631:
20:
308:
Angelo explains to the priest how
Catarina's funeral should be arranged. The two exit, and Tisbe appears, suspecting that Rodolfo is Catarina's lover. When Angelo returns and shows her the love letter, Tisbe knows that the handwriting is Rodolfo's, but pretends otherwise. She convinces Angelo that
296:
Outside a tavern by the river at dusk the crowd is entertained with a tarantella. The subject of the
Venetian tyrant comes up, and people are persuaded join the plot to assassinate him. Rodolfo enters, reporting that Galeofa has betrayed them. When the latter enters, the crowd mortally wounds him.
275:
Angelo arrives to the greeting sounds of a barcarolle. In order to assuage his jealousy of her attentions to
Galeofa, she tells him of the time when her mother was rescued years ago from hanging when Tisbe was a child. The daughter of a Venetian nobleman had pleaded to spare Tisbe's mother, and in
271:
Tisbe enters. She is in love with
Rodolfo, and would kill any rival for his love. In an aside, he admits to loving only Catarina, and leaves. Galeofa reappears, and gives Tisbe a bottle of poison and a bottle of sleeping potion. He tells her that Rodolfo will be meeting another woman that night.
324:
Catarina lies covered by a shroud. The grave has been sealed, and the horses outside are ready for the escape. Rodolfo appears, convinced that Tisbe poisoned
Catarina, and stabs Tisbe in the heart. Catarina awakes; Tisbe blesses them and dies as the funeral procession passes by the window to the
284:
In her bedroom, Catarina awaits
Rodolfo. The chambermaids try to cheer her up by singing, but it does not help. Alone, Catarina then tries to cheer herself up by playing Rodolfo's sad song, and suddenly he is heard singing it from the balcony. After their love scene a noise is heard and Rodolfo
315:
Tisbe, accompanied by Angelo, brings a phial, which
Catarina refuses to drink from. At Tisbe's urging, she drinks it, admitting her chaste love. Angelo tells his servants to take Catarina's body away to the crypt, but, after he leaves, Tisbe bribes them to do otherwise.
267:
In Tisbe's illuminated garden, masked guests entertain themselves. After they disperse, Rodolfo and the conspirators in the grotto complain about Angelo. The guests come back. Galeofa knows who
Rodolfo is, and will help him to meet Catarina, his paramour, that night.
285:
hides. It is Tisbe; although she doesn't know who
Catarina's lover is, she calls for Angelo to tell him about the Catarina's affair. As Catarina prays before the crucifix, Tisbe notices that it is the one her mother once had.
312:
Angelo tells
Catarina that her life will be spared if she reveals the identity of her lover. Alone, Catarina discovers the block and axe that are hidden behind a curtain.
297:
After Angelo and his troops come on the scene, Galeofa gives Angelo an unsigned letter to Catarina from a young man, then dies. The rebellion is defeated.
665:
787:
288:
When Angelo enters, Tisbe invents a story about a plot to assassinate Angelo. Aside, she promises Catarina a means to escape with Rodolfo.
618:
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634:
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gratitude the latter gave the girl her crucifix. Tisbe has been searching for that person ever since.
410:
506:
368:: опера в четырех действиях. Фортепианное переложение с пением. . St. Petersburg: W. Bessel, 1876.
675:
600:
69:
643:
466:
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557:
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458:
124:. Apparently it did not survive that particular season, and was removed from the repertory.
121:
403:
772:
359:Словарь опер впервые поставленных или изданных в дореволюционной России и в СССР, 1736-1959
8:
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he should poison Catarina, not behead her, and goes to fetch the poison.
64:
131:
was staged twenty-five years after the original premiere in 1901 at the
153:
326:
208:
56:
673:
166:
390:
Opera and Drama in Russia As Preached and Practiced in the 1860s
93:, which premiered in the same year as Cui's opera (1876), and
584:
251:
243:
182:
48:
395:
392:. New ed. Rochester: University of Rochester Press, 1993.
19:
361:(Москва: Советский композитор, 1962), pp. 21–22.
188:Anafesta Galeofa, Tisbe's factotum, Angelo's spy:
596:(Dargomyzhsky, Introduction and end of Tableau 1)
754:
139:in the role of Galeofa. The Mariinsky staged
659:
411:
666:
652:
418:
404:
18:
755:
104:
73:. This same play formed the basis of
647:
399:
788:Operas based on works by Victor Hugo
112:was premiered on 1 February 1876 in
55:, composed during 1871–1875, with a
332:
13:
14:
799:
241:, signore, people, sbirri, etc.:
630:
629:
588:(Act I, with three others, 1872)
371:Mercy-Argenteau, Comtesse de.
351:
1:
425:
375:. Paris: Fischbacher, 1888.
373:César Cui: esquisse critique
320:Tableau 2: In Tisbe's bedroom
306:Tableau 1: in Catarina's room
7:
257:
10:
804:
47:in transliteration) is an
707:
688:
627:
611:
576:
533:
499:A Feast in Time of Plague
442:
433:
341:Tisbe's Narrative (Act I)
451:Prisoner of the Caucasus
300:
291:
279:
262:
146:
768:Russian-language operas
740:Angelo, tyran de Padoue
676:Angelo, Tyrant of Padua
601:The Fair at Sorochyntsi
382:. Moskva: Muzyka, 1989.
347:Rodolfo's Song (Act II)
99:Angelo, tyran de Padoue
70:Angelo, Tyrant of Padua
619:List of literary works
550:Little Red Riding Hood
523:The Captain's Daughter
27:
783:Operas based on plays
127:A new production of
120:. The conductor was
22:
436:List of compositions
380:Цезарь Антонович Кюи
164:Catarina Bragadini:
67:'s 1835 prose play,
763:Operas by César Cui
697:The Tyrant of Padua
105:Performance history
85:Amilcare Ponchielli
459:The Mandarin's Son
344:Barcarolle (Act I)
152:Angelo Malipieri,
75:Saverio Mercadante
28:
16:Opera by César Cui
750:
749:
641:
640:
534:Children's operas
507:Mademoiselle Fifi
386:Taruskin, Richard
194:Ascanio Strozzi:
118:Mariinsky Theatre
795:
668:
661:
654:
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644:
633:
632:
542:The Snow Bogatyr
467:William Ratcliff
420:
413:
406:
397:
396:
333:Notable excerpts
234:non-singing role
137:Feodor Chaliapin
135:in Moscow, with
122:Eduard Nápravník
114:Saint Petersburg
51:in four acts by
803:
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753:
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751:
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672:
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637:
623:
607:
593:The Stone Guest
572:
529:
438:
429:
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357:Bernandt, G.B.
354:
335:
303:
294:
282:
265:
260:
149:
143:again in 1910.
133:Bolshoi Theatre
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577:Collaborations
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378:Nazarov, A.F.
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95:Alfred Bruneau
61:Viktor Burenin
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716:Il giuramento
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566:Puss in Boots
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558:Ivan the Fool
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515:Mateo Falcone
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483:Le flibustier
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364:Cui, César.
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202:mezzo-soprano
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175:mezzo-soprano
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80:Il giuramento
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26:
21:
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604:(Mussorgsky)
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352:Bibliography
338:Introduction
327:De profundis
325:strains of "
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214:2nd Sbirro:
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206:1st Sbirro:
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773:1876 operas
732:La Gioconda
681:Victor Hugo
491:The Saracen
232:A Servant:
220:Fra Paolo:
90:La Gioconda
65:Victor Hugo
757:Categories
250:Setting:
239:Patricians
427:César Cui
180:Rodolfo:
101:of 1928.
83:of 1837,
63:based on
53:César Cui
25:César Cui
23:Composer
635:Category
258:Synopsis
254:, 1549.
209:baritone
200:Dafne :
57:libretto
41:Cyrillic
612:Related
366:Анджело
226:Peppo:
172:Tisbe:
167:soprano
154:podesta
116:at the
45:Andželo
37:Анджело
778:Operas
743:(1928)
735:(1876)
727:(1876)
724:Angelo
719:(1837)
708:Operas
700:(1946)
683:(1835)
569:(1915)
561:(1913)
553:(1911)
545:(1905)
526:(1909)
518:(1907)
510:(1903)
502:(1901)
494:(1899)
486:(1894)
478:(1876)
475:Angelo
470:(1869)
462:(1859)
454:(1858)
443:Operas
244:chorus
141:Angelo
129:Angelo
110:Angelo
32:Angelo
689:Films
585:Mlada
301:Act 4
292:Act 3
280:Act 2
263:Act 1
252:Padua
228:tenor
222:tenor
183:tenor
147:Roles
49:opera
216:bass
196:bass
190:bass
159:bass
679:by
329:."
97:'s
87:'s
77:'s
59:by
39:in
759::
388:.
156::
43:;
667:e
660:t
653:v
419:e
412:t
405:v
35:(
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