312:, which paid for some but not all of the film making. Kirchheimer stated that he probably can make documentaries at lower cost than others because his former students help him without pay, but if he ever does make money from a film, they will get some of the proceeds. Kirchheimer stated in 2010 that he has never made back the money he has spent on his films.
281:
I trust my audience. I am eager for the audience to work, and not lose themselves while they are watching my films able to hold on to their own integrity and insights so they don't leave their intelligence behind. When viewers leave the theater they will be walking into the same world they just
276:
Kirchheimer's films typically focus on aspects of urban life. His films have been described as "hopeful, yet they admonish for the future". He typically uses written commentary on screen rather than voice-over in his films. He often creates complex layerings of sound to create novel sound
290:
I don't have to keep appointments with anybody. I don't have to say we'll meet tomorrow. I don't have to argue with anybody. Just, you know, it's not that I'm a one man band, it's just that I like to think things through. I like the challenge of it.
609:
16mm film from Wall Street to midtown New York to the
Delaware River documenting the activities at a huge construction site, street life in Hell's Kitchen, New York harbor traffic, and rare glimpses of nature.
1346:
641:
149:
in 1952, he worked primarily as a film editor and he also began making his own films. A major theme in many of his documentaries is urban life. His most notable documentaries include:
1323:
1023:
1512:
224:. The subjects of these films ranged from cultural to biographical. During these years, he also financed his own independent films while also working with Hans Richter and
1290:
1046:
1356:
1155:
1122:
251:. This began a new flurry of activity, which continued as late as 2022, as he made new projects and worked with old footage he had shot decades before.
1532:
1522:
1482:
593:
A series of conversations with Jewish people from all walks of life, discussing their heritage and faith as it relates to history and today's world.
1089:
501:
247:
163:
1492:
966:
925:
881:
239:
in New York City where he taught film production; he was part of the faculty for the next four decades. However, after making the documentary
1477:
1015:
1199:
1502:
1313:
1235:
1537:
1487:
689:
1542:
665:
190:
1452:
824:
649:
401:
The central theme of this documentary is that contemporary urban development subordinates human values to economic values.
1517:
1527:
1507:
1436:
1413:
1390:
669:
555:
536:
528:
169:
1497:
805:
1280:
944:
903:
859:
259:
Kirchheimer was married to the former Gloria DeVidas, and had two children. He died from cancer at his home on the
577:
an ode to the men and women who earn their daily bread by diligently collecting New York City's cans and bottles.
527:
This documentary focuses on four ex-graffiti artists (now in their 40s) who earlier in their lives crept into the
661:
221:
989:
1056:
1112:
209:
186:
245:(1985), he stepped away from filmmaking until 2006, when he embraced digital film editing and returned with
382:
345:
The documentary attempts to capture the passing of an era by filming the docking of a large ocean liner.
52:
1145:
1079:
731:
1351:
640:
Kirchheimer received a number of awards and grants for his documentary films including awards from:
129:(March 2, 1931 – July 16, 2024) was an American documentary film maker and professor of film at the
453:
151:
146:
657:
561:
This documentary explores how politics and how artists of the past have influenced four artists.
1227:
645:
417:
This documentary focuses on the reaction of a white, middle-class male, during the peak of the
1178:
793:
828:
236:
194:
130:
730:
300:
According to
Kirchheimer, most of the films he has made he paid for himself. His first film
1472:
1467:
690:"Want to Make a Film? Stand on a Corner: A New Look at Manfred Kirchheimer's Documentaries"
532:
198:
444:
Director (with Walter Hess), producer, writer, cinematographer (With Walter Hess), editor
8:
1183:
1318:
1285:
1117:
1080:"The Paint-Bombed Stations of the Elevated Is a Masterpiece of Train- and Tag-Spotting"
1051:
960:
919:
875:
737:
479:
277:
environments rather than the sound at the actual scene. About his audience he has said
241:
157:
492:
Director, producer, writer, editor, cinematographer (James
Calanan and Steve Juliano)
185:
in 1931. In 1936, his family fled to the United States from Nazi
Germany, settling in
1432:
1425:
1409:
1402:
1386:
1257:
1150:
1084:
801:
438:
404:
Co-director (with Walter Hess), producer, editor, cinematographer (with Walter Hess)
464:
308:, which he said paid for about half of the film. He also received grants to make
832:
626:
The changing landscape of New York City over the years, urban renewal to rubble.
260:
205:
485:
A documentary film about Jews who talk about
Germans who helped them escape the
1204:
694:
508:
182:
138:
48:
1461:
421:
movement, to the movement of black people and culture into his neighborhood.
304:
cost about $ 3,500 to make. The first grant he received was $ 10,000 to make
142:
418:
362:
286:
Kirchheimer did not typically collaborate with other filmmakers, saying:
229:
940:
899:
855:
204:
For the next 24 years, Kirchheimer worked as an editor, director, and
193:. Upon graduating high school, he began studying film production with
732:"Manfred Kirchheimer, 'Indispensable' New York Filmmaker, Dies at 93"
486:
225:
201:
at the City
College of New York from 1948 to 1952, receiving a B.A.
1016:"After Decades on VHS, Graffiti's Golden Age Returns To Big Screen"
460:
141:, Germany, and his family moved to New York City in 1936 to escape
1146:"Movie Review : Poignant Look-back at Holocaust In 'Beloved'"
381:
The documentary captures the reactions of workers in New York's
208:
in the New York film industry. He edited on over 300 films for
1427:
We Were So
Beloved: Autobiography of a German Jewish Community
993:
181:
Manfred
Alexander Kirchheimer was born to a Jewish family in
653:
470:
Director, editor, cinematographer, producer, writer, sound
134:
1423:
Kirchheimer, Gloria DeVidas; Kirchheimer, Manfred (1997).
798:
The
Concise Routledge Encyclopedia of the Documentary Film
1019:
217:
213:
1513:
Jewish emigrants from Nazi
Germany to the United States
819:
817:
437:
The documentary is a choreographed song of praise to a
1422:
1404:
Tube of Plenty: The Evolution of American Television
814:
613:
Director, producer, writer, cinematographer, editor
514:
Director, producer, writer, editor, cinematographer
282:
left, not one unconnected to the film they've seen.
235:
In the 1970s, Kirchheimer became a professor at the
1453:Official Faculty site at the School of Visual Arts
1424:
1401:
1228:"Tall: The American Skyscraper and Louis Sullivan"
1200:"Tall: The American Skyscraper and Louis Sullivan"
385:to the death of their black colleague in Vietnam.
263:of Manhattan, on July 16, 2024, at the age of 93.
1071:
228:on films. In 1963, he was a camera operator for
16:German-American documentary filmmaker (1931–2024)
1459:
1347:"Film Review: Art Is...The Permanent Revolution"
502:Tall: The American Skyscraper and Louis Sullivan
248:Tall: The American Skyscraper and Louis Sullivan
164:Tall: The American Skyscraper and Louis Sullivan
1431:. University of Pittsburgh Press. p. 440.
1281:"Review: 'Art Is ... the Permanent Revolution'"
941:"13Bit Interview With Manny Kirchheimer Part 4"
900:"13Bit Interview With Manny Kirchheimer Part 2"
856:"13Bit Interview With Manny Kirchheimer Part 3"
539:in these yards. Spraymasters is a follow-up to
984:
982:
980:
978:
976:
629:Director, producer, cinematographer, editor
580:Director, producer, cinematographer, editor
424:Director, producer, writer, cinematographer
189:, New York. After arriving, he attended the
1385:. Cambridge University Press. p. 432.
965:: CS1 maint: numeric names: authors list (
924:: CS1 maint: numeric names: authors list (
880:: CS1 maint: numeric names: authors list (
348:Director, producer, writer, editor, Camera
1077:
973:
254:
133:in New York City. He previously taught at
1533:People from Washington Heights, Manhattan
1383:Indelible Shadows: Film and the Holocaust
893:
891:
1523:New York Institute of Technology faculty
1483:American people of German-Jewish descent
1408:. Oxford University Press. p. 624.
1225:
1219:
787:
785:
783:
781:
779:
777:
775:
1399:
1380:
1314:"Making a Print and Making a Statement"
1311:
1305:
1238:from the original on September 13, 2014
1104:
1038:
773:
771:
769:
767:
765:
763:
761:
759:
757:
755:
724:
722:
720:
718:
716:
714:
712:
507:The documentary tells the story of how
467:and their symbolism in modern society.
1493:Deaths from cancer in New York (state)
1460:
1278:
1272:
1143:
932:
888:
847:
681:
1176:
1110:
1044:
938:
897:
853:
791:
728:
687:
666:National Endowment for the Humanities
1279:Scheib, Ronnie (February 29, 2012).
1013:
752:
709:
650:RiverRun International Film Festival
635:
1478:American documentary film directors
1344:
1338:
1177:Denby, David (September 22, 1986).
361:The documentary captures dances by
145:. After receiving a B.A. from the
13:
1374:
1293:from the original on July 14, 2014
1197:
1158:from the original on July 14, 2014
1144:Thomas, Kevin (January 31, 1987).
1125:from the original on July 16, 2014
1111:Canby, Vincent (August 27, 1986).
1092:from the original on June 27, 2014
1078:Scherstuhl, Alan (June 25, 2014).
1026:from the original on June 28, 2014
1007:
990:"Manfred Kirchheimer: Filmography"
947:from the original on July 15, 2014
906:from the original on July 14, 2014
862:from the original on July 14, 2014
670:New York State Council on the Arts
642:Athens International Film Festival
564:Director, editor, producer, sound
556:Art Is... The Permanent Revolution
170:Art Is... The Permanent Revolution
14:
1554:
1503:Film directors from New York City
1446:
1326:from the original on June 8, 2022
1047:"Stations of the Elevated (1980)"
197:at the Hans Richter Institute of
1226:Williams, Kevin (May 31, 2008).
688:Hynes, Eric (October 15, 2014).
1538:People from the Upper West Side
1488:City College of New York alumni
1312:Webster, Andy (March 1, 2012).
1250:
1191:
1170:
1137:
662:National Endowment for the Arts
459:The documentary focuses on the
388:Co-filmmaker with Peter Eliscu
222:National Educational Television
729:Traub, Alex (August 2, 2024).
266:
1:
1543:School of Visual Arts faculty
675:
589:My Coffee with Jewish Friends
187:Washington Heights, Manhattan
127:Manfred Alexander Kirchheimer
35:Manfred Alexander Kirchheimer
1345:Noh, David (March 1, 2012).
1014:Rose, Joel (June 26, 2014).
191:New York City Public Schools
176:
7:
1113:"We Were So Beloved (1985)"
596:Director, producer, editor
441:filmed in black and white.
53:Territory of the Saar Basin
10:
1559:
1518:Jews from New York (state)
1352:Film Journal International
295:
1508:Film people from Saarland
1381:Insdorf, Annette (2002).
116:
108:
100:
83:
75:
59:
30:
23:
1498:Documentary film editors
1049:. Movies & TV Dept.
541:Stations of the Elevated
454:Stations of the Elevated
315:
306:Stations of the Elevated
271:
152:Stations of the Elevated
147:City College of New York
1528:People from Saarbrücken
939:13Bit (June 18, 2010).
898:13Bit (June 18, 2010).
854:13Bit (June 18, 2010).
658:American Film Institute
255:Personal life and death
104:Documentary film making
1400:Barnouw, Erik (1990).
943:. Low Budget Legends.
902:. Low Budget Legends.
858:. Low Budget Legends.
794:"Kirchheimer, Manfred"
646:American Film Festival
644:, Yale Film Festival,
511:designed skyscrapers.
293:
284:
829:School of Visual Arts
825:"Manfred Kirchheimer"
341:Colossus on the River
302:Colossus on the River
288:
279:
237:School of Visual Arts
131:School of Visual Arts
533:New York City Subway
792:Aitke, Ian (2013).
70:New York City, U.S.
25:Manfred Kirchheimer
1319:The New York Times
1118:The New York Times
1052:The New York Times
738:The New York Times
480:We Were So Beloved
310:We Were So Beloved
242:We Were So Beloved
158:We Were So Beloved
1359:on March 16, 2016
1151:Los Angeles Times
1085:The Village Voice
654:Ciné Golden Eagle
636:Awards and grants
633:
632:
439:suspension bridge
137:. He was born in
124:
123:
1550:
1442:
1430:
1419:
1407:
1396:
1369:
1368:
1366:
1364:
1355:. Archived from
1342:
1336:
1335:
1333:
1331:
1309:
1303:
1302:
1300:
1298:
1276:
1270:
1269:
1267:
1265:
1254:
1248:
1247:
1245:
1243:
1223:
1217:
1216:
1214:
1212:
1195:
1189:
1188:
1174:
1168:
1167:
1165:
1163:
1141:
1135:
1134:
1132:
1130:
1108:
1102:
1101:
1099:
1097:
1075:
1069:
1068:
1066:
1064:
1055:. Archived from
1042:
1036:
1035:
1033:
1031:
1011:
1005:
1004:
1002:
1000:
986:
971:
970:
964:
956:
954:
952:
936:
930:
929:
923:
915:
913:
911:
895:
886:
885:
879:
871:
869:
867:
851:
845:
844:
842:
840:
831:. Archived from
821:
812:
811:
789:
750:
749:
747:
745:
734:
726:
707:
706:
704:
702:
685:
383:Garment District
320:
319:
66:
44:
42:
21:
20:
1558:
1557:
1553:
1552:
1551:
1549:
1548:
1547:
1458:
1457:
1449:
1439:
1416:
1393:
1377:
1375:Further reading
1372:
1362:
1360:
1343:
1339:
1329:
1327:
1310:
1306:
1296:
1294:
1277:
1273:
1263:
1261:
1260:. UnionDocs Inc
1256:
1255:
1251:
1241:
1239:
1224:
1220:
1210:
1208:
1196:
1192:
1179:"Fighting Back"
1175:
1171:
1161:
1159:
1142:
1138:
1128:
1126:
1109:
1105:
1095:
1093:
1076:
1072:
1062:
1060:
1059:on July 7, 2014
1043:
1039:
1029:
1027:
1012:
1008:
998:
996:
988:
987:
974:
958:
957:
950:
948:
937:
933:
917:
916:
909:
907:
896:
889:
873:
872:
865:
863:
852:
848:
838:
836:
835:on July 5, 2014
823:
822:
815:
808:
790:
753:
743:
741:
727:
710:
700:
698:
686:
682:
678:
638:
605:Dream of a City
465:elevated trains
318:
298:
274:
269:
261:Upper West Side
257:
206:camera operator
199:Film Techniques
179:
96:
71:
68:
64:
55:
46:
40:
38:
37:
36:
26:
17:
12:
11:
5:
1556:
1546:
1545:
1540:
1535:
1530:
1525:
1520:
1515:
1510:
1505:
1500:
1495:
1490:
1485:
1480:
1475:
1470:
1456:
1455:
1448:
1447:External links
1445:
1444:
1443:
1438:978-0822939979
1437:
1420:
1415:978-0195064841
1414:
1397:
1392:978-0521016308
1391:
1376:
1373:
1371:
1370:
1337:
1304:
1271:
1258:"SPRAYMASTERS"
1249:
1232:The Daily Page
1218:
1205:Chicago Reader
1198:Camper, Fred.
1190:
1169:
1136:
1103:
1070:
1045:Staff (2014).
1037:
1006:
972:
931:
887:
846:
813:
806:
751:
708:
695:New York Times
679:
677:
674:
637:
634:
631:
630:
627:
624:
619:
615:
614:
611:
607:
602:
598:
597:
594:
591:
586:
582:
581:
578:
575:
570:
566:
565:
562:
559:
552:
548:
547:
544:
535:, and painted
525:
520:
516:
515:
512:
509:Louis Sullivan
505:
498:
494:
493:
490:
483:
476:
472:
471:
468:
457:
450:
446:
445:
442:
435:
430:
426:
425:
422:
415:
410:
406:
405:
402:
399:
394:
390:
389:
386:
379:
374:
370:
369:
366:
359:
354:
350:
349:
346:
343:
338:
334:
333:
330:
327:
324:
317:
314:
297:
294:
273:
270:
268:
265:
256:
253:
178:
175:
122:
121:
118:
114:
113:
112:Gloria DeVidas
110:
106:
105:
102:
101:Known for
98:
97:
95:
94:
91:
87:
85:
81:
80:
77:
73:
72:
69:
67:(aged 93)
61:
57:
56:
47:
34:
32:
28:
27:
24:
15:
9:
6:
4:
3:
2:
1555:
1544:
1541:
1539:
1536:
1534:
1531:
1529:
1526:
1524:
1521:
1519:
1516:
1514:
1511:
1509:
1506:
1504:
1501:
1499:
1496:
1494:
1491:
1489:
1486:
1484:
1481:
1479:
1476:
1474:
1471:
1469:
1466:
1465:
1463:
1454:
1451:
1450:
1440:
1434:
1429:
1428:
1421:
1417:
1411:
1406:
1405:
1398:
1394:
1388:
1384:
1379:
1378:
1358:
1354:
1353:
1348:
1341:
1325:
1321:
1320:
1315:
1308:
1292:
1288:
1287:
1282:
1275:
1259:
1253:
1237:
1233:
1229:
1222:
1207:
1206:
1201:
1194:
1186:
1185:
1180:
1173:
1157:
1153:
1152:
1147:
1140:
1124:
1120:
1119:
1114:
1107:
1091:
1087:
1086:
1081:
1074:
1058:
1054:
1053:
1048:
1041:
1025:
1021:
1017:
1010:
995:
991:
985:
983:
981:
979:
977:
968:
962:
946:
942:
935:
927:
921:
905:
901:
894:
892:
883:
877:
861:
857:
850:
834:
830:
826:
820:
818:
809:
807:9780415596428
803:
799:
795:
788:
786:
784:
782:
780:
778:
776:
774:
772:
770:
768:
766:
764:
762:
760:
758:
756:
740:
739:
733:
725:
723:
721:
719:
717:
715:
713:
697:
696:
691:
684:
680:
673:
671:
667:
663:
659:
655:
651:
647:
643:
628:
625:
623:
620:
617:
616:
612:
608:
606:
603:
600:
599:
595:
592:
590:
587:
584:
583:
579:
576:
574:
571:
568:
567:
563:
560:
558:
557:
553:
550:
549:
545:
542:
538:
534:
530:
526:
524:
521:
518:
517:
513:
510:
506:
504:
503:
499:
496:
495:
491:
488:
484:
482:
481:
477:
474:
473:
469:
466:
462:
458:
456:
455:
451:
448:
447:
443:
440:
436:
434:
431:
428:
427:
423:
420:
416:
414:
413:Short Circuit
411:
408:
407:
403:
400:
398:
395:
392:
391:
387:
384:
380:
378:
377:Leroy Douglas
375:
372:
371:
367:
364:
360:
358:
355:
352:
351:
347:
344:
342:
339:
336:
335:
331:
328:
325:
322:
321:
313:
311:
307:
303:
292:
287:
283:
278:
264:
262:
252:
250:
249:
244:
243:
238:
233:
231:
227:
223:
219:
215:
211:
207:
202:
200:
196:
192:
188:
184:
174:
172:
171:
166:
165:
160:
159:
154:
153:
148:
144:
140:
136:
132:
128:
119:
115:
111:
107:
103:
99:
92:
89:
88:
86:
82:
78:
74:
63:July 16, 2024
62:
58:
54:
50:
45:March 2, 1931
33:
29:
22:
19:
1426:
1403:
1382:
1361:. Retrieved
1357:the original
1350:
1340:
1328:. Retrieved
1317:
1307:
1295:. Retrieved
1284:
1274:
1262:. Retrieved
1252:
1240:. Retrieved
1231:
1221:
1209:. Retrieved
1203:
1193:
1182:
1172:
1160:. Retrieved
1149:
1139:
1127:. Retrieved
1116:
1106:
1094:. Retrieved
1083:
1073:
1061:. Retrieved
1057:the original
1050:
1040:
1028:. Retrieved
1009:
997:. Retrieved
949:. Retrieved
934:
908:. Retrieved
864:. Retrieved
849:
837:. Retrieved
833:the original
797:
742:. Retrieved
736:
699:. Retrieved
693:
683:
639:
621:
604:
588:
572:
554:
540:
523:Spraymasters
522:
500:
478:
452:
432:
412:
396:
376:
356:
340:
329:Description
309:
305:
301:
299:
289:
285:
280:
275:
258:
246:
240:
234:
203:
195:Hans Richter
180:
168:
162:
156:
150:
143:Nazi Germany
126:
125:
65:(2024-07-16)
18:
1473:2024 deaths
1468:1931 births
800:: 491–493.
701:November 9,
537:subway cars
433:Bridge High
419:Black Power
363:Jane Dudley
267:Filmography
230:Leo Hurwitz
183:Saarbrücken
139:Saarbrücken
84:Occupations
76:Nationality
49:Saarbrücken
1462:Categories
676:References
529:rail yards
41:1931-03-02
961:cite news
920:cite news
876:cite news
744:August 3,
622:Free Time
546:Director
487:Holocaust
368:Director
226:Jay Leyda
177:Biography
93:Professor
90:Filmmaker
1363:June 29,
1330:June 27,
1324:Archived
1297:June 29,
1291:Archived
1264:June 30,
1242:June 29,
1236:Archived
1211:June 29,
1184:New York
1162:June 29,
1156:Archived
1129:June 29,
1123:Archived
1096:June 27,
1090:Archived
1063:June 27,
1030:June 27,
1024:Archived
999:June 27,
951:June 30,
945:Archived
910:June 30,
904:Archived
866:June 30,
860:Archived
839:June 27,
461:graffiti
117:Children
79:American
1286:Variety
573:Canners
531:in the
332:Credit
296:Funding
1435:
1412:
1389:
1187:: 157.
804:
668:, and
220:, and
167:, and
109:Spouse
994:MSNBC
618:2019
601:2018
585:2017
569:2015
551:2012
519:2007
497:2004
475:1986
449:1980
429:1975
409:1973
393:1968
373:1967
357:Haiku
353:1965
337:1963
326:Film
323:Year
316:Films
272:Style
1433:ISBN
1410:ISBN
1387:ISBN
1365:2014
1332:2014
1299:2014
1266:2014
1244:2014
1213:2014
1164:2014
1131:2014
1098:2014
1065:2014
1032:2014
1001:2014
967:link
953:2014
926:link
912:2014
882:link
868:2014
841:2014
802:ISBN
746:2024
703:2015
397:Claw
135:NYIT
60:Died
31:Born
1020:NPR
463:on
218:NBC
214:CBS
210:ABC
1464::
1349:.
1322:.
1316:.
1289:.
1283:.
1234:.
1230:.
1202:.
1181:.
1154:.
1148:.
1121:.
1115:.
1088:.
1082:.
1022:.
1018:.
992:.
975:^
963:}}
959:{{
922:}}
918:{{
890:^
878:}}
874:{{
827:.
816:^
796:.
754:^
735:.
711:^
692:.
672:.
664:,
660:,
656:,
652:,
648:,
543:.
489:.
365:.
232:.
216:,
212:,
173:.
161:,
155:,
51:,
1441:.
1418:.
1395:.
1367:.
1334:.
1301:.
1268:.
1246:.
1215:.
1166:.
1133:.
1100:.
1067:.
1034:.
1003:.
969:)
955:.
928:)
914:.
884:)
870:.
843:.
810:.
748:.
705:.
120:2
43:)
39:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.