350:(Musical Instrument Digital Interface) renditions of popular music hits while a synthesized text-to-speech voice "sings" the lyrics. Shulgin describes his project, which he began in 1998, of electronic covers as "the world's first cyberpunk rock band." Shulgin and his software have given live performances in many different locales all over the world, from the San Diego/Mexico border, with Shulgin on one side and his computer on the other, to the streets of
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283:) is a Russian born contemporary artist, musician, and online curator. Working out of Moscow and Helsinki, Shulgin established the Immediate Photography Group in 1988 and started his career in this area of study. After 1990, he shifted his interests from photography to the Internet, and in 1994 founded Moscow-WWW-Art-Lab
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335:. Navigating this site requires aimless click-throughs of blank boxes and links, which lead the viewer through 19 pages of "form art" animations. Behavioral expectations are subverted by frequently overriding default functionality of basic form elements such as radio buttons and list boxes.
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culture and uses code as a form of art. In 1997, he released his first interactive work, Form Art, in which only minimum factors are programmed in the form of
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Shulgin is probably most well known for his ongoing so called "386DX" performances, in which he manipulates an antiquated computer with
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https://web.archive.org/web/20080419014508/http://pzwart.wdka.hro.nl/mdr/research/ashulgin/
599:(in German) (2nd ed.). Nürnberg: Verlag für Moderne Kunst Nürnberg. pp. 120–127.
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with a wider explanation of Alexei
Shulgin's "Form Art" (1997).
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from the article and its talk page, especially if potentially
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Thomas Dreher: History of
Computer Art, chap. VI.3.2 HTML Art
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568:"Biggest Smash Hits, by Alexei Shulgin/ 386 DX"
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