 13784: 13633: 13331: 13108: 13061: 12644: 12594: 12135: 12128: 12032: 11688: 11618:

Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict

11523: 11105: 10868: 10856: 10756: 9336: 8101: 8089:

Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach

8084: 7588: 7148: 6993:, Felbick 2012, 284. In 1746, Mizler announced the membership of three famous members, 4908: 4813: 4523: 3063: 2743: 2721: 2514: 2510: 1923: 1896: 1691:

reads: "NB Bey einer andächtigen Musiq ist allezeit Gott mit seiner Gnaden Gegenwart" (

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Bach in Berlin: Nation and Culture in Mendelssohn's revival of the St. Matthew Passion

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Bach left Mühlhausen in 1708, returning to Weimar this time as organist and from 1714

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From 1740 to 1748 Bach copied, transcribed, expanded or programmed music in an older

1238: 769: 280: 182: 16211: 15730: 13174: 12109: 12024:; Emery, Walter; Wollny, Peter; Leisinger, Ulrich; Roe, Stephen (17 January 2018) . 10595: 10459: 10425: 10058:

Chronologisch-thematisches Verzeichniss sämmtlicher Tonwerke Wolfgang Amade Mozart's

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Listing of manuscripts of Bach compositions once in the possession of C. P. E. Bach

9770: 7814: 7272: 5987: 5907: 5081: 4781: 4763: 4754: 4718: 4300: 3453: 3372: 2023: 1984: 1965:, using all keys, which Bach apparently had been developing since around 1720, the 1743: 1734: 1548: 1497:. In order to be admitted Bach had to submit a composition, for which he chose his 817: 782: 773: 611: 549: 14565: 14535: 14305: 14275: 14085: 13385: 12242: 10648: 4401:

owned a copy of one of Bach's motets, transcribed some of his instrumental works (

3474: 3390: 2753:

was the first passion Bach composed during his tenure as Thomaskantor in Leipzig.

2143: 1265: 812: 252: 134: 16142: 16117: 16095: 16047: 16035: 15961: 15890: 15745: 15635: 15558: 15434: 15259: 15181: 15041: 15021: 14983: 14898: 14753: 14728: 14634: 14629: 14575: 14510: 14360: 14220: 14210: 14205: 14140: 14100: 14065: 14000: 13684: 13097: 12836: 12674: 12496: 12021: 11980: 11411: 11306: 11247: 11222: 11207: 11192: 11178: 11156: 11148: 11144: 11066: 11047: 11037: 10936: 10785: 10631: 10624: 10578: 10550: 10517: 10149: 10056: 10015: 9955: 9944: 9888: 9809: 9693: 9448: 8888: 8035: 7857: 7719: 7626: 7603: 7427: 7276: 7119: 7108: 7094: 7066: 7007: 6990: 6961: 6936: 6923: 6897: 6871: 6846: 6833: 6808: 6778: 6755: 6744: 6710: 6685: 6660: 6635: 6624: 6598: 6573: 6548: 6307: 6084: 5780: 5320: 5005: 4953: 4900: 4888: 4869: 4839: 4690: 4641: 4608: 4581: 4551: 4529: 4376: 4372: 4150: 4128: 4047: 4010: 3715:, BWV 825–830). Each collection contains six suites built on the standard model ( 3548:

Prelude No. 1 in C major BWV 846 performed on harpsichord by Robert Schröter

3512: 3461: 3449: 3348: 3338: 3309: 3272: 3133:). Although Bach never expressed any interest in opera, his secular cantatas, or 3100: 3094: 3088: 3026: 2972: 2749: 2731: 2726: 2716: 2043: 1936: 1565: 1412: 1242: 868: 789: 765: 331: 197: 15046: 11218:

Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750

11203:

Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750

11180:

Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750

9626: 7676:. Vol. Bach Studies. Cambridge: Cambridge University Press. pp. 3–17. 5259: 4592:

were among the composers who promoted Bach's music or wrote glowingly about it.

4126:

The aria "Schafe können sicher weiden" (Sheep May Safely Graze), No. 9 from the

1571:

In January 1749, Bach's daughter Elisabeth Juliane Friederica married his pupil

1071: 16296: 16206: 16189: 15475: 15449: 15384: 15294: 15176: 15141: 14843: 14808: 14713: 14540: 14505: 14410: 14395: 14280: 14170: 14145: 14135: 13762: 13657: 13598: 13439: 13373: 13319: 13301: 13289: 13271: 12654: 12629: 12119: 11886: 11174: 11100: 10966: 9386: 7861: 7753: 5391: 5325:. Cambridge, Massachusetts: Belknap Press of Harvard University Press. p. 5111: 4678: 4657:

During the 20th century, the process of recognising the musical as well as the

4620: 4589: 4585: 4573: 3129: 3007: 2697:

Bach's autograph of the recitative with the gospel text of Christ's death from

2063: 1944: 1713: 1584: 1280: 1151: 1056: 557: 15740: 12599: 12183: 11591: 11569: 9595: 8105: 7802: 6510: 4967:

In 2015, Bach's handwritten personal copy of the Mass in B minor, held by the

4835: 3010:

of 1723 to Trinity Sunday the next year. For instance, the Visitation cantata

1679: 648: 16318: 16132: 15776: 15655: 15630: 15615: 15563: 15506: 15496: 15374: 15309: 15161: 15116: 14963: 14953: 14948: 14888: 14773: 14768: 14677: 14614: 14590: 14570: 14560: 14495: 14485: 14350: 14325: 14240: 14235: 14230: 14160: 14130: 14120: 13793: 13500: 13421: 13307: 13103: 12841: 12801: 12614: 12589: 12340: 12004:

The World of the Bach Cantatas: Johann Sebastian Bach's Early Sacred Cantatas

11850: 11468: 11362:

Wolff, Christoph; Emery, Walter (20 January 2001). "Bach, Johann Sebastian".

11221:. Vol. 3. Translated by Clara Bell; J. A. Fuller Maitland. London: 11206:. Vol. 2. Translated by Clara Bell; J. A. Fuller Maitland. London: 11162: 11134: 10941:

The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents

10932: 10498:

Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis

10187: 9726: 9509: 9294: 8000: 7773: 7618:

St. Petersburg Court Chant and the Tradition of Eastern Slavic Church Singing

7284: 5773: 5638: 4931: 4916: 4686: 4674: 4330: 4102: 3795: 3690: 3156: 2980: 2943: 1842: 1793: 1671:, a periodical journal produced by the Society of Musical Sciences, in 1754. 1639: 1220: 1090: 984: 934: 821: 577: 510: 478: 391: 343: 307: 256: 151: 49: 12882: 12320: 10958: 9683: 9557:"The Art of Fugue | History, Description & Facts | Britannica" 7098: 4046:, each suite being a series of stylised dances for orchestra, preceded by a 4005:, so named because he submitted them in the hope of gaining employment from 3465: 2261:

Continuo instruments moving to the front (here performed on cello and piano)

685: 552:(under whom Johann Christoph had studied); North Germans; Frenchmen such as 240: 16308: 16165: 15720: 15715: 15688: 15625: 15206: 14938: 14933: 14723: 14480: 14460: 14425: 14385: 14315: 14290: 14270: 14250: 13817: 13379: 13367: 13259: 13209: 13205: 13148: 12727: 12704: 12679: 12639: 12624: 12486: 12307: 12246: 11813: 10864: 10694: 10455: 10327:. Magnificat, MWV A2 edited by Pietro Zappalà. Carus, 1996. Foreword, p. VI 10092: 10070: 9344: 8851: 8839: 8142: 7846: 7292: 7074: 6965: 6940: 6901: 6875: 6850: 6812: 6759: 6714: 6689: 6664: 6639: 6602: 6577: 6552: 4949: 4785: 4758: 4666: 4565: 4432: 4388: 4365: 4354: 4311: 4259: 4009:

in 1721; his application was unsuccessful. These works are examples of the

3846: 3268: 2993: 2924: 2910: 2411: 1940: 1900: 1798: 1709: 1561: 1386: 1365: 1136: 1024: 992: 853: 624: 596: 561: 502: 375: 315: 299: 260: 201: 11833: 11759: 9949:"A Bach Cult in Late-Eighteenth-Century Berlin: Sara Levy's Musical Salon" 6089:"From konzertmeister to thomaskantor: Bach's cantata production 1713–1723" 4948:. High-resolution facsimiles of Bach's autographs became available at the 4231:, was indicated as one of these uncertain works in the late 20th century. 3765:. The French Suites omit preludes but have multiple movements between the 16122: 16112: 16084: 15676: 15671: 15588: 15399: 15394: 15364: 15239: 15219: 14968: 14803: 14793: 14430: 14400: 14190: 14045: 14035: 13992: 13871: 13857: 12926: 12564: 12235: 12207:

J. S. Bach as Organist: His Instruments, Music, and Performance Practices

12145: 11072: 11043: 10974: 10833: 9731:

The Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents

8827: 8815: 8803: 8791: 8779: 8767: 8755: 4919:

were held on several continents, and competitions and prizes such as the

4896: 4734: 4713: 4569: 4216:. But this was far from the end of the attribution issues. For instance, 3666: 3364: 3166: 3122: 3109: 3105: 2420: 2067: 1927: 1908: 1785: 1738:

create a religiously and musically powerful expression. For example, the

1684: 1611: 1607: 1580: 1390: 1254: 1101:

The position was offered to Bach only after it had been offered first to

979:

never met. In 1719, Bach made the 35-kilometre (22 mi) journey from

849: 807: 803: 681: 468: 244: 208: 121: 15843: 12350: 10522: 8129: 6722: 4704:

A significant development in the later part of the 20th century was the

4181:), and, closer to home, various German masters including Telemann (e.g. 2681:

were added to the catalogue in the second half of the 20th century, and

726:

Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 § Background

592: 446: 224: 43: 16201: 16196: 16107: 16058: 15981: 15640: 15548: 15516: 15414: 15379: 15354: 14090: 13769: 13223: 12806: 12515: 11184: 8743: 8731: 8719: 8707: 6783: 4263: 3368: 3082: 2999: 1948: 1520: 651: 537: 248: 232: 10716:"Autograph of h-Moll-Messe (Mass in B minor) by Johann Sebastian Bach" 10492: 7315: 7112: 4299:, suggesting he write less complex music, and his supporters, such as 3507: 3249:

Bach wrote hundreds of four-part harmonisations of Lutheran chorales.

15903: 15896: 15593: 14863: 14105: 13986: 13114: 12334: 11789: 9799:

Leipzig, April 1738. Includes a reprint of Johann Abraham Birnbaum's

8266:

Bach's secular cantatas in BWV order, each followed by a link to the

5154: 4997: 4789: 3800: 3734: 3718: 2415: 1979: 1692: 1476: 1438: 1374: 1360: 940: 883: 228: 7358: 5322:

The Triumph of Music: The Rise of Composers, Musicians and Their Art

4979:, a program intended to protect culturally significant manuscripts. 3519:(title page) – performed by Mehmet Okonsar on organ and harpsichord 3147:

Bach's a cappella music includes motets and chorale harmonisations.

1531:(theme of the king). Within a few weeks this music was published as 663: 15935: 15645: 15620: 15568: 15553: 15526: 15344: 15319: 13469: 12826: 12470: 12252: 12127:.: First published in 1867; superseded, for scholarly purposes, by 9340: 8950:"one of Bach's best-known church works" wrote David Schulenberg in 8695: 8683: 8671: 8587: 8551: 8515: 8467: 8371: 8359: 8347: 8335: 4822:. All kinds of publications involved Bach: not only were there the 4694: 4658: 4604: 4479: 4162: 4154: 4140: 4084: 3934: 3909:

Surviving works in the concerto form include two violin concertos (

3791: 3726: 3232: 2484: 2480: 2271: 2079: 1807: 1789: 1643: 1507: 1468: 1416: 1398: 914: 820:

tunes set in complex textures. In 1713, Bach was offered a post in

777: 692:

performed on Easter, 24 April 1707, likely an early version of his

640: 569: 474: 402: 276: 236: 216: 82: 52: 11015:

Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach

7263:

Zegers, Richard H.C. (2005). "The Eyes of Johann Sebastian Bach".

7191:

17 (1975), 95–115; Hans-Eberhard Dentler: "Johann Sebastian Bachs

7101:

Clavierübung III, Schübler-Chorales, Canonische Veränderungen

5292:"Johann Sebastian Bach | Biography, Music, Death & Facts" 4053: 909: 48:

1748 portrait of Bach, showing him holding a copy of the six-part

15766: 15573: 15543: 15511: 15501: 15454: 15429: 15424: 15359: 15339: 12287: 12115:

Thematisches Verzeichnis der Instrumentalwerke von Joh. Seb. Bach

9160: 9105: 8659: 8647: 8635: 8623: 8611: 8599: 8575: 8563: 8539: 8527: 8503: 8491: 8479: 8455: 8443: 8431: 8419: 8407: 8395: 8323: 8311: 8299: 8287: 8275: 8206: 5150: 5146: 4661:

value of some of the works continued, as in the promotion of the

4612: 4500: 3839: 3457: 2693: 2138: 2097: 1912: 1553: 1516: 1446: 1382: 1287: 1083: 1060: 689: 529: 303: 272: 100: 14646: 7864:'s 2015 recording of the concertos, Harmonia mundi HMC 902181.82 7805:(organ) and Le Parlement de Musique conducted by Martin Gester. 7330: 4329:, the eldest son, performed several of his father's cantatas in 3092:). The text of these cantatas was occasionally in dialect (e.g. 346:, not only in his larger vocal works but, for instance, also in 15967: 15725: 15583: 10539: 9221: 7484: 7041: 5513: 5361: 5106: 4972: 4872:

probes. The Bach pieces included are the First Movement of the

4470:, the first Bach biography, dedicated to van Swieten. In 1805, 4145:

List of transcriptions of compositions by Johann Sebastian Bach

3850: 3351:. The work was never performed in full during Bach's lifetime. 2410:

Another characteristic of Bach's style is his extensive use of

1635: 1615: 632: 606: 498: 298:

Bach enriched established German styles through his mastery of

12895: 12867: 9893:

edited by Daniel R. Melamed. Cambridge University Press 2006.

9341:"18th Century Quotations Relating to J. S. Bach's Temperament" 6113: 5749:(2nd ed.). University Rochester Press. pp. 104–106. 5466:, II. List of all family members alphabetically by first name. 3504:

are organ works Bach published in the last years of his life.

1449:), and gave many of his own earlier compositions, such as the 15610: 15605: 15578: 15444: 15349: 10838:"Are the alleged remains of Johann Sebastian Bach authentic?" 10673: 10154: 9867: 7834: 5832: 5342: 5087: 3742: 3235:

160), other parts of which may be based on work by Telemann.

2047: 1788:

in Western tradition was largely supplanted in favour of the

1751: 1623: 1619: 1207: 1119: 961:. Bach also composed secular cantatas for the court, such as 793: 667: 573: 401:

Throughout the 18th century, Bach was primarily valued as an

395: 11752:

Johann Sebastian Bach: An Introduction to His Life and Works

10020: 9087: 9065: 9039: 9017: 8995: 8969: 7968: 7724: 4397:

and the Mass in B minor and was influenced by Bach's music.

1697:

In a music of worship God is always present with his grace).

1292: 15491: 15439: 15409: 15404: 15389: 15369: 12417:

Masses, Mass movements, Magnificats, Passions and Oratorios

11947:

The Organ Music of J. S. Bach, Volume II: BWV 599–771, etc.

11733:

Bach's Works for Solo Violin: Style, Structure, Performance

11143:, first published in French in 1905 and in German in 1908.( 10599: 8159:"BWV 1128: A recently discovered Bach organ work" pp. 22–23 7867: 7784: 6465: 5090: 4777: 4645:

1908 Statue of Bach in front of the Thomaskirche in Leipzig

3641:

List of solo keyboard compositions by Johann Sebastian Bach

1631: 1627: 279:

churches of the city and its university's student ensemble

11949:, Cambridge Studies in Music, Cambridge University Press, 10350: 9317: 7032:

Briefe von Lorenz Mizler und Zeitgenossen an Meinrad Spieß

6453: 6149: 5573: 4633:

recognised for both his instrumental and his vocal music.

1881:

Bach re-interpreting older genres tied to the modal system

1027:

director of church music in Leipzig. He had to direct the

627:, Bach was appointed court musician in the chapel of Duke 12231: 12166:

The Routledge Research Companion to Johann Sebastian Bach

12020: 11349:

Second edition, 2013, W. W. Norton, New York and London,

10555: 9828: 9776:

Das Beschützte Orchestre, oder desselben Zweyte Eröffnung

8919: 8882:

Helmut Rilling's box set of the complete secular cantatas

8186: 7928: 7694: 6014: 5934: 5639:"Johann Sebastian Bach: a detailed informative biography" 5491: 5489: 5476: 5474: 5472: 5463: 4409:), and wrote contrapuntal music influenced by his style. 4278:

Painting of Johann Sebastian Bach by 'Gebel', before 1798

2771:

performed by the MIT Concert Choir conducted by W. Cutter

1646:. The composer's son Carl Philipp Emanuel saw to it that 11005:. New York; London: Harcourt, Brace and Howe; Constable. 10426:"What is Early Music?–Historically Informed Performance" 10395:"Robert Johnson and Pablo Casals' Game Changers Turn 70" 9821:

Bach was regarded as "passé even in his own lifetime". (

8100: 7734: 7644: 7632: 7202: 6209: 5922: 4572:, or combined with new music such as the melody line of 3496:

Canonic Variations on "Vom Himmel hoch da komm' ich her"

1499:

Canonic Variations on "Vom Himmel hoch da komm' ich her"

11576:(in German) (4 ed.). Deutscher Taschenbuchverlag. 10380:(first publication in German, in two volumes: Leipzig, 8270:(BDW) page of the cantata at the Bach-Digital website: 7807:

Johann Sebastian Bach: L'oeuvre pour orgue et orchestre

6441: 6197: 5709: 5697: 5537: 3917:

in E major) and a concerto for two violins in D minor,

3245:

List of chorale harmonisations by Johann Sebastian Bach

2794:

2. Recitative "Er kommt, er kommt, der Bräut'gam kommt"

2525:(Bach Works Catalogue). Schmieder largely followed the 1347:. He received the title of "Royal Court Composer" from 1150:, in the St. Nicholas Church on the first Sunday after 12578: 11441:. Oxford Composer Companions. Oxford University Press. 9335: 8174: 7661: 7659: 5661: 5585: 5486: 5469: 5271: 1792:. In this system a piece of music progresses from one 16445:

People celebrated in the Lutheran liturgical calendar

16440:

Organists and composers in the North German tradition

16256: 13204: 11639:. Ann Arbor, Michigan: University of Michigan Press. 10831: 10242: 10207: 9919: 9536: 9140: 7404: 6185: 5685: 5099: 4379:

and performed it privately. One such connoisseur was

1733:

in Leipzig, and some of his pieces represent it. The

11812: 10572:

Bach-Edition: The Complete Works (172 CDs & CDR)

10175: 9244: 8007:(in Italian). Vol. 1. Turin: EDT. p. 493. 7666:

Marshall, Robert L. (1989). Franklin, Don O. (ed.).

7446: 7199:– Musik als Abbild der Sphärenharmonie", Mainz 2008. 6477: 6338: 6326: 6252: 6173: 5561: 5084: 4283:

recognition, such as the title of court composer by

3875:

List of chamber music works by Johann Sebastian Bach

3468:, with whom Bach came into contact in Lüneburg, and 2919:

According to his obituary, Bach would have composed

2134:

Analysis of the counterpoint of the chorale prelude

1774:": the four-part chorale setting as included in the 1354: 1158:, each based on a single church hymn. These include 796:

which were later assembled into his monumental work

680:

In 1706, Bach applied for a post as organist at the

223:, after which he continued his musical education in 10741:Alex Ross (25 December 2016). "Bach's Holy Dread". 9619:"A compendium of works performed by the Bach Choir" 7656: 6125: 5549: 5525: 5501: 3838:Among Bach's lesser known keyboard works are seven 3508:

Harpsichord and other stringed keyboard instruments

3444:

List of organ compositions by Johann Sebastian Bach

3293:dates from 1723, but the work is best known in its 3040:Later church cantatas include the chorale cantatas 2719:for Good Friday services and oratorios such as the 1638:, along with 52 "sacred books", including works by 12025: 11495: 11246: 11104: 10755: 10171: 10169: 6839:Privatbesitz C. Thiele, BWV deest (NBA Serie II:5) 6161: 6137: 6053:"Cantatas for Christmas Day: Herderkirche, Weimar" 5673: 5290:Marshall, Robert L.; Emery, Walter (18 May 2020). 4619:replaced Berlioz with Brahms.) From 1873 to 1880, 3033:was developed over several years, followed by the 2115:fall in that category, as well as the bulk of the 1249:would give two-hour performances in winter at the 1130: 1112:Bach was required to instruct the students of the 19:Several terms redirect here. For other uses, see 11659:The Creative Development of Johann Sebastian Bach 10143:"The Bach Reception in the 18th and 19th century" 7978: 6419:"Works of Other Composers performed by J.S. Bach" 5442: 5410: 3921:, often referred to as Bach's "double concerto". 3879:List of orchestral works by Johann Sebastian Bach 3076:List of secular cantatas by Johann Sebastian Bach 16316: 11551:Baroque Music: Style and Performance: A Handbook 11107:Johann Sebastian Bach: The Culmination of an Era 10927: 9734: 9480:"Gold Standard for Bach's 'Goldberg Variations'" 7364: 7336: 7251: 7171: 7047: 6119: 5982: 5980: 5519: 5125: 4007:Margrave Christian Ludwig of Brandenburg-Schwedt 3794:of the aria rather than its melody, and musical 2725:, which is a set of six cantatas for use in the 1742:, like other works of its kind, illustrated the 1333:held the directorship of the Collegium Musicum. 716:, which was published at the council's expense. 11754:. Englewood Cliffs, New Jersey: Prentice Hall. 10166: 7464: 6505: 6503: 5996:. University of California Press. p. 205. 5721: 4921:International Johann Sebastian Bach Competition 4456:erected by Felix Mendelssohn in Leipzig in 1843 4112:"Sheep May Safely Graze" (instrumental version) 4054:Copies, arrangements and uncertain attributions 3935:Brandenburg Concerto No. 4 in G Major, BWV 1049 3868: 1958:Capriccio on the departure of a beloved brother 719: 714:cantata for the inauguration of the new council 12190:. Lanham, Maryland: Rowman & Littlefield. 12088:Bach's Changing World: Voices in the Community 11927:. Youngstown, New York: WordPower Publishing. 10998:Johann Sebastian Bach: His Life, Art, and Work 9196:. Cambridge University Press. pp. 90–94. 8042:Royal Netherlands Academy of Arts and Sciences 7505:"A Visitor's Guide to the St. Matthew Passion" 7168:. Leipzig: Mizlerischer Bücherverlag: 158–173. 4467:Johann Sebastian Bach: His Life, Art, and Work 3086:), or other public or private occasions (e.g. 1784:predate Bach, but he lived during a time when 1683:A handwritten note by Bach in his copy of the 1511:. In May 1747, Bach visited the court of King 1288:Middle years of the Leipzig period (1730–1739) 913:Bach's autograph of the first movement of the 876:Erschallet, ihr Lieder, erklinget, ihr Saiten! 453:, 1685, Bach's father. Painting attributed to 15859: 14662: 13485: 13190: 12911: 12887: 12366: 12325:Discography of American Historical Recordings 11682:(in German). Berlin: Schuster & Loeffler. 9940: 9938: 9936: 9934: 9424:. The Bach Choir of Bethlehem. Archived from 8005:Frau Musika: La vita e le opere di J. S. Bach 6772:Neuaufgefundenes Bach-Autograph in Weißenfels 5977: 5633: 5631: 5629: 5627: 5625: 5623: 5621: 5619: 5617: 5615: 5289: 4891:) and the Prelude and Fugue in C, No. 1 from 3858: 2505:List of compositions by Johann Sebastian Bach 2057: 1915:in the tonal system), is an example of this. 1703:List of compositions by Johann Sebastian Bach 603:to prepare for careers in other disciplines. 275:. There, he composed music for the principal 15973:Prelude and Fugue in C major, BWV 870, from 13032:Johann Christoph Bach (musician at Arnstadt) 12739: 12718: 12709: 12141:Gödel, Escher, Bach: An Eternal Golden Braid 11966:(2nd ed.), Cambridge University Press, 11690:Basically Bach: A 300th Birthday Celebration 11378:10.1093/gmo/9781561592630.article.6002278195 10790:. Church Publishing, Inc. 17 December 2019. 10487: 10485: 10193:Mozart, Haydn and Early Beethoven: 1781–1802 8902:"J. S. Bach: His Works | Music Appreciation" 8111:Bach-Werke-Verzeichnis: Kleine Ausgabe (BWV) 7139: 7113:Johann Sebastian Bach: Complete Organ Works. 6994: 6977: 6500: 5906:. San Diego State University. Archived from 5791: 5789: 4929: 4743:, to jazzy interpretations such as those by 4596: 4418: 4417:by the time he was 11 and described Bach as 3823: 3772: 3766: 3760: 3754: 3753:and including a single movement between the 3748: 3740: 3732: 3724: 3716: 3710: 3224: 3218: 3210: 3202: 3194: 3186: 3178: 3170: 3052: 3041: 3011: 2991: 2953: 2729:of Christmas. Shorter oratorios include the 2527: 2518: 2406:List of fugal works by Johann Sebastian Bach 2272:Keyboard Concerto No. 1 in D minor, BWV 1052 1728: 1588: 1558:1733 Kyrie-Gloria Mass for the Dresden court 1263: 1192: 1181: 1170: 1159: 1140: 1113: 1007:; Elisabeth Juliane Friederica (1726–1781); 999:, suddenly died. The following year, he met 962: 932: 887: 872: 857: 838: 832: 831:In the spring of 1714, Bach was promoted to 743: 705: 693: 607:Weimar, Arnstadt, and Mühlhausen (1703–1708) 13044:Johann Ernst Bach (musician at Saxe-Weimar) 13026:Johann Christoph Bach (organist at Ohrdruf) 12075: 11866: 11493: 11334:Johann Sebastian Bach: The Learned Musician 9972: 9970: 8151: 7873: 7135: 7133: 7131: 6242: 6240: 5602: 5600: 5277: 4994:liturgical calendar of the Episcopal Church 4085:Orchestral Suite No. 3 in D major, BWV 1068 4023:Keyboard concertos by Johann Sebastian Bach 4001:Bach's best-known orchestral works are the 2776:1. Chorus "Wachet auf, ruft uns die Stimme" 2741:. With its double choir and orchestra, the 2020:Klavierbüchlein für Wilhelm Friedemann Bach 1990:Klavierbüchlein für Wilhelm Friedemann Bach 1968:Klavierbüchlein für Wilhelm Friedemann Bach 1899:genre as used by earlier composers such as 1594: 1324: 1318: 1312: 915:first sonata for solo violin, BWV 1001 517:, was a well-known composer and violinist. 489:). He was the eighth and youngest child of 481:, in present-day Germany, on 21 March 1685 16400:German classical composers of church music 15866: 15852: 14669: 14655: 13492: 13478: 13197: 13183: 12918: 12904: 12373: 12359: 11686: 11361: 11154: 11125: 10356: 9931: 9323: 7884: 7882: 7796: 7629:Finland: University of Turku (2011), p. 24 6031: 6029: 5940: 5612: 5480: 5265: 5169: 4952:website. 21st-century biographers include 4780:musicians have adopted Bach's music, with 4776:Bach's music has influenced other genres. 4241:Reception of Johann Sebastian Bach's music 4042:In addition to concertos, Bach wrote four 3263:Bach's church music in Latin includes the 2747:is one of Bach's most extended works. The 2423:is characteristic to the composers of the 2340:Double Violin Concerto in D minor BWV 1043 1712:, and four-part choral music and employed 1575:. Bach's health was declining. On 2 June, 1031:and provide four churches with music, the 493:, the director of the town musicians, and 42: 15873: 12380: 12298:International Music Score Library Project 12209:. Bloomington: Indiana University Press. 12205:Stauffer, George B.; May, Ernest (1986). 11840: 11590: 11544: 11494:Crist, Stephen A.; Stauff, Derek (2011). 11467: 11410: 11291:. Cambridge: Cambridge University Press. 11272:. Cambridge: Cambridge University Press. 11253:. Cambridge: Cambridge University Press. 11241: 11099: 10740: 10482: 10292: 10276: 10260: 10137: 10135: 10133: 10131: 10129: 10127: 10041:International Music Score Library Project 9976: 9812:published early January of the same year. 9625:. Bach Choir of Bethlehem. Archived from 9616: 9415: 9158: 9103: 8244:. Bach Choir of Bethlehem. Archived from 8235: 8204: 8192: 7740: 7542:. Bach Choir of Bethlehem. Archived from 7533: 7474:Grove's Dictionary of Music and Musicians 7208: 6371: 6369: 6356: 6203: 5928: 5810: 5786: 5715: 5703: 5227: 5185: 4946:International Music Score Library Project 3238: 3223:(BWV 231) is part of the composite motet 2832:4. Chorale "Zion hört die Wächter singen" 2688: 2054:was that it all sounded much like opera. 1066: 11941: 11899: 11286: 11267: 11009: 10103: 10093:"Bach, Mozart and the 'Musical Midwife'" 9967: 9733:. W. W. Norton, 1945, p. 128; Quoted in 8260: 8136: 7984: 7665: 7128: 6495: 6489: 6237: 6047: 5597: 5315: 5242: 5237: 5232: 5201: 4864:Three works by Bach are featured on the 4648: 4640: 4440: 4273: 4244: 3924: 3531: 3520: 3511: 3252: 2692: 1995: 1978: 1765: 1678: 1291: 1219: 1070: 908: 729: 610: 445: 441: 15942:Dark Was the Night, Cold Was the Ground 12267:Works by or about Johann Sebastian Bach 12042:10.1093/gmo/9781561592630.article.40023 11922: 11214: 11199: 11173: 10708: 10377: 10373: 10369: 9988: 9554: 9339:; Cruickshank, Andrew (October 2015) . 9189: 8045:Vol. 143 edited by A. A. Clement, 1995. 7879: 7583:Tilge, Höchster, meine Sünden, BWV 1083 7564: 7536:"The Well Tempered Clavier BWV 846–869" 7348: 6471: 6459: 6286: 6270: 6227: 6191: 6155: 6026: 5763:from the original on 28 September 2015. 5746:Dieterich Buxtehude: Organist in Lübeck 5579: 3345:Kyrie–Gloria Mass for the Dresden court 2448: 1501:, and a portrait, which was painted by 991:On 7 July 1720, while Bach was away in 688:. As part of his application, he had a 16317: 12188:The Aesthetic of Johann Sebastian Bach 11892:Stories Behind the World's Great Music 11885: 11766: 11730: 11714:William B. Eerdmans Publishing Company 11707: 11574:Die Kantaten von Johann Sebastian Bach 10991: 10971:The True Life of Johann Sebastian Bach 10819:Evangelical Lutheran Church in America 10666:List of works by Johann Sebastian Bach 10655:from the original on 24 February 2017. 10470:from the original on 24 September 2013 10308: 10124: 10113:(Volume 2). Indiana University Press ( 10051: 9909: 9846: 9822: 9685:Toccatas and Fugues / Individual Works 9663: 9647: 9360:"J. S. Bach: Inventions and Sinfonias" 8180: 8066:from the original on 30 September 2015 7946: 7888: 7772: 7490: 7262: 7220: 6366: 6179: 6101:from the original on 24 September 2015 6065:from the original on 24 September 2015 5894: 5878: 5742: 4883:), the "Gavotte en rondeaux" from the 4437:St Matthew Passion § 19th century 4316:printed during the composer's lifetime 4204:", helped to popularise Bach's music. 3025:as it consists mainly of works in the 1018: 243:and, for longer periods, at courts in 160:; solo instrumental works such as the 25:Johann Sebastian Bach (disambiguation) 16365:Burials at St. Thomas Church, Leipzig 15847: 14650: 13683: 13473: 13178: 12899: 12886: 12742:Internationale Bachakademie Stuttgart 12354: 12001: 11979: 11749: 11675: 11653: 11348: 11331: 11305: 11229: 11111:. New York: Oxford University Press. 10965: 10882:from the original on 2 December 2013. 10405:from the original on 24 February 2012 10213: 10099:from the original on 4 November 2015. 9925: 9834: 9758: 9542: 9524:from the original on 11 February 2012 9490:from the original on 19 February 2012 9459:from the original on 22 February 2014 9397:from the original on 27 February 2014 9146: 9134: 8925: 8108:; Kobayashi, Yoshitake, eds. (1998). 7999: 7934: 7790: 7700: 7650: 7638: 7515:from the original on 27 February 2012 7410: 7247: 6483: 6399:from the original on 24 February 2015 6375: 6344: 6332: 6258: 6246: 6215: 6131: 6083: 6035: 6020: 5986: 5860:from the original on 26 November 2015 5795: 5727: 5667: 5649:from the original on 20 February 2012 5606: 5591: 5567: 5555: 5543: 5531: 5495: 5416: 5222: 5196: 5191: 5175: 5065: 5060: 5058: 4482:, with Sara Itzig Levy at the piano. 4287:and the appreciation he was shown by 4229:Toccata and Fugue in D minor, BWV 565 4016: 3553:Prelude No. 1 in C major BWV 846 3387:Prelude and Fugue in A minor, BWV 543 3181:Der Geist hilft unser Schwachheit auf 1889:then-antiquated modi and genres. His 1560:in the mid-1740s, Bach expanded that 1135:Bach usually led performances of his 904: 16235: 13499: 12510:Performance practice of Bach's music 12294:Free scores by Johann Sebastian Bach 11788: 11634: 11615: 11568: 11522: 11445: 11436: 11078:Johann Sebastian Bach: Life and Work 11071: 11035: 10908: 10902:Biographies of Johann Sebastian Bach 10248: 9709: 9366:from the original on 20 January 2012 9305:from the original on 5 February 2014 9250: 8951: 8938: 7916:from the original on 3 December 2013 7502: 7452: 7392:from the original on 8 December 2013 7183:Hans Gunter Hoke: "Neue Studien zur 6765: 6447: 6314:from the original on 29 January 2016 6167: 6143: 5691: 5679: 5507: 5448: 5428: 5206: 5180: 5078:. The surname appears in English as 4850:, and the 1950 first edition of the 4031: 3121:), and others were almost miniature 2886:7. Chorale "Gloria sei dir gesungen" 2850:5. Recitative "So geh herein zu mir" 2814:3. Duet "Wenn kömmst du, mein Heil?" 2136:Herr Jesu Christ, dich zu uns wend', 2093:sonatas and partitas for solo violin 1971:being one of its earliest examples. 1761: 1658:"), which was published in Mizler's 1654:, the son also wrote the obituary (" 1583:to request that his music director, 1482:In 1746 Bach was preparing to enter 953:sonatas and partitas for solo violin 405:, while his keyboard music, such as 166:sonatas and partitas for solo violin 12822:Bach Prize (Royal Academy of Music) 12036:. Oxford: Oxford University Press. 11795:Johann Sebastian Bach: Play by Play 11661:. Oxford: Oxford University Press. 11620:. Oxford: Oxford University Press. 11507:. Oxford: Oxford University Press. 11336:. Oxford: Oxford University Press. 10913:. Oxford: Oxford University Press. 10832:Zegers, Richard H.C.; Maas, Mario; 10638:Gazetteer of Planetary Nomenclature 10454: 10436:from the original on 6 January 2015 10077:from the original on 29 April 2016. 9514:"Shaham: Bold, Brilliant, All-Bach" 9508: 9299:The Canons and Fugues of J. S. Bach 7690:from the original on 29 April 2016. 7424:"Johann Sebastian Bach (1685–1750)" 7305: 7230:. The Tangeman Lecture. New Haven. 6304:"Johann Sebastian Bach (1685–1750)" 5959:J. S. Bach Archive and Bibliography 5067:[ˈjoːhanzeˈbasti̯a(ː)nˈbax] 4708:practice, with forerunners such as 4611:, the other Bs being Beethoven and 4527:precipitated the Bach Revival. The 3904: 3142: 3118:Der Streit zwischen Phoebus und Pan 3069: 2921:five year-cycles of sacred cantatas 810:key. Bach also started work on the 255:, where he was mostly engaged with 13: 16385:Deaths from surgical complications 16350:18th-century German male musicians 15949:Partita for Violin No. 3, BWV 1006 12304:Music manuscripts and early prints 12067: 11311:Bach: Essays on his Life and Music 11237:. Oxford: Oxford University Press. 10857:10.5694/j.1326-5377.2009.tb02354.x 10544:Bach 2000 Box set, Limited Edition 10423: 10176:Schenk, Winston & Winston 1959 9477: 9446: 9384: 9357: 9232:from the original on 30 March 2014 9171:from the original on 30 March 2014 9116:from the original on 27 April 2015 8167:, Vol. 99 No. 22. December 2008. ( 7237:from the original on 15 July 2014. 7022:, IV.1 , 108 and Tab. IV, fig. 16 6296: 5965:from the original on 28 March 2014 5952: 5055: 5039:Portraits of Johann Sebastian Bach 5027:Allied bombing during World War II 4557:Sechs Fugen über den Namen B-A-C-H 3861:Aria variata alla maniera italiana 3300: 3291:first version of Bach's Magnificat 2930: 2517:of Bach's compositions called the 2185:Herr Jesu Christ, dich zu uns wend 2086: 1196:Wie schön leuchtet der Morgenstern 995:with Prince Leopold, Bach's wife, 886:. Bach's first Christmas cantata, 816:in Weimar, containing traditional 473:Johann Sebastian Bach was born in 14: 16471: 15931:Beethoven's String Quartet No. 13 15709:historically informed performance 14676: 14031:Emilie Juliane of Barby-Mühlingen 13092:Johann Sebastian Bach the Younger 12331:Johann Sebastian Bach (1685–1750) 12224: 11772:Beethoven: the Universal Composer 10649:"JPL Small-Body Database Browser" 10596:"Golden Record: Music from Earth" 9292: 9210:from the original on 15 May 2015. 9106:"Cantata BWV 211, Coffee Cantata" 8217:from the original on 7 April 2014 8207:"The Christmas Oratorio, BWV 248" 7673:: a Lutheran composer's challenge 7308:"J.S. Bach: Timeline of His Life" 6521:from the original on 7 March 2012 6429:from the original on 17 July 2014 6010:from the original on 14 May 2015. 5012:, remembers Bach and Handel with 5000:on 28 July; on the same day, the 4925:Royal Academy of Music Bach Prize 4706:historically informed performance 4534:works by Bach: six cantatas, the 3822:(BWV 971) (published together as 3806:Miscellaneous pieces such as the 3354: 2006:, showing Bach's use of ornaments 1825:Bach's four-part chorale settings 1355:Final years and death (1740–1750) 1308:Kyrie–Gloria Mass in B minor 966:Die Zeit, die Tag und Jahre macht 764:in the music of Italians such as 16340:18th-century classical composers 16302: 16290: 16278: 16266: 16234: 16225: 16224: 16019: 15827: 15818: 15817: 13454: 13453: 13002:Johann Bernhard Bach the Younger 12866: 12857: 12856: 12321:Johann Sebastian Bach recordings 11869:The Keyboard Music of J. S. Bach 11798:. San Francisco: HarperCollins. 10845:The Medical Journal of Australia 10836:& Maat, George J.R. (2009). 10825: 10804: 10778: 10749: 10734: 10679: 10659: 10641: 10618: 10606:from the original on 1 July 2013 10588: 10565: 10533: 10504: 10448: 10417: 10387: 10362: 10330: 10318: 10219: 10181: 10085: 10045: 10030: 10002: 9961:Bulletin of the American Academy 9877: 9856: 9815: 9783: 9764: 9740: 9719: 9673: 9610: 9580: 9555:Schwarm, Betsy (19 April 2019). 9548: 9502: 9471: 9440: 9409: 9378: 9351: 9329: 9286: 9256: 9214: 9183: 9152: 9128: 9097: 9075: 9049: 9027: 9005: 8979: 8957: 8944: 8931: 8894: 8874: 8229: 8198: 8094: 8078: 8048: 8021: 7993: 7956: 7894: 7840: 7820: 7766: 7746: 7706: 7609: 7585:(after Pergolesi's Stabat Mater) 7580:Clemens Romijn. Liner notes for 7574: 7527: 7496: 7458: 7416: 7370: 7299: 7221:Rathey, Markus (18 April 2003). 5213: 5160: 5131: 5080: 4116: 4073: 3981: 3963: 3945: 3853:for keyboard (BWV 963–967), the 3625: 3607: 3589: 3557: 3428: 3410: 3320: 3006:ran from the first Sunday after 2967:, or the independent bassoon in 2890: 2872: 2854: 2836: 2818: 2798: 2780: 2571:Liturgical compositions in Latin 2387: 2369: 2351: 2319: 2301: 2283: 2251: 2233: 2215: 2188: 2167: 2007: 1974: 1871: 1853: 1674: 1537:and dedicated to Frederick. The 929:Leopold, Prince of Anhalt-Köthen 917: 259:. From 1723, he was employed as 133: 16420:German male classical organists 16415:German male classical composers 14311:Matthäus Apelles von Löwenstern 13575:Lutheran Hymnal with Supplement 13038:Johann Christoph Friedrich Bach 12925: 12734:Johann Sebastian Bach Institute 12078:, for an extensive bibliography 11451:The Cambridge Companion to Bach 10670:Category:Bach, Johann Sebastian 9193:J. S. Bach and the German Motet 7256: 7241: 7214: 7177: 7080: 7053: 7013: 6971: 6946: 6907: 6881: 6856: 6818: 6793: 6728: 6695: 6670: 6645: 6608: 6583: 6558: 6533: 6411: 6381: 6077: 6041: 5946: 5888: 5842: 5820: 5767: 5736: 5118: 4996:remembers Bach annually with a 4939: 4636: 4426: 4269: 4219:Schlage doch, gewünschte Stunde 3885:sonatas and partitas for violin 3492:Great Eighteen Chorale Preludes 3173:Singet dem Herrn ein neues Lied 3056:Wachet auf, ruft uns die Stimme 3015:Herz und Mund und Tat und Leben 2868:6. Duet "Mein Freund ist mein!" 2767:Wachet auf, ruft uns die Stimme 2498: 2126: 1471:) and his own students such as 1460:Great Eighteen Chorale Preludes 1174:Wachet auf, ruft uns die Stimme 1131:Cantata cycle years (1723–1729) 497:. His father likely taught him 190:; and choral works such as the 13642:Eyn geystlich Gesangk Buchleyn 13535:Evangelical Lutheran Hymn-Book 13050:Johann Gottfried Bernhard Bach 12522:Printed during Bach's lifetime 12261:Riemenschneider Bach Institute 12002:Wolff, Christoph, ed. (1997). 11513:10.1093/OBO/9780199757824-0043 11453:. Cambridge University Press. 10895: 10890: 9797:. Volume I, Part 4, pp. 61–73. 9735:David, Mendel & Wolff 1998 9222:"The Mass in B Minor, BWV 232" 7713:Klavierbüchlein für W. F. Bach 7365:David, Mendel & Wolff 1998 7337:David, Mendel & Wolff 1998 7252:David, Mendel & Wolff 1998 7189:Beiträge zur Musikwissenschaft 7172:David, Mendel & Wolff 1998 7048:David, Mendel & Wolff 1998 6511:"Bach Mass in B Minor BWV 232" 6120:David, Mendel & Wolff 1998 5520:David, Mendel & Wolff 1998 5380: 5350: 5309: 5283: 5126:David, Mendel & Wolff 1998 5019: 4729:, whose interpretation of the 3460:) and stricter forms (such as 3378: 2990:After taking up his office as 2957:Nach dir, Herr, verlanget mich 2495:libretto a few years earlier. 1806:When in the 1740s Bach staged 1689:2 Chronicles 5:13 1163:O Ewigkeit, du Donnerwort 1039:, and to a lesser extent, the 826:Market Church of Our Dear Lady 513:, and an older second cousin, 360:for other keyboard instruments 1: 16345:18th-century German composers 15987:Queen of the Night aria from 15210: 15012: 14834: 14699: 14406:Christian Knorr von Rosenroth 14201:Christian Fürchtegott Gellert 13972:Den svenska psalmboken (1986) 13965:Den svenska psalmboken (1937) 13950:Den svenska psalmboken (1819) 13943:Den svenska psalmboken (1695) 12092:University of Rochester Press 11964:The Organ Music of J. S. Bach 11895:. New York: Whittlesey House. 11828:. New York: Alfred A. Knopf. 11183:. Vol. 1. Translated by 11161:. Vol. 1. Translated by 9567:Encyclopædia Britannica, Inc. 9518:San Francisco Classical Voice 8238:"Bach, Master of the Cantata" 7778:Der musicalische Quack-Salber 7060:US-PRscheide BWV 645–650 5044: 4915:adopted the composer's name. 4770:The Well-Tempered Synthesizer 4506:Ein feste Burg ist unser Gott 3580:performed by Martha Goldstein 3361:stringed keyboard instruments 3359:Bach wrote for organ and for 3278: 3227:Jauchzet dem Herrn, alle Welt 3045:Ein feste Burg ist unser Gott 1918: 1228: 931:, hired Bach to serve as his 897:, premiered in 1714 or 1715. 861:Weinen, Klagen, Sorgen, Zagen 662:play in the northern city of 619:organ Bach played in Arnstadt 390:contrapuntal techniques like 168:; keyboard works such as the 13842:Landstads reviderte salmebok 13551:Evangelical Lutheran Worship 13543:Evangelical Lutheran Hymnary 13127:Wilhelm Friedrich Ernst Bach 12059:UK public library membership 11906:University of Illinois Press 11687:Kupferberg, Herbert (1985). 11530:. R A Kessinger Publishing. 11395:UK public library membership 11313:. Cambridge, Massachusetts: 11155:Schweitzer, Albert (1923) . 10787:Lesser Feasts and Fasts 2018 9449:"Bach: Partitas, BWV 825–30" 7569:vol. 3, appendix XII, p. 315 7277:10.1001/archopht.123.10.1427 5252: 4977:Memory of the World Register 4731:Toccata and Fugue in D minor 4501:Kyrie-Gloria Mass in A major 4234: 3887:(BWV 1001–1006) and the six 3869:Orchestral and chamber music 3831:Chromatic Fantasia and Fugue 3809:Overture in the French Style 3259:Bach's church music in Latin 3213:Lobet den Herrn, alle Heiden 2685:are 21st-century additions. 1892:Chromatic Fantasia and Fugue 1839:Chromatic Fantasia and Fugue 1772:O Haupt voll Blut und Wunden 1579:wrote to one of the Leipzig 1513:Frederick II of Prussia 1185:Nun komm, der Heiden Heiland 1023:In 1723, Bach was appointed 842:Himmelskönig, sei willkommen 736:St. Paul's Church in Leipzig 720:Return to Weimar (1708–1717) 231:, working as a musician for 188:Toccata and Fugue in D minor 7: 16090:Columbia Symphony Orchestra 16004:Songs of the Humpback Whale 11867:Schulenberg, David (2006). 11774:. New York: HarperCollins. 11735:. Oxford University Press. 11602:, Oxford University Press, 11437:Boyd, Malcolm, ed. (1999). 10339:, three volumes, edited by 10325:Felix Mendelssohn Bartholdy 10037:Preludes and Fugues, K.404a 9757:VI, 14 May 1737. Quoted in 9228:. Bach Choir of Bethlehem. 9190:Melamed, Daniel R. (1995). 9167:. Bach Choir of Bethlehem. 9112:. Bach Choir of Bethlehem. 8213:. Bach Choir of Bethlehem. 5850:"History of the Bach House" 5774:Sojourn: Jan Adams Reincken 5032: 4802:Six Sonatas for solo violin 4701:, and recorded his music. 4521:'s 1829 performance of the 4391:owned manuscript copies of 4293:Hermann Karl von Keyserling 3786:(BWV 988), an aria with 30 3483:, the German Organ Mass in 3220:Sei Lob und Preis mit Ehren 2756: 1827:, such as those ending his 1488:Society of Musical Sciences 852:, which coincided with the 431:Jesu, Joy of Man's Desiring 328:composed Latin church music 227:. From 1703 he was back in 16:German composer (1685–1750) 10: 16476: 16405:German classical organists 16011:Beethoven's Symphony No. 5 15947:"Gavotte en Rondeau" from 13834:Psalmebog for Kirke og Hus 13014:Johann Christoph Altnickol 12786:St. Thomas Church, Leipzig 12503:Bach's choir and orchestra 12006:. New York: W. W. Norton. 11750:Miles, Russell H. (1962). 11712:. Grand Rapids, Michigan: 11554:. New York: W. W. Norton. 11189:J. A. Fuller Maitland 10943:. New York: W. W. Norton. 10899: 7593:J.S. Bach Complete Edition 7170:Printed in translation in 7145:Agricola, Johann Friedrich 7141:Bach, Carl Philipp Emanuel 7097:" (pp. 14, 17–18) in 6541:US-PRu M 3.1. B2 C5. 1739q 5993:Companion to Baroque Music 5900:"Baroque Music – Part One" 5743:Snyder, Kerala J. (2007). 4430: 4339:Johann Christoph Altnickol 4335:students of the old master 4238: 4223:, was later attributed to 4173:), French masters such as 4138: 4035: 4020: 3994: 3872: 3638: 3441: 3336: 3282: 3256: 3242: 3154: 3073: 2934: 2908: 2708: 2502: 2403: 2058:Continuo instruments solos 1700: 1573:Johann Christoph Altnickol 1009:Johann Christoph Friedrich 891:Christen, ätzet diesen Tag 723: 696:Christ lag in Todes Banden 495:Maria Elisabeth Lämmerhirt 466: 180:; organ works such as the 18: 16455:People from Saxe-Eisenach 16380:Composers for harpsichord 16355:18th-century keyboardists 16220: 16028: 16017: 15994:"Sacrificial Dance" from 15975:The Well-Tempered Clavier 15913: 15881: 15797: 15754: 15664: 15484: 15463: 15328: 15205: 15007: 14832: 14693: 14687:List of Baroque composers 14684: 14599: 14381:Christian Heinrich Postel 14246:Bernhard Severin Ingemann 13985: 13916: 13892: 13807: 13783: 13752: 13728: 13676: 13617: 13507: 13449: 13431: 13350:Christian Theodor Weinlig 13216: 13136: 13117:(great-great-grandfather) 13046:(2nd cousin once removed) 13022:(1st cousin once removed) 12954:Carl Philipp Emanuel Bach 12933: 12893: 12888:Links to related articles 12852: 12794: 12763: 12697: 12557: 12479: 12397: 12388: 12163:Leaver, Robin A. (2016), 11985:The New Grove Bach Family 11962:Williams, Peter (2003b), 11710:Luther's Liturgical Music 11708:Leaver, Robin A. (2007). 11693:. New York: McGraw-Hill. 11679:Beethoven im eigenen Wort 11676:Kerst, Friedrich (1904). 11600:The Cantatas of J.S. Bach 11332:Wolff, Christoph (2000). 11289:Bach: A Musical Biography 11215:Spitta, Philipp (1899c). 11200:Spitta, Philipp (1899b). 10577:29 September 2015 at the 10401:. National Public Radio. 10053:Köchel, Ludwig Ritter von 10009:A-Wgm A 169 b (III 31685) 9964:. Spring 2005. pp. 26–31. 9486:. National Public Radio. 8906:courses.lumenlearning.com 7912:. American Public Media. 7856:22 September 2015 at the 7511:. National Public Radio. 7476:. Vol. 1. New York: 7388:. American Public Media. 7265:Archives of Ophthalmology 7107:11 September 2017 at the 7065:11 September 2017 at the 7001:III.2 [1746], 357 6984:III.2 [1746], 353 6960:11 September 2017 at the 6935:11 September 2017 at the 6922:11 September 2017 at the 6896:11 September 2017 at the 6845:11 September 2017 at the 6832:11 September 2017 at the 6807:11 September 2017 at the 6777:11 September 2017 at the 6709:11 September 2017 at the 6597:11 September 2017 at the 6572:11 September 2017 at the 6547:11 September 2017 at the 4893:The Well-Tempered Clavier 4854:; but also books such as 4725:to the orchestrations of 4423:(progenitor of harmony). 4394:The Well-Tempered Clavier 4343:Johann Friedrich Agricola 4337:, such as his son-in-law 4083:"Air", 2nd movement from 3684:The Well-Tempered Clavier 3662:The Well-Tempered Clavier 3397:in the village church of 3343:In 1733, Bach composed a 3150: 3053: 3042: 3035:Picander cycle of 1728–29 3012: 2954: 2946:in the opening movement. 2703:Matthew 27:45–47a 2529:Bach-Gesellschaft-Ausgabe 1756:The Well-Tempered Clavier 1652:Johann Friedrich Agricola 1345:The Well-Tempered Clavier 1325: 1319: 1313: 1306:In 1733, Bach composed a 1193: 1182: 1171: 1160: 1141: 963: 888: 873: 858: 839: 799:The Well-Tempered Clavier 758:Johann Gottfried Bernhard 526:St. Michael's Church 407:The Well-Tempered Clavier 200:. Since the 19th century 177:The Well-Tempered Clavier 132: 127: 117: 107: 89: 60: 41: 34: 16390:German Baroque composers 16375:Composers for pipe organ 16153:Münchener Bach-Orchester 14296:Magnus Brostrup Landstad 13666:Evangelisches Gesangbuch 13559:Lutheran Book of Worship 13344:Johann Gottfried Schicht 12936:(showing relationship to 12345:Netherlands Bach Society 12086:Baron, Carol K. (2006). 11923:Van Til, Marian (2007). 11477:Indiana University Press 11475:. Scarborough, Ontario: 11420:Cornell University Press 11403: 11315:Harvard University Press 11287:Williams, Peter (2016). 11268:Williams, Peter (2007). 11065:24 February 2017 at the 10516:10 November 2016 at the 10111:The Symphonic Repertoire 9780:Hamburg: Schiller, 1717. 9692:23 November 2015 at the 9264:"Bach, Johann Sebastian" 8114:(in German). Wiesbaden: 7851:"Harpsichord Concertos," 7831:6 Organ Concertos, Op. 4 7759:Netherlands Bach Society 7718:18 November 2015 at the 7669:On the Origin of Bach's 7625:20 February 2016 at the 7602:22 November 2015 at the 7493:, pp. 280, 289–291. 7118:5 September 2015 at the 7093:22 February 2018 at the 6889:D-B Mus. ms. Bach P 271, 6754:18 November 2016 at the 6743:18 November 2016 at the 6659:18 November 2016 at the 6634:18 November 2016 at the 6623:18 November 2016 at the 5358:"Bach, Johann Sebastian" 5172:(1905 and 1908 editions) 5049: 4885:Partita for Violin No. 3 4699:Dietrich Fischer-Dieskau 4038:Orchestral suites (Bach) 3679:Inventions and Sinfonias 2950:Bach's earliest cantatas 1725:Luther's Small Catechism 1258:repertoire, such as the 1144:Die Elenden sollen essen 738:, tested by Bach in 1717 673:An Wasserflüssen Babylon 509:, introduced him to the 388:Many of his works employ 247:, where he expanded his 16148:Wolfgang Amadeus Mozart 16070:Budapest String Quartet 15955:Izlel ye Delyo Haydutin 14526:N. Samuel of Tranquebar 14466:Johann Balthasar Schupp 14421:Gottfried Wilhelm Sacer 14346:Johann Matthäus Meyfart 14301:Ludvig Mathias Lindeman 14196:Fredrik Gabriel Hedberg 13826:Landstads kirkesalmebog 13607:Service Book and Hymnal 13362:Ernst Friedrich Richter 13154:by Carl Philipp Emanuel 13121:Wilhelm Friedemann Bach 12978:Gottfried Heinrich Bach 12090:. Rochester, New York: 12076:Crist & Stauff 2011 11871:. New York: Routledge. 11518:(subscription required) 11497:"Johann Sebastian Bach" 11370:Oxford University Press 10993:Forkel, Johann Nikolaus 10765:classical-music.com Ltd 10630:23 October 2011 at the 10549:12 October 2016 at the 10525:.musicweb-international 10491:Rokus de Groot (2000). 10148:2 February 2010 at the 10014:8 December 2015 at the 9808:1 February 2014 at the 9795:Musikalische Bibliothek 9790:Lorenz Christoph Mizler 9562:Encyclopædia Britannica 8034:31 January 2016 at the 7591:, 2000. (2014 reissue: 7470:"Johann Sebastian Bach" 7378:"Did Bach really leave 7154:Musikalische Bibliothek 7086:Breig, Werner (2010). " 7069:(original print of the 7020:Musikalische Bibliothek 7006:16 January 2013 at the 6996:Musikalische Bibliothek 6989:16 January 2013 at the 6979:Musikalische Bibliothek 6870:8 December 2015 at the 6653:D-B Mus. ms. Bach P 195 5955:"Weimar (II) 1708–1717" 5296:Encyclopædia Britannica 5278:Crist & Stauff 2011 4480:first keyboard concerto 4359:Wilhelm Friedemann Bach 4305:Lorenz Christoph Mizler 3857:(BWV 933–938), and the 3031:His third cantata cycle 3004:His first cantata cycle 2671:Late contrapuntal works 2018:The second page of the 1661:Musikalische Bibliothek 1503:Elias Gottlob Haussmann 1484:Lorenz Christoph Mizler 564:; and even the Italian 436: 354:. He wrote extensively 193:St Matthew Passion 16425:Musicians from Leipzig 16184:Philharmonia Orchestra 15762:Common practice period 14391:Bartholomäus Ringwaldt 14286:Johann Balthasar König 14051:Birgitte Cathrine Boye 14011:Albert von Brandenburg 13739:Sálmabók Føroya kirkju 13650:Praxis pietatis melica 13410:Georg Christoph Biller 13338:August Eberhard Müller 13326:Johann Friedrich Doles 12740: 12719: 12710: 12423:Chorale harmonisations 12118:(in German). Leipzig: 11635:Herz, Gerhard (1985). 11231:Terry, Charles Sanford 10909:Boyd, Malcolm (2000). 10382:Breitkopf & Härtel 10345:Breitkopf & Härtel 10121:), pp. 423–432 (2002). 10063:Breitkopf & Härtel 10061:(in German). Leipzig: 9698:Breitkopf & Härtel 9617:Traupman-Carr, Carol. 9416:Traupman-Carr, Carol. 9387:"Bach: English Suites" 9295:"Arnstadt (1703–1707)" 9159:Traupman-Carr, Carol. 9104:Traupman-Carr, Carol. 8887:19 August 2016 at the 8542:, second version (BDW 8494:, second version (BDW 8236:Traupman-Carr, Carol. 8205:Traupman-Carr, Carol. 8116:Breitkopf & Härtel 8056:"Bach Works Catalogue" 7827:George Frideric Handel 7534:Traupman-Carr, Carol. 7466:Fuller Maitland, J. A. 6995: 6978: 6786:.gerda-henkel-stiftung 6515:The Baroque Music Site 5643:The Baroque Music Site 5481:Wolff & Emery 2001 5266:Wolff & Emery 2001 4930: 4852:Bach-Werke-Verzeichnis 4810:24 Preludes and Fugues 4654: 4646: 4597: 4542:started composing his 4462:Johann Nikolaus Forkel 4457: 4419: 4285:Augustus III of Poland 4279: 4250: 3859: 3824: 3773: 3767: 3761: 3755: 3749: 3741: 3733: 3725: 3717: 3711: 3542: 3540: 3529: 3239:Chorale harmonisations 3225: 3219: 3211: 3203: 3195: 3187: 3179: 3171: 3002:readings of the week. 2992: 2706: 2689:Passions and oratorios 2581:Passions and oratorios 2528: 2521:Bach-Werke-Verzeichnis 2519: 2446: 2433:Johann Nikolaus Forkel 2015: 1993: 1778: 1729: 1698: 1595: 1589: 1423:. His fourth and last 1303: 1264: 1234: 1114: 1103:Georg Philipp Telemann 1087: 1067:Appointment in Leipzig 933: 925: 833: 744: 739: 706: 694: 620: 546:Johann Jakob Froberger 479:duchy of Saxe-Eisenach 464: 455:Johann David Herlicius 416:Bach-Werke-Verzeichnis 348:his four-part chorales 293:Augustus III of Poland 16325:Johann Sebastian Bach 16075:Johann Sebastian Bach 15875:Voyager Golden Record 15684:British Baroque music 14620:In continental Europe 14446:Johann Hermann Schein 14186:Andreas Hammerschmidt 14151:Frans Michael Franzén 14026:Johann Sebastian Bach 13865:Norsk Salmebok (1985) 13626:First Lutheran hymnal 13583:Lutheran Service Book 13314:Johann Sebastian Bach 13284:Johann Hermann Schein 13111:(1st wife/2nd cousin) 13086:Johann Sebastian Bach 13020:Johann Christoph Bach 13008:Johann Christian Bach 12990:Johann Ambrosius Bach 12939:Johann Sebastian Bach 12771:Bach House (Eisenach) 12721:Neue Bachgesellschaft 12492:Church music in Latin 12382:Johann Sebastian Bach 12284:Johann Sebastian Bach 11987:. London: Macmillan. 11860:Neue Bachgesellschaft 11731:Lester, Joel (1999). 11616:Herl, Joseph (2004). 11503:Oxford Bibliographies 11270:Bach: A Life in Music 11036:Geck, Martin (2003). 11003:Charles Sanford Terry 10812:"Church Music Sunday" 10501:, volume 50, no. 1/2. 10232:New York University. 9700:. Introduction p. 20. 8530:, first version (BDW 8482:, first version (BDW 8169:archived 21 July 2011 7813:1993. Liner notes by 7754:"Concerto in d minor" 6929:D-B Mus. ms. 17155/16 6566:GB-Lbl Add. MS. 35021 6423:Bach Cantatas Website 6393:Bach Cantatas Website 6357:Dürr & Jones 2006 5783:, by Timothy A. Smith 5188:(English translation) 5186:Dürr & Jones 2006 4905:Deutsche Bachsolisten 4866:Voyager Golden Record 4832:Charles Sanford Terry 4819:Bachianas Brasileiras 4757:performances such as 4652: 4644: 4626:Johann Sebastian Bach 4562:Carl Friedrich Zelter 4548:Well-Tempered Clavier 4495:major version of the 4487:Well-Tempered Clavier 4444: 4415:Well-Tempered Clavier 4381:Gottfried van Swieten 4277: 4248: 4095:Capella Istropolitana 4021:Further information: 4003:Brandenburg Concertos 3997:Brandenburg Concertos 3995:Further information: 3926:Brandenburg Concertos 3825:Clavier-Übung II 3739:–(optional movement)– 3707:Partitas for keyboard 3689:Three collections of 3538: 3527: 3515: 3253:Church music in Latin 3023:chorale cantata cycle 2937:Church cantata (Bach) 2915:List of Bach cantatas 2696: 2437: 2365:2. Largo ma non tanto 1999: 1982: 1963:Well-Tempered Clavier 1841:BWV 903 performed by 1769: 1682: 1508:Canon triplex á 6 Voc 1391:BWV Anh. 30 1331:Carl Gotthelf Gerlach 1295: 1260:Brandenburg Concertos 1223: 1074: 1001:Anna Magdalena Wilcke 958:Brandenburg Concertos 912: 733: 724:Further information: 629:Johann Ernst III 614: 522:Johann Christoph Bach 507:Johann Christoph Bach 491:Johann Ambrosius Bach 477:, the capital of the 467:Further information: 451:Johann Ambrosius Bach 449: 442:Childhood (1685–1703) 157:Brandenburg Concertos 144:Johann Sebastian Bach 36:Johann Sebastian Bach 21:Bach (disambiguation) 16450:People from Eisenach 16138:Blind Willie Johnson 16080:Ludwig van Beethoven 16053:Bavarian State Opera 15923:Brandenburg Concerto 15102:Jacquet de La Guerre 15032:Bodin de Boismortier 14581:Carl David af Wirsén 14441:Heinrich Scheidemann 14371:Hallgrímur Pétursson 14266:Balthasar Kindermann 14006:Johann Georg Albinus 13404:Hans-Joachim Rotzsch 13144:Altbachisches Archiv 13080:Johann Nicolaus Bach 12996:Johann Bernhard Bach 12984:Johann Aegidius Bach 12972:Georg Christoph Bach 12966:Elisabeth Lämmerhirt 12817:Bach Prize (Hamburg) 12749:J.S. Bach Foundation 12243:bach-leipzig website 11908:. pp. 135–156. 11826:Mozart and His Times 11637:Essays on J. S. Bach 11596:Jones, Richard D. P. 11418:. Ithaca, New York: 11167:Macmillan Publishers 11139:Macmillan Publishers 11011:Gardiner, John Eliot 10341:Adolph Bernhard Marx 10197:W. W. Norton, 2008. 10081:No. 405, pp. 328–329 9954:4 March 2016 at the 9747:Johann Adolf Scheibe 9680:Zehnder, Jean-Claude 9592:Music of the Baroque 7478:Macmillan Publishers 7250:, p. 442, from 7187:BWV 1080", in: 6684:4 March 2016 at the 6474:, pp. 281, 287. 6389:"Motets BWV 225–231" 6049:Gardiner, John Eliot 6023:, pp. 147, 156. 5268:, "10. Iconography". 4969:Berlin State Library 4913:Bach Collegium Japan 4875:Brandenburg Concerto 4723:piano transcriptions 4710:Nikolaus Harnoncourt 4476:Berlin Sing-Akademie 4420:Urvater der Harmonie 4323:Carl Philipp Emanuel 4297:Johann Adolf Scheibe 4258:. Starting with the 3895:The Musical Offering 3712:Clavier-Übung I 3051:(final version) and 2621:Other keyboard works 2449:Structure and lyrics 2414:, as opposed to the 2074:Brandenburg Concerto 1987:as contained in the 1534:The Musical Offering 1525:Gottfried Silbermann 1505:and featured Bach's 1369:) by, among others, 1049:Electorate of Saxony 754:Carl Philipp Emanuel 658:and to hear him and 656:Johann Adam Reincken 566:Girolamo Frescobaldi 534:Saxe-Gotha-Altenburg 316:hundreds of cantatas 198:Mass in B minor 146:(31 March [ 112:List of compositions 16395:German blind people 16172:Early Music Consort 16063:Wolfgang Sawallisch 15694:early music revival 15265:Frederick the Great 14586:Catherine Winkworth 14551:Philipp Wackernagel 14456:Cyriakus Schneegass 14331:Wilhelmi Malmivaara 14166:Bartholomäus Gesius 14071:Dieterich Buxtehude 14056:Hans Adolph Brorson 13879:Norsk salmebok 2013 13694:Den Danske Salmebog 13567:The Lutheran Hymnal 13527:Common Service Book 13398:Erhard Mauersberger 13230:Johannes Galliculus 13164:by Johann Sebastian 13159:by Johann Christian 13100:(great-grandfather) 13074:Johann Michael Bach 13068:Johann Michael Bach 12948:Anna Magdalena Bach 12776:Bach House (Köthen) 12755:List of Bach choirs 12136:Hofstadter, Douglas 11524:Dent, Edward Joseph 10759:(31 October 2019). 10225:Edward Noel Green. 9837:, pp. 456–461. 9598:on 27 December 2014 9418:"French Suites 1–6" 9337:Kroesbergen, Willem 8928:, pp. 100–101. 8132:on 31 October 2016. 8102:Schmieder, Wolfgang 8040:Proceedings of the 7367:, pp. 191–197. 7318:on 26 February 2012 7312:J.S. Bach Home Page 7197:Musicalisches Opfer 6915:D-B Mus. ms. 30199, 6864:D-B N. Mus. ms. 307 6826:D-B N. Mus. ms. 468 6462:, pp. 288–290. 6450:, pp. 112–113. 6218:, pp. 98, 111. 6158:, pp. 69, 372. 5910:on 5 September 2015 5779:22 May 2006 at the 5582:, pp. 186–187. 4962:John Eliot Gardiner 4857:Gödel, Escher, Bach 4806:Dmitri Shostakovich 4794:Modern Jazz Quartet 4750:Jazz Sebastian Bach 4745:The Swingle Singers 4683:Herbert von Karajan 4544:24 Preludes, Op. 28 4515:Bach's Magnificat. 4472:Abraham Mendelssohn 4351:Johann Ludwig Krebs 4289:Frederick the Great 4202:Air on the G String 4099:Oliver von Dohnányi 4090:Air on the G String 4067:Air on the G String 3855:Six Little Preludes 3816:, BWV 831) and the 3783:Goldberg Variations 3705:(BWV 812–817), and 3490:from 1739, and the 3470:Dieterich Buxtehude 3269:Kyrie–Gloria Masses 3098:) or Italian (e.g. 2683:BWV 1127 and higher 2641:Other chamber music 2029:Goldberg Variations 2003:Goldberg Variations 1782:Four-part harmonies 1776:St. Matthew Passion 1687:. The note next to 1430:Goldberg Variations 1037:St. Nicholas Church 1019:Leipzig (1723–1750) 878: BWV 172 708:Gott ist mein König 660:Dieterich Buxtehude 554:Jean-Baptiste Lully 542:Johann Caspar Kerll 426:Air on the G String 342:. He often adopted 312:Bach's compositions 171:Goldberg Variations 16430:Oratorio composers 16179:K. P. H. Notoprojo 16009:first movement of 15997:The Rite of Spring 15920:first movement of 14994:Torrejón y Velasco 14605:Luther § Hymnodist 14546:Gottfried Vopelius 14476:Nikolaus Selnecker 14376:Michael Praetorius 14356:Erdmann Neumeister 14256:Sigfrid Karg-Elert 14216:Valerius Herberger 14181:Britt G. Hallqvist 14176:N. F. S. Grundtvig 14156:Erik Gustaf Geijer 14111:Ludmilla Elisabeth 14096:Wolfgang Dachstein 14081:Elisabeth Cruciger 14076:Christian Cappelen 14061:Johan Nordahl Brun 14041:Sigmund von Birken 13960:(in Swedish, 1891) 13938:(in Swedish, 1553) 13935:Een liten Songbook 13715:Thomissøn's hymnal 13677:In other languages 13634:Erfurt Enchiridion 13332:Johann Adam Hiller 13109:Maria Barbara Bach 13062:Johann Ludwig Bach 12437:Organ compositions 12232:"Discovering Bach" 12129:Wolfgang Schmieder 12033:Grove Music Online 11365:Grove Music Online 11127:Schweitzer, Albert 10757:BBC Music Magazine 9755:Critischer Musicus 9293:Smith, Timothy A. 9081:Bach Digital Work 9055:Bach Digital Work 9033:Bach Digital Work 9011:Bach Digital Work 8985:Bach Digital Work 8963:Bach Digital Work 8085:Wolfgang Schmieder 7962:Bach Digital Work 7860:booklet notes for 7589:Brilliant Classics 7038:2003, Nr. 32, 115. 6615:D-Cv A.V,1109,(1), 6591:D-B Mus. ms. 16714 6310:: Online Gallery. 6094:. pp. 15–16. 5904:Music in Our World 5896:Thornburgh, Elaine 5826:Bach Digital Work 5546:, pp. 19, 46. 5317:Blanning, T. C. W. 5002:Calendar of Saints 4909:Bachchor Stuttgart 4814:Heitor Villa-Lobos 4655: 4647: 4546:, inspired by the 4536:St Matthew Passion 4524:St Matthew Passion 4503:, and the cantata 4458: 4413:played the entire 4327:Wilhelm Friedemann 4280: 4251: 4087:, performed in an 4017:Keyboard concertos 3543: 3541: 3530: 3197:Fürchte dich nicht 3189:Jesu, meine Freude 3064:Johann Ludwig Bach 2744:St Matthew Passion 2738:Ascension Oratorio 2722:Christmas Oratorio 2707: 2699:St Matthew Passion 2611:Organ compositions 2591:Four-part chorales 2515:thematic catalogue 2511:Wolfgang Schmieder 2489:St Matthew Passion 2052:St Matthew Passion 2016: 1994: 1951:scale of C minor. 1897:chromatic fantasia 1779: 1740:St Matthew Passion 1699: 1577:Heinrich von Brühl 1304: 1276:keyboard concertos 1274:), his violin and 1235: 1215:Leipzig University 1107:Christoph Graupner 1088: 1053:Frederick Augustus 1045:St. Peter's Church 1005:Gottfried Heinrich 997:Maria Barbara Bach 926: 905:Köthen (1717–1723) 750:Wilhelm Friedemann 740: 702:Maria Barbara Bach 621: 524:, the organist at 515:Johann Ludwig Bach 465: 364:composed concertos 16435:Organ improvisers 16254: 16253: 16248: 16247: 16041:and His Hot Seven 15841: 15840: 15803:Renaissance music 15471:Baroque orchestra 14644: 14643: 14556:Johan Olof Wallin 14521:Melchior Teschner 14451:Benjamin Schmolck 14341:Felix Mendelssohn 14336:Hemminki of Masku 14261:Christian Keymann 14016:Michael Altenburg 13981: 13980: 13912: 13911: 13888: 13887: 13803: 13802: 13779: 13778: 13748: 13747: 13724: 13723: 13701:Guldberg's hymnal 13519:Christian Worship 13467: 13466: 13296:Sebastian Knüpfer 13254:Johannes Bruckner 13236:Valerian Hüffeler 13172: 13171: 13056:Johann Jacob Bach 12880: 12879: 12712:Bach Gesellschaft 12693: 12692: 12553: 12552: 12444:Keyboard and lute 12255:Bach Bibliography 12216:978-0-253-33181-6 12197:978-1-4422-3290-7 12176:978-0-367-58143-5 12155:978-0-465-02656-2 12101:978-1-58046-190-0 12057:(subscription or 12051:978-1-56159-263-0 12013:978-0-393-33674-0 11994:978-0-333-34350-0 11973:978-0-521-89115-8 11956:978-0-521-31700-9 11934:978-0-9794785-0-5 11915:978-0-252-03344-5 11878:978-0-415-97400-4 11805:978-0-06-263547-1 11781:978-0-06-075974-2 11742:978-0-19-512097-4 11723:978-0-8028-3221-4 11700:978-0-07-035646-7 11668:978-0-19-816440-1 11646:978-0-8357-1989-6 11627:978-0-19-515439-9 11609:978-0-19-929776-4 11583:978-3-423-04080-8 11561:978-0-393-30052-9 11546:Donington, Robert 11486:978-0-253-10520-2 11460:978-0-521-58780-8 11393:(subscription or 11387:978-1-56159-263-0 11355:978-0-393-32256-9 11343:978-0-19-816534-7 11324:978-0-674-05926-9 11298:978-1-107-13925-1 11279:978-0-521-87074-0 11260:978-0-521-53374-4 11235:Bach: A Biography 11118:978-0-19-500554-7 11092:978-0-15-100648-9 11057:978-1-904341-16-1 11028:978-0-7139-9662-3 10984:978-0-465-01861-1 10950:978-0-393-31956-9 10920:978-0-19-514222-8 10797:978-1-64065-235-4 10238:978-0-549-79451-6 10203:978-0-393-28578-9 10119:978-0-253-33487-9 10109:Brown, A. Peter, 9899:978-0-521-02891-2 9778:, footnote p. 222 9268:GMN ClassicalPlus 9203:978-0-521-41864-5 8891:contains 22 works 8268:Bach Digital Work 8125:978-3-7651-0249-3 8027:Don O. Franklin. 8014:978-88-7063-011-4 7906:to be performed?" 7902:"Did Bach intend 7683:978-0-521-34105-9 7271:(10): 1427–1430. 7071:Schübler Chorales 6954:D-B Mus. ms. 7918 6678:D-B Mus. ms. 1160 6003:978-0-520-21414-9 5988:Sadie, Julie Anne 5883:Table VII, p. 309 5854:Bach House Weimar 5756:978-1-58046-253-2 5694:, pp. 15–16. 5670:, pp. 55–56. 5594:, pp. 41–43. 5498:, pp. 86–87. 5464:Wolff et al. 2018 5336:978-0-674-03104-3 5006:Lutheran churches 4828:Albert Schweitzer 4727:Leopold Stokowski 4721:'s late romantic 4671:Willem Mengelberg 4599:Bach-Gesellschaft 4519:Felix Mendelssohn 4512:Hans Georg Nägeli 4347:Johann Kirnberger 4256:Bach Gesellschaft 4225:Melchior Hoffmann 4175:François Couperin 4171:Missa Sine nomine 4121: 4078: 4044:orchestral suites 4032:Orchestral suites 3986: 3968: 3950: 3630: 3612: 3594: 3562: 3536: 3525: 3501:Schübler Chorales 3433: 3415: 3399:Großhartmannsdorf 3325: 3285:Magnificat (Bach) 3136:drammi per musica 2895: 2877: 2859: 2841: 2823: 2805: 2785: 2727:liturgical season 2676: 2675: 2631:Lute compositions 2601:Small vocal works 2392: 2374: 2356: 2329:Keyboard concerto 2324: 2306: 2288: 2256: 2238: 2220: 2194: 2178: 2152:BWV 632 (extract) 2012: 1876: 1858: 1762:Four-part harmony 1612:lute-harpsichords 1540:Schübler Chorales 1457:Passions and the 1349:Augustus III 1272:Keyboard Practice 1247:Collegium Musicum 1239:Collegium Musicum 1096:St. Paul's Church 1076:St. Thomas Church 1033:St. Thomas Church 1029:St. Thomas School 945:orchestral suites 922: 813:Little Organ Book 281:Collegium Musicum 183:Schubler Chorales 141: 140: 16467: 16410:German Lutherans 16307: 16306: 16305: 16295: 16294: 16293: 16283: 16282: 16281: 16271: 16270: 16269: 16262: 16238: 16237: 16228: 16227: 16128:Anthony Holborne 16023: 15929:"Cavatina" from 15868: 15861: 15854: 15845: 15844: 15831: 15821: 15820: 15736:polychoral style 15651:sonata da chiesa 15212: 15014: 14836: 14701: 14671: 14664: 14657: 14648: 14647: 14625:Lutheran chorale 14531:Zachris Topelius 14491:Lazarus Spengler 14436:Martin Schalling 14366:Johann Pachelbel 14226:Johannes Hermann 14116:Princess Eugénie 13914: 13913: 13890: 13889: 13850:Nynorsk salmebok 13805: 13804: 13781: 13780: 13750: 13749: 13726: 13725: 13681: 13680: 13591:Lutheran Worship 13501:Lutheran hymnody 13494: 13487: 13480: 13471: 13470: 13457: 13456: 13416:Gotthold Schwarz 13356:Moritz Hauptmann 13278:Sethus Calvisius 13266:Wolfgang Figulus 13242:Johannes Hermann 13199: 13192: 13185: 13176: 13175: 12920: 12913: 12906: 12897: 12896: 12884: 12883: 12870: 12860: 12859: 12745: 12724: 12715: 12576: 12575: 12546: 12544:New Bach Edition 12524: 12512: 12505: 12467: 12460: 12458:Orchestral works 12453: 12446: 12439: 12432: 12425: 12395: 12394: 12375: 12368: 12361: 12352: 12351: 12271:Internet Archive 12259:, mirror at the 12239: 12220: 12201: 12179: 12159: 12123: 12105: 12081: 12062: 12055: 12029: 12022:Wolff, Christoph 12017: 11998: 11981:Wolff, Christoph 11976: 11959: 11938: 11919: 11896: 11882: 11863: 11837: 11818:Winston, Richard 11809: 11785: 11763: 11746: 11727: 11704: 11683: 11672: 11650: 11631: 11612: 11587: 11565: 11541: 11519: 11516: 11499: 11490: 11464: 11442: 11433: 11412:Applegate, Celia 11398: 11391: 11368:(8th ed.). 11358: 11347: 11328: 11307:Wolff, Christoph 11302: 11283: 11264: 11252: 11249:The Life of Bach 11238: 11226: 11223:Novello & Co 11211: 11208:Novello & Co 11196: 11193:Novello & Co 11170: 11142: 11133:. Translated by 11122: 11110: 11096: 11061: 11042:. Translated by 11032: 11006: 11001:. Translated by 10988: 10962: 10937:Wolff, Christoph 10924: 10884: 10883: 10881: 10842: 10829: 10823: 10822: 10816: 10808: 10802: 10801: 10782: 10776: 10775: 10773: 10771: 10753: 10747: 10746: 10738: 10732: 10731: 10729: 10727: 10712: 10706: 10705: 10703: 10701: 10683: 10677: 10663: 10657: 10656: 10645: 10639: 10622: 10616: 10615: 10613: 10611: 10592: 10586: 10583:Hänssler Classic 10569: 10563: 10562: 10559: 10557: 10537: 10531: 10529: 10526: 10524: 10508: 10502: 10489: 10480: 10479: 10477: 10475: 10464:A Bach Christmas 10452: 10446: 10445: 10443: 10441: 10424:McComb, Todd M. 10421: 10415: 10414: 10412: 10410: 10391: 10385: 10366: 10360: 10354: 10348: 10334: 10328: 10322: 10316: 10306: 10300: 10290: 10284: 10274: 10268: 10258: 10252: 10251:, pp. 9–10. 10246: 10240: 10223: 10217: 10211: 10205: 10185: 10179: 10173: 10164: 10163: 10160: 10158: 10156: 10139: 10122: 10107: 10101: 10100: 10089: 10083: 10078: 10049: 10043: 10039:: Scores at the 10034: 10028: 10027: 10024: 10022: 10006: 10000: 9986: 9980: 9974: 9965: 9942: 9929: 9923: 9917: 9907: 9901: 9881: 9875: 9874: 9871: 9869: 9860: 9854: 9844: 9838: 9832: 9826: 9819: 9813: 9787: 9781: 9771:Johann Mattheson 9768: 9762: 9744: 9738: 9723: 9717: 9707: 9701: 9677: 9671: 9661: 9655: 9645: 9639: 9638: 9636: 9634: 9614: 9608: 9607: 9605: 9603: 9594:. Archived from 9584: 9578: 9577: 9575: 9573: 9552: 9546: 9540: 9534: 9533: 9531: 9529: 9506: 9500: 9499: 9497: 9495: 9475: 9469: 9468: 9466: 9464: 9447:McComb, Todd M. 9444: 9438: 9437: 9435: 9433: 9413: 9407: 9406: 9404: 9402: 9385:McComb, Todd M. 9382: 9376: 9375: 9373: 9371: 9355: 9349: 9348: 9343:(2nd ed.). 9333: 9327: 9321: 9315: 9314: 9312: 9310: 9290: 9284: 9283: 9281: 9279: 9270:. Archived from 9260: 9254: 9248: 9242: 9241: 9239: 9237: 9218: 9212: 9211: 9187: 9181: 9180: 9178: 9176: 9156: 9150: 9144: 9138: 9132: 9126: 9125: 9123: 9121: 9101: 9095: 9094: 9091: 9089: 9079: 9073: 9072: 9069: 9067: 9053: 9047: 9046: 9043: 9041: 9031: 9025: 9024: 9021: 9019: 9009: 9003: 9002: 8999: 8997: 8983: 8977: 8976: 8973: 8971: 8961: 8955: 8948: 8942: 8935: 8929: 8923: 8917: 8916: 8914: 8912: 8898: 8892: 8878: 8872: 8868: 8859: 8847: 8835: 8823: 8811: 8799: 8787: 8775: 8763: 8751: 8739: 8727: 8715: 8703: 8691: 8679: 8667: 8655: 8643: 8631: 8619: 8607: 8595: 8583: 8571: 8559: 8547: 8535: 8523: 8511: 8499: 8487: 8475: 8463: 8451: 8439: 8427: 8415: 8403: 8391: 8379: 8367: 8355: 8343: 8331: 8319: 8307: 8295: 8283: 8264: 8258: 8257: 8255: 8253: 8233: 8227: 8226: 8224: 8222: 8202: 8196: 8190: 8184: 8178: 8172: 8157:Joel H. Kuznik. 8155: 8149: 8140: 8134: 8133: 8128:. Archived from 8098: 8092: 8082: 8076: 8075: 8073: 8071: 8052: 8046: 8025: 8019: 8018: 7997: 7991: 7982: 7976: 7975: 7972: 7970: 7960: 7954: 7944: 7938: 7932: 7926: 7925: 7923: 7921: 7910:The Art of Fugue 7898: 7892: 7886: 7877: 7874:Schulenberg 2006 7871: 7865: 7844: 7838: 7824: 7818: 7815:Gilles Cantagrel 7800: 7794: 7788: 7782: 7781: 7770: 7764: 7763: 7750: 7744: 7738: 7732: 7731: 7728: 7726: 7710: 7704: 7698: 7692: 7691: 7663: 7654: 7648: 7642: 7636: 7630: 7613: 7607: 7578: 7572: 7562: 7556: 7555: 7553: 7551: 7531: 7525: 7524: 7522: 7520: 7500: 7494: 7488: 7482: 7481: 7462: 7456: 7450: 7444: 7443: 7441: 7439: 7434:on 2 August 2020 7430:. Archived from 7420: 7414: 7408: 7402: 7401: 7399: 7397: 7386:The Art of Fugue 7374: 7368: 7362: 7356: 7346: 7340: 7334: 7328: 7327: 7325: 7323: 7314:. Archived from 7303: 7297: 7296: 7260: 7254: 7245: 7239: 7238: 7236: 7229: 7218: 7212: 7206: 7200: 7181: 7175: 7169: 7162: 7137: 7126: 7084: 7078: 7057: 7051: 7045: 7039: 7017: 7011: 6998: 6981: 6975: 6969: 6955: 6950: 6944: 6930: 6917:Fascicle 14 6916: 6911: 6905: 6890: 6885: 6879: 6865: 6860: 6854: 6840: 6827: 6822: 6816: 6802: 6797: 6791: 6790: 6787: 6785: 6769: 6763: 6736: 6732: 6726: 6704: 6699: 6693: 6679: 6674: 6668: 6654: 6649: 6643: 6616: 6612: 6606: 6592: 6587: 6581: 6567: 6562: 6556: 6542: 6537: 6531: 6530: 6528: 6526: 6507: 6498: 6493: 6487: 6481: 6475: 6469: 6463: 6457: 6451: 6445: 6439: 6438: 6436: 6434: 6415: 6409: 6408: 6406: 6404: 6385: 6379: 6373: 6364: 6354: 6348: 6342: 6336: 6330: 6324: 6323: 6321: 6319: 6300: 6294: 6284: 6278: 6268: 6262: 6256: 6250: 6244: 6235: 6225: 6219: 6213: 6207: 6201: 6195: 6189: 6183: 6177: 6171: 6165: 6159: 6153: 6147: 6141: 6135: 6129: 6123: 6117: 6111: 6110: 6108: 6106: 6100: 6093: 6085:Wolff, Christoph 6081: 6075: 6074: 6072: 6070: 6064: 6058:. pp. 1–2. 6057: 6045: 6039: 6033: 6024: 6018: 6012: 6011: 5984: 5975: 5974: 5972: 5970: 5950: 5944: 5938: 5932: 5926: 5920: 5919: 5917: 5915: 5892: 5886: 5876: 5870: 5869: 5867: 5865: 5846: 5840: 5839: 5836: 5834: 5824: 5818: 5808: 5802: 5793: 5784: 5771: 5765: 5764: 5740: 5734: 5725: 5719: 5713: 5707: 5701: 5695: 5689: 5683: 5677: 5671: 5665: 5659: 5658: 5656: 5654: 5635: 5610: 5604: 5595: 5589: 5583: 5577: 5571: 5565: 5559: 5553: 5547: 5541: 5535: 5529: 5523: 5517: 5511: 5505: 5499: 5493: 5484: 5478: 5467: 5461: 5452: 5446: 5440: 5426: 5420: 5414: 5408: 5407: 5405: 5403: 5398:on 26 March 2019 5394:. Archived from 5384: 5378: 5377: 5375: 5373: 5364:. Archived from 5354: 5348: 5347: 5313: 5307: 5306: 5304: 5302: 5287: 5281: 5275: 5269: 5263: 5247: 5217: 5211: 5164: 5158: 5135: 5129: 5122: 5116: 5102: 5097: 5096: 5093: 5092: 5089: 5086: 5077: 5076: 5075: 5069: 5062: 4935: 4782:Jacques Loussier 4764:Switched-On Bach 4719:Ferruccio Busoni 4602: 4494: 4493: 4455: 4422: 4301:Johann Mattheson 4123: 4122: 4080: 4079: 3988: 3987: 3970: 3969: 3952: 3951: 3905:Violin concertos 3899:The Art of Fugue 3864: 3827: 3819:Italian Concerto 3776: 3770: 3764: 3758: 3752: 3746: 3738: 3730: 3722: 3714: 3632: 3631: 3614: 3613: 3596: 3595: 3576:Italian Concerto 3564: 3563: 3537: 3526: 3517:The Art of Fugue 3462:chorale preludes 3435: 3434: 3417: 3416: 3395:Silbermann organ 3373:lute-harpsichord 3327: 3326: 3230: 3222: 3216: 3208: 3205:Komm, Jesu, komm 3200: 3192: 3184: 3176: 3143:A cappella music 3106:BWV Anh. 11 3070:Secular cantatas 3061: 3060: 3050: 3049: 3020: 3019: 2997: 2962: 2961: 2897: 2896: 2879: 2878: 2861: 2860: 2843: 2842: 2825: 2824: 2807: 2806: 2787: 2786: 2651:Orchestral music 2536: 2535: 2531: 2524: 2425:Classical period 2394: 2393: 2376: 2375: 2358: 2357: 2326: 2325: 2308: 2307: 2290: 2289: 2258: 2257: 2240: 2239: 2222: 2221: 2196: 2195: 2180: 2179: 2163: 2162: 2158: 2117:Musical Offering 2014: 2013: 1983:Bach's guide on 1895:, emulating the 1878: 1877: 1860: 1859: 1829:Chorale cantatas 1735:Lutheran chorale 1732: 1695: 1670: 1648:The Art of Fugue 1598: 1596:Director musices 1592: 1549:The Art of Fugue 1496: 1328: 1327: 1322: 1321: 1316: 1315: 1300: 1269: 1233: 1230: 1201: 1200: 1190: 1189: 1179: 1178: 1168: 1167: 1156:chorale cantatas 1149: 1148: 1117: 1013:Johann Christian 971: 970: 938: 924: 923: 896: 895: 881: 880: 866: 865: 847: 846: 836: 818:Lutheran chorale 747: 711: 699: 550:Johann Pachelbel 463: 423:, including the 411:Bach biographies 380:as chamber music 352:his sacred songs 269:St Thomas's 221:Johann Christoph 213:Johann Ambrosius 137: 96: 76: 74: 46: 32: 31: 16475: 16474: 16470: 16469: 16468: 16466: 16465: 16464: 16315: 16314: 16313: 16303: 16301: 16291: 16289: 16285:Classical music 16279: 16277: 16267: 16265: 16257: 16255: 16250: 16249: 16244: 16216: 16143:Kesarbai Kerkar 16118:Arthur Grumiaux 16096:Igor Stravinsky 16048:Valya Balkanska 16036:Louis Armstrong 16024: 16015: 15989:The Magic Flute 15962:Johnny B. Goode 15926:No. 2, BWV 1047 15909: 15891:Voyager program 15877: 15872: 15842: 15837: 15814: 15810:Classical music 15806: 15793: 15750: 15746:Galant Schemata 15660: 15559:concerto grosso 15480: 15459: 15331: 15324: 15201: 15037:G. B. Bononcini 15003: 14828: 14697: 14689: 14680: 14675: 14645: 14640: 14639: 14635:Chorale cantata 14630:Chorale setting 14610:Hymns by Luther 14595: 14576:Olle Widestrand 14511:Jesper Swedberg 14471:Heinrich Schütz 14361:Philipp Nicolai 14221:Nikolaus Herman 14211:Ludwig Helmbold 14206:Johann Heermann 14141:Melchior Franck 14101:Nikolaus Decius 14066:Joachim a Burck 14001:Mikael Agricola 13991: 13989: 13977: 13908: 13903:Culto Cristiano 13884: 13799: 13775: 13744: 13720: 13672: 13613: 13503: 13498: 13468: 13463: 13445: 13427: 13248:Wolfgang Jünger 13212: 13203: 13173: 13168: 13132: 13098:Johannes Bach I 13070:(father-in-law) 12937: 12935: 12929: 12924: 12889: 12881: 12876: 12848: 12837:Bach quadrangle 12790: 12781:Café Zimmermann 12759: 12689: 12635:Riemenschneider 12582: 12574: 12549: 12542: 12533:Reconstructions 12520: 12508: 12501: 12475: 12463: 12456: 12449: 12442: 12435: 12430:Songs and arias 12428: 12421: 12384: 12379: 12343:website of the 12257:(23 March 2012) 12230: 12227: 12217: 12204: 12198: 12182: 12177: 12162: 12156: 12134: 12110:Dörffel, Alfred 12108: 12102: 12085: 12072: 12070: 12068:Further reading 12065: 12056: 12052: 12014: 11995: 11974: 11961: 11957: 11943:Williams, Peter 11935: 11916: 11887:Spaeth, Sigmund 11879: 11806: 11782: 11743: 11724: 11701: 11669: 11647: 11628: 11610: 11584: 11562: 11538: 11517: 11487: 11461: 11430: 11406: 11401: 11392: 11388: 11344: 11325: 11299: 11280: 11261: 11243:Williams, Peter 11175:Spitta, Philipp 11119: 11101:Geiringer, Karl 11093: 11067:Wayback Machine 11058: 11048:Haus Publishing 11029: 10985: 10951: 10921: 10904: 10898: 10893: 10888: 10887: 10879: 10840: 10830: 10826: 10814: 10810: 10809: 10805: 10798: 10784: 10783: 10779: 10769: 10767: 10754: 10750: 10739: 10735: 10725: 10723: 10714: 10713: 10709: 10699: 10697: 10691:bach-digital.de 10685: 10684: 10680: 10664: 10660: 10647: 10646: 10642: 10632:Wayback Machine 10623: 10619: 10609: 10607: 10594: 10593: 10589: 10579:Wayback Machine 10570: 10566: 10554: 10551:Wayback Machine 10538: 10534: 10530:1 December 2001 10521: 10518:Wayback Machine 10509: 10505: 10495:pp. 145–158 in 10490: 10483: 10473: 10471: 10466:. BBC Radio 3. 10460:"Bach and Jazz" 10453: 10449: 10439: 10437: 10430:Early Music FAQ 10422: 10418: 10408: 10406: 10393: 10392: 10388: 10367: 10363: 10357:Kupferberg 1985 10355: 10351: 10335: 10331: 10323: 10319: 10307: 10303: 10291: 10287: 10275: 10271: 10259: 10255: 10247: 10243: 10224: 10220: 10212: 10208: 10186: 10182: 10174: 10167: 10153: 10150:Wayback Machine 10140: 10125: 10108: 10104: 10091: 10090: 10086: 10050: 10046: 10035: 10031: 10019: 10016:Wayback Machine 10007: 10003: 9987: 9983: 9975: 9968: 9956:Wayback Machine 9945:Christoph Wolff 9943: 9932: 9924: 9920: 9908: 9904: 9882: 9878: 9866: 9861: 9857: 9845: 9841: 9833: 9829: 9820: 9816: 9810:Wayback Machine 9788: 9784: 9769: 9765: 9745: 9741: 9724: 9720: 9708: 9704: 9694:Wayback Machine 9678: 9674: 9662: 9658: 9646: 9642: 9632: 9630: 9629:on 19 July 2013 9615: 9611: 9601: 9599: 9588:"Baroque Music" 9586: 9585: 9581: 9571: 9569: 9553: 9549: 9541: 9537: 9527: 9525: 9507: 9503: 9493: 9491: 9476: 9472: 9462: 9460: 9453:Early Music FAQ 9445: 9441: 9431: 9429: 9414: 9410: 9400: 9398: 9391:Early Music FAQ 9383: 9379: 9369: 9367: 9356: 9352: 9334: 9330: 9324:Schweitzer 1923 9322: 9318: 9308: 9306: 9291: 9287: 9277: 9275: 9274:on 19 June 2008 9262: 9261: 9257: 9249: 9245: 9235: 9233: 9220: 9219: 9215: 9204: 9188: 9184: 9174: 9172: 9157: 9153: 9145: 9141: 9133: 9129: 9119: 9117: 9102: 9098: 9086: 9080: 9076: 9064: 9054: 9050: 9038: 9032: 9028: 9016: 9010: 9006: 8994: 8984: 8980: 8968: 8962: 8958: 8949: 8945: 8936: 8932: 8924: 8920: 8910: 8908: 8900: 8899: 8895: 8889:Wayback Machine 8879: 8875: 8871: 8863:BWV deest (BDW 8862: 8850: 8838: 8826: 8814: 8802: 8790: 8778: 8766: 8754: 8742: 8730: 8718: 8706: 8694: 8682: 8670: 8658: 8646: 8634: 8622: 8610: 8598: 8586: 8574: 8562: 8550: 8538: 8526: 8514: 8502: 8490: 8478: 8466: 8454: 8442: 8430: 8418: 8406: 8394: 8382: 8370: 8358: 8346: 8334: 8322: 8310: 8298: 8286: 8274: 8265: 8261: 8251: 8249: 8234: 8230: 8220: 8218: 8203: 8199: 8191: 8187: 8179: 8175: 8156: 8152: 8141: 8137: 8126: 8099: 8095: 8083: 8079: 8069: 8067: 8054: 8053: 8049: 8036:Wayback Machine 8026: 8022: 8015: 7998: 7994: 7983: 7979: 7967: 7961: 7957: 7945: 7941: 7933: 7929: 7919: 7917: 7900: 7899: 7895: 7891:, pp. 3–24 7887: 7880: 7876:, pp. 1–2. 7872: 7868: 7858:Wayback Machine 7845: 7841: 7825: 7821: 7801: 7797: 7789: 7785: 7771: 7767: 7752: 7751: 7747: 7739: 7735: 7723: 7720:Wayback Machine 7711: 7707: 7699: 7695: 7684: 7664: 7657: 7649: 7645: 7637: 7633: 7627:Wayback Machine 7614: 7610: 7604:Wayback Machine 7579: 7575: 7563: 7559: 7549: 7547: 7532: 7528: 7518: 7516: 7503:Huizenga, Tom. 7501: 7497: 7489: 7485: 7463: 7459: 7451: 7447: 7437: 7435: 7428:British Library 7422: 7421: 7417: 7409: 7405: 7395: 7393: 7376: 7375: 7371: 7363: 7359: 7347: 7343: 7335: 7331: 7321: 7319: 7304: 7300: 7261: 7257: 7246: 7242: 7234: 7227: 7219: 7215: 7207: 7203: 7182: 7178: 7156: 7138: 7129: 7120:Wayback Machine 7109:Wayback Machine 7095:Wayback Machine 7085: 7081: 7067:Wayback Machine 7058: 7054: 7046: 7042: 7018: 7014: 7008:Wayback Machine 6991:Wayback Machine 6976: 6972: 6962:Wayback Machine 6953: 6951: 6947: 6937:Wayback Machine 6928: 6924:Wayback Machine 6914: 6912: 6908: 6898:Wayback Machine 6891:Fascicle 2 6888: 6886: 6882: 6872:Wayback Machine 6863: 6861: 6857: 6847:Wayback Machine 6838: 6834:Wayback Machine 6825: 6823: 6819: 6809:Wayback Machine 6800: 6798: 6794: 6782: 6779:Wayback Machine 6770: 6766: 6756:Wayback Machine 6749:Fascicle 2 6745:Wayback Machine 6738:Fascicle 1 6734: 6733: 6729: 6711:Wayback Machine 6702: 6700: 6696: 6686:Wayback Machine 6677: 6675: 6671: 6661:Wayback Machine 6652: 6650: 6646: 6636:Wayback Machine 6625:Wayback Machine 6614: 6613: 6609: 6599:Wayback Machine 6590: 6588: 6584: 6574:Wayback Machine 6565: 6563: 6559: 6549:Wayback Machine 6540: 6538: 6534: 6524: 6522: 6509: 6508: 6501: 6494: 6490: 6482: 6478: 6470: 6466: 6458: 6454: 6446: 6442: 6432: 6430: 6417: 6416: 6412: 6402: 6400: 6387: 6386: 6382: 6374: 6367: 6355: 6351: 6343: 6339: 6331: 6327: 6317: 6315: 6308:British Library 6302: 6301: 6297: 6285: 6281: 6269: 6265: 6257: 6253: 6245: 6238: 6226: 6222: 6214: 6210: 6202: 6198: 6190: 6186: 6178: 6174: 6166: 6162: 6154: 6150: 6142: 6138: 6130: 6126: 6118: 6114: 6104: 6102: 6098: 6091: 6082: 6078: 6068: 6066: 6062: 6055: 6046: 6042: 6034: 6027: 6019: 6015: 6004: 5985: 5978: 5968: 5966: 5951: 5947: 5941:Schweitzer 1923 5939: 5935: 5927: 5923: 5913: 5911: 5893: 5889: 5877: 5873: 5863: 5861: 5848: 5847: 5843: 5831: 5825: 5821: 5809: 5805: 5794: 5787: 5781:Wayback Machine 5772: 5768: 5757: 5741: 5737: 5726: 5722: 5714: 5710: 5702: 5698: 5690: 5686: 5678: 5674: 5666: 5662: 5652: 5650: 5637: 5636: 5613: 5605: 5598: 5590: 5586: 5578: 5574: 5566: 5562: 5554: 5550: 5542: 5538: 5530: 5526: 5518: 5514: 5510:, pp. 7–8. 5506: 5502: 5494: 5487: 5479: 5470: 5462: 5455: 5447: 5443: 5427: 5423: 5415: 5411: 5401: 5399: 5386: 5385: 5381: 5371: 5369: 5356: 5355: 5351: 5337: 5314: 5310: 5300: 5298: 5288: 5284: 5276: 5272: 5264: 5260: 5255: 5250: 5218: 5214: 5170:Schweitzer 1911 5165: 5161: 5136: 5132: 5123: 5119: 5100: 5083: 5079: 5071: 5070: 5063: 5056: 5052: 5047: 5035: 5022: 5014:Heinrich Schütz 4971:, was added to 4954:Christoph Wolff 4942: 4901:Bach Aria Group 4889:Arthur Grumiaux 4840:Christoph Wolff 4747:on their album 4691:Wanda Landowska 4639: 4609:Peter Cornelius 4550:, in 1835, and 4530:St John Passion 4491: 4490: 4449: 4439: 4429: 4385:Viennese school 4377:Mass in B minor 4272: 4243: 4237: 4193:Brockes Passion 4151:Bist du bei mir 4147: 4137: 4136: 4135: 4134: 4133: 4129:Hunting Cantata 4124: 4117: 4114: 4108: 4107: 4106: 4081: 4074: 4071: 4062: 4056: 4048:French overture 4040: 4034: 4025: 4019: 4011:concerto grosso 3999: 3993: 3992: 3991: 3990: 3989: 3982: 3979: 3973: 3972: 3971: 3964: 3961: 3955: 3954: 3953: 3946: 3943: 3937: 3929: 3913:in A minor and 3907: 3881: 3871: 3849:(BWV 802–805), 3814:French Overture 3699:(BWV 806–811), 3643: 3637: 3636: 3635: 3634: 3633: 3626: 3623: 3617: 3616: 3615: 3608: 3605: 3599: 3598: 3597: 3590: 3587: 3581: 3569: 3568: 3567: 3566: 3565: 3558: 3555: 3549: 3539:Nos. 13–20 3532: 3521: 3510: 3446: 3440: 3439: 3438: 3437: 3436: 3429: 3426: 3420: 3419: 3418: 3411: 3408: 3402: 3381: 3357: 3349:Mass in B minor 3341: 3339:Mass in B minor 3335: 3334: 3333: 3332: 3331: 3328: 3321: 3318: 3312: 3310:Mass in B minor 3303: 3301:Mass in B minor 3295:D major version 3287: 3281: 3273:Mass in B minor 3261: 3255: 3247: 3241: 3159: 3153: 3145: 3101:Amore traditore 3095:Peasant Cantata 3089:Hunting Cantata 3078: 3072: 3027:chorale cantata 2973:Christoph Wolff 2939: 2933: 2931:Church cantatas 2917: 2907: 2906: 2905: 2904: 2903: 2898: 2891: 2888: 2882: 2881: 2880: 2873: 2870: 2864: 2863: 2862: 2855: 2852: 2846: 2845: 2844: 2837: 2834: 2828: 2827: 2826: 2819: 2816: 2810: 2809: 2808: 2799: 2796: 2790: 2789: 2788: 2781: 2778: 2772: 2759: 2750:St John Passion 2732:Easter Oratorio 2713: 2691: 2507: 2501: 2493:St John Passion 2474:Mass in B minor 2458:St Mark Passion 2451: 2408: 2402: 2401: 2400: 2399: 2398: 2395: 2388: 2385: 2379: 2378: 2377: 2370: 2367: 2361: 2360: 2359: 2352: 2349: 2343: 2334: 2333: 2332: 2331: 2330: 2327: 2320: 2317: 2311: 2310: 2309: 2302: 2299: 2293: 2292: 2291: 2284: 2281: 2275: 2266: 2265: 2264: 2263: 2262: 2259: 2252: 2249: 2243: 2242: 2241: 2234: 2231: 2225: 2224: 2223: 2216: 2213: 2207: 2201: 2200: 2199: 2198: 2197: 2189: 2181: 2168: 2165: 2160: 2156: 2155: 2148: 2129: 2089: 2087:Instrumentation 2080:Triple Concerto 2060: 2044:Neapolitan mass 2008: 1977: 1921: 1911:(comparable to 1886: 1885: 1884: 1883: 1882: 1879: 1872: 1869: 1863: 1862: 1861: 1854: 1851: 1845: 1808:his arrangement 1764: 1754:. For example, 1705: 1693: 1677: 1664: 1566:Mass in B minor 1490: 1357: 1298: 1290: 1251:Café Zimmermann 1243:Christoph Wolff 1231: 1225:Café Zimmermann 1133: 1125:liturgical year 1069: 1021: 918: 907: 869:Jubilate Sunday 728: 722: 609: 601:Ritter-Academie 485:(31 March 1685 471: 457: 444: 439: 421:of arrangements 372:for harpsichord 366:, for instance 251:repertory, and 103: 98: 94: 85: 80: 72: 70: 68: 56: 37: 28: 17: 12: 11: 5: 16473: 16463: 16462: 16457: 16452: 16447: 16442: 16437: 16432: 16427: 16422: 16417: 16412: 16407: 16402: 16397: 16392: 16387: 16382: 16377: 16372: 16367: 16362: 16357: 16352: 16347: 16342: 16337: 16332: 16327: 16312: 16311: 16299: 16287: 16275: 16252: 16251: 16246: 16245: 16243: 16242: 16232: 16221: 16218: 16217: 16215: 16214: 16212:Gorō Yamaguchi 16209: 16207:Laurie Spiegel 16204: 16199: 16194: 16193: 16192: 16190:Otto Klemperer 16181: 16176: 16175: 16174: 16163: 16162: 16161: 16150: 16145: 16140: 16135: 16130: 16125: 16120: 16115: 16110: 16105: 16100: 16099: 16098: 16087: 16082: 16077: 16072: 16067: 16066: 16065: 16050: 16045: 16044: 16043: 16032: 16030: 16026: 16025: 16018: 16016: 16014: 16013: 16007: 16000: 15992: 15984: 15979: 15970: 15965: 15958: 15951: 15945: 15938: 15933: 15927: 15917: 15915: 15911: 15910: 15908: 15907: 15900: 15893: 15888: 15882: 15879: 15878: 15871: 15870: 15863: 15856: 15848: 15839: 15838: 15836: 15835: 15825: 15807: 15799: 15798: 15795: 15794: 15792: 15791: 15790: 15789: 15784: 15779: 15774: 15764: 15758: 15756: 15752: 15751: 15749: 15748: 15743: 15738: 15733: 15731:notes inégales 15728: 15723: 15718: 15713: 15712: 15711: 15706: 15701: 15691: 15686: 15681: 15680: 15679: 15668: 15666: 15662: 15661: 15659: 15658: 15653: 15648: 15643: 15638: 15633: 15628: 15623: 15618: 15613: 15608: 15603: 15598: 15597: 15596: 15591: 15586: 15581: 15576: 15571: 15561: 15556: 15551: 15546: 15541: 15540: 15539: 15534: 15524: 15519: 15514: 15509: 15504: 15499: 15494: 15488: 15486: 15482: 15481: 15479: 15478: 15476:Basso continuo 15473: 15467: 15465: 15461: 15460: 15458: 15457: 15452: 15447: 15442: 15437: 15432: 15427: 15422: 15417: 15412: 15407: 15402: 15397: 15392: 15387: 15382: 15377: 15372: 15367: 15362: 15357: 15352: 15347: 15342: 15336: 15334: 15326: 15325: 15323: 15322: 15317: 15312: 15307: 15302: 15297: 15292: 15287: 15282: 15277: 15272: 15267: 15262: 15257: 15252: 15247: 15242: 15237: 15232: 15227: 15222: 15216: 15214: 15203: 15202: 15200: 15199: 15194: 15189: 15184: 15179: 15174: 15169: 15164: 15159: 15154: 15149: 15144: 15139: 15134: 15129: 15124: 15119: 15114: 15109: 15107:Leclair l'aîné 15104: 15099: 15094: 15089: 15084: 15079: 15074: 15069: 15064: 15059: 15054: 15049: 15044: 15039: 15034: 15029: 15024: 15018: 15016: 15005: 15004: 15002: 15001: 14996: 14991: 14986: 14981: 14976: 14971: 14966: 14961: 14956: 14951: 14946: 14941: 14936: 14931: 14926: 14921: 14916: 14911: 14906: 14901: 14896: 14891: 14886: 14881: 14876: 14871: 14866: 14861: 14859:H. I. F. Biber 14856: 14851: 14846: 14840: 14838: 14830: 14829: 14827: 14826: 14821: 14816: 14811: 14806: 14801: 14796: 14791: 14786: 14781: 14776: 14771: 14766: 14761: 14756: 14751: 14746: 14741: 14736: 14731: 14726: 14721: 14716: 14711: 14705: 14703: 14691: 14690: 14685: 14682: 14681: 14674: 14673: 14666: 14659: 14651: 14642: 14641: 14638: 14637: 14632: 14627: 14622: 14617: 14612: 14607: 14601: 14600: 14597: 14596: 14594: 14593: 14588: 14583: 14578: 14573: 14568: 14563: 14558: 14553: 14548: 14543: 14541:Jaroslav Vajda 14538: 14533: 14528: 14523: 14518: 14516:Jiří Třanovský 14513: 14508: 14506:Paul Stockmann 14503: 14501:Philipp Spitta 14498: 14493: 14488: 14483: 14478: 14473: 14468: 14463: 14458: 14453: 14448: 14443: 14438: 14433: 14428: 14423: 14418: 14416:Johan Runeberg 14413: 14411:Daniel Rumpius 14408: 14403: 14398: 14396:Martin Rinkart 14393: 14388: 14383: 14378: 14373: 14368: 14363: 14358: 14353: 14348: 14343: 14338: 14333: 14328: 14323: 14318: 14313: 14308: 14303: 14298: 14293: 14288: 14283: 14281:Johann Kolross 14278: 14273: 14268: 14263: 14258: 14253: 14248: 14243: 14238: 14233: 14228: 14223: 14218: 14213: 14208: 14203: 14198: 14193: 14188: 14183: 14178: 14173: 14171:Johannes Gigas 14168: 14163: 14158: 14153: 14148: 14146:Salomon Franck 14143: 14138: 14136:Michael Franck 14133: 14128: 14123: 14118: 14113: 14108: 14103: 14098: 14093: 14088: 14083: 14078: 14073: 14068: 14063: 14058: 14053: 14048: 14043: 14038: 14033: 14028: 14023: 14021:Anna Sophia II 14018: 14013: 14008: 14003: 13997: 13995: 13983: 13982: 13979: 13978: 13976: 13975: 13968: 13961: 13957:Hemlandssånger 13953: 13946: 13939: 13931: 13927:Swenske songer 13922: 13920: 13910: 13909: 13907: 13906: 13898: 13896: 13886: 13885: 13883: 13882: 13875: 13868: 13861: 13854: 13846: 13838: 13830: 13822: 13813: 13811: 13801: 13800: 13798: 13797: 13789: 13787: 13777: 13776: 13774: 13773: 13766: 13763:Siionin Virret 13758: 13756: 13746: 13745: 13743: 13742: 13734: 13732: 13722: 13721: 13719: 13718: 13711: 13708:Kingo's hymnal 13704: 13697: 13689: 13687: 13678: 13674: 13673: 13671: 13670: 13662: 13658:Becker Psalter 13654: 13646: 13638: 13630: 13621: 13619: 13618:German hymnals 13615: 13614: 13612: 13611: 13603: 13599:ReClaim Hymnal 13595: 13587: 13579: 13571: 13563: 13555: 13547: 13539: 13531: 13523: 13514: 13512: 13505: 13504: 13497: 13496: 13489: 13482: 13474: 13465: 13464: 13462: 13461: 13450: 13447: 13446: 13444: 13443: 13440:Forum Thomanum 13435: 13433: 13429: 13428: 13426: 13425: 13419: 13413: 13407: 13401: 13395: 13389: 13383: 13377: 13374:Gustav Schreck 13371: 13365: 13359: 13353: 13347: 13341: 13335: 13329: 13323: 13320:Gottlob Harrer 13317: 13311: 13305: 13302:Johann Schelle 13299: 13293: 13290:Tobias Michael 13287: 13281: 13275: 13272:Melchior Heger 13269: 13263: 13257: 13251: 13245: 13239: 13233: 13227: 13220: 13218: 13214: 13213: 13202: 13201: 13194: 13187: 13179: 13170: 13169: 13167: 13166: 13161: 13156: 13151: 13146: 13140: 13138: 13134: 13133: 13131: 13130: 13124: 13118: 13112: 13106: 13101: 13095: 13089: 13083: 13077: 13071: 13065: 13059: 13053: 13047: 13041: 13035: 13029: 13023: 13017: 13011: 13005: 12999: 12993: 12987: 12981: 12975: 12969: 12963: 12960:Christoph Bach 12957: 12951: 12944: 12942: 12931: 12930: 12923: 12922: 12915: 12908: 12900: 12894: 12891: 12890: 12878: 12877: 12875: 12874: 12864: 12853: 12850: 12849: 12847: 12846: 12845: 12844: 12834: 12829: 12824: 12819: 12814: 12804: 12802:Bach festivals 12798: 12796: 12792: 12791: 12789: 12788: 12783: 12778: 12773: 12767: 12765: 12761: 12760: 12758: 12757: 12752: 12746: 12737: 12731: 12725: 12716: 12707: 12701: 12699: 12695: 12694: 12691: 12690: 12688: 12687: 12682: 12677: 12672: 12667: 12662: 12657: 12652: 12647: 12642: 12637: 12632: 12627: 12622: 12617: 12612: 12607: 12602: 12597: 12592: 12586: 12584: 12573: 12572: 12567: 12561: 12559: 12555: 12554: 12551: 12550: 12548: 12547: 12540: 12538:Transcriptions 12535: 12530: 12525: 12518: 12513: 12506: 12499: 12494: 12489: 12483: 12481: 12477: 12476: 12474: 12473: 12468: 12461: 12454: 12447: 12440: 12433: 12426: 12419: 12414: 12409: 12403: 12401: 12392: 12386: 12385: 12378: 12377: 12370: 12363: 12355: 12349: 12348: 12338: 12328: 12312: 12311: 12301: 12291: 12275: 12274: 12264: 12250: 12240: 12226: 12225:External links 12223: 12222: 12221: 12215: 12202: 12196: 12180: 12175: 12160: 12154: 12132: 12106: 12100: 12069: 12066: 12064: 12063: 12050: 12018: 12012: 11999: 11993: 11983:, ed. (1983). 11977: 11972: 11955: 11939: 11933: 11920: 11914: 11897: 11883: 11877: 11864: 11842:Schneider, Max 11838: 11822:Winston, Clara 11810: 11804: 11786: 11780: 11768:Morris, Edmund 11764: 11747: 11741: 11728: 11722: 11705: 11699: 11684: 11673: 11667: 11655:Jones, Richard 11651: 11645: 11632: 11626: 11613: 11608: 11588: 11582: 11566: 11560: 11542: 11536: 11520: 11491: 11485: 11469:Chiapusso, Jan 11465: 11459: 11449:, ed. (1997). 11443: 11434: 11428: 11407: 11405: 11402: 11400: 11399: 11386: 11359: 11342: 11329: 11323: 11303: 11297: 11284: 11278: 11265: 11259: 11239: 11227: 11212: 11197: 11171: 11152: 11123: 11117: 11097: 11091: 11069: 11056: 11033: 11027: 11007: 10989: 10983: 10963: 10949: 10933:Mendel, Arthur 10929:David, Hans T. 10925: 10919: 10905: 10897: 10894: 10892: 10889: 10886: 10885: 10851:(4): 213–216. 10824: 10803: 10796: 10777: 10748: 10743:The New Yorker 10733: 10707: 10687:"Bach Digital" 10678: 10658: 10640: 10617: 10587: 10564: 10532: 10511:"Bach Edition" 10503: 10481: 10447: 10416: 10386: 10384:1873 and 1880) 10361: 10359:, p. 126. 10349: 10329: 10317: 10301: 10293:Schneider 1907 10285: 10277:Schneider 1907 10269: 10261:Schneider 1907 10253: 10241: 10218: 10216:, p. 101. 10206: 10180: 10165: 10123: 10102: 10084: 10044: 10029: 10001: 9981: 9977:Applegate 2005 9966: 9930: 9928:, p. 459. 9918: 9902: 9890:Bach Studies 2 9883:Peter Wollny. 9876: 9855: 9839: 9827: 9814: 9782: 9763: 9739: 9737:, p. 158. 9718: 9702: 9672: 9656: 9640: 9609: 9579: 9547: 9545:, p. 111. 9535: 9510:Bratman, David 9501: 9470: 9439: 9428:on 2 July 2013 9408: 9377: 9350: 9328: 9326:, p. 333. 9316: 9285: 9255: 9253:, p. 187. 9243: 9213: 9202: 9182: 9161:"Choral Works" 9151: 9149:, p. 363. 9139: 9127: 9096: 9074: 9048: 9026: 9004: 8978: 8956: 8943: 8930: 8918: 8893: 8880:For instance, 8873: 8870: 8869: 8860: 8848: 8836: 8824: 8812: 8800: 8788: 8776: 8764: 8752: 8740: 8728: 8716: 8704: 8692: 8680: 8668: 8656: 8644: 8632: 8620: 8608: 8596: 8584: 8572: 8560: 8548: 8536: 8524: 8512: 8500: 8488: 8476: 8464: 8452: 8440: 8428: 8416: 8404: 8392: 8380: 8368: 8356: 8344: 8332: 8320: 8308: 8296: 8284: 8271: 8259: 8248:on 2 July 2013 8228: 8197: 8195:, p. 114. 8193:Williams 2003a 8185: 8183:, p. 430. 8173: 8150: 8135: 8124: 8093: 8077: 8047: 8020: 8013: 8001:Basso, Alberto 7992: 7977: 7955: 7939: 7927: 7893: 7878: 7866: 7862:Andreas Staier 7839: 7819: 7795: 7783: 7774:Kuhnau, Johann 7765: 7745: 7741:Donington 1982 7733: 7705: 7693: 7682: 7655: 7643: 7631: 7608: 7573: 7557: 7546:on 2 July 2013 7526: 7495: 7483: 7480:. p. 154. 7468:, ed. (1911). 7457: 7455:, p. 123. 7445: 7415: 7413:, p. 166. 7403: 7369: 7357: 7341: 7339:, p. 188. 7329: 7306:Hanford, Jan. 7298: 7255: 7240: 7213: 7211:, p. 277. 7209:Chiapusso 1968 7201: 7193:Kunst der Fuge 7185:Kunst der Fuge 7176: 7174:, p. 299. 7127: 7079: 7052: 7050:, p. 224. 7040: 7036:Studi musicali 7012: 6970: 6945: 6906: 6880: 6855: 6817: 6801:F-Pn Ms. 17669 6792: 6764: 6727: 6694: 6669: 6644: 6607: 6582: 6557: 6532: 6499: 6488: 6486:, p. 341. 6476: 6464: 6452: 6440: 6410: 6380: 6365: 6349: 6347:, p. 349. 6337: 6335:, p. 348. 6325: 6295: 6279: 6263: 6261:, p. 345. 6251: 6236: 6220: 6208: 6204:Geiringer 1966 6196: 6184: 6172: 6160: 6148: 6136: 6124: 6112: 6076: 6040: 6025: 6013: 6002: 5990:, ed. (1998). 5976: 5945: 5943:, p. 331. 5933: 5931:, p. 168. 5929:Chiapusso 1968 5921: 5887: 5871: 5841: 5819: 5811:Williams 2003a 5803: 5785: 5766: 5755: 5735: 5720: 5716:Williams 2003a 5708: 5704:Chiapusso 1968 5696: 5684: 5672: 5660: 5611: 5596: 5584: 5572: 5570:, p. 170. 5560: 5548: 5536: 5524: 5522:, p. 299. 5512: 5500: 5485: 5468: 5453: 5441: 5421: 5409: 5392:Dictionary.com 5379: 5368:on 11 May 2016 5349: 5335: 5308: 5282: 5270: 5257: 5256: 5254: 5251: 5249: 5248: 5246: 5245: 5240: 5235: 5230: 5228:Williams 2003a 5225: 5212: 5210: 5209: 5204: 5199: 5194: 5189: 5183: 5178: 5173: 5159: 5130: 5128:, p. 283. 5117: 5112:Dictionary.com 5053: 5051: 5048: 5046: 5043: 5042: 5041: 5034: 5031: 5021: 5018: 5008:, such as the 4958:Peter Williams 4941: 4938: 4917:Bach festivals 4879:(conducted by 4844:Peter Williams 4679:Georges Enescu 4638: 4635: 4621:Philipp Spitta 4617:Hans von Bülow 4574:Charles Gounod 4554:published his 4428: 4425: 4271: 4268: 4239:Main article: 4236: 4233: 4189:) and Handel ( 4125: 4115: 4110: 4109: 4093:adaptation by 4082: 4072: 4064: 4063: 4060: 4059: 4058: 4057: 4055: 4052: 4036:Main article: 4033: 4030: 4018: 4015: 3980: 3975: 3974: 3962: 3957: 3956: 3944: 3939: 3938: 3933: 3932: 3931: 3930: 3928: 3923: 3906: 3903: 3870: 3867: 3836: 3835: 3804: 3778: 3696:English Suites 3687: 3674: 3624: 3619: 3618: 3606: 3601: 3600: 3588: 3583: 3582: 3573: 3572: 3571: 3570: 3556: 3551: 3550: 3547: 3546: 3545: 3544: 3528:Nos. 1–12 3509: 3506: 3427: 3422: 3421: 3409: 3404: 3403: 3385: 3384: 3383: 3382: 3380: 3377: 3356: 3355:Keyboard music 3353: 3329: 3319: 3314: 3313: 3307: 3306: 3305: 3304: 3302: 3299: 3280: 3277: 3254: 3251: 3240: 3237: 3155:Main article: 3152: 3149: 3144: 3141: 3130:Coffee Cantata 3071: 3068: 2932: 2929: 2899: 2889: 2884: 2883: 2871: 2866: 2865: 2853: 2848: 2847: 2835: 2830: 2829: 2817: 2812: 2811: 2797: 2792: 2791: 2779: 2774: 2773: 2763: 2762: 2761: 2760: 2758: 2755: 2715:Bach composed 2690: 2687: 2674: 2673: 2668: 2664: 2663: 2658: 2654: 2653: 2648: 2644: 2643: 2638: 2634: 2633: 2628: 2624: 2623: 2618: 2614: 2613: 2608: 2604: 2603: 2598: 2594: 2593: 2588: 2584: 2583: 2578: 2574: 2573: 2568: 2564: 2563: 2558: 2554: 2553: 2548: 2544: 2543: 2540: 2500: 2497: 2463:his Magnificat 2450: 2447: 2396: 2386: 2381: 2380: 2368: 2363: 2362: 2350: 2345: 2344: 2338: 2337: 2336: 2335: 2328: 2318: 2313: 2312: 2300: 2295: 2294: 2282: 2277: 2276: 2270: 2269: 2268: 2267: 2260: 2250: 2245: 2244: 2232: 2227: 2226: 2214: 2209: 2208: 2205: 2204: 2203: 2202: 2182: 2166: 2150: 2149: 2133: 2132: 2131: 2130: 2128: 2125: 2088: 2085: 2064:viola da gamba 2059: 2056: 1976: 1973: 1945:Louis Marchand 1926:, or changing 1920: 1917: 1880: 1870: 1865: 1864: 1852: 1847: 1846: 1837: 1836: 1835: 1834: 1833: 1832: 1821: 1763: 1760: 1714:basso continuo 1676: 1673: 1628:viola da gamba 1585:Gottlob Harrer 1477:BNB I/G/2 1439:BNB I/K/2 1408:Missa Canonica 1375:BNB I/P/2 1356: 1353: 1289: 1286: 1281:Coffee Cantata 1132: 1129: 1068: 1065: 1057:King of Poland 1055:(who was also 1020: 1017: 906: 903: 834:Konzertmeister 745:Konzertmeister 721: 718: 682:Blasius Church 608: 605: 558:Louis Marchand 443: 440: 438: 435: 344:Lutheran hymns 152:Baroque period 139: 138: 130: 129: 125: 124: 119: 115: 114: 109: 105: 104: 99: 97:(aged 65) 91: 87: 86: 81: 64:21 March 1685 62: 58: 57: 47: 39: 38: 35: 15: 9: 6: 4: 3: 2: 16472: 16461: 16460:Thomaskantors 16458: 16456: 16453: 16451: 16448: 16446: 16443: 16441: 16438: 16436: 16433: 16431: 16428: 16426: 16423: 16421: 16418: 16416: 16413: 16411: 16408: 16406: 16403: 16401: 16398: 16396: 16393: 16391: 16388: 16386: 16383: 16381: 16378: 16376: 16373: 16371: 16368: 16366: 16363: 16361: 16358: 16356: 16353: 16351: 16348: 16346: 16343: 16341: 16338: 16336: 16333: 16331: 16328: 16326: 16323: 16322: 16320: 16310: 16300: 16298: 16288: 16286: 16276: 16274: 16264: 16263: 16260: 16241: 16233: 16231: 16223: 16222: 16219: 16213: 16210: 16208: 16205: 16203: 16200: 16198: 16195: 16191: 16187: 16186: 16185: 16182: 16180: 16177: 16173: 16169: 16168: 16167: 16164: 16160: 16156: 16155: 16154: 16151: 16149: 16146: 16144: 16141: 16139: 16136: 16134: 16133:Kamil Jalilov 16131: 16129: 16126: 16124: 16121: 16119: 16116: 16114: 16111: 16109: 16106: 16104: 16101: 16097: 16093: 16092: 16091: 16088: 16086: 16083: 16081: 16078: 16076: 16073: 16071: 16068: 16064: 16061:, conductor: 16060: 16056: 16055: 16054: 16051: 16049: 16046: 16042: 16039: 16038: 16037: 16034: 16033: 16031: 16027: 16022: 16012: 16008: 16006: 16005: 16001: 15999: 15998: 15993: 15991: 15990: 15985: 15983: 15980: 15978: 15976: 15971: 15969: 15966: 15963: 15959: 15956: 15952: 15950: 15946: 15943: 15939: 15937: 15934: 15932: 15928: 15925: 15924: 15919: 15918: 15916: 15912: 15906: 15905: 15901: 15899: 15898: 15894: 15892: 15889: 15887: 15884: 15883: 15880: 15876: 15869: 15864: 15862: 15857: 15855: 15850: 15849: 15846: 15834: 15830: 15826: 15824: 15816: 15815: 15812: 15811: 15805: 15804: 15796: 15788: 15785: 15783: 15780: 15778: 15775: 15773: 15770: 15769: 15768: 15765: 15763: 15760: 15759: 15757: 15753: 15747: 15744: 15742: 15739: 15737: 15734: 15732: 15729: 15727: 15724: 15722: 15719: 15717: 15714: 15710: 15707: 15705: 15702: 15700: 15697: 15696: 15695: 15692: 15690: 15687: 15685: 15682: 15678: 15675: 15674: 15673: 15670: 15669: 15667: 15663: 15657: 15654: 15652: 15649: 15647: 15644: 15642: 15639: 15637: 15634: 15632: 15629: 15627: 15624: 15622: 15619: 15617: 15614: 15612: 15609: 15607: 15604: 15602: 15599: 15595: 15592: 15590: 15587: 15585: 15582: 15580: 15577: 15575: 15572: 15570: 15567: 15566: 15565: 15562: 15560: 15557: 15555: 15552: 15550: 15547: 15545: 15542: 15538: 15535: 15533: 15530: 15529: 15528: 15525: 15523: 15520: 15518: 15515: 15513: 15510: 15508: 15505: 15503: 15500: 15498: 15495: 15493: 15490: 15489: 15487: 15485:Musical forms 15483: 15477: 15474: 15472: 15469: 15468: 15466: 15462: 15456: 15453: 15451: 15448: 15446: 15443: 15441: 15438: 15436: 15433: 15431: 15428: 15426: 15423: 15421: 15418: 15416: 15413: 15411: 15408: 15406: 15403: 15401: 15398: 15396: 15393: 15391: 15388: 15386: 15383: 15381: 15378: 15376: 15373: 15371: 15368: 15366: 15363: 15361: 15358: 15356: 15353: 15351: 15348: 15346: 15343: 15341: 15338: 15337: 15335: 15333: 15327: 15321: 15318: 15316: 15313: 15311: 15308: 15306: 15303: 15301: 15298: 15296: 15293: 15291: 15288: 15286: 15283: 15281: 15280:Padre Martini 15278: 15276: 15273: 15271: 15268: 15266: 15263: 15261: 15258: 15256: 15253: 15251: 15248: 15246: 15243: 15241: 15238: 15236: 15233: 15231: 15228: 15226: 15225:C. P. E. Bach 15223: 15221: 15218: 15217: 15215: 15208: 15204: 15198: 15195: 15193: 15190: 15188: 15185: 15183: 15180: 15178: 15175: 15173: 15170: 15168: 15165: 15163: 15160: 15158: 15155: 15153: 15150: 15148: 15145: 15143: 15140: 15138: 15135: 15133: 15130: 15128: 15125: 15123: 15120: 15118: 15115: 15113: 15110: 15108: 15105: 15103: 15100: 15098: 15095: 15093: 15090: 15088: 15085: 15083: 15080: 15078: 15075: 15073: 15070: 15068: 15065: 15063: 15060: 15058: 15055: 15053: 15050: 15048: 15045: 15043: 15040: 15038: 15035: 15033: 15030: 15028: 15025: 15023: 15020: 15019: 15017: 15010: 15006: 15000: 14997: 14995: 14992: 14990: 14987: 14985: 14982: 14980: 14977: 14975: 14972: 14970: 14967: 14965: 14962: 14960: 14957: 14955: 14952: 14950: 14947: 14945: 14942: 14940: 14937: 14935: 14932: 14930: 14927: 14925: 14922: 14920: 14917: 14915: 14912: 14910: 14907: 14905: 14902: 14900: 14897: 14895: 14892: 14890: 14887: 14885: 14882: 14880: 14877: 14875: 14872: 14870: 14867: 14865: 14862: 14860: 14857: 14855: 14852: 14850: 14847: 14845: 14842: 14841: 14839: 14831: 14825: 14822: 14820: 14817: 14815: 14812: 14810: 14807: 14805: 14802: 14800: 14799:M. Praetorius 14797: 14795: 14792: 14790: 14787: 14785: 14782: 14780: 14777: 14775: 14772: 14770: 14767: 14765: 14762: 14760: 14757: 14755: 14752: 14750: 14747: 14745: 14742: 14740: 14737: 14735: 14732: 14730: 14727: 14725: 14722: 14720: 14717: 14715: 14712: 14710: 14707: 14706: 14704: 14696: 14692: 14688: 14683: 14679: 14678:Baroque music 14672: 14667: 14665: 14660: 14658: 14653: 14652: 14649: 14636: 14633: 14631: 14628: 14626: 14623: 14621: 14618: 14616: 14615:Lutheran hymn 14613: 14611: 14608: 14606: 14603: 14602: 14598: 14592: 14591:Johannes Zahn 14589: 14587: 14584: 14582: 14579: 14577: 14574: 14572: 14571:Georg Weissel 14569: 14567: 14566:Michael Weiße 14564: 14562: 14561:Johann Walter 14559: 14557: 14554: 14552: 14549: 14547: 14544: 14542: 14539: 14537: 14536:Leonard Typpö 14534: 14532: 14529: 14527: 14524: 14522: 14519: 14517: 14514: 14512: 14509: 14507: 14504: 14502: 14499: 14497: 14496:Paul Speratus 14494: 14492: 14489: 14487: 14486:Haquin Spegel 14484: 14482: 14479: 14477: 14474: 14472: 14469: 14467: 14464: 14462: 14459: 14457: 14454: 14452: 14449: 14447: 14444: 14442: 14439: 14437: 14434: 14432: 14429: 14427: 14424: 14422: 14419: 14417: 14414: 14412: 14409: 14407: 14404: 14402: 14399: 14397: 14394: 14392: 14389: 14387: 14384: 14382: 14379: 14377: 14374: 14372: 14369: 14367: 14364: 14362: 14359: 14357: 14354: 14352: 14351:Georg Neumark 14349: 14347: 14344: 14342: 14339: 14337: 14334: 14332: 14329: 14327: 14326:Martin Luther 14324: 14322: 14319: 14317: 14314: 14312: 14309: 14307: 14306:Elias Lönnrot 14304: 14302: 14299: 14297: 14294: 14292: 14289: 14287: 14284: 14282: 14279: 14277: 14276:Børre Knudsen 14274: 14272: 14269: 14267: 14264: 14262: 14259: 14257: 14254: 14252: 14249: 14247: 14244: 14242: 14241:Konrad Hubert 14239: 14237: 14236:Anders Hovden 14234: 14232: 14231:Sebald Heyden 14229: 14227: 14224: 14222: 14219: 14217: 14214: 14212: 14209: 14207: 14204: 14202: 14199: 14197: 14194: 14192: 14189: 14187: 14184: 14182: 14179: 14177: 14174: 14172: 14169: 14167: 14164: 14162: 14161:Paul Gerhardt 14159: 14157: 14154: 14152: 14149: 14147: 14144: 14142: 14139: 14137: 14134: 14132: 14131:Johann Franck 14129: 14127: 14124: 14122: 14121:Jacobus Finno 14119: 14117: 14114: 14112: 14109: 14107: 14104: 14102: 14099: 14097: 14094: 14092: 14089: 14087: 14086:Johann Crüger 14084: 14082: 14079: 14077: 14074: 14072: 14069: 14067: 14064: 14062: 14059: 14057: 14054: 14052: 14049: 14047: 14044: 14042: 14039: 14037: 14034: 14032: 14029: 14027: 14024: 14022: 14019: 14017: 14014: 14012: 14009: 14007: 14004: 14002: 13999: 13998: 13996: 13994: 13988: 13984: 13974: 13973: 13969: 13967: 13966: 13962: 13959: 13958: 13954: 13952: 13951: 13947: 13945: 13944: 13940: 13937: 13936: 13932: 13929: 13928: 13924: 13923: 13921: 13919: 13915: 13905: 13904: 13900: 13899: 13897: 13895: 13891: 13881: 13880: 13876: 13874: 13873: 13869: 13867: 13866: 13862: 13860: 13859: 13855: 13852: 13851: 13847: 13844: 13843: 13839: 13836: 13835: 13831: 13828: 13827: 13823: 13820: 13819: 13815: 13814: 13812: 13810: 13806: 13796: 13795: 13794:Passion Hymns 13791: 13790: 13788: 13786: 13782: 13772: 13771: 13767: 13765: 13764: 13760: 13759: 13757: 13755: 13751: 13741: 13740: 13736: 13735: 13733: 13731: 13727: 13717: 13716: 13712: 13710: 13709: 13705: 13703: 13702: 13698: 13696: 13695: 13691: 13690: 13688: 13686: 13682: 13679: 13675: 13668: 13667: 13663: 13660: 13659: 13655: 13652: 13651: 13647: 13644: 13643: 13639: 13636: 13635: 13631: 13628: 13627: 13623: 13622: 13620: 13616: 13609: 13608: 13604: 13601: 13600: 13596: 13593: 13592: 13588: 13585: 13584: 13580: 13577: 13576: 13572: 13569: 13568: 13564: 13561: 13560: 13556: 13553: 13552: 13548: 13545: 13544: 13540: 13537: 13536: 13532: 13529: 13528: 13524: 13521: 13520: 13516: 13515: 13513: 13511: 13506: 13502: 13495: 13490: 13488: 13483: 13481: 13476: 13475: 13472: 13460: 13452: 13451: 13448: 13442: 13441: 13437: 13436: 13434: 13430: 13423: 13422:Andreas Reize 13420: 13417: 13414: 13411: 13408: 13405: 13402: 13399: 13396: 13393: 13390: 13387: 13386:Günther Ramin 13384: 13381: 13378: 13375: 13372: 13369: 13366: 13363: 13360: 13357: 13354: 13351: 13348: 13345: 13342: 13339: 13336: 13333: 13330: 13327: 13324: 13321: 13318: 13315: 13312: 13309: 13308:Johann Kuhnau 13306: 13303: 13300: 13297: 13294: 13291: 13288: 13285: 13282: 13279: 13276: 13273: 13270: 13267: 13264: 13261: 13258: 13255: 13252: 13249: 13246: 13243: 13240: 13237: 13234: 13231: 13228: 13225: 13222: 13221: 13219: 13217:Thomaskantors 13215: 13211: 13207: 13206:Thomaskantors 13200: 13195: 13193: 13188: 13186: 13181: 13180: 13177: 13165: 13162: 13160: 13157: 13155: 13152: 13150: 13147: 13145: 13142: 13141: 13139: 13135: 13128: 13125: 13122: 13119: 13116: 13113: 13110: 13107: 13105: 13104:Johannes Bach 13102: 13099: 13096: 13093: 13090: 13087: 13084: 13081: 13078: 13075: 13072: 13069: 13066: 13063: 13060: 13057: 13054: 13051: 13048: 13045: 13042: 13039: 13036: 13033: 13030: 13027: 13024: 13021: 13018: 13015: 13012: 13009: 13006: 13003: 13000: 12997: 12994: 12991: 12988: 12985: 12982: 12979: 12976: 12973: 12970: 12967: 12964: 12962:(grandfather) 12961: 12958: 12955: 12952: 12949: 12946: 12945: 12943: 12940: 12932: 12928: 12921: 12916: 12914: 12909: 12907: 12902: 12901: 12898: 12892: 12885: 12873: 12869: 12865: 12863: 12855: 12854: 12851: 12843: 12840: 12839: 12838: 12835: 12833: 12830: 12828: 12825: 12823: 12820: 12818: 12815: 12812: 12808: 12805: 12803: 12800: 12799: 12797: 12793: 12787: 12784: 12782: 12779: 12777: 12774: 12772: 12769: 12768: 12766: 12762: 12756: 12753: 12750: 12747: 12744: 12743: 12738: 12735: 12732: 12729: 12726: 12723: 12722: 12717: 12714: 12713: 12708: 12706: 12703: 12702: 12700: 12698:Organizations 12696: 12686: 12683: 12681: 12678: 12676: 12673: 12671: 12668: 12666: 12663: 12661: 12658: 12656: 12653: 12651: 12648: 12646: 12643: 12641: 12638: 12636: 12633: 12631: 12628: 12626: 12623: 12621: 12618: 12616: 12613: 12611: 12608: 12606: 12603: 12601: 12598: 12596: 12593: 12591: 12588: 12587: 12585: 12581: 12577: 12571: 12568: 12566: 12563: 12562: 12560: 12556: 12545: 12541: 12539: 12536: 12534: 12531: 12529: 12526: 12523: 12519: 12517: 12514: 12511: 12507: 12504: 12500: 12498: 12495: 12493: 12490: 12488: 12485: 12484: 12482: 12478: 12472: 12469: 12466: 12462: 12459: 12455: 12452: 12451:Chamber music 12448: 12445: 12441: 12438: 12434: 12431: 12427: 12424: 12420: 12418: 12415: 12413: 12410: 12408: 12405: 12404: 12402: 12400: 12396: 12393: 12391: 12387: 12383: 12376: 12371: 12369: 12364: 12362: 12357: 12356: 12353: 12346: 12342: 12339: 12336: 12332: 12329: 12326: 12322: 12319: 12318: 12317: 12316: 12309: 12305: 12302: 12299: 12295: 12292: 12289: 12285: 12282: 12281: 12280: 12279: 12272: 12268: 12265: 12262: 12258: 12256: 12251: 12248: 12244: 12241: 12237: 12233: 12229: 12228: 12218: 12212: 12208: 12203: 12199: 12193: 12189: 12185: 12181: 12178: 12172: 12169:, Routledge, 12168: 12167: 12161: 12157: 12151: 12147: 12143: 12142: 12137: 12133: 12130: 12126: 12121: 12117: 12116: 12111: 12107: 12103: 12097: 12093: 12089: 12084: 12083: 12082: 12079: 12077: 12060: 12053: 12047: 12043: 12039: 12035: 12034: 12028: 12027:"Bach family" 12023: 12019: 12015: 12009: 12005: 12000: 11996: 11990: 11986: 11982: 11978: 11975: 11969: 11965: 11958: 11952: 11948: 11944: 11940: 11936: 11930: 11926: 11921: 11917: 11911: 11907: 11903: 11898: 11894: 11893: 11888: 11884: 11880: 11874: 11870: 11865: 11861: 11857: 11853: 11852: 11851:Bach-Jahrbuch 11847: 11843: 11839: 11835: 11831: 11827: 11823: 11819: 11815: 11814:Schenk, Erich 11811: 11807: 11801: 11797: 11796: 11791: 11787: 11783: 11777: 11773: 11769: 11765: 11761: 11757: 11753: 11748: 11744: 11738: 11734: 11729: 11725: 11719: 11715: 11711: 11706: 11702: 11696: 11692: 11691: 11685: 11681: 11680: 11674: 11670: 11664: 11660: 11656: 11652: 11648: 11642: 11638: 11633: 11629: 11623: 11619: 11614: 11611: 11605: 11601: 11597: 11593: 11589: 11585: 11579: 11575: 11571: 11567: 11563: 11557: 11553: 11552: 11547: 11543: 11539: 11537:1-4191-2275-4 11533: 11529: 11525: 11521: 11514: 11510: 11506: 11504: 11498: 11492: 11488: 11482: 11478: 11474: 11470: 11466: 11462: 11456: 11452: 11448: 11444: 11440: 11435: 11431: 11429:9780801443893 11425: 11421: 11417: 11413: 11409: 11408: 11396: 11389: 11383: 11379: 11375: 11371: 11367: 11366: 11360: 11356: 11352: 11345: 11339: 11335: 11330: 11326: 11320: 11316: 11312: 11308: 11304: 11300: 11294: 11290: 11285: 11281: 11275: 11271: 11266: 11262: 11256: 11251: 11250: 11244: 11240: 11236: 11232: 11228: 11224: 11220: 11219: 11213: 11209: 11205: 11204: 11198: 11194: 11190: 11186: 11182: 11181: 11176: 11172: 11168: 11164: 11163:Ernest Newman 11160: 11159: 11153: 11150: 11146: 11140: 11136: 11135:Ernest Newman 11132: 11128: 11124: 11120: 11114: 11109: 11108: 11102: 11098: 11094: 11088: 11084: 11080: 11079: 11074: 11070: 11068: 11064: 11059: 11053: 11049: 11045: 11041: 11040: 11034: 11030: 11024: 11020: 11016: 11012: 11008: 11004: 11000: 10999: 10994: 10990: 10986: 10980: 10976: 10972: 10968: 10964: 10960: 10956: 10952: 10946: 10942: 10938: 10934: 10930: 10926: 10922: 10916: 10912: 10907: 10906: 10903: 10878: 10874: 10870: 10866: 10862: 10858: 10854: 10850: 10846: 10839: 10835: 10834:Koopman, A.G. 10828: 10820: 10813: 10807: 10799: 10793: 10789: 10788: 10781: 10766: 10762: 10758: 10752: 10744: 10737: 10721: 10717: 10711: 10696: 10692: 10688: 10682: 10675: 10671: 10667: 10662: 10654: 10650: 10644: 10637: 10633: 10629: 10626: 10621: 10605: 10601: 10597: 10591: 10584: 10580: 10576: 10573: 10568: 10561: 10552: 10548: 10545: 10541: 10536: 10528: 10519: 10515: 10512: 10507: 10500: 10499: 10494: 10488: 10486: 10469: 10465: 10461: 10457: 10456:Shipton, Alyn 10451: 10435: 10431: 10427: 10420: 10404: 10400: 10396: 10390: 10383: 10379: 10375: 10371: 10365: 10358: 10353: 10346: 10342: 10338: 10333: 10326: 10321: 10314: 10310: 10305: 10298: 10294: 10289: 10282: 10278: 10273: 10266: 10262: 10257: 10250: 10245: 10239: 10235: 10231: 10229: 10222: 10215: 10210: 10204: 10200: 10196: 10194: 10189: 10188:Daniel Heartz 10184: 10178:, p. 452 10177: 10172: 10170: 10162: 10151: 10147: 10144: 10141:McKay, Cory. 10138: 10136: 10134: 10132: 10130: 10128: 10120: 10116: 10112: 10106: 10098: 10094: 10088: 10082: 10076: 10072: 10068: 10064: 10060: 10059: 10054: 10048: 10042: 10038: 10033: 10026: 10017: 10013: 10010: 10005: 9998: 9994: 9990: 9985: 9978: 9973: 9971: 9963: 9962: 9957: 9953: 9950: 9946: 9941: 9939: 9937: 9935: 9927: 9922: 9915: 9911: 9906: 9900: 9896: 9892: 9891: 9886: 9880: 9873: 9870:.bach-digital 9864: 9859: 9852: 9848: 9843: 9836: 9831: 9824: 9818: 9811: 9807: 9804: 9803: 9798: 9796: 9791: 9786: 9779: 9777: 9772: 9767: 9760: 9756: 9752: 9748: 9743: 9736: 9732: 9728: 9727:Arthur Mendel 9722: 9715: 9711: 9706: 9699: 9695: 9691: 9688: 9686: 9681: 9676: 9669: 9665: 9660: 9653: 9649: 9644: 9628: 9624: 9620: 9613: 9597: 9593: 9589: 9583: 9568: 9564: 9563: 9558: 9551: 9544: 9539: 9523: 9519: 9515: 9511: 9505: 9489: 9485: 9481: 9478:Libbey, Ted. 9474: 9458: 9454: 9450: 9443: 9427: 9423: 9419: 9412: 9396: 9392: 9388: 9381: 9365: 9361: 9354: 9346: 9342: 9338: 9332: 9325: 9320: 9304: 9300: 9296: 9289: 9273: 9269: 9265: 9259: 9252: 9247: 9231: 9227: 9223: 9217: 9209: 9205: 9199: 9195: 9194: 9186: 9170: 9166: 9162: 9155: 9148: 9143: 9136: 9131: 9115: 9111: 9107: 9100: 9093: 9084: 9078: 9071: 9062: 9058: 9052: 9045: 9036: 9030: 9023: 9014: 9008: 9001: 8992: 8988: 8982: 8975: 8966: 8960: 8953: 8947: 8940: 8934: 8927: 8922: 8907: 8903: 8897: 8890: 8886: 8883: 8877: 8866: 8861: 8857: 8853: 8849: 8845: 8841: 8837: 8833: 8829: 8825: 8821: 8817: 8813: 8809: 8805: 8801: 8797: 8793: 8789: 8785: 8781: 8777: 8773: 8769: 8765: 8761: 8757: 8753: 8749: 8745: 8741: 8737: 8733: 8729: 8725: 8721: 8717: 8713: 8709: 8705: 8701: 8697: 8693: 8689: 8685: 8681: 8677: 8673: 8669: 8665: 8661: 8657: 8653: 8649: 8645: 8641: 8637: 8633: 8629: 8625: 8621: 8617: 8613: 8609: 8605: 8601: 8597: 8593: 8589: 8585: 8581: 8577: 8573: 8569: 8565: 8561: 8557: 8553: 8549: 8545: 8541: 8537: 8533: 8529: 8525: 8521: 8517: 8513: 8509: 8505: 8501: 8497: 8493: 8489: 8485: 8481: 8477: 8473: 8469: 8465: 8461: 8457: 8453: 8449: 8445: 8441: 8437: 8433: 8429: 8425: 8421: 8417: 8413: 8409: 8405: 8401: 8397: 8393: 8389: 8385: 8381: 8377: 8373: 8369: 8365: 8361: 8357: 8353: 8349: 8345: 8341: 8337: 8333: 8329: 8325: 8321: 8317: 8313: 8309: 8305: 8301: 8297: 8293: 8289: 8285: 8281: 8277: 8273: 8272: 8269: 8263: 8247: 8243: 8239: 8232: 8216: 8212: 8208: 8201: 8194: 8189: 8182: 8177: 8170: 8166: 8165: 8160: 8154: 8148: 8144: 8139: 8131: 8127: 8121: 8117: 8113: 8112: 8107: 8103: 8097: 8090: 8086: 8081: 8065: 8061: 8057: 8051: 8044: 8043: 8037: 8033: 8030: 8024: 8016: 8010: 8006: 8002: 7996: 7990: 7986: 7985:Williams 1980 7981: 7974: 7965: 7959: 7952: 7948: 7943: 7936: 7931: 7915: 7911: 7907: 7905: 7897: 7890: 7885: 7883: 7875: 7870: 7863: 7859: 7855: 7852: 7848: 7843: 7836: 7832: 7828: 7823: 7816: 7812: 7808: 7804: 7799: 7792: 7787: 7779: 7775: 7769: 7761: 7760: 7755: 7749: 7743:, p. 91. 7742: 7737: 7730: 7721: 7717: 7714: 7709: 7702: 7697: 7689: 7685: 7679: 7675: 7674: 7670: 7662: 7660: 7652: 7647: 7640: 7635: 7628: 7624: 7621: 7619: 7612: 7605: 7601: 7598: 7597:"Liner notes" 7594: 7590: 7586: 7584: 7577: 7570: 7566: 7561: 7545: 7541: 7537: 7530: 7514: 7510: 7506: 7499: 7492: 7487: 7479: 7475: 7471: 7467: 7461: 7454: 7449: 7433: 7429: 7425: 7419: 7412: 7407: 7391: 7387: 7383: 7381: 7373: 7366: 7361: 7354: 7350: 7345: 7338: 7333: 7317: 7313: 7309: 7302: 7294: 7290: 7286: 7282: 7278: 7274: 7270: 7266: 7259: 7253: 7249: 7244: 7233: 7226: 7225: 7217: 7210: 7205: 7198: 7194: 7190: 7186: 7180: 7173: 7167: 7164:(in German). 7163: 7160: 7155: 7150: 7146: 7142: 7136: 7134: 7132: 7124: 7121: 7117: 7114: 7110: 7106: 7103: 7102: 7099:Vol. 6: 7096: 7092: 7089: 7083: 7076: 7072: 7068: 7064: 7061: 7056: 7049: 7044: 7037: 7033: 7029: 7027: 7026:Source online 7021: 7016: 7009: 7005: 7002: 6997: 6992: 6988: 6985: 6980: 6974: 6967: 6963: 6959: 6956: 6949: 6942: 6938: 6934: 6931: 6925: 6921: 6918: 6910: 6903: 6899: 6895: 6892: 6884: 6877: 6873: 6869: 6866: 6859: 6852: 6848: 6844: 6841: 6835: 6831: 6828: 6821: 6814: 6810: 6806: 6803: 6796: 6789: 6780: 6776: 6773: 6768: 6761: 6757: 6753: 6750: 6746: 6742: 6739: 6735:D-Bsa SA 301, 6731: 6724: 6720: 6716: 6712: 6708: 6705: 6698: 6691: 6687: 6683: 6680: 6673: 6666: 6662: 6658: 6655: 6648: 6641: 6637: 6633: 6630: 6626: 6622: 6619: 6611: 6604: 6600: 6596: 6593: 6586: 6579: 6575: 6571: 6568: 6561: 6554: 6550: 6546: 6543: 6536: 6520: 6516: 6512: 6506: 6504: 6497: 6496:Stauffer 2008 6492: 6485: 6480: 6473: 6468: 6461: 6456: 6449: 6444: 6428: 6424: 6420: 6414: 6398: 6394: 6390: 6384: 6377: 6372: 6370: 6362: 6358: 6353: 6346: 6341: 6334: 6329: 6313: 6309: 6305: 6299: 6292: 6288: 6283: 6276: 6272: 6267: 6260: 6255: 6249:, p. 253 6248: 6243: 6241: 6233: 6229: 6224: 6217: 6212: 6206:, p. 50. 6205: 6200: 6194:, p. 11. 6193: 6188: 6182:, p. 37. 6181: 6176: 6170:, p. 23. 6169: 6164: 6157: 6152: 6146:, p. 74. 6145: 6140: 6134:, p. 57. 6133: 6128: 6122:, p. 80. 6121: 6116: 6097: 6090: 6086: 6080: 6061: 6054: 6050: 6044: 6037: 6032: 6030: 6022: 6017: 6009: 6005: 5999: 5995: 5994: 5989: 5983: 5981: 5964: 5960: 5956: 5953:Koster, Jan. 5949: 5942: 5937: 5930: 5925: 5909: 5905: 5901: 5897: 5891: 5884: 5880: 5875: 5859: 5855: 5851: 5845: 5838: 5835:.bach-digital 5829: 5823: 5816: 5812: 5807: 5801: 5797: 5792: 5790: 5782: 5778: 5775: 5770: 5762: 5758: 5752: 5748: 5747: 5739: 5733: 5729: 5724: 5718:, p. 40. 5717: 5712: 5706:, p. 62. 5705: 5700: 5693: 5688: 5682:, p. 27. 5681: 5676: 5669: 5664: 5648: 5644: 5640: 5634: 5632: 5630: 5628: 5626: 5624: 5622: 5620: 5618: 5616: 5608: 5603: 5601: 5593: 5588: 5581: 5576: 5569: 5564: 5558:, p. 73. 5557: 5552: 5545: 5540: 5534:, p. 45. 5533: 5528: 5521: 5516: 5509: 5504: 5497: 5492: 5490: 5482: 5477: 5475: 5473: 5465: 5460: 5458: 5450: 5445: 5438: 5434: 5430: 5425: 5418: 5413: 5397: 5393: 5389: 5383: 5367: 5363: 5359: 5353: 5346: 5344: 5338: 5332: 5328: 5324: 5323: 5318: 5312: 5297: 5293: 5286: 5279: 5274: 5267: 5262: 5258: 5244: 5243:Gardiner 2013 5241: 5239: 5238:Williams 2016 5236: 5234: 5233:Williams 2007 5231: 5229: 5226: 5224: 5221: 5220: 5216: 5208: 5205: 5203: 5202:Williams 1980 5200: 5198: 5195: 5193: 5190: 5187: 5184: 5182: 5179: 5177: 5174: 5171: 5168: 5167: 5163: 5156: 5152: 5148: 5144: 5140: 5134: 5127: 5121: 5114: 5113: 5108: 5104: 5103: 5095: 5074: 5068: 5061: 5059: 5054: 5040: 5037: 5036: 5030: 5028: 5017: 5015: 5011: 5007: 5003: 4999: 4995: 4990: 4987: 4984: 4980: 4978: 4974: 4970: 4965: 4963: 4959: 4955: 4951: 4947: 4937: 4934: 4933: 4932:Kunstreligion 4926: 4922: 4918: 4914: 4910: 4906: 4902: 4898: 4894: 4890: 4886: 4882: 4878: 4876: 4871: 4867: 4862: 4859: 4858: 4853: 4849: 4845: 4841: 4837: 4833: 4829: 4825: 4824:Bach Jahrbuch 4821: 4820: 4815: 4811: 4807: 4803: 4799: 4795: 4791: 4787: 4783: 4779: 4774: 4772: 4771: 4766: 4765: 4760: 4756: 4752: 4751: 4746: 4742: 4741: 4736: 4732: 4728: 4724: 4720: 4715: 4711: 4707: 4702: 4700: 4696: 4692: 4688: 4687:Helmut Walcha 4684: 4680: 4676: 4675:Edwin Fischer 4672: 4668: 4664: 4660: 4651: 4643: 4634: 4630: 4628: 4627: 4622: 4618: 4614: 4610: 4606: 4601: 4600: 4595:In 1850, the 4593: 4591: 4587: 4583: 4579: 4575: 4571: 4567: 4563: 4559: 4558: 4553: 4549: 4545: 4541: 4537: 4532: 4531: 4526: 4525: 4520: 4516: 4513: 4509: 4507: 4502: 4498: 4488: 4483: 4481: 4477: 4473: 4469: 4468: 4463: 4453: 4448: 4447:Bach memorial 4445:Image of the 4443: 4438: 4434: 4424: 4421: 4416: 4412: 4408: 4404: 4400: 4396: 4395: 4390: 4386: 4382: 4378: 4374: 4370: 4367: 4362: 4360: 4356: 4352: 4348: 4344: 4340: 4336: 4332: 4328: 4324: 4319: 4317: 4313: 4308: 4306: 4302: 4298: 4294: 4290: 4286: 4276: 4267: 4265: 4261: 4257: 4247: 4242: 4232: 4230: 4226: 4222: 4220: 4215: 4211: 4205: 4203: 4199: 4195: 4194: 4188: 4184: 4180: 4176: 4172: 4168: 4164: 4160: 4156: 4152: 4146: 4142: 4131: 4130: 4113: 4104: 4101:(courtesy of 4100: 4097:conducted by 4096: 4092: 4091: 4086: 4070: 4068: 4051: 4049: 4045: 4039: 4029: 4024: 4014: 4012: 4008: 4004: 3998: 3978: 3960: 3942: 3936: 3927: 3922: 3920: 3916: 3912: 3902: 3900: 3896: 3892: 3890: 3886: 3880: 3876: 3866: 3863: 3862: 3856: 3852: 3848: 3844: 3843:(BWV 910–916) 3841: 3833: 3832: 3826: 3821: 3820: 3815: 3811: 3810: 3805: 3802: 3797: 3793: 3789: 3785: 3784: 3779: 3775: 3769: 3763: 3757: 3751: 3745: 3744: 3737: 3736: 3729: 3728: 3721: 3720: 3713: 3708: 3704: 3703: 3702:French Suites 3698: 3697: 3692: 3688: 3685: 3681: 3680: 3675: 3672: 3668: 3664: 3663: 3659: 3658: 3657: 3655: 3651: 3649: 3648:Clavier-Übung 3642: 3622: 3604: 3586: 3579: 3577: 3554: 3518: 3514: 3505: 3503: 3502: 3497: 3493: 3489: 3487: 3486:Clavier-Übung 3482: 3481:Organ Sonatas 3477: 3476: 3475:Orgelbüchlein 3471: 3467: 3463: 3459: 3455: 3451: 3445: 3425: 3407: 3400: 3396: 3392: 3391:Robert Köbler 3389:performed by 3388: 3376: 3374: 3370: 3366: 3362: 3352: 3350: 3346: 3340: 3317: 3311: 3298: 3296: 3292: 3286: 3276: 3274: 3270: 3266: 3260: 3250: 3246: 3236: 3234: 3229: 3228: 3221: 3215: 3214: 3207: 3206: 3199: 3198: 3191: 3190: 3183: 3182: 3175: 3174: 3168: 3164: 3158: 3157:Motets (Bach) 3148: 3140: 3138: 3137: 3132: 3131: 3127:operas (e.g. 3126: 3125: 3120: 3119: 3113: 3111: 3107: 3103: 3102: 3097: 3096: 3091: 3090: 3085: 3084: 3077: 3067: 3065: 3059: 3057: 3048: 3046: 3038: 3036: 3032: 3028: 3024: 3018: 3016: 3009: 3005: 3001: 2996: 2995: 2988: 2986: 2982: 2978: 2974: 2970: 2966: 2960: 2958: 2951: 2947: 2945: 2944:cantus firmus 2938: 2928: 2926: 2922: 2916: 2912: 2902: 2887: 2869: 2851: 2833: 2815: 2795: 2777: 2770: 2768: 2754: 2752: 2751: 2746: 2745: 2740: 2739: 2734: 2733: 2728: 2724: 2723: 2718: 2712: 2704: 2700: 2695: 2686: 2684: 2680: 2679:BWV 1081–1126 2672: 2669: 2667:BWV 1079–1080 2666: 2665: 2662: 2659: 2657:BWV 1072–1078 2656: 2655: 2652: 2649: 2647:BWV 1041–1071 2646: 2645: 2642: 2639: 2637:BWV 1001–1040 2636: 2635: 2632: 2629: 2626: 2625: 2622: 2619: 2616: 2615: 2612: 2609: 2606: 2605: 2602: 2599: 2596: 2595: 2592: 2589: 2586: 2585: 2582: 2579: 2576: 2575: 2572: 2569: 2566: 2565: 2562: 2559: 2556: 2555: 2552: 2549: 2546: 2545: 2542:Compositions 2541: 2538: 2537: 2534: 2532: 2530: 2523: 2522: 2516: 2512: 2506: 2496: 2494: 2490: 2486: 2482: 2477: 2475: 2471: 2470: 2464: 2460: 2459: 2445: 2441: 2436: 2434: 2428: 2426: 2422: 2417: 2413: 2407: 2384: 2366: 2348: 2341: 2316: 2298: 2280: 2273: 2248: 2230: 2212: 2186: 2153: 2146: 2145: 2144:Orgelbüchlein 2140: 2137: 2124: 2122: 2118: 2114: 2113:BWV 1072–1078 2110: 2105: 2103: 2099: 2094: 2084: 2082: 2081: 2076: 2075: 2069: 2065: 2055: 2053: 2049: 2045: 2040: 2038: 2037:Oboe Concerto 2034: 2030: 2025: 2021: 2005: 2004: 1998: 1992: 1991: 1986: 1981: 1975:Ornamentation 1972: 1970: 1969: 1964: 1960: 1959: 1952: 1950: 1946: 1942: 1938: 1934: 1929: 1925: 1916: 1914: 1910: 1906: 1902: 1898: 1894: 1893: 1868: 1850: 1844: 1843:Kevin MacLeod 1840: 1830: 1826: 1822: 1819: 1818: 1813: 1809: 1805: 1804: 1803: 1800: 1795: 1791: 1787: 1783: 1777: 1773: 1768: 1759: 1757: 1753: 1748: 1745: 1741: 1736: 1731: 1726: 1721: 1719: 1715: 1711: 1710:da capo arias 1704: 1696: 1694:N(ota) B(ene) 1690: 1686: 1681: 1675:Musical style 1672: 1668: 1663: 1662: 1657: 1653: 1649: 1645: 1641: 1640:Martin Luther 1637: 1633: 1629: 1625: 1621: 1617: 1613: 1609: 1604: 1602: 1597: 1591: 1586: 1582: 1578: 1574: 1569: 1567: 1563: 1559: 1555: 1551: 1550: 1544: 1542: 1541: 1536: 1535: 1530: 1526: 1522: 1518: 1514: 1510: 1509: 1504: 1500: 1494: 1489: 1485: 1480: 1478: 1474: 1470: 1469:BWV 1083 1466: 1462: 1461: 1456: 1452: 1448: 1444: 1440: 1436: 1432: 1431: 1426: 1425:Clavier-Übung 1422: 1418: 1417:BWV 1082 1414: 1410: 1409: 1404: 1400: 1399:BWV 1081 1396: 1392: 1388: 1384: 1380: 1376: 1372: 1368: 1367: 1362: 1352: 1350: 1346: 1342: 1341: 1340:Clavier-Übung 1334: 1332: 1309: 1301: 1294: 1285: 1283: 1282: 1277: 1273: 1268: 1267: 1266:Clavier-Übung 1261: 1256: 1252: 1248: 1244: 1240: 1226: 1222: 1218: 1216: 1211: 1209: 1203: 1199: 1197: 1188: 1186: 1177: 1175: 1166: 1164: 1157: 1153: 1147: 1145: 1138: 1128: 1126: 1121: 1116: 1110: 1108: 1104: 1099: 1097: 1092: 1091:Johann Kuhnau 1085: 1081: 1077: 1073: 1064: 1062: 1058: 1054: 1050: 1046: 1042: 1038: 1034: 1030: 1026: 1016: 1014: 1010: 1006: 1002: 998: 994: 989: 986: 982: 978: 973: 969: 967: 960: 959: 954: 950: 946: 942: 937: 936: 935:Kapellmeister 930: 916: 911: 902: 898: 894: 892: 885: 879: 877: 870: 864: 862: 855: 851: 845: 843: 835: 829: 827: 823: 819: 815: 814: 809: 805: 801: 800: 795: 791: 786: 784: 779: 775: 771: 767: 761: 759: 755: 751: 746: 737: 734:Organ of the 732: 727: 717: 715: 710: 709: 703: 698: 697: 691: 687: 683: 678: 675: 674: 669: 665: 661: 657: 653: 650: 644: 642: 638: 634: 630: 626: 618: 613: 604: 602: 598: 594: 591:'s School in 590: 585: 583: 580:at the local 579: 575: 571: 568:. He learned 567: 563: 559: 555: 551: 547: 543: 539: 535: 531: 527: 523: 518: 516: 512: 508: 504: 500: 496: 492: 488: 484: 480: 476: 470: 461: 456: 452: 448: 434: 432: 428: 427: 422: 418: 417: 412: 408: 404: 399: 397: 393: 389: 385: 384:for orchestra 381: 377: 373: 369: 365: 361: 357: 353: 349: 345: 341: 337: 333: 329: 325: 321: 317: 313: 309: 305: 301: 296: 294: 290: 286: 283:. From 1726, 282: 278: 274: 270: 266: 262: 258: 257:chamber music 254: 250: 246: 242: 238: 234: 230: 226: 222: 218: 214: 210: 205: 203: 199: 195: 194: 189: 185: 184: 179: 178: 173: 172: 167: 163: 159: 158: 153: 149: 145: 136: 131: 126: 123: 120: 116: 113: 110: 106: 102: 92: 88: 84: 79: 69:31 March 1685 67: 63: 59: 54: 51: 45: 40: 33: 30: 26: 23: and 22: 16166:David Munrow 16159:Karl Richter 16074: 16029:Contributors 16002: 15995: 15988: 15974: 15921: 15902: 15895: 15808: 15801: 15772:Architecture 15721:Folk baroque 15716:Figured bass 15689:counterpoint 15665:Other topics 15537:18th-century 15532:17th-century 15157:D. Scarlatti 15026: 14974:A. Scarlatti 14944:J. Pachelbel 14695:Transitional 14481:Eyvind Skeie 14461:Johann Schop 14426:Lina Sandell 14386:Adam Reusner 14321:Sigurd Lunde 14316:Matthias Loy 14291:Julius Krohn 14271:Thomas Kingo 14251:Justus Jonas 14126:Paul Fleming 14025: 13993:hymnologists 13970: 13963: 13955: 13948: 13941: 13933: 13925: 13901: 13877: 13870: 13863: 13856: 13848: 13840: 13832: 13824: 13818:Nokre salmar 13816: 13792: 13768: 13761: 13737: 13713: 13706: 13699: 13692: 13664: 13656: 13648: 13640: 13632: 13624: 13605: 13597: 13589: 13581: 13573: 13565: 13557: 13549: 13541: 13533: 13525: 13517: 13438: 13424:(since 2021) 13380:Karl Straube 13368:Wilhelm Rust 13313: 13260:Ulrich Lange 13210:Thomanerchor 13149:Bach Digital 13137:Compositions 13085: 13082:(2nd cousin) 13064:(3rd cousin) 13016:(son-in-law) 12998:(2nd cousin) 12938: 12795:Other topics 12751:(St. Gallen) 12728:Bach Archive 12705:Bach Society 12583:and scholars 12487:Bach cantata 12390:Compositions 12381: 12314: 12313: 12308:Bach Digital 12277: 12276: 12254: 12253:Yo Tomita's 12247:Bach Archive 12206: 12187: 12184:Pirro, André 12165: 12144:. New York: 12140: 12124: 12120:C. F. Peters 12114: 12087: 12073: 12071: 12031: 12003: 11984: 11963: 11946: 11924: 11901: 11891: 11868: 11855: 11849: 11825: 11794: 11771: 11751: 11732: 11709: 11689: 11678: 11658: 11636: 11617: 11599: 11592:Dürr, Alfred 11573: 11570:Dürr, Alfred 11550: 11527: 11501: 11473:Bach's World 11472: 11450: 11438: 11415: 11363: 11333: 11310: 11288: 11269: 11248: 11234: 11217: 11202: 11179: 11165:. New York: 11157: 11137:. New York: 11130: 11106: 11077: 11073:Geck, Martin 11038: 11014: 10996: 10973:. New York: 10970: 10967:Eidam, Klaus 10940: 10910: 10848: 10844: 10827: 10806: 10786: 10780: 10768:. Retrieved 10764: 10751: 10742: 10736: 10724:. Retrieved 10719: 10710: 10698:. Retrieved 10695:Bach Digital 10690: 10681: 10661: 10643: 10620: 10608:. Retrieved 10590: 10567: 10535: 10506: 10496: 10472:. Retrieved 10463: 10450: 10438:. Retrieved 10429: 10419: 10407:. Retrieved 10398: 10389: 10364: 10352: 10336: 10332: 10320: 10304: 10288: 10272: 10256: 10244: 10227: 10221: 10209: 10192: 10183: 10110: 10105: 10087: 10057: 10047: 10032: 10023:.bachdigital 10004: 9989:Spitta 1899b 9984: 9979:, p. 14 9959: 9921: 9905: 9889: 9879: 9858: 9842: 9830: 9825:, p. 2) 9817: 9801: 9794: 9785: 9775: 9766: 9754: 9742: 9730: 9721: 9705: 9684: 9675: 9659: 9643: 9631:. Retrieved 9627:the original 9622: 9612: 9600:. Retrieved 9596:the original 9591: 9582: 9560: 9550: 9538: 9526:. Retrieved 9517: 9504: 9492:. Retrieved 9483: 9473: 9461:. Retrieved 9452: 9442: 9430:. Retrieved 9426:the original 9421: 9411: 9399:. Retrieved 9390: 9380: 9368:. Retrieved 9358:Tomita, Yo. 9353: 9345:Academia.edu 9331: 9319: 9307:. Retrieved 9298: 9288: 9276:. Retrieved 9272:the original 9267: 9258: 9246: 9234:. Retrieved 9225: 9216: 9192: 9185: 9173:. Retrieved 9164: 9154: 9142: 9137:, p. 65 9130: 9118:. Retrieved 9109: 9099: 9090:.bachdigital 9077: 9068:.bachdigital 9051: 9042:.bachdigital 9029: 9020:.bachdigital 9007: 8998:.bachdigital 8981: 8972:.bachdigital 8959: 8946: 8933: 8921: 8909:. Retrieved 8905: 8896: 8876: 8852:BWV Anh. 196 8840:BWV Anh. 195 8262: 8250:. Retrieved 8246:the original 8241: 8231: 8219:. Retrieved 8210: 8200: 8188: 8176: 8164:The Diapason 8162: 8153: 8143:Bach Digital 8138: 8130:the original 8110: 8106:Alfred, Dürr 8096: 8088: 8080: 8070:29 September 8068:. Retrieved 8060:Bach Digital 8059: 8050: 8039: 8023: 8004: 7995: 7980: 7971:.bachdigital 7958: 7942: 7930: 7918:. Retrieved 7909: 7904:Art of Fugue 7903: 7896: 7869: 7847:Peter Wollny 7842: 7822: 7806: 7798: 7793:, Ch. XVIII. 7786: 7777: 7768: 7757: 7748: 7736: 7727:.bachdigital 7708: 7696: 7672: 7668: 7646: 7634: 7617: 7615:Jopi Harri. 7611: 7592: 7581: 7576: 7565:Spitta 1899c 7560: 7548:. Retrieved 7544:the original 7539: 7529: 7517:. Retrieved 7508: 7498: 7486: 7473: 7460: 7448: 7436:. Retrieved 7432:the original 7418: 7406: 7394:. Retrieved 7385: 7382:unfinished?" 7380:Art of Fugue 7379: 7372: 7360: 7349:Spitta 1899c 7344: 7332: 7320:. Retrieved 7316:the original 7311: 7301: 7268: 7264: 7258: 7243: 7223: 7216: 7204: 7196: 7192: 7188: 7184: 7179: 7165: 7152: 7100: 7088:Introduction 7082: 7075:Bach Digital 7070: 7055: 7043: 7035: 7031: 7025: 7019: 7015: 6973: 6966:Bach Digital 6948: 6941:Bach Digital 6909: 6902:Bach Digital 6883: 6876:Bach Digital 6858: 6851:Bach Digital 6820: 6813:Bach Digital 6795: 6767: 6760:Bach Digital 6730: 6715:Bach Digital 6697: 6690:Bach Digital 6672: 6665:Bach Digital 6647: 6640:Bach Digital 6610: 6603:Bach Digital 6585: 6578:Bach Digital 6560: 6553:Bach Digital 6535: 6523:. Retrieved 6514: 6491: 6479: 6472:Spitta 1899b 6467: 6460:Spitta 1899b 6455: 6443: 6431:. Retrieved 6422: 6413: 6401:. Retrieved 6392: 6383: 6352: 6340: 6328: 6316:. Retrieved 6298: 6287:Spitta 1899b 6282: 6271:Spitta 1899b 6266: 6254: 6228:Spitta 1899b 6223: 6211: 6199: 6192:Spitta 1899b 6187: 6175: 6163: 6156:Van Til 2007 6151: 6139: 6127: 6115: 6103:. Retrieved 6079: 6067:. Retrieved 6043: 6038:, p. 30 6016: 5992: 5967:. Retrieved 5958: 5948: 5936: 5924: 5912:. Retrieved 5908:the original 5903: 5890: 5874: 5862:. Retrieved 5853: 5844: 5822: 5806: 5769: 5745: 5738: 5723: 5711: 5699: 5687: 5675: 5663: 5651:. Retrieved 5642: 5587: 5580:Spitta 1899a 5575: 5563: 5551: 5539: 5527: 5515: 5503: 5451:, p. 6. 5444: 5424: 5419:, p. 3. 5412: 5400:. Retrieved 5396:the original 5382: 5370:. Retrieved 5366:the original 5352: 5340: 5321: 5311: 5299:. Retrieved 5285: 5273: 5261: 5215: 5162: 5133: 5120: 5110: 5023: 4991: 4988: 4981: 4966: 4950:Bach Digital 4943: 4940:21st century 4892: 4881:Karl Richter 4874: 4863: 4855: 4823: 4817: 4798:Eugène Ysaÿe 4786:Ian Anderson 4775: 4768: 4762: 4759:Wendy Carlos 4748: 4739: 4703: 4667:Pablo Casals 4663:cello suites 4656: 4637:20th century 4631: 4624: 4594: 4566:Robert Franz 4555: 4547: 4535: 4528: 4522: 4517: 4505: 4486: 4484: 4465: 4459: 4433:Bach Revival 4427:19th century 4414: 4392: 4371:some of his 4363: 4355:Daniel Itzig 4320: 4309: 4281: 4270:18th century 4260:Bach Revival 4252: 4218: 4214:BWV Anh. 167 4209: 4206: 4192: 4179:BWV Anh. 183 4148: 4127: 4088: 4066: 4041: 4026: 4002: 4000: 3925: 3908: 3898: 3894: 3893: 3889:cello suites 3882: 3837: 3829: 3817: 3813: 3807: 3781: 3700: 3694: 3691:dance suites 3683: 3677: 3660: 3647: 3644: 3621:3rd movement 3603:2nd movement 3585:1st movement 3575: 3516: 3499: 3485: 3473: 3447: 3358: 3342: 3288: 3262: 3248: 3217:. The motet 3160: 3146: 3134: 3128: 3123: 3116: 3114: 3099: 3093: 3087: 3081: 3079: 3055: 3044: 3039: 3014: 2994:Thomaskantor 2989: 2956: 2948: 2940: 2925:Bach Digital 2918: 2911:Bach cantata 2901:Cantata text 2766: 2748: 2742: 2736: 2730: 2720: 2714: 2698: 2677: 2627:BWV 995–1000 2526: 2513:published a 2508: 2499:Compositions 2492: 2488: 2478: 2468: 2457: 2452: 2442: 2438: 2429: 2412:counterpoint 2409: 2247:3rd movement 2229:2nd movement 2211:1st movement 2142: 2135: 2127:Counterpoint 2121:Art of Fugue 2120: 2116: 2106: 2102:cello suites 2090: 2078: 2073: 2061: 2051: 2041: 2028: 2019: 2017: 2001: 2000:Aria of the 1988: 1966: 1962: 1956: 1953: 1922: 1890: 1887: 1817:Stabat Mater 1815: 1799:figured bass 1790:tonal system 1780: 1775: 1755: 1749: 1739: 1730:Thomaskantor 1722: 1706: 1660: 1647: 1608:harpsichords 1605: 1590:Thomaskantor 1581:burgomasters 1570: 1554:BWV 191 1547: 1545: 1538: 1532: 1529:Thema Regium 1528: 1506: 1481: 1458: 1454: 1450: 1447:BWV 200 1428: 1427:volume, the 1424: 1421:stile antico 1420: 1406: 1383:BWV 241 1366:stile antico 1364: 1358: 1344: 1339: 1335: 1305: 1297: 1279: 1271: 1259: 1246: 1236: 1212: 1204: 1195: 1184: 1173: 1162: 1143: 1134: 1115:Thomasschule 1111: 1105:and then to 1100: 1089: 1025:Thomaskantor 1022: 990: 974: 965: 956: 949:cello suites 927: 899: 890: 875: 860: 854:Annunciation 841: 830: 811: 797: 787: 762: 741: 712:, a festive 679: 672: 645: 625:Sangerhausen 622: 600: 597:harpsichords 586: 562:Marin Marais 519: 503:music theory 472: 424: 414: 406: 400: 300:counterpoint 297: 287:some of his 285:he published 261:Thomaskantor 235:churches in 206: 202:Bach Revival 191: 181: 175: 169: 162:cello suites 155: 143: 142: 95:(1750-07-28) 93:28 July 1750 29: 16360:Bach family 16335:1750 deaths 16330:1685 births 16188:conductor: 16157:conductor: 16123:Guan Pinghu 16113:Glenn Gould 16094:conductor: 16085:Chuck Berry 15741:Style brisé 15677:Chamber pop 15672:Baroque pop 15616:grand motet 15589:passacaglia 15400:lautenwerck 15395:harpsichord 15365:double bass 15332:Instruments 15290:Mondonville 15122:A. Marcello 15052:F. Couperin 14999:Vejvanovský 14949:J. Playford 14929:J.-B. Lully 14894:Charpentier 14849:d'Anglebert 14734:Frescobaldi 14698:and early ( 14431:Carl Schalk 14401:Johann Rist 14191:Claus Harms 14046:Carl Boberg 14036:Martin Behm 13872:Salmer 1997 13858:Salmer 1973 13418:(2016–2021) 13412:(1992–2015) 13406:(1972–1991) 13400:(1961–1972) 13394:(1957–1960) 13392:Kurt Thomas 13388:(1939–1956) 13382:(1918–1939) 13376:(1893–1918) 13370:(1880–1892) 13364:(1868–1879) 13358:(1842–1868) 13352:(1823–1842) 13346:(1810–1823) 13340:(1801–1810) 13334:(1789–1801) 13328:(1756–1789) 13322:(1750–1755) 13316:(1723–1750) 13310:(1701–1722) 13304:(1677–1701) 13298:(1657–1676) 13292:(1631–1657) 13286:(1615–1630) 13280:(1594–1615) 13274:(1553–1564) 13268:(1549–1551) 13262:(1540–1549) 13256:(1539–1540) 13250:(1536–1539) 13244:(1531–1536) 13238:(1526–1530) 13232:(1520–1525) 13226:(1518–1520) 12927:Bach family 12811:Competition 12736:(Göttingen) 12580:Biographers 12465:Fugal works 12341:All of Bach 12236:BBC Radio 3 12146:Basic Books 11081:. Orlando: 11044:Anthea Bell 10975:Basic Books 10896:Biographies 10891:Works cited 10474:27 December 10409:22 February 10343:. Leipzig: 10309:Forkel 1920 10279:, pp. 9910:Forkel 1920 9849:, pp. 9847:Forkel 1920 9823:Morris 2005 9761:, Ch. XXII. 9666:, pp. 9664:Forkel 1920 9650:, pp. 9648:Forkel 1920 9633:23 December 9602:27 December 9565:. Chicago: 9528:23 February 9494:22 February 9463:10 December 9432:23 December 9401:10 December 9370:22 February 8828:BWV Anh. 20 8816:BWV Anh. 19 8804:BWV Anh. 18 8792:BWV Anh. 13 8780:BWV Anh. 12 8768:BWV Anh. 11 8756:BWV Anh. 10 8252:24 December 8181:Leaver 2007 7949:, pp. 7947:Forkel 1920 7889:Lester 1999 7803:André Isoir 7550:23 December 7519:25 February 7491:Leaver 2007 7157: [ 6525:21 February 6433:31 December 6403:31 December 6378:, p. 5 6230:, pp. 6180:Spaeth 1937 6105:27 December 6069:27 December 5914:24 December 5879:Forkel 1920 5798:, pp. 5730:, pp. 5653:19 February 5431:, pp. 5294:. Chicago: 5020:Burial site 4897:Glenn Gould 4895:(played by 4887:(played by 4836:Alfred Dürr 4735:Walt Disney 4714:harpsichord 4570:Franz Liszt 4510:. In 1818, 4450: [ 4198:BWV 233–236 4191:arias from 3865:(BWV 989). 3828:), and the 3671:temperament 3379:Organ works 3365:harpsichord 3167:colla parte 2617:BWV 772–994 2607:BWV 525–771 2597:BWV 439–524 2587:BWV 250–438 2577:BWV 244–249 2567:BWV 232–243 2557:BWV 225–231 2421:Sonata form 2109:transcribed 2068:concertante 1933:temperament 1909:dorian mode 1849:1. Fantasia 1786:modal music 1685:Calov Bible 1665: [ 1601:John Taylor 1587:, fill the 1521:fortepianos 1491: [ 1255:coffeehouse 1232: 1720 856:that year; 850:Palm Sunday 637:Bach Church 589:St. Michael 469:Bach family 458: [ 382:as well as 209:Bach family 122:Bach family 16319:Categories 16202:Nick Sagan 16197:Carl Sagan 16108:Ann Druyan 16103:John Cohen 16059:Edda Moser 15982:Puspawarna 15755:Background 15641:recitative 15549:concertato 15517:canzonetta 15380:fortepiano 15355:clavichord 15305:Sammartini 15285:Mysliveček 15245:Boccherini 15235:W. F. Bach 15230:J. C. Bach 15027:J. S. Bach 14954:H. Purcell 14874:Cabanilles 14789:Monteverdi 14764:Kapsberger 14754:O. Gibbons 14749:C. Gibbons 14744:V. Galilei 14724:J. Dowland 14714:G. Caccini 14091:Simon Dach 13987:Hymnodists 13770:Virsikirja 13224:Georg Rhau 13129:(grandson) 13094:(grandson) 12950:(2nd wife) 12807:Bach Medal 12516:BACH motif 12315:Recordings 11902:About Bach 11790:Rich, Alan 11447:Butt, John 11439:J. S. Bach 11191:. London: 11185:Clara Bell 11158:J. S. Bach 11131:J. S. Bach 11046:. London: 11019:Allen Lane 11017:. London: 10900:See also: 10726:31 January 10311:, p. 10295:, p. 10263:, p. 10214:Kerst 1904 9991:, p. 9926:Wolff 2013 9912:, p. 9835:Wolff 2000 9759:Eidam 2001 9712:, p. 9570:Retrieved 9543:Wolff 1991 9147:Wolff 2000 9135:Wolff 2000 8926:Wolff 2000 8744:BWV Anh. 9 8732:BWV Anh. 8 8720:BWV Anh. 7 8708:BWV Anh. 6 8087:(editor). 7987:, p. 7937:, Ch. XXX. 7935:Eidam 2001 7791:Eidam 2001 7703:, Ch. III. 7701:Eidam 2001 7671:Magnificat 7651:Eidam 2001 7639:Eidam 2001 7411:Wolff 2000 7351:, p. 7248:Wolff 2000 7149:"Nekrolog" 6484:Wolff 2000 6376:Wolff 1997 6359:, p. 6345:Wolff 2013 6333:Wolff 2013 6289:, p. 6273:, p. 6259:Wolff 2013 6247:Wolff 2013 6216:Wolff 1983 6132:Miles 1962 6036:Wolff 1991 6021:Wolff 2000 5813:, p. 5796:Wolff 2000 5728:Wolff 2000 5668:Wolff 2000 5607:Eidam 2001 5592:Wolff 2000 5568:Wolff 2000 5556:Wolff 2000 5544:Wolff 2000 5532:Wolff 2000 5496:Miles 1962 5417:Jones 2007 5345:of music'. 5223:Wolff 2000 5197:Wolff 2000 5192:Wolff 1991 5176:Terry 1928 5139:Gramophone 5045:References 4792:, and the 4755:electronic 4623:published 4497:Magnificat 4464:published 4431:See also: 4264:BACH motif 4167:Palestrina 4139:See also: 3959:2. Andante 3941:1. Allegro 3873:See also: 3847:four duets 3834:(BWV 903). 3788:variations 3639:See also: 3466:Georg Böhm 3442:See also: 3369:clavichord 3337:See also: 3283:See also: 3279:Magnificat 3271:, and the 3265:Magnificat 3257:See also: 3243:See also: 3083:Trauer-Ode 3074:See also: 3000:lectionary 2935:See also: 2909:See also: 2709:See also: 2503:See also: 2404:See also: 2383:3. Allegro 2315:3. Allegro 2279:1. Allegro 1949:enharmonic 1924:Modulation 1919:Modulation 1701:See also: 1451:St Matthew 1371:Palestrina 1361:polyphonic 1041:New Church 968:, BWV 134a 955:, and the 686:Mühlhausen 652:bassoonist 538:clavichord 501:and basic 368:for violin 241:Mühlhausen 233:Protestant 73:1685-03-31 16273:Biography 16170:with the 15977:, Book II 15904:Voyager 2 15897:Voyager 1 15787:Sculpture 15704:ensembles 15699:festivals 15594:sarabande 15522:capriccio 15464:Ensembles 15295:L. Mozart 15197:de Zumaya 15132:Pergolesi 15112:Locatelli 15097:Heinichen 15082:Gorczycki 15077:Geminiani 15057:Delalande 14979:Stradella 14934:M. Marais 14914:Froberger 14879:Carissimi 14869:Buxtehude 14824:Sweelinck 14106:Paul Eber 13809:Norwegian 13785:Icelandic 13653:(1640/47) 13115:Veit Bach 13058:(brother) 13028:(brother) 12832:Portraits 12813:(Leipzig) 12730:(Leipzig) 12645:Schmieder 12528:Reception 12480:More info 12335:Muziekweb 12186:(2014) . 12061:required) 11862:: 84–113. 11397:required) 11245:(2003a). 11177:(1899a). 10770:14 August 10440:2 January 10399:NPR Music 10249:Geck 2006 10195:, p. 678. 9751:pp. 46–47 9710:Geck 2003 9696:Leipzig, 9572:22 August 9484:NPR Music 9251:Herz 1985 8952:Boyd 1999 8939:Boyd 1999 7780:, Dresden 7653:, Ch. IX. 7641:, Ch. IV. 7509:NPR Music 7453:Herl 2004 7285:0003-9950 7123:Breitkopf 6723:250000899 6717:website ( 6703:D-WFe 191 6448:Boyd 2000 6168:Dent 2004 6144:Boyd 2000 5864:10 August 5692:Boyd 2000 5680:Rich 1995 5508:Boyd 2000 5449:Boyd 2000 5429:Geck 2003 5253:Citations 5207:Butt 1997 5181:Dürr 1981 5155:Muziekweb 4998:feast day 4983:Alex Ross 4848:John Butt 4790:Uri Caine 4659:pedagogic 4578:Ave Maria 4460:In 1802, 4411:Beethoven 4235:Reception 4187:TWV 32:14 4159:Pergolesi 4069:(excerpt) 3977:3. Presto 3801:quodlibet 3792:bass line 3768:sarabande 3756:sarabande 3750:allemande 3735:sarabande 3719:allemande 3488: III 3454:fantasias 3316:Agnus Dei 3297:of 1733. 3058:, BWV 140 3017:, BWV 147 2959:, BWV 150 2769:, BWV 140 2547:BWV 1–224 2539:BWV Range 2509:In 1950, 2481:librettos 2456:"Keiser" 2416:homophony 2347:1. Vivace 2297:2. Adagio 1985:ornaments 1905:Sweelinck 1812:Pergolesi 1718:dissonant 1564:into his 1556:from his 1465:Pergolesi 1403:Gasparini 1351:in 1736. 1326:Agnus Dei 1176:, BWV 140 941:Calvinist 884:Pentecost 844:, BWV 182 778:concertos 582:gymnasium 356:for organ 336:oratorios 229:Thuringia 128:Signature 118:Relatives 16230:Category 15936:Chakrulo 15886:Contents 15823:Category 15800: ← 15782:Painting 15646:ricercar 15621:madrigal 15601:fantasia 15569:courante 15554:concerto 15527:chaconne 15420:recorder 15345:carillon 15315:Telemann 15260:Corrette 15255:F. Brixi 15240:F. Benda 15172:Telemann 15137:Pisendel 15087:Graupner 15022:Albinoni 14959:Reincken 14924:Legrenzi 14909:Diletsky 14833:Middle ( 14739:Gabrieli 13508:English 13459:Category 13076:(nephew) 13004:(nephew) 12992:(father) 12968:(mother) 12862:Category 12827:Three Bs 12665:Williams 12610:Glöckner 12595:Dadelsen 12570:Students 12497:Passions 12407:Cantatas 12337:website. 12310:website. 12300:(IMSLP). 12290:project. 12138:(1999). 12112:(1882). 11945:(1980), 11889:(1937). 11844:(1907). 11824:(1959). 11792:(1995). 11770:(2005). 11657:(2007). 11598:(2006), 11572:(1981). 11548:(1982). 11526:(2004). 11471:(1968). 11414:(2005). 11309:(1991). 11233:(1928). 11129:(1911). 11103:(1966). 11083:Harcourt 11075:(2006). 11063:Archived 11013:(2013). 10995:(1920). 10969:(2001). 10959:37801400 10939:(1998). 10877:Archived 10865:19220191 10653:Archived 10628:Archived 10604:Archived 10575:Archived 10547:Archived 10542:'s 1999 10514:Archived 10468:Archived 10434:Archived 10403:Archived 10230:, p. 273 10146:Archived 10097:Archived 10075:Archived 10055:(1862). 10012:Archived 9952:Archived 9806:Archived 9690:Archived 9623:Bach 101 9522:Archived 9488:Archived 9457:Archived 9422:Bach 101 9395:Archived 9364:Archived 9309:11 April 9303:Archived 9236:29 March 9230:Archived 9226:Bach 101 9208:Archived 9175:31 March 9169:Archived 9165:Bach 101 9120:31 March 9114:Archived 9110:Bach 101 8885:Archived 8696:BWV 249b 8684:BWV 249a 8672:BWV 216a 8588:BWV 210a 8552:BWV 208a 8516:BWV 207a 8468:BWV 205a 8384:BWV 194a 8372:BWV 193a 8360:BWV 184a 8348:BWV 173a 8336:BWV 134a 8242:Bach 101 8221:29 March 8215:Archived 8211:Bach 101 8064:Archived 8032:Archived 8003:(1979). 7920:28 March 7914:Archived 7854:Archived 7811:Calliope 7776:(1700), 7716:Archived 7688:Archived 7623:Archived 7600:Archived 7540:Bach 101 7513:Archived 7396:28 March 7390:Archived 7293:16219736 7232:Archived 7147:(1754). 7116:Archived 7105:Archived 7091:Archived 7077:website) 7063:Archived 7004:Archived 6987:Archived 6958:Archived 6933:Archived 6920:Archived 6894:Archived 6868:Archived 6843:Archived 6830:Archived 6805:Archived 6775:Archived 6752:Archived 6741:Archived 6707:Archived 6682:Archived 6657:Archived 6632:Archived 6621:Archived 6595:Archived 6570:Archived 6545:Archived 6519:Archived 6427:Archived 6397:Archived 6312:Archived 6096:Archived 6087:(1996). 6060:Archived 6051:(2010). 6008:Archived 5969:11 April 5963:Archived 5858:Archived 5777:Archived 5761:Archived 5647:Archived 5319:(2008). 5143:Diapason 5064:German: 5033:See also 5004:of some 4923:and the 4740:Fantasia 4695:I Musici 4605:three Bs 4586:Bruckner 4552:Schumann 4508:(BWV 80) 4492:♭ 4373:Passions 4221:, BWV 53 4163:BWV 1083 4155:BWV 1065 4141:BWV Anh. 3919:BWV 1043 3915:BWV 1042 3911:BWV 1041 3840:toccatas 3727:courante 3650: II 3498:and the 3458:toccatas 3450:preludes 3401:, Saxony 3363:such as 3233:BWV Anh. 3047:, BWV 80 3029:format. 2764:Cantata 2757:Cantatas 2735:and the 2717:Passions 2551:Cantatas 2487:for the 2485:Picander 2469:Passions 2467:Leipzig 2119:and the 2077:and the 2033:Marcello 2024:ornament 1937:trumpets 1867:2. Fugue 1656:Nekrolog 1644:Josephus 1618:, three 1614:, three 1473:Goldberg 1278:and the 1187:, BWV 62 1165:, BWV 20 1146:, BWV 75 1137:cantatas 993:Carlsbad 893:, BWV 63 863:, BWV 12 790:preludes 783:movement 641:Arnstadt 593:Lüneburg 570:theology 475:Eisenach 403:organist 332:Passions 314:include 304:harmonic 289:keyboard 277:Lutheran 237:Arnstadt 225:Lüneburg 217:Eisenach 196:and the 186:and the 83:Eisenach 53:BWV 1076 16370:Cantors 16297:Germany 16259:Portals 16240:Commons 15813:→ 15767:Baroque 15636:prelude 15574:gavotte 15544:chorale 15512:canzona 15502:cantata 15455:violone 15435:trumpet 15430:theorbo 15425:sackbut 15360:cornett 15340:bassoon 15330:Musical 15270:Galuppi 15192:Zelenka 15182:Vivaldi 15167:Tartini 15142:Porpora 15127:Pepusch 15067:Fischer 15042:Caldara 14989:Torelli 14984:Strozzi 14904:Corelli 14884:Cavalli 14854:Bassani 14809:Scheidt 14759:d'India 14709:Allegri 13918:Swedish 13894:Spanish 13754:Finnish 13730:Faroese 13510:hymnals 13432:Related 13208:of the 13034:(uncle) 12986:(uncle) 12974:(uncle) 12934:Members 12685:Zehnder 12650:Schulze 12630:Neumann 12615:Hofmann 12323:at the 12296:at the 12288:Musopen 12286:at the 12269:at the 12245:of the 11505:: Music 10873:7925258 10821:. 2013. 10700:16 June 10676:website 10610:26 July 10585:website 10581:at the 10558:.amazon 10368:Spitta 10159:.mcgill 10071:3309798 9993:518–519 9682:(2011) 9668:140–141 8660:BWV 216 8648:BWV 215 8636:BWV 214 8624:BWV 213 8612:BWV 212 8600:BWV 211 8576:BWV 210 8564:BWV 209 8540:BWV 208 8528:BWV 208 8504:BWV 207 8492:BWV 206 8480:BWV 206 8456:BWV 205 8444:BWV 204 8432:BWV 203 8420:BWV 202 8408:BWV 201 8396:BWV 198 8324:BWV 66a 8312:BWV 36c 8300:BWV 36b 8288:BWV 36a 8276:BWV 30a 7837:website 7438:23 June 7322:8 March 6968:website 6943:website 6904:website 6878:website 6853:website 6815:website 6762:website 6692:website 6667:website 6642:website 6605:website 6580:website 6555:website 6318:16 June 6232:192–193 5800:102–104 5609:, Ch. 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