2011:, which means "loosen the key". Slack key is nearly always played in open or altered tunings—the most common tuning is G-major (D–G–D–G–B–D), called "taropatch", though there is a family of major-seventh tunings called "wahine" (Hawaiian for "woman"), as well as tunings designed to get particular effects. Basic slack-key style, like mainland folk-based fingerstyle, establishes an alternating bass pattern with the thumb and plays the melody line with the fingers on the higher strings. The repertory is rooted in traditional, post-Contact Hawaiian song and dance, but since 1946 (when the first commercial slack key recordings were made) the style has expanded, and some contemporary compositions have a distinctly
2507:
1403:
1359:
908:
140:
1512:(1964) as the beginning of the style. Graham mixed this with Indian, African, American, Celtic, and modern and traditional American influences, while Carthy in particular used the tuning to replicate the drone common in medieval and folk music played by the thumb on the two lowest strings. The style was further developed by Jansch, who brought a more forceful style of picking and, indirectly, influences from Jazz and Ragtime, leading particularly to more complex basslines. Renbourn built on all these trends and was the artist whose repertoire was most influenced by medieval music.
963:, or pattern picking) is both a playing style and a genre of music. It falls under the "fingerstyle" heading because it is plucked by the fingers, but it is generally used to play a specific type of folk, country-jazz and/or blues music. In this technique, the thumb maintains a steady rhythm, usually playing "ostinato bass" or "alternating bass" patterns on the lower three strings, while the index, or index and middle fingers pick out melody and fill-in notes on the high strings. The style originated in the late 19th and early 20th centuries, as southern
2435:
1722:
2495:
448:
right. This sitting position is intended to maintain shoulder alignment and physical balance between the left and right hands. Thumb, index, middle and ring fingers are all commonly employed for plucking, with occasional use of the pinky. Chords are often plucked, with strums being reserved for emphasis. The repertoire varies in terms of keys, modes, rhythms and cultural influences. Classical-guitar music is performed/composed most often in standard tuning (EADGBE). However, altered tunings such as
2483:
843:
2459:
2471:
1397:
902:
2399:
1353:
1801:, also known as Mwenda wa Bayeke (1930–1990). His song "Masanga" was particularly influential, because of its complex and varied guitar part. His influences included traditional music of Zambia and the Eastern Congo, Cuban groups like the Trio Matamoros, and cowboy movies. His style used the thumb and index finger only, to produce bass, melody and accompaniment. Congolese guitarists Losta Abelo and Edouard Masengo played in a similar style.
43:
397:
1025:
2423:
1753:
2411:
2447:
2519:
1915:
3470:
2138:(1925–1968) was known for using the fleshy part of his thumb to provide the bass line while strumming chordal or melodic motives with his fingers. This style, while unorthodox, was widely regarded as an innovative method for enhancing the warm tone associated with jazz guitar. Montgomery's influence extends to modern polyphonic jazz improvisational methods.
166:, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with
1778:). Its uptake varies considerably between regions, and there is therefore no single African acoustic guitar style. In some cases, the styles and techniques of other instruments have been applied to the guitar; for instance, a technique where the strings are plucked with the thumb and one finger imitates the two-thumbed plucking of the
719:–C–F) to the position XII (the index finger of the left hand placed on the 12th fret: E–A–D–G–B–E; the 12th fret is placed where the body begins) or higher up to position XIX (the classical guitar most often having 19 frets, with the 19th fret being most often split and not being usable to fret the 3rd and 4th strings).
1741:
uses a technique of hip-hop vocal percussion called "human beat box", along with body percussion, while playing contrapuntal fingerstyle pieces. Petteri
Sariola has several mics on board his guitar and is able to run up to 6 lines from his guitar to a mixing desk, providing a full "band sound" – bass
1434:
and Alec Stone Sweet are exponents of guitar clawhammer. Fingerstyle guitarist Steve
Baughman distinguishes between frailing and clawhammer as follows. In frailing, the index fingertip is used for up-picking melody, and the middle fingernail is used for rhythmic downward brushing. In clawhammer, only
685:
The four fingers of the left hand (which stop the strings, for left-handers) are designated 1 = index, 2 = major, 3 = ring finger, 4 = little finger; 0 designates an open string, that is a string that is not stopped by a finger of the left hand and whose full length thus vibrates when plucked. On the
1891:
Even when the guitar is tuned in a manner that helps the guitarist to perform a certain type of chord, it is often undesirable for all six strings to sound. When strumming with a plectrum, a guitarist must "damp" (mute) unwanted strings with the fretting hand; when a slide or steel is employed, this
332:
parts than using a plectrum, and therefore more suitable to unaccompanied solo playing, or to very small ensembles, like duos in which a guitarist accompanies a singer. Fingerstyle players have up to four (or five) surfaces (fingernails or picks) striking the strings and/or other parts of the guitar
253:
Because individual digits play notes on the guitar rather than the hand working as a single unit (which is the case when a guitarist is holding a single pick), a guitarist playing fingerstyle can perform several musical elements simultaneously. One definition of the technique has been put forward by
1878:
style of guitar playing, he has won the SAMA (South
African Music Awards) for best instrumental album twice. His music incorporates many different styles including classical, blues, rock and jazz, while keeping an African flavour. Tinderwet is a versatile guitarist of the three and sometimes four
447:
can. The technique is intended to maximize the degree of control over the musical dynamics, texture, articulation and timbral characteristics of the guitar. The sitting position of the player, while somewhat variable, generally places the guitar on the left leg, which is elevated, rather than the
686:
classical guitar the thumb of the left hand is never used to stop strings from above (as is done on the electric guitar): the neck of a classical guitar is too wide and the normal position of the thumb used in classical guitar technique do not make that possible. Scores (contrary to
1537:, whose complex mix of traditional English and American material, together with innovative arrangements and techniques like the use of guitar slides, represents a deliberate attempt to create a unique and personal style. Martin Carthy passed on his guitar style to French guitarist
874:
Rasgueado: Strumming frequently done by bunching all the right hand fingers and then flicking them out in quick succession to get four superimposed strums (although there are a great many variations on this). The rasgueado or "rolling" strum is particularly characteristic of the
304:
Players do not have to carry a plectrum (thus eliminating the risk of dropping one), but fingernails may need to be maintained at the right length and angles, and kept in good condition if the player has a preference to use the nails of their fingers over the pads of their
460:
Fingerings for both hands are often given in detail in classical guitar music notation, although players are also free to add to or depart from them as part of their own interpretation. Fretting hand fingers are given as numbers, plucking hand fingers are given as letters
1371:
However, Travis's own playing was often much more complicated than this example. He often referred to his style of playing as "thumb picking", possibly because the only pick he used when playing was a banjo thumb pick, or "Muhlenberg picking", after his native
1656:"Percussive fingerstyle" is a term for a style incorporating sharp attacks on the strings, as well as hitting the strings and guitar top with the hand for percussive effect. Principally featuring, string slapping, guitar body percussion, alternate tunings and
690:) do not systematically indicate the string to be plucked (although often the choice is obvious). When an indication of the string is required the strings are designated 1 to 6 (from the 1st the high E to the 6th the low E) with figures 1 to 6 inside circles.
855:
technique is related to classical technique, but with more emphasis on rhythmic drive and volume, and less on dynamic contrast and tone production. Flamenco guitarists prefer keys such as A and E that allow the use of open strings, and typically employ
1631:. However, instead of the folk and blues oriented music of Takoma, including Fahey's American primitive guitar, the early Windham Hill artists (and others influenced by them) abandoned the steady alternating or monotonic bass in favor of sweet flowing
374:
Playing on heavier gauge strings can damage nails: fingerstyle is more suited to nylon strings or lighter gauge steel strings (but this does not apply to fingerpicks, or when the flesh of the fingers is used rather than the nail, as is common with the
1177:, a popular recording artist of the late 1920s and early 1930s. In the 1960s, a new generation of guitarists returned to these roots and began to transcribe piano tunes for solo guitar. One of the best known and most talented of these players was
1643:
and others used a similar approach on piano. This music was generally pacific, accessible and expressionistic. Eventually, this music acquired the label of "New Age", given its widespread use as background music at bookstores, spas and other
1140:
further developed the style and in modern music musicians such as Jose
Gonzalez, Eddie Vedder (on his song Guaranteed) and David Knowles have utilized the style. Most fingerpickers use acoustic guitars, but some, including
1676:
developed and essentially pioneered percussive techniques forming a style of their own in the 1980s - 90s. Their progressive contribution played a significant role in influencing a new wave of percussive players including
727:
To achieve tremolo effects and rapid, fluent scale passages, and varied arpeggios the player must practice alternation, that is, never plucking a string with the same finger twice. Common alternation patterns include:
1404:
1360:
909:
1502:(from lowest to highest), which gave a form of suspended-fourth D chord, neither major nor minor, which could be employed as the basis for modal based folk songs. This was combined with a fingerstyle based on
308:
It is possible to play multiple non-adjacent strings at exactly the same time. This enables the guitarist to play a very low bass note and a high treble note simultaneously. This enables the guitarist to play
278:
Many fingerstyle guitarists have adopted a combination of acrylic nails and a thumbpick to improve tone and decrease nail wear and chance of breaking or chipping. Notable guitarists to adopt this hardware are
2709:
1506:
and a focus on melody, that made it suitable as an accompaniment. Denselow, who coined the phrase 'folk baroque,' singled out Graham's recording of traditional
English folk song 'Seven Gypsys' on
974:
music of the day, with the guitarist's thumb functioning as the pianist's left hand, and the other fingers functioning as the right hand. The first recorded examples were by players such as
774:
At what position along the string the finger plucks the string (This is changed by guitarists throughout a song, since it is an effective way of changing the sound (timbre) from "soft" (
935:. Even in larger, jazz-like arrangements for groups, there is almost always a guitar that plays the underlying rhythm. Gilberto basically took one of the several rhythmic layers from a
217:(or bass notes) simultaneously. Some fingerpicking guitarists also intersperse percussive tapping along with the melody, chords and bassline. Fingerstyle is a standard technique on the
2252:
is rarely played fingerstyle, although it presents no major technical challenges. Slide guitarists often employ fingerstyle, which applies equally to the electric guitar, for instance
1080:. The application or "cross-contamination" of traditional forms of music within the style of American primitive guitar is also very common. Examples of traditions that John Fahey and
1960:), a slide is placed on the string to vary its vibrating length, and pitch. This slide can then be moved along the string without lifting, creating continuous transitions in pitch.
1737:
ensemble are emulated on one guitar. Uncommon sounds are being discovered thanks to the technical possibilities of various pick-ups, microphones and octave division effects pedals.
1287:
This style is commonly played on steel string acoustic guitars. Pattern picking is the use of "preset right-hand pattern" while fingerpicking, with the left hand fingering standard
882:
plectrum technique. The right hand thumb is used for both single-line notes and strummed across a number of strings. Both are combined in quick succession to give it a unique sound.
1384:. Travis's style did not involve a defined, alternating bass string pattern; it was more of an alternating "bass strum" pattern, resulting in an accompanying rhythm reminiscent of
1221:
was active in New York City, where he mentored many aspiring finger-pickers. He has subsequently influenced numerous other artists in the United States and internationally.
1052:
label in 1969. American primitive guitar can be characterized by the use of folk music or folk-like material, driving alternating-bass fingerpicking with a good deal of
209:
notes with the fretting hand, using the body of the guitar percussively (by tapping rhythms on the body), and many other techniques. Often, the guitarist will play the
1232:, also known as "'thumb brush' technique or the 'Carter lick,' and also the 'church lick' and the 'Carter scratch'", is a style of fingerstyle guitar named for
2625:
809:
and carefully shaped to employ this technique, which produces a better-controlled sound than either nails or fingertips alone. Playing parameters include:
2805:
1892:
fretting hand damping is no longer possible, so it becomes necessary to replace plectrum strumming with plucking of individual strings. For this reason,
2197:
and others to play wide variety of material including jazz. This style is distinguished by having a steadier and "busier" (several beats to the bar)
578:, the five fingers of the right-hand (which pluck the strings, for right-handers) are designated by the first letter of their Spanish names namely
2084:" the plectrum when it is not in use. Early blues and ragtime guitarists often used fingerstyle. True fingerstyle jazz guitar dates back to early
2297:
1702:
1478:
craze of the later 1950s and often used
American blues, folk and jazz styles, occasionally using open D and G tunings. However, performers like
697:
the first finger of the left hand is placed) are also not systematically indicated, but when they are (mostly in the case of the execution of
1787:
766:
Classical guitarists have a large degree of freedom within the mechanics of playing the instrument. Often these decisions influence tone and
2076:
is often played in chord-melody style, where the guitarist plays a series of chords with the melody line on top. Fingerstyle, plectrum, or
1883:
or West
African music. He often flavours his playing with jazzy improvisations, regular fingerpicking patterns and chord melody sequences.
1766:
The six string guitar was brought to Africa by traders and missionaries (although there are indigenous guitar-like instruments such as the
1330:
Middle | X X - | X X - | Index | X X - | X X - | Thumb | X X X X - | X X X X - |
1668:
guitarists regularly feature percussive techniques and alternate tunings, and arguably laid the foundations for playing in this way
1471:
3406:
888:: Done somewhat differently from the conventional classical guitar tremolo, it is very commonly played with the right hand pattern
1515:
In the early 1970s the next generation of
British artists added new tunings and techniques, reflected in the work of artists like
3361:
354:
There is less need for fretting hand damping (muting) in playing chords, since only the strings that are required can be plucked.
182:
guitar playing in the US. The terms "fingerstyle" and "fingerpicking" are also applied to similar string instruments such as the
107:
3614:
3454:
1978:
with the guitar held horizontally, with the belly uppermost and the bass strings toward the player, and using a slide called a
79:
3371:
2908:
2743:
1209:, a company that recorded scores of LPs of solo ragtime guitar by artists including Grossman, Ton van Bergeyk, Leo Wijnkamp,
3315:
2954:
1533:(1972) set the bar for subsequent British acoustic guitarists. Perhaps the most prominent exponent of recent years has been
1341:, usually on two different strings, most often the second and first. Using this pattern on a C major chord is as follows in
2547:
The little finger, whose use is not completely standardized in classical guitar technique, can also be found designated by
1283:. The foundation of Travis picking revolves around the combination of alternate-bass fingerpicking and syncopated melodies.
371:
Less energy is generally imparted to strings than with plectrum playing, leading to lower volume when playing acoustically.
3292:
86:
2980:
2581:
60:
2506:
823:; the finger that plucks a string rests on the next string—traditionally used in single melody lines—versus free-stroke
701:) these are indicated with Roman numerals from the position I (index finger of the left hand placed on the 1st fret: F–B
3166:
2940:
2932:
2887:
2863:
2839:
2763:
2590:
2178:
1859:
292:
126:
2216:(1925–1999) brought to a wider audience in the 1950s. Fingerstyle jazz guitar has several proponents: the pianistic
93:
1133:
2629:
1498:, who further defined the style. The style these artists developed was particularly notable for the adoption of
1435:
downstrokes are used, and they are typically played with one fingernail as is the usual technique on the banjo.
3191:
2809:
1948:
refers to the original material of choice for such slides: the necks of glass bottles. Instead of altering the
158:
by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to
75:
64:
2236:
sideman, switched to fingerstyle on relaunching his career as a soloist. His predecessor in
Grappelli's band,
3051:
1856:
uses fingerstyle in an approach that combines jazz harmonies and complex rhythms. He is now based in the US.
17:
1879:
fingers playing style (thumb, index, middle and ring); he plays several different
African styles, including
3399:
1628:
1146:
197:(the notes of a chord played one after the other, as opposed to simultaneously) and other elements such as
1600:
1454:
A distinctive style to emerge from Britain in the early 1960s, which combined elements of American folk,
1373:
396:
3331:
1587:
were arranging solo guitar versions of Celtic dance tunes, slow airs, bagpipe music, and harp pieces by
1157:, employ traditional North American fingerpicking techniques on solid-body electric guitars such as the
3157:
407:
3003:
2776:
2494:
2434:
2229:
2163:
2093:
1575:
1563:
1019:
400:
170:
except in classical guitar circles, although fingerpicking can also refer to a specific tradition of
2169:
with bass strings, allowing him to create the impression of playing bass and guitar simultaneously.
2080:
are equally suited to this style. Some players alternate between fingerstyle and plectrum playing, "
3624:
2758:
Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 121.
1591:
and earlier harper-composers. Renbourn and Jansch's complex sounds were also highly influential on
1337:, often on two different strings, while the index (I) and middle (M) fingers alternate between two
421:
3392:
3241:
1694:
1044:
53:
2482:
2115:(1910–1953) used a classical/flamenco technique on unaccompanied pieces such as his composition
1579:, and as a result was copied by many subsequent folk guitarists. By the 1970s Americans such as
100:
3619:
2470:
2357:
1508:
1089:
1648:
businesses. The designation has stuck, though it was not a term coined by the company itself.
3491:
3116:
V. Coelho, 'The Cambridge Companion to the Guitar' (Cambridge University Press, 2003), p. 39.
2052:
1588:
1229:
1185:
for solo guitar. In 1971, guitarists David Laibman and Eric Schoenberg arranged and recorded
1097:
1035:
1028:
995:
857:
735:: Basic melody line on the treble strings. Has the appearance of "walking along the strings".
139:
2652:
793:
is often credited with popularizing this technique.) Playing with either fingertips alone (
432:. The major feature of classical-fingerstyle technique is that it enables solo rendition of
344:(rapid repetition of a note) and melody playing are more complex than with plectrum playing.
2603:
2458:
2377:
1698:
1620:
1206:
999:
288:
2220:(b. 1952), freely improvises polyphonically while employing a classical guitar technique.
2173:(1924–2001) sometimes applied his formidable right-hand technique to jazz standards, with
931:. Its purest form could be considered unaccompanied guitar with vocals, as exemplified by
8:
3263:
2389:
2155:
2131:
2024:
1657:
1569:
1218:
1162:
1125:
1113:
1038:, whose recordings from the late 1950s to the mid-1960s inspired many guitarists such as
987:
222:
198:
31:
3593:
2684:
2325:
2233:
1829:
1767:
1729:"Funky fingerstyle" emerged in the mid-2000s, as a style in which the sounds of a full
3377:
2398:
3524:
3367:
3187:
3162:
2936:
2928:
2904:
2883:
2859:
2835:
2759:
2739:
2586:
1933:
1825:
1798:
1779:
1596:
1467:
1093:
271:
1820:, whose music has been called the "DNA of the blues". He was also often compared to
790:
274:), melody, and percussion can all be played simultaneously when playing Fingerstyle.
2422:
2385:
2369:
2349:
2209:
2112:
1998:
1984:
1923:
1721:
1710:
1616:
1342:
1194:
979:
960:
924:
413:
218:
932:
816:
What angle of attack to hold the wrist and fingers at with respect to the strings.
785:
Use of the nail or not: Modern classical guitar playing uses a technique in which
741:: Tremolo pattern with a triplet feel (i.e. the same note is repeated three times)
3565:
3539:
3319:
3313:
3092:
The Rough Guide to Rock: the definitive guide to more than 1200 artists and bands
3007:
2333:
2313:
2277:
2249:
2040:
2036:
1953:
1845:
1821:
1813:
1760:
1584:
1538:
1291:. The most common pattern, sometimes broadly referred to as Travis picking after
1233:
1198:
1158:
1084:
would employ in their compositions include, but are not limited to, the extended
837:
266:
that would normally be played by several band members. Deep bass notes, harmonic
226:
2208:
Fingerstyle has always been predominant in Latin American guitar playing, which
2154:(1941–1984) went one better than van Eps by playing virtuosic fingerstyle on an
2108:
2028:
1034:
American primitive guitar is a subset of fingerstyle guitar. It originated with
313:, such as an octave, a fifth, a sixth, or other intervals that suit the harmony.
3506:
3449:
3429:
3415:
2410:
2317:
2273:
2261:
2237:
2186:
2135:
2123:
2101:
2077:
1963:
Slide guitar is most often played (assuming a right-handed player and guitar):
1669:
1640:
1624:
1604:
1534:
1503:
1324:
1260:
1257:
1117:
1049:
991:
936:
429:
357:
A greater variation in strokes is possible, allowing greater expressiveness in
317:
238:
151:
3229:
3105:
Which Side are You On?: An Inside History of the Folk Music Revival in America
2446:
1550:
420:
played fingerstyle on a nylon string guitar, or more narrowly to music of the
3608:
3549:
2959:
2373:
2353:
2341:
2337:
2329:
2321:
2305:
2293:
2265:
2190:
2056:
2016:
2012:
1949:
1875:
1853:
1841:
1805:
1756:
1738:
1706:
1592:
1495:
1487:
1483:
1288:
1264:
1241:
1237:
1178:
1154:
1077:
1073:
1069:
1065:
425:
267:
190:
179:
2518:
3575:
3570:
3544:
3529:
2361:
2285:
2281:
2253:
2225:
2213:
2202:
2194:
2166:
2048:
2032:
2020:
1929:
1909:
1897:
1893:
1871:
1682:
1554:
1542:
1449:
1431:
1312:
1304:
1300:
1292:
1280:
1249:
1214:
1186:
1150:
1142:
1129:
1081:
1007:
630:; however, their initials conflict with the initials of the other fingers;
618:). There are several words in Spanish for the little finger: most commonly
348:
329:
280:
846:
3534:
3516:
3444:
2875:
2269:
2217:
2170:
2159:
2151:
2105:
1833:
1775:
1524:
1520:
1491:
1479:
1470:, was what became known as 'folk baroque'. Pioneered by musicians of the
1338:
1320:
1308:
1296:
1174:
1137:
1101:
975:
928:
842:
310:
284:
263:
159:
155:
3580:
3439:
3207:
2301:
2289:
2221:
2205:
approach of Montgomery and Pass making it suited to up-tempo material.
2182:
2174:
2147:
2127:
2097:
2089:
2044:
1919:
1690:
1678:
1673:
1580:
1558:
1546:
1516:
1416:
1396:
1381:
1377:
1316:
1210:
1121:
1060:
1039:
983:
920:
437:
213:
notes, interspersed with the melody's accompanying chords and the deep
171:
67: in this article. Unsourced material may be challenged and removed.
30:
This article is about the guitar style. For the Chet Atkins album, see
2260:. Blues guitarists have long used fingerstyle: some exponents include
1486:
attempted to apply these styles to the playing of traditional English
789:
the nail and the fingertip contact the string during normal playing. (
3496:
2365:
2345:
2309:
2257:
2198:
2150:(1946–2005) was admired by fellow musicians for his harmonic skills.
2085:
1867:
1632:
1529:
1352:
1346:
1334:
1202:
1003:
901:
806:
694:
449:
417:
365:
337:
242:
202:
194:
42:
3486:
3434:
2381:
2139:
1863:
1837:
1686:
1661:
1636:
1422:
1054:
940:
868:
852:
820:
214:
206:
163:
2189:(b. 1955), among others, following in his footsteps. They use the
1024:
827:(plucking the string without coming to a rest on the next string).
3501:
3384:
3335:
2653:"24 Essential Fingerpicking Patterns Every Guitarist Should Know"
2081:
1880:
1645:
1639:-inspired percussive techniques. The label's best selling artist
1475:
1463:
1385:
968:
885:
824:
433:
341:
325:
258:
Physically, "Fingerstyle" refers to using each of the right hand
2228:
have also performed fingerstyle jazz on the solo guitar. Briton
1752:
2004:
1967:
with the guitar in the normal position, using a slide called a
1937:
1914:
1791:
1771:
1742:
drum, snare, bass, guitar – as an accompaniment to his vocals.
1734:
1567:, which he probably taught to Simon, and a recording of Davy's
1499:
1245:
767:
358:
321:
259:
230:
210:
3459:
3130:
Dadgad Tuning: Traditional Irish and Original Tunes and Songs
3079:
Electric Folk: The Changing Face of English Traditional Music
3033:
Electric Folk: The Changing Face of English Traditional Music
1944:
refers to the motion of the slide against the strings, while
1849:
1809:
1794:
1783:
1665:
1455:
1427:
1253:
971:
964:
444:
440:
388:
Nylon string guitars are most frequently played fingerstyle.
234:
183:
175:
2003:
Slack-key guitar is a fingerpicked style that originated in
3001:
2142:(1929–1994) switched to fingerstyle mid career, making the
2073:
1957:
1817:
1730:
1459:
1201:
method book with the same title. A year later Grossman and
1085:
376:
351:, because up to five strings can be plucked simultaneously.
2784:
801:) are considered special techniques for timbral variation.
3143:
Turn on Your Mind: Four Decades of Great Psychedelic Rock
2122:
Fingerstyle jazz on the electric guitar was pioneered by
1971:
on one of the fingers of the left hand; this is known as
879:
2678:
2676:
2674:
2672:
1217:, Lasse Johansson, Tom Ball and Dale Miller. Meanwhile,
805:
Concert guitarists must keep their fingernails smoothly
320:, with separate, independent musical lines, or separate
233:
of fingerpicked notes is described as "result in a more
221:, but is considered more of a specialized technique on
757:: A way of playing a melody line on the lower strings.
262:
independently to play the multiple parts of a musical
2777:"David Knowles | UK Musician, Singer-Songwriter"
2669:
2146:
series of albums. Little known to the general public
1956:
in the normal manner (by pressing the string against
1430:
techniques that are sometimes applied to the guitar.
1189:
rags and other complex piano arrangements for the LP
1096:, and the early ragtime-based country blues music of
254:
the Toronto (Canada) Fingerstyle Guitar Association:
2240:(b. 1948) is also an occasional fingerstyle player.
2007:. The English term is a translation of the Hawaiian
1936:
is a particular method or technique for playing the
1886:
1595:'s early music. The style also had an impact within
1607:style to produce a similar but distinctive effect.
634:is said to be the first half of the initial letter
189:Music arranged for fingerstyle playing can include
3045:
3043:
3041:
2856:Bluegrass Guitar: Know the Players, Play the Music
778:) plucking the string near its middle, to "hard" (
3124:
3122:
3064:D. Laing, K. Dallas, R. Denselow and R. Shelton,
1376:, where he learned this approach to playing from
1263:, G, B, and high E. This often occurs during the
3606:
2304:. Exponents of fingerstyle rock guitar include:
3038:
1610:
923:is most commonly performed on the nylon-string
391:
298:
3119:
2832:The Blues – From Robert Johnson to Robert Cray
1252:strings, usually low E, A, and D while rhythm
1058:patterns, and the use of alternative tunings (
831:
658:is not certain but is said to perhaps be from
3400:
3094:(Rough Guides, 2003), pp. 145, 211-12, 643-4.
2834:. Dubai: Carlton Books Limited. p. 105.
2015:sound. Slack key's older generation included
1603:, used the D–A–D–G–A–D tuning, though with a
1490:. They were soon followed by artists such as
927:, played with the fingers rather than with a
867:Picado: Single-line scale passages performed
383:
1149:, while some modern rock musicians, such as
1013:
3181:
1627:tradition of original compositions on solo
946:
3407:
3393:
3081:(Oxford University Press, 2005) pp. 184-9.
3055:(Cambridge University Press, 2003), p. 39.
2243:
2067:
1840:play acoustic fingerstyle in the lilting,
1391:
347:It is possible to play chords without any
3293:"Robert Fripp interviews John McLaughlin"
3035:(Oxford University Press, 2005) p. 184-9.
2031:. Prominent contemporary players include
878:Alzapua: A thumb technique with roots in
162:(plucking individual notes with a single
127:Learn how and when to remove this message
2919:
2917:
2585:, unpaginated. Hal Leonard Corporation.
1982:held in the left hand; this is known as
1913:
1751:
1720:
1438:
1395:
1351:
1224:
1023:
967:guitarists tried to imitate the popular
900:
841:
395:
138:
3359:
2829:
2733:
1474:began their careers in the short-lived
905:Basic bossa nova accompaniment pattern
646:) for the little finger; the origin of
14:
3607:
2952:
2854:Sid Griffin and Eric Thompson (2006).
2650:
2162:replaced the lower two strings on his
2126:(1913–1998) who was respected for his
1745:
1651:
1173:An early master of ragtime guitar was
943:, and applied it to the picking hand.
871:but with more attack and articulation.
3388:
3154:
3052:The Cambridge Companion to the Guitar
2914:
2628:. Howtotuneguitar.org. Archived from
1828:continues to play in the same style.
863:Some specialized techniques include:
662:, Spanish for last or final, for the
642:, which is not the most common name (
2848:
1900:playing are very often fingerstyle.
782:) plucking the string near its end).
693:The positions (that is where on the
65:adding citations to reliable sources
36:
3182:Bennett, Andy; Dawe, Kevin (2001).
3022:(Ashgate, Aldershot, 2003), p. 114.
2955:"cover story features James Taylor"
2899:Dubrock, Andrew (2011). "Preface",
2808:. Homespuntapes.com. Archived from
1992:
1716:
1112:Fingerpicking was soon taken up by
998:. Some early blues players such as
24:
3414:
3353:
3020:The British Folk Revival 1944-2002
2062:
1443:
1042:, who made his debut recording of
761:
225:. Fingerpicking is less common on
25:
3636:
2682:
1887:Slide, steel and slack-key guitar
1832:is another Malian fingerstylist.
1808:were fingerstyle guitarists from
1541:. It was taken up in Scotland by
1333:The thumb (T) alternates between
1270:
1168:
3468:
3186:. Oxford: Berg. pp. 20–21.
2582:Essential Rock Guitar Techniques
2517:
2505:
2493:
2481:
2469:
2457:
2445:
2433:
2421:
2409:
2397:
1866:guitarist and composer based in
1660:such as; tapping and harmonics.
1107:
951:
316:It is more suitable for playing
219:classical or nylon string guitar
41:
3324:
3307:
3285:
3256:
3244:from the original on 2021-12-22
3222:
3200:
3175:
3148:
3135:
3110:
3097:
3084:
3071:
3058:
3025:
3012:
2995:
2973:
2946:
2925:Fingerpicking Styles For Guitar
2893:
2869:
2823:
2798:
2769:
2566:
1903:
1816:(d. 2006) was a guitarist from
860:where a departure is required.
443:in much the same manner as the
52:needs additional citations for
3161:. Hal Leonard. pp. 6–10.
2752:
2727:
2702:
2644:
2618:
2596:
2573:
2541:
1918:Example of a bottleneck, with
1545:, and by Irish musicians like
722:
13:
1:
3615:Guitar performance techniques
2981:"Basics of Clawhammer Guitar"
2604:"Guitar Lessons: Fingerstyle"
2529:
896:
364:A wide variety of strums and
3366:. Mel Bay Publications Inc.
3145:(Hal Leonard, 2003), p. 173.
2953:Herbst, Peter (1979-09-06).
2130:approach, sometimes using a
2072:The unaccompanied guitar in
1147:hollow-body electric guitars
959:(also called thumb picking,
392:Classical guitar fingerstyle
299:Advantages and disadvantages
248:
7:
2710:"Google Books Ngram Viewer"
1472:Second British folk revival
1374:Muhlenberg County, Kentucky
832:Flamenco guitar fingerstyle
455:
416:" can refer to any kind of
10:
3641:
3334:. 12bar.de. Archived from
3158:Percussive Acoustic Guitar
3107:(Continuum, 2005), p. 274.
2927:, p.12. Oak Publications.
2626:"Learn How To Travis Pick"
2376:(formerly a pick player),
2312:(formerly a pick player),
1996:
1907:
1561:, particularly evident on
1447:
1017:
835:
747:: Another tremolo pattern.
614:= little finger or pinky (
408:Classical guitar technique
405:
384:Nylon string guitar styles
29:
3589:
3558:
3515:
3477:
3466:
3422:
3318:January 31, 2011, at the
3006:January 12, 2010, at the
2714:Google Books Ngram Viewer
2651:Lozano, Ed (2021-06-28).
1557:. Carthy also influenced
1197:. This was followed by a
1020:American primitive guitar
1014:American primitive guitar
340:; but the techniques for
3266:The Unaccompanied Django
3068:(Methuen, 1975), p. 145.
2685:"Douglas NiedtGuitarist"
2534:
1256:continues above, on the
1240:'s distinctive style of
947:North American tradition
797:) or fingernails alone (
610:), and when used, often
3332:"Slowhand Blues Guitar"
2734:Tennant, Scott (1996).
2244:Electric blues and rock
2068:Fingerstyle jazz guitar
1623:, which carried on the
1392:Clawhammer and frailing
1045:6- and 12-String Guitar
3455:Performance techniques
3132:(Mel Bay, 1999), p. 4.
2830:Russell, Tony (1997).
2579:Johnson, Chad (2012).
2088:acoustic players like
1926:
1763:
1726:
1509:Folk, Blues and Beyond
1412:
1400:Clawhammer bum-ditty.
1368:
1285:
1279:derives its name from
1191:The New Ragtime Guitar
1090:Indian classical music
1031:
917:
849:
403:
276:
144:
3492:Carter Family picking
3360:Pearson, Wyn (2008).
3155:Woods, Chris (2013).
2923:Traum, Happy (1974).
1917:
1852:-born Jazz guitarist
1790:fingerstyle acoustic
1755:
1724:
1599:, where particularly
1439:Other acoustic styles
1399:
1355:
1295:, and popularized by
1274:
1230:Carter Family picking
1225:Carter Family picking
1098:Mississippi John Hurt
1027:
996:Mississippi John Hurt
904:
845:
399:
256:
142:
2935:. Hardcover (2005):
2806:"Music Lessons from"
2232:(b. 1956), a former
2104:(1904–1938) and the
1804:Herbert Misango and
1621:Windham Hill Records
1207:Kicking Mule Records
1000:Blind Willie Johnson
223:steel string guitars
199:artificial harmonics
150:is the technique of
76:"Fingerstyle guitar"
61:improve this article
3295:. Elephant-talk.com
3264:"Michael Horowitz:
2390:Jared James Nichols
2156:eight string guitar
2132:seven string guitar
2025:Sonny Chillingworth
1746:African fingerstyle
1658:extended techniques
1652:Percussive approach
1629:steel string guitar
1219:Reverend Gary Davis
1163:Fender Stratocaster
1126:The Everly Brothers
1114:country and western
988:Blind Willie McTell
939:, specifically the
813:Which finger to use
770:. Factors include:
336:It is easy to play
32:Finger Style Guitar
3594:Outline of guitars
3230:"Lionel Loueke on
2738:. Alfred pub. co.
2657:Revo Guitar Straps
2606:. GuitarTricks.com
2476:Lindsey Buckingham
2326:Lindsey Buckingham
2234:Stephane Grappelli
2035:, Moses Kahumoku,
1927:
1874:. A master of the
1830:Djelimady Tounkara
1770:and the gimbri or
1764:
1727:
1611:"New Age" approach
1589:Turlough O'Carolan
1413:
1369:
1032:
918:
850:
404:
152:playing the guitar
148:Fingerstyle guitar
145:
143:Fingerstyle guitar
3602:
3601:
3525:Alternate picking
3373:978-0-7866-7607-1
3066:The Electric Muse
2909:978-1-4234-9435-5
2745:978-0-88284-721-4
2632:on 6 October 2014
1973:bottleneck guitar
1934:bottleneck guitar
1826:Vieux Farka Toure
1799:Jean Bosco Mwenda
1786:. The pioneer of
1597:British folk rock
1576:Sounds of Silence
1523:and particularly
1468:traditional music
1327:, is as follows:
1248:is played on the
1134:"Thumbs" Carllile
598:= middle finger (
572:
571:
272:chord progression
241:," and less like
137:
136:
129:
111:
27:Playing technique
16:(Redirected from
3632:
3472:
3471:
3409:
3402:
3395:
3386:
3385:
3381:
3376:. Archived from
3347:
3346:
3344:
3343:
3328:
3322:
3311:
3305:
3304:
3302:
3300:
3289:
3283:
3282:
3280:
3278:
3260:
3254:
3253:
3251:
3249:
3226:
3220:
3219:
3217:
3215:
3210:. Elijahwald.com
3204:
3198:
3197:
3179:
3173:
3172:
3152:
3146:
3139:
3133:
3126:
3117:
3114:
3108:
3101:
3095:
3088:
3082:
3075:
3069:
3062:
3056:
3047:
3036:
3029:
3023:
3016:
3010:
2999:
2993:
2992:
2990:
2988:
2977:
2971:
2970:
2968:
2967:
2950:
2944:
2921:
2912:
2897:
2891:
2880:Bluegrass Guitar
2873:
2867:
2852:
2846:
2845:
2827:
2821:
2820:
2818:
2817:
2802:
2796:
2795:
2793:
2792:
2783:. Archived from
2781:Davidknowles.biz
2773:
2767:
2756:
2750:
2749:
2731:
2725:
2724:
2722:
2720:
2706:
2700:
2699:
2697:
2695:
2689:douglasniedt.com
2683:Niedt, Douglas.
2680:
2667:
2666:
2664:
2663:
2648:
2642:
2641:
2639:
2637:
2622:
2616:
2615:
2613:
2611:
2600:
2594:
2577:
2560:
2545:
2521:
2509:
2497:
2485:
2473:
2461:
2449:
2437:
2425:
2413:
2401:
2386:Courtney Barnett
2370:David Longstreth
2350:Robbie Robertson
2212:(1917–1995) and
2210:Laurindo Almeida
2113:Django Reinhardt
2096:(1899–1970) and
1999:Slack-key guitar
1993:Slack-key guitar
1985:lap steel guitar
1924:resonator guitar
1717:Funky approaches
1711:Marcin Patrzałek
1617:William Ackerman
1601:Richard Thompson
1573:that appears on
1564:Scarborough Fair
1411:
1410:
1409:
1407:
1367:
1366:
1365:
1363:
1356:Travis picking.
1195:Folkways Records
1183:St. Louis Tickle
1116:artists such as
980:Big Bill Broonzy
961:alternating bass
925:classical guitar
916:
915:
914:
912:
718:
717:
712:
711:
706:
705:
590:= index finger (
464:
463:
424:, as opposed to
422:classical period
414:Classical guitar
132:
125:
121:
118:
112:
110:
69:
45:
37:
21:
3640:
3639:
3635:
3634:
3633:
3631:
3630:
3629:
3625:Jazz techniques
3605:
3604:
3603:
3598:
3585:
3566:Maybelle Carter
3554:
3540:Economy picking
3511:
3473:
3469:
3464:
3418:
3413:
3374:
3356:
3354:Further reading
3351:
3350:
3341:
3339:
3330:
3329:
3325:
3320:Wayback Machine
3312:
3308:
3298:
3296:
3291:
3290:
3286:
3276:
3274:
3272:DjangoBooks.com
3262:
3261:
3257:
3247:
3245:
3228:
3227:
3223:
3213:
3211:
3206:
3205:
3201:
3194:
3184:Guitar cultures
3180:
3176:
3169:
3153:
3149:
3140:
3136:
3127:
3120:
3115:
3111:
3102:
3098:
3089:
3085:
3076:
3072:
3063:
3059:
3048:
3039:
3030:
3026:
3017:
3013:
3008:Wayback Machine
3000:
2996:
2986:
2984:
2983:. Angelfire.com
2979:
2978:
2974:
2965:
2963:
2951:
2947:
2922:
2915:
2898:
2894:
2874:
2870:
2853:
2849:
2842:
2828:
2824:
2815:
2813:
2804:
2803:
2799:
2790:
2788:
2775:
2774:
2770:
2757:
2753:
2746:
2732:
2728:
2718:
2716:
2708:
2707:
2703:
2693:
2691:
2681:
2670:
2661:
2659:
2649:
2645:
2635:
2633:
2624:
2623:
2619:
2609:
2607:
2602:
2601:
2597:
2578:
2574:
2569:
2564:
2563:
2546:
2542:
2537:
2532:
2525:
2522:
2513:
2510:
2501:
2498:
2489:
2486:
2477:
2474:
2465:
2462:
2453:
2450:
2441:
2438:
2429:
2426:
2417:
2414:
2405:
2402:
2334:Patrick Simmons
2320:(exclusively),
2314:Stephen Malkmus
2278:John Lee Hooker
2250:electric guitar
2248:The solid-body
2246:
2070:
2065:
2063:Electric guitar
2041:Dennis Kamakahi
2037:Ledward Kaapana
2001:
1995:
1912:
1906:
1889:
1862:(b. 1954) is a
1846:palm wine music
1822:John Lee Hooker
1814:Ali Farka Toure
1761:skeleton guitar
1748:
1719:
1654:
1613:
1585:Eric Schoenberg
1539:Pierre Bensusan
1452:
1446:
1444:UK Folk baroque
1441:
1405:
1402:
1401:
1394:
1361:
1358:
1357:
1331:
1273:
1234:Maybelle Carter
1227:
1199:Stefan Grossman
1181:, who arranged
1171:
1159:Gibson Les Paul
1110:
1022:
1016:
954:
949:
910:
907:
906:
899:
840:
838:Flamenco guitar
834:
764:
762:Tone production
745:p–a–m–i–p–a–m–i
725:
715:
714:
709:
708:
703:
702:
606:= ring finger (
458:
410:
394:
386:
301:
251:
227:electric guitar
133:
122:
116:
113:
70:
68:
58:
46:
35:
28:
23:
22:
15:
12:
11:
5:
3638:
3628:
3627:
3622:
3617:
3600:
3599:
3597:
3596:
3590:
3587:
3586:
3584:
3583:
3578:
3573:
3568:
3562:
3560:
3556:
3555:
3553:
3552:
3547:
3542:
3537:
3532:
3527:
3521:
3519:
3513:
3512:
3510:
3509:
3504:
3499:
3494:
3489:
3483:
3481:
3475:
3474:
3467:
3465:
3463:
3462:
3457:
3452:
3450:Hybrid picking
3447:
3442:
3437:
3432:
3430:Alternate bass
3426:
3424:
3420:
3419:
3416:Guitar picking
3412:
3411:
3404:
3397:
3389:
3383:
3382:
3380:on 2009-02-07.
3372:
3363:Hybrid Picking
3355:
3352:
3349:
3348:
3323:
3306:
3284:
3255:
3221:
3199:
3192:
3174:
3167:
3147:
3141:J. DeRogatis,
3134:
3118:
3109:
3096:
3083:
3070:
3057:
3037:
3024:
3011:
2994:
2972:
2945:
2913:
2901:Travis Picking
2892:
2868:
2847:
2840:
2822:
2797:
2768:
2751:
2744:
2726:
2701:
2668:
2643:
2617:
2595:
2571:
2570:
2568:
2565:
2562:
2561:
2539:
2538:
2536:
2533:
2531:
2528:
2527:
2526:
2523:
2516:
2514:
2511:
2504:
2502:
2499:
2492:
2490:
2487:
2480:
2478:
2475:
2468:
2466:
2463:
2456:
2454:
2451:
2444:
2442:
2439:
2432:
2430:
2427:
2420:
2418:
2415:
2408:
2406:
2403:
2396:
2318:Bruce Cockburn
2274:Albert Collins
2262:Jorma Kaukonen
2245:
2242:
2238:John Etheridge
2224:(b. 1953) and
2187:Tommy Emmanuel
2136:Wes Montgomery
2124:George van Eps
2102:Dick McDonough
2094:Lonnie Johnson
2078:hybrid picking
2069:
2066:
2064:
2061:
1997:Main article:
1994:
1991:
1990:
1989:
1976:
1908:Main article:
1905:
1902:
1888:
1885:
1747:
1744:
1718:
1715:
1670:Michael Hedges
1653:
1650:
1641:George Winston
1612:
1609:
1605:hybrid picking
1535:Martin Simpson
1504:Travis picking
1448:Main article:
1445:
1442:
1440:
1437:
1426:are primarily
1393:
1390:
1329:
1325:Tommy Emmanuel
1277:Travis picking
1272:
1271:Travis picking
1269:
1226:
1223:
1170:
1169:Ragtime guitar
1167:
1109:
1106:
1018:Main article:
1015:
1012:
992:Memphis Minnie
953:
950:
948:
945:
937:samba ensemble
898:
895:
894:
893:
883:
876:
872:
836:Main article:
833:
830:
829:
828:
817:
814:
803:
802:
791:Andrés Segovia
783:
763:
760:
759:
758:
748:
742:
736:
724:
721:
628:dedo auricular
570:
569:
552:
549:
546:
542:
541:
536:
533:
530:
526:
525:
520:
517:
514:
510:
509:
504:
501:
498:
494:
493:
488:
485:
482:
478:
477:
474:
471:
468:
457:
454:
430:romantic music
406:Main article:
393:
390:
385:
382:
381:
380:
372:
369:
362:
355:
352:
345:
334:
333:independently.
318:polyphonically
314:
306:
300:
297:
250:
247:
135:
134:
117:September 2008
49:
47:
40:
26:
9:
6:
4:
3:
2:
3637:
3626:
3623:
3621:
3620:Country music
3618:
3616:
3613:
3612:
3610:
3595:
3592:
3591:
3588:
3582:
3579:
3577:
3574:
3572:
3569:
3567:
3564:
3563:
3561:
3557:
3551:
3550:Sweep picking
3548:
3546:
3543:
3541:
3538:
3536:
3533:
3531:
3528:
3526:
3523:
3522:
3520:
3518:
3514:
3508:
3505:
3503:
3500:
3498:
3495:
3493:
3490:
3488:
3485:
3484:
3482:
3480:
3476:
3461:
3458:
3456:
3453:
3451:
3448:
3446:
3443:
3441:
3438:
3436:
3433:
3431:
3428:
3427:
3425:
3421:
3417:
3410:
3405:
3403:
3398:
3396:
3391:
3390:
3387:
3379:
3375:
3369:
3365:
3364:
3358:
3357:
3338:on 2009-12-17
3337:
3333:
3327:
3321:
3317:
3314:
3310:
3294:
3288:
3273:
3269:
3267:
3259:
3243:
3239:
3235:
3233:
3225:
3209:
3208:"Elijah Wald"
3203:
3195:
3189:
3185:
3178:
3170:
3168:9781458459640
3164:
3160:
3159:
3151:
3144:
3138:
3131:
3125:
3123:
3113:
3106:
3103:R. Weissman,
3100:
3093:
3087:
3080:
3074:
3067:
3061:
3054:
3053:
3046:
3044:
3042:
3034:
3028:
3021:
3015:
3009:
3005:
3002:
2998:
2982:
2976:
2962:
2961:
2960:Rolling Stone
2956:
2949:
2942:
2941:0-8256-0343-9
2938:
2934:
2933:0-8256-0005-7
2930:
2926:
2920:
2918:
2910:
2906:
2902:
2896:
2889:
2888:0-8256-0153-3
2885:
2881:
2877:
2872:
2865:
2864:0-87930-870-2
2861:
2857:
2851:
2843:
2841:1-85868-255-X
2837:
2833:
2826:
2812:on 2007-12-31
2811:
2807:
2801:
2787:on 2016-01-11
2786:
2782:
2778:
2772:
2765:
2764:1-85868-255-X
2761:
2755:
2747:
2741:
2737:
2736:Pumping Nylon
2730:
2715:
2711:
2705:
2690:
2686:
2679:
2677:
2675:
2673:
2658:
2654:
2647:
2631:
2627:
2621:
2605:
2599:
2592:
2591:9781476824994
2588:
2584:
2583:
2576:
2572:
2558:
2554:
2550:
2544:
2540:
2520:
2515:
2508:
2503:
2500:Richie Kotzen
2496:
2491:
2488:Mike Oldfield
2484:
2479:
2472:
2467:
2464:Robby Krieger
2460:
2455:
2448:
2443:
2436:
2431:
2428:Mark Knopfler
2424:
2419:
2412:
2407:
2400:
2395:
2394:
2393:
2391:
2387:
2383:
2379:
2375:
2374:Richie Kotzen
2371:
2367:
2363:
2359:
2355:
2354:Hillel Slovak
2351:
2347:
2343:
2342:Wilko Johnson
2339:
2338:Elliott Smith
2335:
2331:
2330:Mike Oldfield
2327:
2323:
2322:Robby Krieger
2319:
2315:
2311:
2307:
2306:Mark Knopfler
2303:
2299:
2298:Sandor Enyedi
2295:
2294:Joe Bonamassa
2291:
2287:
2283:
2279:
2275:
2271:
2267:
2266:Hubert Sumlin
2263:
2259:
2255:
2251:
2241:
2239:
2235:
2231:
2230:Martin Taylor
2227:
2223:
2219:
2215:
2211:
2206:
2204:
2200:
2196:
2193:technique of
2192:
2191:fingerpicking
2188:
2184:
2180:
2179:Richard Smith
2176:
2172:
2168:
2165:
2161:
2157:
2153:
2149:
2145:
2141:
2137:
2133:
2129:
2125:
2120:
2118:
2114:
2111:(1909–1980).
2110:
2107:
2103:
2100:(1907–1965),
2099:
2095:
2091:
2087:
2083:
2079:
2075:
2060:
2058:
2057:Cyril Pahinui
2054:
2050:
2046:
2042:
2038:
2034:
2030:
2026:
2022:
2018:
2017:Gabby Pahinui
2014:
2010:
2006:
2000:
1987:
1986:
1981:
1977:
1974:
1970:
1966:
1965:
1964:
1961:
1959:
1955:
1951:
1947:
1943:
1939:
1935:
1931:
1925:
1921:
1916:
1911:
1901:
1899:
1895:
1884:
1882:
1877:
1876:Fingerpicking
1873:
1869:
1865:
1861:
1857:
1855:
1854:Lionel Loueke
1851:
1847:
1843:
1839:
1835:
1831:
1827:
1823:
1819:
1815:
1811:
1807:
1806:George Mukabi
1802:
1800:
1796:
1793:
1789:
1785:
1781:
1777:
1773:
1769:
1762:
1758:
1757:Lionel Loueke
1754:
1750:
1743:
1740:
1739:Adam Rafferty
1736:
1732:
1725:Adam Rafferty
1723:
1714:
1712:
1708:
1707:Erik Mongrain
1704:
1703:Declan Zapala
1700:
1696:
1692:
1688:
1684:
1680:
1675:
1671:
1667:
1663:
1659:
1649:
1647:
1642:
1638:
1634:
1630:
1626:
1622:
1618:
1608:
1606:
1602:
1598:
1594:
1593:Mike Oldfield
1590:
1586:
1582:
1578:
1577:
1572:
1571:
1566:
1565:
1560:
1556:
1552:
1548:
1544:
1540:
1536:
1532:
1531:
1526:
1522:
1518:
1513:
1511:
1510:
1505:
1501:
1497:
1496:John Renbourn
1493:
1489:
1485:
1484:Martin Carthy
1481:
1477:
1473:
1469:
1466:with British
1465:
1461:
1457:
1451:
1436:
1433:
1429:
1425:
1424:
1419:
1418:
1408:
1398:
1389:
1387:
1383:
1379:
1375:
1364:
1354:
1350:
1348:
1344:
1340:
1336:
1328:
1326:
1322:
1318:
1314:
1310:
1306:
1302:
1298:
1294:
1290:
1284:
1282:
1278:
1268:
1266:
1262:
1259:
1255:
1251:
1247:
1244:in which the
1243:
1242:rhythm guitar
1239:
1238:Carter Family
1235:
1231:
1222:
1220:
1216:
1212:
1208:
1204:
1200:
1196:
1192:
1188:
1184:
1180:
1179:Dave Van Ronk
1176:
1166:
1164:
1160:
1156:
1155:Mark Knopfler
1152:
1148:
1144:
1139:
1135:
1131:
1127:
1123:
1119:
1115:
1108:Country music
1105:
1103:
1099:
1095:
1094:Japanese Koto
1091:
1087:
1083:
1079:
1075:
1071:
1067:
1063:
1062:
1057:
1056:
1051:
1047:
1046:
1041:
1037:
1030:
1026:
1021:
1011:
1009:
1005:
1001:
997:
993:
989:
985:
981:
977:
973:
970:
966:
962:
958:
957:Fingerpicking
952:Country blues
944:
942:
938:
934:
933:João Gilberto
930:
926:
922:
913:
903:
891:
887:
884:
881:
877:
873:
870:
866:
865:
864:
861:
859:
854:
848:
844:
839:
826:
822:
818:
815:
812:
811:
810:
808:
800:
796:
792:
788:
784:
781:
777:
773:
772:
771:
769:
756:
752:
749:
746:
743:
740:
737:
734:
731:
730:
729:
720:
700:
696:
691:
689:
683:
681:
677:
673:
669:
665:
661:
657:
653:
649:
645:
641:
640:dedo chiquito
637:
633:
629:
625:
621:
617:
613:
609:
605:
601:
597:
593:
589:
585:
581:
577:
568:
564:
560:
556:
553:
550:
547:
544:
543:
540:
537:
534:
531:
528:
527:
524:
521:
518:
515:
512:
511:
508:
505:
502:
499:
496:
495:
492:
489:
486:
483:
480:
479:
475:
472:
469:
466:
465:
462:
453:
451:
446:
442:
439:
435:
431:
427:
423:
419:
415:
409:
402:
401:John Williams
398:
389:
378:
373:
370:
368:are possible.
367:
363:
361:and dynamics.
360:
356:
353:
350:
346:
343:
339:
335:
331:
327:
323:
319:
315:
312:
307:
303:
302:
296:
294:
293:Richard Smith
290:
286:
282:
275:
273:
269:
268:accompaniment
265:
261:
255:
246:
244:
240:
236:
232:
228:
224:
220:
216:
212:
208:
204:
200:
196:
192:
187:
185:
181:
177:
173:
169:
168:fingerpicking
165:
161:
157:
153:
149:
141:
131:
128:
120:
109:
106:
102:
99:
95:
92:
88:
85:
81:
78: –
77:
73:
72:Find sources:
66:
62:
56:
55:
50:This article
48:
44:
39:
38:
33:
19:
18:Fingerpicking
3576:Merle Travis
3571:Robert Fripp
3545:Guitar Craft
3530:Crosspicking
3478:
3378:the original
3362:
3340:. Retrieved
3336:the original
3326:
3309:
3297:. Retrieved
3287:
3275:. Retrieved
3271:
3265:
3258:
3246:. Retrieved
3237:
3231:
3224:
3212:. Retrieved
3202:
3183:
3177:
3156:
3150:
3142:
3137:
3129:
3128:J. Henigan,
3112:
3104:
3099:
3091:
3090:P. Buckley,
3086:
3078:
3073:
3065:
3060:
3050:
3032:
3027:
3019:
3018:M. Brocken,
3014:
2997:
2985:. Retrieved
2975:
2964:. Retrieved
2958:
2948:
2924:
2900:
2895:
2879:
2876:Traum, Happy
2871:
2855:
2850:
2831:
2825:
2814:. Retrieved
2810:the original
2800:
2789:. Retrieved
2785:the original
2780:
2771:
2754:
2735:
2729:
2717:. Retrieved
2713:
2704:
2692:. Retrieved
2688:
2660:. Retrieved
2656:
2646:
2634:. Retrieved
2630:the original
2620:
2608:. Retrieved
2598:
2580:
2575:
2556:
2552:
2548:
2543:
2440:Derek Trucks
2362:Yvette Young
2286:Derek Trucks
2282:Muddy Waters
2254:Duane Allman
2247:
2226:Tuck Andress
2214:Charlie Byrd
2207:
2203:chord melody
2195:Merle Travis
2167:switchmaster
2143:
2121:
2116:
2109:Oscar Alemán
2092:(1902–1933)
2071:
2049:Ozzie Kotani
2033:Keola Beamer
2029:Raymond Kāne
2021:Leonard Kwan
2008:
2002:
1983:
1979:
1972:
1968:
1962:
1945:
1941:
1930:Slide guitar
1928:
1910:Slide guitar
1904:Slide guitar
1898:steel guitar
1894:slide guitar
1890:
1872:South Africa
1858:
1844:-influenced
1803:
1765:
1759:, playing a
1749:
1728:
1683:Preston Reed
1655:
1614:
1574:
1568:
1562:
1555:Mick Moloney
1543:Dick Gaughan
1528:
1514:
1507:
1453:
1450:Folk baroque
1432:Jody Stecher
1421:
1415:
1414:
1370:
1339:treble notes
1332:
1313:James Taylor
1305:James Burton
1301:Scotty Moore
1293:Merle Travis
1286:
1281:Merle Travis
1276:
1275:
1228:
1215:Peter Finger
1190:
1187:Scott Joplin
1182:
1172:
1151:Derek Trucks
1143:Merle Travis
1130:Merle Travis
1111:
1082:Robbie Basho
1059:
1053:
1043:
1033:
1010:techniques.
1008:slide guitar
956:
955:
919:
889:
862:
851:
819:Rest-stroke
804:
798:
794:
786:
779:
775:
765:
754:
750:
744:
738:
732:
726:
698:
692:
687:
684:
679:
675:
671:
667:
663:
659:
655:
651:
647:
643:
639:
635:
631:
627:
624:dedo pequeño
623:
622:, but also
620:dedo meñique
619:
615:
611:
607:
603:
599:
595:
591:
587:
583:
579:
575:
573:
566:
562:
558:
554:
538:
522:
506:
490:
459:
452:are common.
411:
387:
349:arpeggiation
311:double stops
281:Ani DiFranco
277:
257:
252:
203:hammering on
188:
167:
147:
146:
123:
114:
104:
97:
90:
83:
71:
59:Please help
54:verification
51:
3535:Downpicking
3517:Flatpicking
3479:Fingerstyle
3445:Guitar pick
3077:B. Swears,
3049:V. Coelho,
3031:B. Swears,
2719:6 September
2694:6 September
2358:St. Vincent
2270:Albert King
2218:Jeff Linsky
2181:(b. 1971),
2177:(b. 1949),
2171:Chet Atkins
2160:Tommy Crook
2152:Lenny Breau
2106:Argentinian
1940:. The term
1920:fingerpicks
1848:tradition.
1834:S. E. Rogie
1776:Gnawa music
1695:Chris Woods
1551:Dónal Lunny
1525:John Martyn
1521:Tim Buckley
1500:D–A–D–G–A–D
1492:Bert Jansch
1488:modal music
1480:Davy Graham
1321:Colter Wall
1309:Marcel Dadi
1297:Chet Atkins
1175:Blind Blake
1138:Chet Atkins
1124:(father of
1102:Blind Blake
1048:on Fahey's
976:Blind Blake
799:dita unghis
739:a–m–i–a–m–i
723:Alternation
305:fingertips.
285:Doyle Dykes
264:arrangement
207:pulling off
160:flatpicking
156:bass guitar
3609:Categories
3581:Leo Kottke
3559:Innovators
3440:Fingerpick
3342:2010-03-01
3234:(YouTube)"
3193:1859734340
2966:2016-01-19
2816:2010-03-01
2791:2016-01-19
2662:2023-02-20
2610:3 December
2567:References
2530:References
2416:J. J. Cale
2302:Buckethead
2290:John Mayer
2222:Earl Klugh
2183:Woody Mann
2175:Duck Baker
2148:Ted Greene
2128:polyphonic
2098:Carl Kress
2090:Eddie Lang
2053:Peter Moon
2045:John Keawe
1969:bottleneck
1946:bottleneck
1864:Zimbabwean
1824:. His son
1691:Mike Dawes
1679:Andy Mckee
1674:Eric Roche
1581:Duck Baker
1559:Paul Simon
1547:Paul Brady
1517:Nick Drake
1417:Clawhammer
1382:Ike Everly
1378:Mose Rager
1335:bass notes
1317:John Prine
1211:Duck Baker
1145:played on
1122:Ike Everly
1064:) such as
1061:scordatura
1040:Leo Kottke
1036:John Fahey
1029:John Fahey
984:Skip James
921:Bossa nova
897:Bossa nova
795:dita punta
688:tablatures
574:In guitar
438:polyphonic
412:The term "
366:rasgueados
87:newspapers
3497:Rasgueado
3299:2 October
3277:2 October
3248:2 October
3214:2 October
2987:2 October
2903:, p.5. .
2636:2 October
2512:Greg Koch
2452:Jeff Beck
2404:Ry Cooder
2378:Greg Koch
2366:Kurt Vile
2346:J.J. Cale
2310:Jeff Beck
2258:Ry Cooder
2201:than the
2199:bass line
2086:swing era
2009:kī hō‘alu
1868:Cape Town
1788:Congolese
1633:arpeggios
1615:In 1976,
1530:Solid Air
1347:tablature
1254:strumming
1203:ED Denson
1118:Sam McGee
1004:Tampa Red
890:p–i–a–m–i
847:Paco Peña
780:ponticelo
695:fretboard
582:= thumb (
476:Notation
450:dropped D
418:art music
338:arpeggios
249:Technique
243:pizzicato
195:arpeggios
3487:Apoyando
3435:Arpeggio
3316:Archived
3242:Archived
3004:Archived
2882:, p.23.
2878:(1974).
2858:, p.22.
2524:Guy King
2382:Guy King
2144:Virtuoso
2140:Joe Pass
1860:Tony Cox
1838:Koo Nimo
1699:Don Ross
1687:Jon Gomm
1662:Flamenco
1637:flamenco
1619:started
1527:, whose
1423:frailing
1343:notation
1205:founded
1136:. Later
1055:ostinato
941:tamborim
869:apoyando
853:Flamenco
821:apoyando
716:♭
710:♭
704:♭
616:chiquito
470:Notation
456:Notation
289:Don Ross
215:bassline
164:plectrum
3502:Tirando
3423:General
3238:YouTube
2082:palming
2013:new-age
1954:strings
1952:of the
1881:soukous
1842:calypso
1735:R&B
1646:New Age
1476:skiffle
1464:ragtime
1388:piano.
1386:ragtime
1261:strings
1236:of the
1161:or the
969:ragtime
886:Tremolo
825:tirando
755:p–m–p–m
751:p–i–p–i
733:i–m–i–m
676:pequeño
672:meñique
660:extremo
644:meñique
434:harmony
426:baroque
342:tremolo
326:harmony
260:fingers
180:country
101:scholar
3507:Travis
3370:
3232:Canvas
3190:
3165:
2939:
2931:
2907:
2886:
2862:
2838:
2762:
2742:
2589:
2164:Gibson
2005:Hawaii
1938:guitar
1792:guitar
1772:sintir
1709:, and
1625:Takoma
1289:chords
1258:treble
1246:melody
1092:, the
1078:open C
1074:drop D
1070:open G
1066:open D
1050:Takoma
1006:added
875:genre.
768:timbre
699:barrés
670:, and
608:anular
592:índice
584:pulgar
576:scores
519:Middle
513:Middle
473:Finger
467:Finger
359:timbre
322:melody
291:, and
239:attack
237:-like
231:timbre
229:. The
211:melody
191:chords
103:
96:
89:
82:
74:
3460:Strum
2535:Notes
2117:Tears
1980:steel
1958:frets
1950:pitch
1942:slide
1850:Benin
1810:Kenya
1795:music
1784:mbira
1768:ngoni
1666:Blues
1456:blues
1428:banjo
1265:break
972:piano
965:blues
858:capos
807:filed
776:dolce
600:medio
551:Pinky
545:Pinky
503:Index
497:Index
487:Thumb
481:Thumb
445:piano
441:music
270:(the
235:piano
184:banjo
176:blues
108:JSTOR
94:books
3368:ISBN
3301:2014
3279:2014
3250:2014
3216:2014
3188:ISBN
3163:ISBN
2989:2014
2937:ISBN
2929:ISBN
2905:ISBN
2884:ISBN
2860:ISBN
2836:ISBN
2760:ISBN
2740:ISBN
2721:2022
2696:2022
2638:2014
2612:2014
2587:ISBN
2300:and
2256:and
2185:and
2074:jazz
2055:and
2051:and
2027:and
1922:and
1896:and
1836:and
1818:Mali
1797:was
1782:and
1780:kora
1731:funk
1672:and
1664:and
1635:and
1583:and
1570:Anji
1553:and
1494:and
1482:and
1462:and
1460:jazz
1420:and
1406:Play
1380:and
1362:Play
1345:and
1323:and
1250:bass
1153:and
1132:and
1086:Raga
1076:and
1002:and
994:and
929:pick
911:Play
787:both
678:for
666:and
654:and
535:Ring
529:Ring
436:and
377:lute
330:bass
328:and
205:and
178:and
172:folk
80:news
2555:or
1932:or
1774:of
1733:or
1193:on
1128:),
1100:or
1088:of
880:oud
753:or
674:or
638:of
626:or
602:),
594:),
586:),
565:or
428:or
154:or
63:by
3611::
3270:.
3240:.
3236:.
3121:^
3040:^
2957:.
2916:^
2779:.
2712:.
2687:.
2671:^
2655:.
2551:,
2392:.
2388:,
2384:,
2380:,
2372:,
2368:,
2364:,
2360:,
2356:,
2352:,
2348:,
2344:,
2340:,
2336:,
2332:,
2328:,
2324:,
2316:,
2308:,
2296:,
2292:,
2288:,
2284:,
2280:,
2276:,
2272:,
2268:,
2264:,
2158:.
2134:.
2119:.
2059:.
2047:,
2043:,
2039:,
2023:,
2019:,
1870:,
1812:.
1713:.
1705:,
1701:,
1697:,
1693:,
1689:,
1685:,
1681:,
1549:,
1519:,
1458:,
1349::
1319:,
1315:,
1311:,
1307:,
1303:,
1299:,
1267:.
1213:,
1165:.
1120:,
1104:.
1072:,
1068:,
990:,
986:,
982:,
978:,
713:–A
707:–E
682:.
650:,
636:ch
561:,
557:,
379:.)
324:,
295:.
287:,
283:,
245:.
201:,
193:,
186:.
174:,
3408:e
3401:t
3394:v
3345:.
3303:.
3281:.
3268:"
3252:.
3218:.
3196:.
3171:.
2991:.
2969:.
2943:.
2911:.
2890:.
2866:.
2844:.
2819:.
2794:.
2766:.
2748:.
2723:.
2698:.
2665:.
2640:.
2614:.
2593:.
2559:.
2557:q
2553:x
2549:e
1988:.
1975:;
892:.
680:q
668:x
664:e
656:q
652:x
648:e
632:c
612:c
604:a
596:m
588:i
580:p
567:q
563:e
559:x
555:c
548:4
539:a
532:3
523:m
516:2
507:i
500:1
491:p
484:5
130:)
124:(
119:)
115:(
105:·
98:·
91:·
84:·
57:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.