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of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including
284:
Richard Filler
Taruskin was born on April 2, 1945, in New York. Taruskin was raised in a family described as liberal, intellectual, Jewish and musical; his mother, Beatrice (Filler), was a piano teacher and father, Benjamin Taruskin, an amateur violinist. He attended the
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drew more heavily on
Russian folk material than had previously been recognized. The book analyzed the historical trends that caused Stravinsky not to be forthcoming about some of these borrowings.
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2234:
391:. His writings frequently took up social, cultural, and political issues in connection with music—for example, the question of censorship. A specific instance was the debate over
2945:
330:, where he was interested not only in the language and music, but also in the way music connects to social and political history. In the 1980s he explored the archives of
429:, "wove facts and impressions from histories, visual art and architecture", and was characterized at the time of his death as possibly "the best overall introduction to '
326:, Taruskin had access to recordings of Russian operas besides the most familiar ones, which sparked his interest in Russian music. He went to Moscow for a year on a
2601:
3178:
1050:—— (1987). "Stravinsky's "Rejoicing Discovery" and what it Meant: in Defense of his Notorious Text Setting". In Haimo, Ethan; Johnson, Paul (eds.).
2727:
2702:
488:
3173:
2530:
3213:
1092:—— (1995). "The Traditional Revisited: Stravinsky's Requiem Canticles as Russian Music". In Hatch, Christopher; Bernstein, David W. (eds.).
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1996:
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966:—— (1984). ""The Present in the Past": Russian Opera and Russian Historiography, ca. 1870". In Brown, Malcolm Hamrick (ed.).
346:
Taruskin was on the faculty of
Columbia University from 1975 until 1986. He then moved to California as a professor of musicology at the
3153:
1780:
1670:—— (January 1995). "A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and the Myth Itself".
985:—— (1984). "The Rite Revisited: the Idea and the Sources of its Scenario". In Hatch, Christopher; Strainchamps, Edmond;
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from the 18th century to the present day. Other subjects he engaged with include the theory of performance, 15th-century music,
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beginning in the mid-1980s. They were often "lively, erudite, fiercely articulate" and controversial, with targets such as
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496:
347:
273:
190:
127:
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380:
290:
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Fink, Robert (1997). "Review Essay: Stravinsky and the
Russian Traditions: A Biography of the Works Through Mavra".
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693:
421:
260:
207:
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1730:
947:—— (1983). "Handel, Shakespeare, and Musorgksy: The Sources and Limits of Russian Musical Realism".
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484:
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Taruskin received numerous awards and honors for his scholarship. In 1978, he was the first recipient of the
286:
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3203:
2377:
2087:—— (October 22, 2007). "The Musical Mystique: Defending Classical Music against Its Devotees".
1576:
1135:
1134:—— (1995). "Public Lies and Unspeakable Truth: Interpreting Shostakovich's Fifth Symphony". In
243:
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748:
Karlinsky, Simon (2013). ——; Karlinsky, Simon; Hughes, Robert P.; Koster, Thomas A. (eds.).
2994:
499:(Music). In 2012, a conference honoring him and his work, After the End of Music History, was held at
1892:
1818:
1374:
1310:
1031:—— (1986) . "From Subject to Style: Stravinsky and the Painters". In Pasler, Jann (ed.).
924:—— (1982). "'Little Star': an Etude in the Folk Style". In Brown, Malcolm Hamrick (ed.).
749:
476:
1616:—— (November 1992). "'Entoiling the Falconet': Russian Musical Orientalism in Context".
397:
1372:—— (Autumn 1984). "Some Thoughts on the History and Historiography of Russian Music".
1205:—— (November 1977). "Glinka's Ambiguous Legacy and the Birth Pangs of Russian Opera".
2811:
2329:
416:
335:
255:
1174:
Taruskin, Richard (July 1970). "Realism as
Preached and Practiced: The Russian Opera Dialogue".
3008:
793:
758:
2819:
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1587:
1176:
392:
2861:
2376:
1779:
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500:
458:
265:
122:
379:, a volume that exhibits him as having been an influential critic of the premises of the "
8:
2983:
2079:
1878:
1672:
1508:—— (Spring 1987). "Chez PĂ©trouchka: Harmony and Tonality "chez" Stravinsky".
1236:—— (Spring 1979). "Opera and Drama in Russia: The Case of Serov's "Judith"".
986:
951:. Studies in the history of music. Vol. 1. New York: Broude Bros. pp. 247–268.
446:
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149:
76:
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2013:
1982:
1965:
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1934:
1911:
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1510:
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1428:
1409:
1391:
1360:
1343:
1329:
1306:"On Letting the Music Speak for Itself: some Reflections on Musicology and Performance"
1292:
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492:
359:
323:
234:
2651:
2626:
1069:—— (1988). "The Pastness of the Present and the Presence of the Past". In
350:, where he held the Class of 1955 Chair. He retired from Berkeley at the end of 2014.
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553:
529:
467:
442:
327:
304:
2238:
1111:—— (1995). "From Fairy Tale to Opera in Four Moves (Not so Simple)". In
838:
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2109:
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2005:
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1247:
1216:
1185:
1143:
762:
740:
653:
572:
372:
153:
2963:
1477:—— (Summer 1986). "Antoine Busnoys and the "L'Homme armĂ©" Tradition".
2338:
1147:
1070:
894:
472:
409:
331:
315:
295:
239:
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797:
480:
364:
157:
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1869:
1850:
1629:
1600:
3092:
2880:
2531:"John Adams: 'Trump is a sociopath – there's no empathy, he's a manipulator'"
1906:
1887:
1832:
1813:
1112:
906:
631:
Stravinsky and the
Russian Traditions: A Biography of the Works through Mavra
406:
Stravinsky and the
Russian Traditions: A Biography of the Works through Mavra
784:
675:
594:
441:
Taruskin married Cathy
Roebuck in 1984. They had two children. He died from
357:. He also wrote extensively for lay readers, including numerous articles in
3020:
2582:
2535:
2511:
1341:—— (Spring 1983). "How the Acorn Took Root: A Tale of Russia".
1189:
483:
Award from the AMS twice, in 1997 and 2006. In 1998, he was elected to the
318:, who had pioneered placing music within its socio-cultural context, as in
224:
2570:
1685:
2753:
2098:—— (August 2009). "Material Gains: Assessing Susan McClary".
1963:—— (Spring 1993). "Back to Whom? Neoclassicism as Ideology".
1008:—— (1985). "Serov and Musorgsky". In Brown, Malcolm Hamrick;
766:
657:
576:
545:
430:
2898:
2113:
1804:
1770:
1747:
1719:
1702:
1662:
2906:
2048:
1608:
2781:
2334:"Richard Taruskin, provocative scholar of classical music, dies at 77"
2017:
1986:
1955:
1755:—— (2006). "Is There a Baby in the Bathwater? (Part II)".
1637:
1562:
1531:
1500:
1469:
1432:
1395:
1364:
1333:
1296:
1259:
1228:
1197:
2586:
2515:
1728:—— (2006). "Is There a Baby in the Bathwater? (Part I)".
1703:"The Birth of Contemporary Russia out of the Spirit of Russian Music"
368:
251:
2140:
See, for example, “The
Klinghoffer Controversy” in Thomas May, ed.,
2040:
1795:—— (September 2006). "Why You Cannot Leave BartĂłk Out".
802:
The
Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music
299:(1965), M.A. (1968), and Ph.D. in historical musicology (1976) from
2009:
1978:
1947:
1554:
1523:
1492:
1460:
1442:"Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle""
1441:
1423:
1404:
1387:
1356:
1324:
1305:
1287:
1268:
1251:
1220:
893:
Taruskin, Richard (1982). "The Musicologist and the Performer". In
867:
Musical Lives and Times Examined: Keynotes and Clippings, 2006-2019
2144:(Amadeus Press, 2006), pp. 297–339; Taruskin’s original 2001
751:
Freedom from Violence and Lies: Essays on Russian Poetry and Music
2967:
2605:
2367:"Richard Taruskin, Vigorously Polemical Musicologist, Dies at 77"
2192:
633:. Vol. 2 volumes. Berkeley: University of California Press.
526:
Opera and Drama in Russia: As Preached and Practiced in the 1860s
238:. He researched a wide variety of areas, but a central topic was
2235:
Stanford University Libraries and Academic Information Resources
495:
in 1988 and again in 2006. In 2017 he was the recipient of the
355:
Opera and Drama in Russia as Preached and Practiced in the 1860s
32:
2839:"UC music historian Richard Taruskin relishes provocateur role"
2602:"Ukraine und Stalins Völkermord: Schostakowitschs Chefankläger"
2188:"UC music historian Richard Taruskin relishes provocateur role"
311:
with the Aulos Ensemble from the late 1970s to the late 1980s.
293:, where he studied cello. Taruskin went on to receive his B.A.
2150:
article is reprinted there and, with a lengthy postscript, in
650:
Defining Russia Musically: Historical and Hermeneutical Essays
254:, and analysis. He is best known for his monumental survey of
227:
and music critic who was among the leading and most prominent
3038:
2291:
2289:
540:
Republished in 1993, Rochester: University of Rochester Press
475:
Award (1980) from the AMS and the Dent Medal (1987) from the
322:. Through a family member who had stayed in Russia after the
3015:
1035:. Berkeley: University of California Press. pp. 16–38.
303:. As a choral conductor he directed the Columbia University
1119:. Cambridge: Cambridge University Press. pp. 299–307.
1054:. Lincoln: University of Nebraska Press. pp. 162–200.
308:
2286:
1405:"Musorgsky vs. Musorgsky: The Versions of "Boris Godunov""
991:
Music and Civilization: Essays in Honor of Paul Henry Lang
427:
Music from the Earliest Notations to the Sixteenth Century
1142:. Cambridge: Cambridge University Press. pp. 17–56.
161:
1932:
Taruskin, Richard (Spring 1989). "Resisting the Ninth".
1595:(2). Oxford University Press: 311–314+317–320+323–325.
1096:. Chicago: Chicago University Press. pp. 525–550.
697:. Vol. 6 volumes. Oxford: Oxford University Press.
375:. Many of his articles were collected in books such as
1585:—— (May 1992). "Tradition and Authority".
1417:(2). University of California Press: 91–118, 241–256.
903:
Musicology in the 1980s: Methods, Goals, Opportunities
2992:
2919:"A History of Western Music? Well, It's a Long Story"
2749:"Musicologist Richard Taruskin Wins Japanese 'Nobel'"
2728:
American Society of Composers, Authors and Publishers
2703:
American Society of Composers, Authors and Publishers
2025:—— (Spring 2004). "The poietic fallacy".
1539:—— (Spring 1989). "Resisting the Ninth".
1077:. Oxford: Oxford University Press. pp. 137–210.
1014:
Slavonic and Western Music: Essays for Gerald Abraham
489:
American Society of Composers, Authors and Publishers
2276:
2274:
2272:
2270:
2268:
1797:
Studia Musicologica Academiae Scientiarum Hungaricae
1657:. 4, A Birthday Offering for George Perle: 111–137.
1033:
Confronting Stravinsky: Man, Musician, and Modernist
2654:. University of California, Berkeley. March 5, 2014
2429:
2427:
2425:
1994:—— (Spring 1993). "Revising Revision".
1016:. Ann Arbor: UMI Research Press. pp. 139–161.
848:
Cursed Questions: On Music and Its Social Practices
465:(AMS) for his research and recording of Ockeghem's
2883:(August 2006). "The World According to Taruskin".
970:. Ann Arbor: UMI Research Press. pp. 77–146.
968:Russian and Soviet Music: Essays for Boris Schwarz
550:Music in the Western World: A History in Documents
2724:"38th Annual ASCAP Deems Taylor Award Recipients"
2699:"30th Annual ASCAP Deems Taylor Award Recipients"
2473:The Danger of Music and Other Anti-Utopian Essays
2265:
1781:"MUSIC; Music's Dangers And The Case For Control"
1653:—— (1995). "Busnoys and Chaikovsky".
704:The Danger of Music and Other Anti-Utopian Essays
385:The Danger of Music and Other Anti-Utopian Essays
3090:
2422:
1269:"Russian Folk Melodies in "The Rite of Spring""
223:(April 2, 1945 – July 1, 2022) was an American
3179:Honorary members of the Royal Academy of Music
2404:"Music Professor Wins Prestigious Kyoto Prize"
2066:(2). University of California Press: 185–207.
2004:(1). University of California Press: 114–138.
1973:(3). University of California Press: 286–302.
1942:(3). University of California Press: 241–256.
1863:(2). University of California Press: 132–143.
1826:(2). University of California Press: 274–284.
1549:(3). University of California Press: 241–256.
1518:(3). University of California Press: 265–286.
1487:(2). University of California Press: 255–293.
1382:(4). University of California Press: 321–339.
1351:(3). University of California Press: 189–212.
1318:(3). University of California Press: 338–349.
1281:(3). University of California Press: 501–543.
1215:(2). University of California Press: 142–162.
2448:Text and Act: Essays on Music and Performance
1997:Journal of the American Musicological Society
1480:Journal of the American Musicological Society
1454:(1). University of California Press: 72–142.
1447:Journal of the American Musicological Society
1274:Journal of the American Musicological Society
1246:(1). University of California Press: 74–117.
1239:Journal of the American Musicological Society
612:Text and Act: Essays on Music and Performance
2439:
1094:Music Theory and the Exploration of the Past
993:. New York: W. W. Norton. pp. 183–202.
869:. Berkeley: University of California Press.
850:. Berkeley: University of California Press.
823:. Berkeley: University of California Press.
821:Russian Music at Home and Abroad: New Essays
804:. Berkeley: University of California Press.
725:. Berkeley: University of California Press.
706:. Berkeley: University of California Press.
16:American musicologist and critic (1945–2022)
3174:Deaths from esophageal cancer in California
2804:Morgan, Paula (2001). "Taruskin, Richard".
2056:—— (Fall 2005). "Speed Bumps".
1680:(1). Johns Hopkins University Press: 1–26.
353:Taruskin published his first book in 1981,
279:
3214:University of California, Berkeley faculty
1624:(3). Cambridge University Press: 253–280.
436:
31:
3144:21st-century American non-fiction writers
3124:20th-century American non-fiction writers
2946:"The World According to One Musicologist"
2944:Oestreich, James R. (February 15, 2012).
2599:
2224:
2222:
2220:
2218:
2216:
2214:
2212:
2210:
1905:
1868:
1851:"Non-Nationalists and Other Nationalists"
1831:
1718:
1459:
1422:
1323:
1286:
1075:Authenticity and Early Music: A Symposium
652:. Princeton: Princeton University Press.
571:. Princeton: Princeton University Press.
2836:
2593:
2528:
2495:
2470:
2445:
2398:
2396:
2295:
2181:
2179:
2177:
2175:
2173:
2171:
2820:10.1093/gmo/9781561592630.article.47125
2360:
2358:
2356:
2324:
2228:
2108:(3). Oxford University Press: 453–467.
1184:(3). Oxford University Press: 431–454.
569:Musorgsky: Eight Essays and an Epilogue
314:During his PhD studies, he worked with
3194:Kyoto laureates in Arts and Philosophy
3091:
2803:
2787:
2322:
2320:
2318:
2316:
2314:
2312:
2310:
2308:
2306:
2304:
2280:
2207:
2185:
1115:; McClymonds, Marita Petzoldt (eds.).
2862:"Richard Taruskin | Kyoto Prize"
2859:
2775:
2529:Maddocks, Fiona (February 17, 2017).
2433:
2393:
2364:
2259:
2168:
3045:
2556:
2353:
2328:
1765:(4). Franz Steiner Verlag: 309–327.
452:
3184:Jewish American non-fiction writers
3139:21st-century American musicologists
3119:20th-century American musicologists
2846:Israel Studies in Musicology Online
2301:
1888:"Agents and Causes and Ends, Oh My"
1778:—— (December 9, 2001).
1655:International Journal of Musicology
694:The Oxford History of Western Music
614:. Oxford: Oxford University Press.
13:
3159:Columbia College (New York) alumni
3134:21st-century American male writers
3114:20th-century American male writers
2873:
2627:"The Noah Greenberg Award Winners"
2500:. University of California Press.
1924:
1572:"'Jews and Geniuses': An Exchange"
497:Kyoto Prize in Arts and Philosophy
348:University of California, Berkeley
274:Kyoto Prize in Arts and Philosophy
128:Kyoto Prize in Arts and Philosophy
14:
3250:
3154:American male non-fiction writers
2957:
2778:, Profile: Selected Publications.
926:Musorgsky, in Memoriam, 1881–1981
528:. Ann Arbor: UMI Research Press.
381:historically informed performance
291:Fiorello H. LaGuardia High School
3071:
3054:
3026:
3014:
3002:
2978:The Boston Musical Intelligencer
1814:"Afterword: Nicht blutbefleckt?"
1570:—— (June 15, 1989).
404:Taruskin's extensive 1996 study
2929:Oxford History of Western Music
2741:
2716:
2691:
2666:
2644:
2619:
2600:Brachmann, Jan (July 2, 2022).
2550:
2522:
2489:
2464:
2365:Robin, William (July 1, 2022).
2186:Kosman, Joshua (May 31, 2014).
2134:
506:
425:. The first volume, devoted to
422:Oxford History of Western Music
383:" movement in classical music,
264:. His awards include the first
261:Oxford History of Western Music
208:Oxford History of Western Music
97:
3169:The New York Times journalists
2631:American Musicological Society
1886:—— (Spring 2014).
1812:—— (Spring 2009).
1799:. T. 47 (Fasc. 3/4): 265–277.
1440:—— (Spring 1985).
1403:—— (Autumn 1984).
1267:—— (Autumn 1980).
485:American Philosophical Society
463:American Musicological Society
287:High School of Music & Art
270:American Musicological Society
1:
2122:
320:Music in Western Civilization
2475:. Univ of California Press.
2161:
1849:—— (Fall 2011).
1758:Archiv fĂĽr Musikwissenschaft
1731:Archiv fĂĽr Musikwissenschaft
1577:The New York Review of Books
1304:—— (June 1982).
1148:10.1017/CBO9780511551406.002
552:. New York: Schirmer Books.
449:, on July 1, 2022, aged 77.
244:20th-century classical music
7:
3164:Columbia University faculty
2974:Richard Taruskin, 1945–2022
2450:. Oxford University Press.
1166:
1117:Opera and the Enlightenment
885:
419:appeared as the six-volume
334:when they were held by the
10:
3255:
3224:Writers from New York City
3149:American choral conductors
3129:21st-century American Jews
3109:20th-century American Jews
2797:
2496:Taruskin, Richard (2008).
2471:Taruskin, Richard (2010).
2446:Taruskin, Richard (1995).
524:Taruskin, Richard (1981).
2837:Ritzarev, Marina (2017).
2080:10.1525/ncm.2005.29.2.185
2072:10.1525/ncm.2005.29.2.185
1893:The Journal of Musicology
1879:10.1525/ncm.2011.35.2.132
1870:10.1525/ncm.2011.35.2.132
1819:The Journal of Musicology
1630:10.1017/S0954586700003797
1375:The Journal of Musicology
1311:The Journal of Musicology
1052:Stravinsky Retrospectives
477:Royal Musical Association
341:
214:
202:
183:
173:
168:
145:
140:
136:
115:
107:
84:
65:
42:
30:
23:
2986:publications indexed by
2127:
1916:10.1525/jm.2014.31.2.272
1907:10.1525/jm.2014.31.2.272
1842:10.1525/jm.2009.26.2.274
1833:10.1525/jm.2009.26.2.274
516:
398:The Death of Klinghoffer
280:Early life and education
2812:Oxford University Press
2408:artsdesign.berkeley.edu
2262:, "Achievement Digest".
2229:McBride, Jerry (2008).
1701:—— (2006).
1618:Cambridge Opera Journal
1601:10.1093/earlyj/XX.2.311
865:—— (2023).
846:—— (2020).
819:—— (2016).
794:Allanbrook, Wye Jamison
721:—— (2008).
702:—— (2008).
691:—— (2005).
648:—— (1997).
629:—— (1996).
610:—— (1995).
567:—— (1993).
437:Personal life and death
417:Western classical music
336:New York Public Library
256:Western classical music
221:Richard Filler Taruskin
47:Richard Filler Taruskin
3239:American music critics
759:Academic Studies Press
3199:Shostakovich scholars
2917:(December 19, 2004).
2571:10.1353/mod.1997.0053
2142:The John Adams Reader
1686:10.1353/mod.1995.0008
1177:The Musical Quarterly
328:Fulbright Scholarship
3209:Tchaikovsky scholars
3189:Jewish musicologists
2678:search.amphilsoc.org
2674:"APS Member History"
1740:Franz Steiner Verlag
1190:10.1093/mq/LVI.3.431
1140:Shostakovich Studies
987:Maniates, Maria Rika
909:. pp. 107–117.
839:10.1525/j.ctt1dnncjs
767:10.2307/j.ctt1zxsk34
658:10.2307/j.ctv15r5dmx
577:10.2307/j.ctv18zhdkh
501:Princeton University
459:Noah Greenberg Award
266:Noah Greenberg Award
248:nationalism in music
123:Noah Greenberg Award
3234:Mussorgsky scholars
3204:Stravinsky scholars
2915:Oestreich, James R.
2886:Music & Letters
2559:Modernism/Modernity
2298:, pp. 124–125.
2241:on January 30, 2021
2152:The Danger of Music
2101:Music & Letters
1720:10.2298/MUZ0606063T
1673:Modernism/modernity
741:10.1525/j.ctt1ppqnq
447:Oakland, California
301:Columbia University
195:Columbia University
150:Columbia University
141:Academic background
77:Oakland, California
60:New York City, U.S.
3229:Prokofiev scholars
2950:The New York Times
2924:The New York Times
2866:Inamori Foundation
2807:Grove Music Online
2652:"Richard Taruskin"
2372:The New York Times
2231:"Richard Taruskin"
2147:The New York Times
2059:19th-Century Music
1966:19th-Century Music
1935:19th-Century Music
1856:19th-Century Music
1787:The New York Times
1542:19th-Century Music
1511:19th-Century Music
1410:19th-Century Music
1344:19th-Century Music
1208:19th-Century Music
1010:Wiley, Roland John
949:Music and Language
932:. pp. 57–84.
930:UMI Research Press
899:Palisca, Claude V.
493:Deems Taylor Award
479:. He received the
471:. He received the
360:The New York Times
235:The New York Times
2927:(interview about
2899:10.1093/ml/gcl001
2829:978-1-56159-263-0
2583:Project MUSE
2512:Project MUSE
2507:978-0-520-94280-6
2482:978-0-520-26805-0
2457:978-0-19-509458-9
2114:10.1093/ml/gcp049
2028:The Musical Times
1157:978-0-511-55140-6
1126:978-0-521-46172-6
1103:978-0-226-31902-5
1084:978-0-19-816152-3
1061:978-0-8032-7301-6
1042:978-0-520-05403-5
1023:978-0-8357-1594-2
1000:978-0-393-01677-2
977:978-0-8357-1295-8
958:978-0-8450-7401-5
939:978-0-8357-1295-8
916:978-0-306-76188-1
876:978-0-520-39200-7
857:978-0-520-34429-7
830:978-0-520-28809-6
811:978-0-520-27407-5
776:978-1-61811-158-6
732:978-0-520-26806-7
713:978-0-520-26805-0
667:978-0-691-01156-1
640:978-0-520-07099-8
621:978-0-19-535743-1
586:978-0-691-01623-8
559:978-0-02-872900-8
535:978-0-8357-1245-3
468:Missa prolationum
453:Awards and honors
445:at a hospital in
443:esophageal cancer
305:Collegium Musicum
258:, the six-volume
218:
217:
3246:
3084:
3076:
3075:
3074:
3067:
3059:
3058:
3057:
3047:
3041:Richard Taruskin
3031:
3030:
3029:
3019:
3018:
3007:
3006:
3005:
2998:
2984:Richard Taruskin
2964:Richard Taruskin
2953:
2940:
2938:
2936:
2910:
2869:
2856:
2854:
2852:
2843:
2833:
2810:(8th ed.).
2791:
2785:
2779:
2773:
2767:
2766:
2764:
2762:
2745:
2739:
2738:
2736:
2734:
2720:
2714:
2713:
2711:
2709:
2695:
2689:
2688:
2686:
2684:
2670:
2664:
2663:
2661:
2659:
2648:
2642:
2641:
2639:
2637:
2623:
2617:
2616:
2614:
2612:
2597:
2591:
2590:
2554:
2548:
2547:
2545:
2543:
2526:
2520:
2519:
2498:On Russian Music
2493:
2487:
2486:
2468:
2462:
2461:
2443:
2437:
2431:
2420:
2419:
2417:
2415:
2400:
2391:
2390:
2388:
2386:
2380:
2375:. Archived from
2362:
2351:
2350:
2348:
2346:
2332:(July 2, 2022).
2326:
2299:
2293:
2284:
2278:
2263:
2257:
2251:
2250:
2248:
2246:
2237:. Archived from
2226:
2205:
2204:
2202:
2200:
2183:
2155:
2138:
2117:
2094:
2090:The New Republic
2083:
2052:
2021:
1990:
1959:
1919:
1909:
1882:
1872:
1845:
1835:
1808:
1791:
1783:
1774:
1751:
1724:
1722:
1697:
1666:
1649:
1612:
1581:
1566:
1535:
1504:
1473:
1463:
1436:
1426:
1399:
1368:
1337:
1327:
1300:
1290:
1263:
1232:
1201:
1161:
1130:
1107:
1088:
1071:Kenyon, Nicholas
1065:
1046:
1027:
1004:
981:
962:
943:
920:
895:Holoman, D. Kern
880:
861:
842:
815:
792:——;
788:
756:
744:
723:On Russian Music
717:
698:
687:
644:
625:
606:
563:
544:——;
539:
491:awarded him the
389:On Russian Music
373:Sergei Prokofiev
307:. He played the
272:in 1978 and the
250:, the theory of
229:music historians
101:
99:
72:
56:
54:
37:Taruskin in 2014
35:
25:Richard Taruskin
21:
20:
3254:
3253:
3249:
3248:
3247:
3245:
3244:
3243:
3089:
3088:
3087:
3077:
3072:
3070:
3060:
3055:
3053:
3050:
3046:sister projects
3043:at Knowledge's
3037:
3027:
3025:
3013:
3009:Classical music
3003:
3001:
2993:
2966:discography at
2960:
2943:
2934:
2932:
2913:
2879:
2876:
2874:Further reading
2850:
2848:
2841:
2830:
2800:
2795:
2794:
2786:
2782:
2774:
2770:
2760:
2758:
2757:. June 21, 2017
2747:
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2707:
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2649:
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2523:
2508:
2494:
2490:
2483:
2469:
2465:
2458:
2444:
2440:
2432:
2423:
2413:
2411:
2410:. June 20, 2017
2402:
2401:
2394:
2384:
2382:
2381:on July 2, 2022
2363:
2354:
2344:
2342:
2339:Washington Post
2327:
2302:
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2258:
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2169:
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2159:
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2135:
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2125:
2120:
2097:
2086:
2055:
2041:10.2307/4149092
2024:
1993:
1962:
1931:
1927:
1925:Review Articles
1922:
1885:
1848:
1811:
1794:
1777:
1754:
1727:
1700:
1669:
1652:
1615:
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923:
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888:
883:
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864:
858:
845:
831:
818:
812:
800:, eds. (2014).
798:Smart, Mary Ann
791:
777:
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747:
733:
720:
714:
701:
690:
668:
647:
641:
628:
622:
609:
587:
566:
560:
548:, eds. (1984).
543:
536:
523:
519:
509:
473:Alfred Einstein
455:
439:
410:Igor Stravinsky
344:
332:Igor Stravinsky
316:Paul Henry Lang
296:magna cum laude
282:
198:
132:
103:
100: 1984)
95:
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3141:
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3101:
3086:
3085:
3083:from Wikiquote
3068:
3039:
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3035:
3023:
3011:
2991:
2990:
2988:Google Scholar
2981:
2980:, July 1, 2022
2972:DeVoto, Mark:
2970:
2959:
2958:External links
2956:
2955:
2954:
2941:
2911:
2893:(3): 408–415.
2881:McClary, Susan
2875:
2872:
2871:
2870:
2860:Anon. (2017).
2857:
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2793:
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2565:(3): 147–154.
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2084:
2053:
2035:(1886): 7–34.
2022:
2010:10.2307/831807
1991:
1979:10.2307/746396
1960:
1948:10.2307/746505
1928:
1926:
1923:
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1920:
1900:(2): 272–293.
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1505:
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1400:
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1357:10.2307/746585
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1233:
1221:10.2307/746475
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1131:
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1113:Bauman, Thomas
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481:Otto Kinkeldey
454:
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435:
433:' available".
415:His survey of
365:Elliott Carter
343:
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309:viola da gamba
289:, now part of
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2790:, "Writings".
2789:
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2777:
2772:
2761:September 24,
2756:
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2733:September 24,
2729:
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2708:September 24,
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2658:September 24,
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2604:(in German).
2603:
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2542:September 24,
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2296:Ritzarev 2017
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2245:September 24,
2240:
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2199:September 24,
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928:. Ann Arbor:
927:
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907:Da Capo Press
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