589:, led by Taborn and with bassist Thomas Morgan and drummer Gerald Cleaver, was released in 2013. This was the trio's first release after eight years together. At this point, Taborn's comments on composition and group performance were: "I knew that if I created a context and then deferred, fully, to Gerald's and Thomas's sensibilities it would inherently be stimulating and would also challenge the context. I'd much rather engage with the group, always, than have the format be 'piano adventures with supporting cast'." This band began a tour of Europe in 2014, but Cleaver was replaced by J.T. Bates part of the way through it, owing to illness. Earlier the same year, Taborn played in a small group led by guitarist
527:. In April 2008 he toured Europe with Berne's Science Friction, was back in Europe for the first three weeks of the following month, this time as part of David Binney's quartet, and returned there in November with Potter. Taborn remarked in 2008 that he was attempting to phase out his use of a laptop in performance, to allow him to concentrate more on improvising, and that he had delayed further performances as a leader, owing to finances. In the same year, he commented on the number of regular, working bands he was a member of: "You could say 15 to 20. But if you're talking about the ones that are regularly working right now, I'd have to say seven or eight."
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228:. Taborn went on to play with numerous other musicians in electronic and acoustic settings, while also building a reputation as a solo pianist. He has a range of styles, and often adapts his playing to the nature of the instrument and the sounds that he can make it produce. His improvising, particularly for solo piano, often adopts a modular approach, in which he begins with small units of melody and rhythm and then develops them into larger forms and structures.
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writing extends from my trio writing, where I'm writing things that are playable in real time. There's a certain orchestration you can get out of a four-piece. How far can we suggest a larger ensemble? to create the illusion of a larger ensemble". His compositions typically do not include chord changes, but contain superimposed, contrapuntal melodies.
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of the units. He starts simply, using basic elements such as major and minor thirds, varies them in turn, and then continues to expand to create larger structures. He uses a combination of his attack and the piano's sustain pedal to draw attention to the upper partials of a note; this allows a heightened contrast between notes to be perceived.
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that a lot of his collaborations in the early and mid-2000s did not feature a bassist, and suggested that Taborn's "dexterity and inventiveness stand in for both a keyboard and a bass player." In 2001, he had his first solo concert in New York, and made his first recordings under the leadership of saxophonist
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At high school, Taborn studied music theory and composition for two years with teachers who had doctorates in music. In his own words, he is "not a classically trained pianist at all"; he practiced with others, initially playing rock, progressive rock, and jazz fusion, before becoming more interested
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Taborn incorporates requirements to improvise within his compositions. Commenting on his writing for trio and quartet, Taborn stated that "I like multiple kinds of rhythmic things. On their own, they're not so complicated, but when you fit them together, it sounds a little mysterious. A lot of that
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Frequent performances and tours with Carter and others meant that Taborn's studies were delayed: he graduated from university with a BA in general studies (rather than the intended
English literature) in April 1995, after which he moved to New York. He continued playing with Carter into 1998. In the
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Taborn prefers earlier models of Fender Rhodes, for their raunchier sound. He also attempts to retain control over the sound that is presented to an audience when playing electronic instruments: he links his instruments to his own amplifier, and then has the venue take its feed from that amplifier.
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I play some of the same chords on the piano, but there are definitely things I would do on the piano because it's a more transparent instrument that I wouldn't do on the Rhodes. The Rhodes is so strong that when you play something on it, it really can dictate, because it's louder and the timbre is
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in 2011, Taborn described his improvising style, particularly for solo piano. When playing, he often adopts a modular approach, using small units of melody and rhythm and then developing them. This can begin from as little as three notes, with structure being built around referring back to elements
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In the 2000s, "Taborn became one of the most in-demand musicians in New York", in the words of one biographer. He played and recorded with a large, diverse range of musicians, in both free jazz and more mainstream bands, and playing various keyboard and electronic instruments. One critic observed
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Guitarist David Torn commented that Taborn is "the rare musician who takes the approach, 'What can I do with this instrument?' rather than playing through its book of techniques. is able to eschew the technological aspect in order to get out the sounds that he feels are suitable for the music."
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Taborn has explained the limited quantity of albums under his own name as being driven by the "age of almost profligate documentation", which he counters with "almost a discipline to be more selective about releases." He does, however, frequently record his own playing, so that he can study it.
565:, which was released in 2011. In critic Nate Chinen's view, this album concentrated on "pure sound", being "full of moments where a note hangs sharply in the air, and you hear the gathering overtones, the vibrations of the strings". The album helped Taborn get more attention as a leader.
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as a present when he was 12, which was also around the time when he started playing piano. He received basic instruction initially from his father, who played by ear. Taborn borrowed records from a public library and listened to public radio, discovering music from the
377:, featured Taborn playing in a range of styles on piano and included several of his own compositions. At this stage in his career, his comments on his tastes in composition and performance were: "Even though I like avant garde jazz and classical music, I like to
508:. The album's title was also the name of the band, which was formed to be Taborn's electronic group, allowing him to explore the interactions of composition, improvisation and electronics. Texture and pulse were important contributors to the overall sound.
254:, to John, a psychologist, and Marjorie, a social worker. His father was a department chair at the University of Minnesota and his mother worked for Minneapolis public schools. Taborn's older brother, John Gregory, became a psychologist. They grew up in
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In the early 2010s, Taborn continued playing and recording with others, but also had more solo concerts than earlier in his career. He had a solo tour of Europe in 2010, which may have led to an agreement with ECM to record his first solo piano album,
317:), he went home and listened to the Taylor album again: "It was more manageable in terms of being able to hear detail and listen to content. That was a big moment in terms of being able to relax and process information in more abstract environments."
381:. I like to work with harmony and melody in my own music, and I like acoustical instruments. But I can be quite dictatorial about the composed section, and lay down in great detail what everyone is supposed to do and how they should do it."
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magazine chose Taborn as winner of the electric keyboard category, as well as rising star in both the piano and organ categories. By the end of 2020, Taborn had appeared on 14 albums as a leader or co-leader and more than 100 as a sideman.
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critics selected Taborn as the electric keyboard rising star winner. In 2011, he was chosen as winner of the electric keyboard category, as well as rising star in both the piano and organ categories. In 2012, he was given the
780:, worth up to $ 275,000 and given to "exemplary individual artists in contemporary dance, jazz, theatre and related interdisciplinary work who have proven their artistic vitality and commitment to their field."
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from 1988. He auditioned for the jazz program in the university's School of Music, but joined the
College of Literature, Science and the Arts. Taborn met drummer
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t have, or want, his own website". He also has a minimal social media presence and controls all of his US bookings personally. Some of his friends told
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Taborn has commented on the similarities and differences in his playing on piano and electronic instruments. Comparing his accompaniments on piano and
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author of a 2017 profile piece on Taborn "how relieved they were that someone, at last, was profiling him, as if he were being forced out of hiding".
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ranked Taborn in their 2013 critics' poll as best piano player. In 2014, the Jazz
Journalists Association awarded him the Pianist of the Year award.
205:; born February 20, 1970) is an American pianist, organist, keyboardist and composer. He works solo and in bands, mostly playing various forms of
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463:. On these, he employed electronics as well as piano. Taborn went on to record, during the period 2002–04, as a sideman under the leadership of
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713:: Taborn "draws obliquely on the jazz tradition he is as at home in free improvisation as he is in composition". In an interview for
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as an adolescent and was influenced at an early stage by a wide range of music, including by the freedom expressed in recordings of
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soon after arriving at university, and they established an electronic group, the Tracey
Science Quartet. Taborn also played with
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293:'s band while at high school, but found separating the various elements of the music too difficult. After attending a
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767:'s Paul Acket Award, which is presented "to an artist deserving wider recognition for extraordinary musicianship".
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from around 2005, and toured Europe with the saxophonist's
Underground band early in 2007. The pianist played the
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Panken, Ted (September 2008). "Keyboard Wizard: Unraveling Craig Taborn's
Electric (And Acoustic) Soundscapes".
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In 2010, Taborn also toured Europe with Anker's trio, Potter's
Underground, and played piano duets with
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2287:"Pianist Craig Taborn Finds New Ways to Adapt While Remaining True to His Erudite, Curious Aesthetic"
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with Iyer from 2018. 16 years after their first album, Junk Magic had a second released in 2020 –
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reviewer, "Taborn emerges as one of the most exciting pianists to lead a band since the ascent of
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much more opaque. So you leave more holes. On the piano, I would maybe play more sustain chords.
663:, was recorded in concert in 2020. The following year, Taborn made available for free streaming
625:, which combined electronic and acoustic elements. This was followed by a string of duo albums:
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in 2007. In late 2007 and early 2008, Taborn toured internationally with
Underground, guitarist
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8:
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Woodard, Josef (May 2019). "Vijay Iyer & Craig Taborn: Building
Something Majestic".
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Chinen, Nate (July 5, 2011) "Going It Alone: The
Mysterious Rewards of Solo Jazz Piano".
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350:. While still a university student, he became known for his membership of saxophonist
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667:– 60 tracks of around a minute in length, played in a random order at 60xsixty.com.
657:, with the Taborn-led band expanded to a quintet. Taborn's second solo piano album,
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1990:
Friedwald, Will (April 6, 2012) "The Jazz Scene: He Can Play for Miles and Miles".
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did, hitting the awkward-sounding notes between the notes to punctuate his lines".
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Years given are for the recording(s), not first release, unless stated otherwise.
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Grillo, Tyran (January 2020). "Da'at: Craig Taborn/Vadim Neselovskyi (Tzadik)".
572:. In the following year, Taborn again performed with Stańko, as part of drummer
447:". Another reviewer commented that "Taborn seems to revel in the cracks the way
2226:"Ches Smith Trio with Craig Taborn and Mat Maneri at the Icehouse, February 22"
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Henrdrickson, Tad (November 19, 2001) "Craig Taborn Trio: Light Made Lighter"
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Ratliff, Ben (December 19, 1998) "With Blustery Bravado Through a Saxophone".
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in 2004, again for Thirsty Ear, with tenor saxophonist Aaron Stewart, violist
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on bass and Cleaver on drums. "On the strength of this recording", wrote the
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1731:"Frenzied Hero: Craig Taborn on Composition, Creativity and Collaboration"
1436:"Pianist Craig Taborn Returns to Walker Art Center, His Inspiration Point"
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580:'s quartet Prism in 2012, and remained part of Holland's band into 2014.
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2151:"A Craig Taborn Homecoming: 'Heroic Frenzies' at the Walker, April 26th"
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1419:"New York Jazz Pianist Craig Taborn Talks to Chicago's Rob Clearfield"
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in New York, and returned to Europe for concerts with Torn, violinist
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While at university, Taborn toured and recorded with jazz saxophonist
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2634:"Craig Taborn and Vadim Neselovskyi: The Book Beri'ah Vol 11 – Da'at"
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Taborn's first recording as leader came in 1994, and was released by
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354:'s band, where he contributed to a series of albums, beginning with
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Micallef, Ken (March 2017). "Craig Taborn: 'Go Inside the Sound'".
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Taborn's range of playing styles was summarized by Mike Hobart in
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Doerschuk, Bob (August 2011) "Craig Taborn: Illuminating Ideas".
2660:"Reid Anderson / Dave King / Craig Taborn: Golden Valley Is Now"
2606:. Doris Duke Charitable Foundation. Retrieved December 20, 2014.
2123:"Dave Holland, Kevin Eubanks, Craig Taborn, Eric Harland: Prism"
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2074:"Equilateral Triangles: The Challenge of the Modern Piano Trio"
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275:, among others. As a youth he also listened to heavy metal and
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151:
1792:"Chris Potter's Underground, Pizza Express Jazz Club, London"
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Music Is Rapid Transportation... From the Beatles to Xenakis
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2378:"Craig Taborn Unveils Experimental Composition 60 X Sixty"
1918:"Torn's Prezens Is Required Listening". (April 10, 2009)
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Trio late in 2014 and toured with the percussionist and
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Cohen, Aaron (February 2014). "Prism: Fantastic Four".
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Meyer, Bill (August 2023). "Expanded Arrays of Sound".
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1800:
1590:"Innerzone Orchestra: Programmed" (September 13, 1999)
2578:"Thirteen Jazz Artists Receive 2014 Doris Duke Awards"
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1887:"Michael Formanek – The Rub and Spare Change: Project"
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In 2001, Taborn made his second recording as leader:
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Association for the Advancement of Creative Musicians
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185:
2411:"Going Electric: Craig Taborn and the Fender Rhodes"
2268:"Kris Davis and Craig Taborn: Octopus – Pyroclastic"
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1398:"Heavy Metal Be-Bop #2: Interview with Craig Taborn"
1315:"Keyboardist Craig Taborn Surfaces with Underground"
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2087:"Anker, Taborn, Cleaver, Vortex Jazz Club, London"
1858:"Herbie Hancock / Chris Potter / Richard Galliano"
385:late 1990s, Taborn also recorded with saxophonist
607:, was released in 2016. The trio recording, with
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2567:. (April 15, 2014) Jazz Journalists Association.
2393:Hobart, Mike (December 10, 2009) "Craig Taborn"
2242:"Craig Taborn: Flaga: Book of Angels, Volume 27"
1706:"Anker/Taborn/Sanders, Vortex Jazz Club, London"
2125:. North Sea Jazz. Retrieved December 21, 2014.
1933:"Dominique Pifarély, Vortex Jazz Club, London"
2760:
2206:"Bill Frisell: Up & Down The Mississippi"
2100:"Prism Filled Air with Vivid, Visceral Music"
1382:"Craig Taborn: Suggesting Textural Dimension"
16:American keyboardist and composer (born 1970)
1127:(piano); other tracks do not feature Taborn
1123:Six tracks solo piano; two tracks duo, with
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2170:"Craig Taborn Trio @ Baltimore – April 30"
1291:Kennedy, Gary W. "Taborn, Craig (Marvin)"
703:Taborn at the Monterey Jazz Festival, 2013
619:. Taborn's next ECM album was the quartet
601:early in 2016. His sixth album as leader,
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1605:"Pianist Craig Taborn Comes into His Own"
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895:Quartet, with Aaron Stewart (tenor sax),
373:, with bassist Jaribu Shahid and drummer
286:Segments II (Orchestra Of Two Continents)
258:, Minnesota, where Craig Taborn attended
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2215:. jazz.org. Retrieved December 20, 2014.
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1509:. AllMusic. Retrieved December 21, 2014.
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2690:. Vol. 90, no. 8. p. 66.
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2310:. Vol. 86, no. 5. p. 37.
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1518:Cook, Richard and Morton, Brian (2008)
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494:Taborn's third release as a leader was
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283:in jazz. He borrowed from the library
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2409:Garelick, Jon (November 21–27, 2003)
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2194:"Craig Taborn Trio at Gent Jazz Club"
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1720:. AllMusic. Retrieved April 11, 2013.
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1546:. AllMusic. Retrieved April 27, 2013.
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1536:
1376:
1374:
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1370:
1348:"The Ethereal Genius of Craig Taborn"
1345:
3054:21st-century American male musicians
3029:People from Golden Valley, Minnesota
2314:
2285:Margasak, Peter (February 1, 2018).
1775:"Chris Potter: The Potter Principle"
1677:"Susie Ibarra Trio – Songbird Suite"
1651:
1627:
1520:The Penguin Guide to Jazz Recordings
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1470:
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1392:
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1324:
1313:Espeland, Pamela (February 1, 2008)
1280:
110:Piano, keyboards, organ, electronics
2224:Canter, Andrea (February 21, 2016)
2072:Watson, Walter Ray (April 4, 2012)
1896:. ECM. Retrieved December 20, 2014.
1572:"Craig Taborn Wins North Sea Prize"
1562:
1298:
615:on drums, employed compositions by
13:
2240:McCleneghan, Dan (April 14, 2016)
1957:Whitehead, Kevin (April 22, 2013)
1824:"Did We Lose Our Prezens of Mind?"
1675:Dahlen, Chris (February 11, 2002)
1603:Reich, Howard (November 11, 2001)
1533:
1367:
389:(Taborn's first appearance on the
14:
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2657:
2535:"The 2013 Expanded Critics' Poll"
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2323:
2029:Adler, David R. (August 9, 2011)
2003:Hobart, Mike (November 14, 2010)
1856:Hobart, Mike (November 11, 2008)
1822:Fordham, John (January 21, 2008)
1467:
1387:
837:Trio, with Jaribu Shahid (bass),
2774:
2576:Canter, Andrea (April 22, 2014)
2192:Sharpe, John (October 13, 2014)
2149:Canter, Andrea (April 22, 2013)
2005:"Party Pieces as Birthday Gifts"
1944:Hobart, Mike (December 9, 2009)
1931:Hobart, Mike (November 3, 2009)
1790:Hobart, Mike (January 17, 2007)
1729:Canter, Andrea (April 18, 2013)
1636:In Daniel Kernohan (ed.) (2010)
1293:The New Grove Dictionary of Jazz
407:as part of Innerzone Orchestra.
172:
31:
2840:Flaga: Book of Angels Volume 27
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2326:"Junk Magic: Compass Confusion"
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1869:Robson, Britt (March 21, 2008)
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1614:
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1434:Robson, Britt (April 25, 2013)
1396:Shteamer, Hank (April 2, 2011)
1206:As "Junk Magic"; quintet, with
997:Flaga: Book of Angels Volume 27
744:
604:Flaga: Book of Angels Volume 27
593:. Taborn played as part of the
545:
209:. He started playing piano and
3049:21st-century American pianists
3034:Thirsty Ear Recordings artists
2558:"2014 JJA Jazz Awards Winners"
2085:Hobart, Mike (April 18, 2012)
2031:"Craig Taborn: Alone, at Last"
1946:"Craig Taborn, Vortex, London"
1664:"Craig Taborn, Vortex, London"
1522:. (9th ed.). Penguin. p. 232.
1428:
1214:(viola), Erik Fratzke (bass),
1181:(electric bass, electronics),
783:
360:, which was recorded in 1993.
1:
3044:University of Michigan alumni
3019:Jazz musicians from Minnesota
2619:The New York City Jazz Record
2266:Simpson, Doug (May 9, 2018).
1773:Adler, David R. (March 2006)
1380:DiPietro, Phil (May 2, 2003)
1346:Shatz, Adam (June 22, 2017).
1274:
241:
2512:"2011 DownBeat Critics Poll"
2489:"2010 DownBeat Critics Poll"
2354:"Craig Taborn: Shadow Plays"
1979:International Herald Tribune
1749:Chinen, Nate (June 1, 2004)
1704:Hobart, Mike (May 13, 2010)
1662:Hobart, Mike (May 27, 2011)
776:In 2014, Taborn was given a
410:
325:
277:contemporary classical music
219:contemporary classical music
7:
2989:American male jazz pianists
2622:. No. 213. p. 16.
2183:. Retrieved April 29, 2013.
2098:Hum, Peter (June 25, 2012)
1544:"Craig Taborn Trio: Review"
1478:Woodford, John (June 1995)
694:
554:Taborn at Seixal Jazz, 2014
10:
3075:
2999:Clean Feed Records artists
2994:Avant-garde jazz musicians
2979:American jazz keyboardists
2597:"Doris Duke Artist Awards"
2583:December 20, 2014, at the
2156:February 22, 2014, at the
2046:"Jazz" (January 14, 2011)
1736:February 22, 2014, at the
984:(slide sax, baritone sax)
787:
2945:
2894:
2791:
2782:
2540:December 5, 2014, at the
2494:November 4, 2016, at the
2016:"Jazz" (October 8, 2010)
1959:"Interview: Craig Taborn"
1507:"Craig Taborn: Biography"
753:
671:Character and preferences
542:, and with his own trio.
262:. His parents gave him a
146:
142:
124:
114:
106:
98:
88:
61:
51:
46:
30:
23:
1905:"Jazz". (April 3, 2009)
790:Craig Taborn discography
2517:April 14, 2012, at the
1688:"Jazz". (May 25, 2002)
1485:March 22, 2011, at the
1241:Solo piano; in concert
1210:(tenor sax, clarinet),
1042:(tenor sax, clarinet),
778:Doris Duke Artist Award
765:North Sea Jazz Festival
3059:Intakt Records artists
3039:Tzadik Records artists
2984:American jazz pianists
2416:April 2, 2013, at the
2059:"Jazz" (May 13, 2011)
1421:. (September 8, 2011)
734:
704:
555:
517:Monterey Jazz Festival
420:
332:University of Michigan
330:Taborn studied at the
311:Ronald Shannon Jackson
47:Background information
3014:Jazz fusion musicians
2384:. September 21, 2021.
1968:. wonderingsound.com.
1640:. Charivari. p. 209.
788:Further information:
729:
702:
583:A further ECM album,
553:
418:
321:Later life and career
2923:The Transitory Poems
2868:Golden Valley Is Now
2521:. (August 31, 2011)
2498:. (August 31, 2010)
1718:"Junk Magic: Review"
1622:CMJ New Music Report
1592:CMJ New Music Report
1581:. (May 2, 2012) ECM.
1268:(viola); in concert
1167:Golden Valley Is Now
1140:The Transitory Poems
648:The Transitory Poems
491:for the first time.
3009:ECM Records artists
3004:DIW Records artists
2544:. (March 17, 2014)
2395:The Financial Times
2272:Audiophile Audition
1992:Wall Street Journal
795:As leader/co-leader
710:The Financial Times
511:Taborn played with
246:Taborn was born in
168:Craig Marvin Taborn
57:Craig Marvin Taborn
2808:Light Made Lighter
2602:2014-12-20 at the
2563:2014-04-16 at the
2422:The Boston Phoenix
2228:. The Jazz Police.
2211:2014-12-20 at the
2175:2013-11-12 at the
2105:2016-03-04 at the
2061:The New York Times
2048:The New York Times
2018:The New York Times
1964:2014-12-19 at the
1907:The New York Times
1892:2016-03-04 at the
1756:2014-02-22 at the
1740:. The Jazz Police.
1577:2014-12-19 at the
1557:The New York Times
1353:The New York Times
1295:(2nd ed.) (online)
1260:Trio, co-led with
1177:Trio, co-led with
854:Light Made Lighter
758:In 2009 and 2010,
705:
685:The New York Times
556:
540:Dominique Pifarély
426:Light Made Lighter
421:
120:Late 1980s–present
102:Musician, composer
2961:
2960:
2884:Compass Confusion
2800:Craig Taborn Trio
2436:, pp. 50–51.
2244:. All About Jazz.
1762:The Village Voice
1646:978-1-895166-04-0
1609:Los Angeles Times
1528:978-0-141-03401-0
1403:Invisible Oranges
1384:. All About Jazz.
1272:
1271:
1198:Compass Confusion
1150:Duo, co-led with
1125:Vadim Neselovskyi
1098:Duo, co-led with
1071:Duo, co-led with
1009:Christian McBride
980:Duo, co-led with
827:Craig Taborn Trio
654:Compass Confusion
609:Christian McBride
440:Los Angeles Times
370:Craig Taborn Trio
162:
161:
72:February 20, 1970
3066:
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532:Michael Formanek
485:Wadada Leo Smith
393:label), and for
348:Wendell Harrison
297:concert (a loud
264:Moog synthesizer
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2196:. AllAboutJazz.
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2587:. Jazz Police.
2569:
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2475:(August 2009)
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2291:Chicago Reader
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2160:. Jazz Police.
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2111:Ottawa Citizen
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1871:"Craig's List"
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1044:Chris Lightcap
1038:Quartet, with
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866:Chris Lightcap
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562:Avenging Angel
547:
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530:After joining
525:William Parker
435:Chris Lightcap
419:Taborn in 2008
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340:Gerald Cleaver
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315:Sonny Sharrock
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37:Taborn at the
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2463:, p. 29.
2462:
2461:Micallef 2017
2457:
2451:, p. 32.
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2256:, p. 28.
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2254:Micallef 2017
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2137:, p. 30.
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1846:
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658:
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602:
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546:2010–present
529:
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461:Susie Ibarra
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352:James Carter
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307:Bill Laswell
291:Cecil Taylor
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260:Breck School
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223:
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154:.craigtaborn
116:Years active
25:Craig Taborn
18:
2974:1970 births
2953:Discography
2895:Live albums
2671:February 9,
2643:February 9,
2479:(8). p. 43.
2434:Panken 2008
2363:October 16,
2337:January 10,
1845:Panken 2008
1811:Panken 2008
1464:(8). p. 42.
1208:Chris Speed
1040:Chris Speed
1007:Trio, with
949:Trio, with
926:Solo piano
891:Thirsty Ear
864:Trio, with
860:Thirsty Ear
839:Tani Tabbal
784:Discography
677:Jazz Police
635:from 2016;
574:Paul Motian
489:Lotte Anker
481:Evan Parker
431:Thirsty Ear
375:Tani Tabbal
289:by pianist
248:Minneapolis
133:Thirsty Ear
78:Minneapolis
2968:Categories
2928:Vijay Iyer
2916:Kris Davis
2816:Junk Magic
2638:tzadik.com
2449:Cohen 2014
2135:Cohen 2014
1275:References
1266:Mat Maneri
1212:Mat Maneri
1152:Vijay Iyer
1073:Kris Davis
976:Clean Feed
897:Mat Maneri
885:Junk Magic
665:60 X Sixty
633:Kris Davis
599:Mat Maneri
595:Ches Smith
570:Vijay Iyer
521:David Torn
502:Mat Maneri
497:Junk Magic
477:Drew Gress
404:Programmed
399:Carl Craig
242:Early life
68:1970-02-20
53:Birth name
2903:Ljubljana
2877:Dave King
2861:Ikue Mori
2856:Highsmith
2733:Down Beat
2720:Down Beat
2707:Down Beat
2546:JazzTimes
2523:Down Beat
2500:Down Beat
2473:Down Beat
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2181:JazzTimes
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1559:. p. D10.
1458:Down Beat
1257:Rogueart
1216:Dave King
1183:Dave King
1100:Ikue Mori
1088:Highsmith
1048:Dave King
970:Ljubljana
901:Dave King
899:(viola),
770:JazzTimes
760:Down Beat
716:Down Beat
643:Ikue Mori
638:Highsmith
617:John Zorn
506:Dave King
457:Tim Berne
411:2000–2009
401:'s album
397:producer
336:Ann Arbor
326:1988–1999
299:free jazz
295:Last Exit
252:Minnesota
234:Down Beat
231:In 2011,
215:free jazz
82:Minnesota
2688:DownBeat
2665:AllMusic
2600:Archived
2581:Archived
2561:Archived
2538:Archived
2515:Archived
2492:Archived
2414:Archived
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2358:AllMusic
2331:AllMusic
2307:DownBeat
2209:Archived
2173:Archived
2154:Archived
2103:Archived
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1575:Archived
1483:Archived
1359:June 26,
1319:MinnPost
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1154:(piano)
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695:Artistry
301:band of
2930:, 2018)
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2911:Octopus
2879:, 2018)
2863:, 2017)
1253:hEARoes
1063:Octopus
628:Octopus
433:, with
147:Website
2938:(2020)
2926:(with
2914:(with
2906:(2015)
2887:(2020)
2871:(with
2859:(with
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2832:Chants
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2811:(2001)
2803:(1994)
2076:. npr.
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1173:Intakt
1119:Tzadik
1094:Tzadik
1003:Tzadik
939:Chants
814:Notes
811:Label
808:Title
754:Awards
586:Chants
429:, for
395:techno
273:Sun Ra
125:Labels
89:Genres
84:, U.S.
41:, 2012
1249:2023
1246:2022
1226:2021
1223:2020
1193:2020
1190:2020
1162:2019
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1114:Da'at
1110:2019
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156:.com
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