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Fingerstyle guitar

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2011:, which means "loosen the key". Slack key is nearly always played in open or altered tunings—the most common tuning is G-major (D–G–D–G–B–D), called "taropatch", though there is a family of major-seventh tunings called "wahine" (Hawaiian for "woman"), as well as tunings designed to get particular effects. Basic slack-key style, like mainland folk-based fingerstyle, establishes an alternating bass pattern with the thumb and plays the melody line with the fingers on the higher strings. The repertory is rooted in traditional, post-Contact Hawaiian song and dance, but since 1946 (when the first commercial slack key recordings were made) the style has expanded, and some contemporary compositions have a distinctly 2507: 1403: 1359: 908: 140: 1512:(1964) as the beginning of the style. Graham mixed this with Indian, African, American, Celtic, and modern and traditional American influences, while Carthy in particular used the tuning to replicate the drone common in medieval and folk music played by the thumb on the two lowest strings. The style was further developed by Jansch, who brought a more forceful style of picking and, indirectly, influences from Jazz and Ragtime, leading particularly to more complex basslines. Renbourn built on all these trends and was the artist whose repertoire was most influenced by medieval music. 963:, or pattern picking) is both a playing style and a genre of music. It falls under the "fingerstyle" heading because it is plucked by the fingers, but it is generally used to play a specific type of folk, country-jazz and/or blues music. In this technique, the thumb maintains a steady rhythm, usually playing "ostinato bass" or "alternating bass" patterns on the lower three strings, while the index, or index and middle fingers pick out melody and fill-in notes on the high strings. The style originated in the late 19th and early 20th centuries, as southern 2435: 1722: 2495: 448:
right. This sitting position is intended to maintain shoulder alignment and physical balance between the left and right hands. Thumb, index, middle and ring fingers are all commonly employed for plucking, with occasional use of the pinky. Chords are often plucked, with strums being reserved for emphasis. The repertoire varies in terms of keys, modes, rhythms and cultural influences. Classical-guitar music is performed/composed most often in standard tuning (EADGBE). However, altered tunings such as
2483: 843: 2459: 2471: 1397: 902: 2399: 1353: 1801:, also known as Mwenda wa Bayeke (1930–1990). His song "Masanga" was particularly influential, because of its complex and varied guitar part. His influences included traditional music of Zambia and the Eastern Congo, Cuban groups like the Trio Matamoros, and cowboy movies. His style used the thumb and index finger only, to produce bass, melody and accompaniment. Congolese guitarists Losta Abelo and Edouard Masengo played in a similar style. 43: 397: 1025: 2423: 1753: 2411: 2447: 2519: 1915: 3470: 2138:(1925–1968) was known for using the fleshy part of his thumb to provide the bass line while strumming chordal or melodic motives with his fingers. This style, while unorthodox, was widely regarded as an innovative method for enhancing the warm tone associated with jazz guitar. Montgomery's influence extends to modern polyphonic jazz improvisational methods. 166:, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with 1778:). Its uptake varies considerably between regions, and there is therefore no single African acoustic guitar style. In some cases, the styles and techniques of other instruments have been applied to the guitar; for instance, a technique where the strings are plucked with the thumb and one finger imitates the two-thumbed plucking of the 719:–C–F) to the position XII (the index finger of the left hand placed on the 12th fret: E–A–D–G–B–E; the 12th fret is placed where the body begins) or higher up to position XIX (the classical guitar most often having 19 frets, with the 19th fret being most often split and not being usable to fret the 3rd and 4th strings). 1741:
uses a technique of hip-hop vocal percussion called "human beat box", along with body percussion, while playing contrapuntal fingerstyle pieces. Petteri Sariola has several mics on board his guitar and is able to run up to 6 lines from his guitar to a mixing desk, providing a full "band sound" – bass
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and Alec Stone Sweet are exponents of guitar clawhammer. Fingerstyle guitarist Steve Baughman distinguishes between frailing and clawhammer as follows. In frailing, the index fingertip is used for up-picking melody, and the middle fingernail is used for rhythmic downward brushing. In clawhammer, only
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The four fingers of the left hand (which stop the strings, for left-handers) are designated 1 = index, 2 = major, 3 = ring finger, 4 = little finger; 0 designates an open string, that is a string that is not stopped by a finger of the left hand and whose full length thus vibrates when plucked. On the
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Even when the guitar is tuned in a manner that helps the guitarist to perform a certain type of chord, it is often undesirable for all six strings to sound. When strumming with a plectrum, a guitarist must "damp" (mute) unwanted strings with the fretting hand; when a slide or steel is employed, this
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parts than using a plectrum, and therefore more suitable to unaccompanied solo playing, or to very small ensembles, like duos in which a guitarist accompanies a singer. Fingerstyle players have up to four (or five) surfaces (fingernails or picks) striking the strings and/or other parts of the guitar
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Because individual digits play notes on the guitar rather than the hand working as a single unit (which is the case when a guitarist is holding a single pick), a guitarist playing fingerstyle can perform several musical elements simultaneously. One definition of the technique has been put forward by
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style of guitar playing, he has won the SAMA (South African Music Awards) for best instrumental album twice. His music incorporates many different styles including classical, blues, rock and jazz, while keeping an African flavour. Tinderwet is a versatile guitarist of the three and sometimes four
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can. The technique is intended to maximize the degree of control over the musical dynamics, texture, articulation and timbral characteristics of the guitar. The sitting position of the player, while somewhat variable, generally places the guitar on the left leg, which is elevated, rather than the
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classical guitar the thumb of the left hand is never used to stop strings from above (as is done on the electric guitar): the neck of a classical guitar is too wide and the normal position of the thumb used in classical guitar technique do not make that possible. Scores (contrary to
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Rasgueado: Strumming frequently done by bunching all the right hand fingers and then flicking them out in quick succession to get four superimposed strums (although there are a great many variations on this). The rasgueado or "rolling" strum is particularly characteristic of the
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Players do not have to carry a plectrum (thus eliminating the risk of dropping one), but fingernails may need to be maintained at the right length and angles, and kept in good condition if the player has a preference to use the nails of their fingers over the pads of their
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Fingerings for both hands are often given in detail in classical guitar music notation, although players are also free to add to or depart from them as part of their own interpretation. Fretting hand fingers are given as numbers, plucking hand fingers are given as letters
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However, Travis's own playing was often much more complicated than this example. He often referred to his style of playing as "thumb picking", possibly because the only pick he used when playing was a banjo thumb pick, or "Muhlenberg picking", after his native
1656:"Percussive fingerstyle" is a term for a style incorporating sharp attacks on the strings, as well as hitting the strings and guitar top with the hand for percussive effect. Principally featuring, string slapping, guitar body percussion, alternate tunings and 690:) do not systematically indicate the string to be plucked (although often the choice is obvious). When an indication of the string is required the strings are designated 1 to 6 (from the 1st the high E to the 6th the low E) with figures 1 to 6 inside circles. 855:
technique is related to classical technique, but with more emphasis on rhythmic drive and volume, and less on dynamic contrast and tone production. Flamenco guitarists prefer keys such as A and E that allow the use of open strings, and typically employ
1631:. However, instead of the folk and blues oriented music of Takoma, including Fahey's American primitive guitar, the early Windham Hill artists (and others influenced by them) abandoned the steady alternating or monotonic bass in favor of sweet flowing 374:
Playing on heavier gauge strings can damage nails: fingerstyle is more suited to nylon strings or lighter gauge steel strings (but this does not apply to fingerpicks, or when the flesh of the fingers is used rather than the nail, as is common with the
1177:, a popular recording artist of the late 1920s and early 1930s. In the 1960s, a new generation of guitarists returned to these roots and began to transcribe piano tunes for solo guitar. One of the best known and most talented of these players was 1643:
and others used a similar approach on piano. This music was generally pacific, accessible and expressionistic. Eventually, this music acquired the label of "New Age", given its widespread use as background music at bookstores, spas and other
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further developed the style and in modern music musicians such as Jose Gonzalez, Eddie Vedder (on his song Guaranteed) and David Knowles have utilized the style. Most fingerpickers use acoustic guitars, but some, including
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developed and essentially pioneered percussive techniques forming a style of their own in the 1980s - 90s. Their progressive contribution played a significant role in influencing a new wave of percussive players including
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To achieve tremolo effects and rapid, fluent scale passages, and varied arpeggios the player must practice alternation, that is, never plucking a string with the same finger twice. Common alternation patterns include:
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It is possible to play multiple non-adjacent strings at exactly the same time. This enables the guitarist to play a very low bass note and a high treble note simultaneously. This enables the guitarist to play
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Many fingerstyle guitarists have adopted a combination of acrylic nails and a thumbpick to improve tone and decrease nail wear and chance of breaking or chipping. Notable guitarists to adopt this hardware are
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and a focus on melody, that made it suitable as an accompaniment. Denselow, who coined the phrase 'folk baroque,' singled out Graham's recording of traditional English folk song 'Seven Gypsys' on
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music of the day, with the guitarist's thumb functioning as the pianist's left hand, and the other fingers functioning as the right hand. The first recorded examples were by players such as
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At what position along the string the finger plucks the string (This is changed by guitarists throughout a song, since it is an effective way of changing the sound (timbre) from "soft" (
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is rarely played fingerstyle, although it presents no major technical challenges. Slide guitarists often employ fingerstyle, which applies equally to the electric guitar, for instance
1080:. The application or "cross-contamination" of traditional forms of music within the style of American primitive guitar is also very common. Examples of traditions that John Fahey and 1960:), a slide is placed on the string to vary its vibrating length, and pitch. This slide can then be moved along the string without lifting, creating continuous transitions in pitch. 1737:
ensemble are emulated on one guitar. Uncommon sounds are being discovered thanks to the technical possibilities of various pick-ups, microphones and octave division effects pedals.
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This style is commonly played on steel string acoustic guitars. Pattern picking is the use of "preset right-hand pattern" while fingerpicking, with the left hand fingering standard
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plectrum technique. The right hand thumb is used for both single-line notes and strummed across a number of strings. Both are combined in quick succession to give it a unique sound.
1384:. Travis's style did not involve a defined, alternating bass string pattern; it was more of an alternating "bass strum" pattern, resulting in an accompanying rhythm reminiscent of 1221:
was active in New York City, where he mentored many aspiring finger-pickers. He has subsequently influenced numerous other artists in the United States and internationally.
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label in 1969. American primitive guitar can be characterized by the use of folk music or folk-like material, driving alternating-bass fingerpicking with a good deal of
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notes with the fretting hand, using the body of the guitar percussively (by tapping rhythms on the body), and many other techniques. Often, the guitarist will play the
1232:, also known as "'thumb brush' technique or the 'Carter lick,' and also the 'church lick' and the 'Carter scratch'", is a style of fingerstyle guitar named for 2625: 809:
and carefully shaped to employ this technique, which produces a better-controlled sound than either nails or fingertips alone. Playing parameters include:
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fretting hand damping is no longer possible, so it becomes necessary to replace plectrum strumming with plucking of individual strings. For this reason,
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and others to play wide variety of material including jazz. This style is distinguished by having a steadier and "busier" (several beats to the bar)
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craze of the later 1950s and often used American blues, folk and jazz styles, occasionally using open D and G tunings. However, performers like
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the first finger of the left hand is placed) are also not systematically indicated, but when they are (mostly in the case of the execution of
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Classical guitarists have a large degree of freedom within the mechanics of playing the instrument. Often these decisions influence tone and
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is often played in chord-melody style, where the guitarist plays a series of chords with the melody line on top. Fingerstyle, plectrum, or
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or West African music. He often flavours his playing with jazzy improvisations, regular fingerpicking patterns and chord melody sequences.
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The six string guitar was brought to Africa by traders and missionaries (although there are indigenous guitar-like instruments such as the
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Middle | X X - | X X - | Index | X X - | X X - | Thumb | X X X X - | X X X X - |
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guitarists regularly feature percussive techniques and alternate tunings, and arguably laid the foundations for playing in this way
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In the early 1970s the next generation of British artists added new tunings and techniques, reflected in the work of artists like
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There is less need for fretting hand damping (muting) in playing chords, since only the strings that are required can be plucked.
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guitar playing in the US. The terms "fingerstyle" and "fingerpicking" are also applied to similar string instruments such as the
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with the guitar held horizontally, with the belly uppermost and the bass strings toward the player, and using a slide called a
79: 3371: 2908: 2743: 1209:, a company that recorded scores of LPs of solo ragtime guitar by artists including Grossman, Ton van Bergeyk, Leo Wijnkamp, 3315: 2954: 1533:(1972) set the bar for subsequent British acoustic guitarists. Perhaps the most prominent exponent of recent years has been 1341:, usually on two different strings, most often the second and first. Using this pattern on a C major chord is as follows in 2547:
The little finger, whose use is not completely standardized in classical guitar technique, can also be found designated by
1283:. The foundation of Travis picking revolves around the combination of alternate-bass fingerpicking and syncopated melodies. 371:
Less energy is generally imparted to strings than with plectrum playing, leading to lower volume when playing acoustically.
3292: 86: 2980: 2581: 60: 2506: 823:; the finger that plucks a string rests on the next string—traditionally used in single melody lines—versus free-stroke 701:) these are indicated with Roman numerals from the position I (index finger of the left hand placed on the 1st fret: F–B 3166: 2940: 2932: 2887: 2863: 2839: 2763: 2590: 2178: 1859: 292: 126: 2216:(1925–1999) brought to a wider audience in the 1950s. Fingerstyle jazz guitar has several proponents: the pianistic 93: 1133: 2629: 1498:, who further defined the style. The style these artists developed was particularly notable for the adoption of 1435:
downstrokes are used, and they are typically played with one fingernail as is the usual technique on the banjo.
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refers to the original material of choice for such slides: the necks of glass bottles. Instead of altering the
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by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to
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sideman, switched to fingerstyle on relaunching his career as a soloist. His predecessor in Grappelli's band,
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uses fingerstyle in an approach that combines jazz harmonies and complex rhythms. He is now based in the US.
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fingers playing style (thumb, index, middle and ring); he plays several different African styles, including
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A distinctive style to emerge from Britain in the early 1960s, which combined elements of American folk,
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were arranging solo guitar versions of Celtic dance tunes, slow airs, bagpipe music, and harp pieces by
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except in classical guitar circles, although fingerpicking can also refer to a specific tradition of
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with bass strings, allowing him to create the impression of playing bass and guitar simultaneously.
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are equally suited to this style. Some players alternate between fingerstyle and plectrum playing, "
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Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 121.
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and earlier harper-composers. Renbourn and Jansch's complex sounds were also highly influential on
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businesses. The designation has stuck, though it was not a term coined by the company itself.
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V. Coelho, 'The Cambridge Companion to the Guitar' (Cambridge University Press, 2003), p. 39.
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for solo guitar. In 1971, guitarists David Laibman and Eric Schoenberg arranged and recorded
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is often credited with popularizing this technique.) Playing with either fingertips alone (
432:. The major feature of classical-fingerstyle technique is that it enables solo rendition of 344:(rapid repetition of a note) and melody playing are more complex than with plectrum playing. 2603: 2458: 2377: 1698: 1620: 1206: 999: 288: 2220:(b. 1952), freely improvises polyphonically while employing a classical guitar technique. 2173:(1924–2001) sometimes applied his formidable right-hand technique to jazz standards, with 931:. Its purest form could be considered unaccompanied guitar with vocals, as exemplified by 8: 3263: 2389: 2155: 2131: 2024: 1657: 1569: 1218: 1162: 1125: 1113: 1038:, whose recordings from the late 1950s to the mid-1960s inspired many guitarists such as 987: 222: 198: 31: 3593: 2684: 2325: 2233: 1829: 1767: 1729:"Funky fingerstyle" emerged in the mid-2000s, as a style in which the sounds of a full 3377: 2398: 3524: 3367: 3187: 3162: 2936: 2928: 2904: 2883: 2859: 2835: 2759: 2739: 2586: 1933: 1825: 1798: 1779: 1596: 1467: 1093: 271: 1820:, whose music has been called the "DNA of the blues". He was also often compared to 790: 274:), melody, and percussion can all be played simultaneously when playing Fingerstyle. 2422: 2385: 2369: 2349: 2209: 2112: 1998: 1984: 1923: 1721: 1710: 1616: 1342: 1194: 979: 960: 924: 413: 218: 932: 816:
What angle of attack to hold the wrist and fingers at with respect to the strings.
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Use of the nail or not: Modern classical guitar playing uses a technique in which
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The Rough Guide to Rock: the definitive guide to more than 1200 artists and bands
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would employ in their compositions include, but are not limited to, the extended
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that would normally be played by several band members. Deep bass notes, harmonic
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Fingerstyle has always been predominant in Latin American guitar playing, which
2154:(1941–1984) went one better than van Eps by playing virtuosic fingerstyle on an 2108: 2028: 1034:
American primitive guitar is a subset of fingerstyle guitar. It originated with
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Slide guitar is most often played (assuming a right-handed player and guitar):
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A greater variation in strokes is possible, allowing greater expressiveness in
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Which Side are You On?: An Inside History of the Folk Music Revival in America
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played fingerstyle on a nylon string guitar, or more narrowly to music of the
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approach of Montgomery and Pass making it suited to up-tempo material.
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notes, interspersed with the melody's accompanying chords and the deep
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This article is about the guitar style. For the Chet Atkins album, see
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attempted to apply these styles to the playing of traditional English
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the nail and the fingertip contact the string during normal playing. (
3496: 2365: 2345: 2309: 2257: 2198: 2150:(1946–2005) was admired by fellow musicians for his harmonic skills. 2085: 1867: 1632: 1529: 1352: 1346: 1334: 1202: 1003: 901: 806: 694: 449: 417: 365: 337: 242: 202: 194: 42: 3486: 3434: 2381: 2139: 1863: 1837: 1686: 1661: 1636: 1422: 1054: 940: 868: 852: 820: 214: 206: 163: 2189:(b. 1955), among others, following in his footsteps. They use the 1024: 827:(plucking the string without coming to a rest on the next string). 3501: 3384: 3335: 2653:"24 Essential Fingerpicking Patterns Every Guitarist Should Know" 2081: 1880: 1645: 1639:-inspired percussive techniques. The label's best selling artist 1475: 1463: 1385: 968: 885: 824: 433: 341: 325: 258:
Physically, "Fingerstyle" refers to using each of the right hand
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have also performed fingerstyle jazz on the solo guitar. Briton
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with the guitar in the normal position, using a slide called a
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drum, snare, bass, guitar – as an accompaniment to his vocals.
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Dadgad Tuning: Traditional Irish and Original Tunes and Songs
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Electric Folk: The Changing Face of English Traditional Music
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Electric Folk: The Changing Face of English Traditional Music
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refers to the motion of the slide against the strings, while
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Nylon string guitars are most frequently played fingerstyle.
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Slack-key guitar is a fingerpicked style that originated in
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method book with the same title. A year later Grossman and
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Turn on Your Mind: Four Decades of Great Psychedelic Rock
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Fingerstyle jazz on the electric guitar was pioneered by
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on one of the fingers of the left hand; this is known as
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Concert guitarists must keep their fingernails smoothly
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of fingerpicked notes is described as "result in a more
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independently to play the multiple parts of a musical
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series of albums. Little known to the general public
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in the normal manner (by pressing the string against
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techniques that are sometimes applied to the guitar.
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rags and other complex piano arrangements for the LP
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the Toronto (Canada) Fingerstyle Guitar Association:
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is a particular method or technique for playing the
1886: 1595:'s early music. The style also had an impact within 1607:style to produce a similar but distinctive effect. 634:is said to be the first half of the initial letter 189:Music arranged for fingerstyle playing can include 3045: 3043: 3041: 2856:Bluegrass Guitar: Know the Players, Play the Music 778:) plucking the string near its middle, to "hard" ( 3124: 3122: 3064:D. Laing, K. Dallas, R. Denselow and R. Shelton, 1376:, where he learned this approach to playing from 1263:, G, B, and high E. This often occurs during the 3606: 2304:. Exponents of fingerstyle rock guitar include: 3038: 1610: 923:is most commonly performed on the nylon-string 391: 298: 3119: 2832:The Blues – From Robert Johnson to Robert Cray 1252:strings, usually low E, A, and D while rhythm 1058:patterns, and the use of alternative tunings ( 831: 658:is not certain but is said to perhaps be from 3400: 3094:(Rough Guides, 2003), pp. 145, 211-12, 643-4. 2834:. Dubai: Carlton Books Limited. p. 105. 2015:sound. Slack key's older generation included 1603:, used the D–A–D–G–A–D tuning, though with a 1490:. They were soon followed by artists such as 927:, played with the fingers rather than with a 867:Picado: Single-line scale passages performed 383: 1149:, while some modern rock musicians, such as 1013: 3181: 1627:tradition of original compositions on solo 946: 3407: 3393: 3081:(Oxford University Press, 2005) pp. 184-9. 3055:(Cambridge University Press, 2003), p. 39. 2243: 2067: 1840:play acoustic fingerstyle in the lilting, 1391: 347:It is possible to play chords without any 3293:"Robert Fripp interviews John McLaughlin" 3035:(Oxford University Press, 2005) p. 184-9. 2031:. Prominent contemporary players include 878:Alzapua: A thumb technique with roots in 162:(plucking individual notes with a single 127:Learn how and when to remove this message 2919: 2917: 2585:, unpaginated. Hal Leonard Corporation. 1982:held in the left hand; this is known as 1913: 1751: 1720: 1438: 1395: 1351: 1224: 1023: 967:guitarists tried to imitate the popular 900: 841: 395: 138: 3359: 2829: 2733: 1474:began their careers in the short-lived 905:Basic bossa nova accompaniment pattern 646:) for the little finger; the origin of 14: 3607: 2952: 2854:Sid Griffin and Eric Thompson (2006). 2650: 2162:replaced the lower two strings on his 2126:(1913–1998) who was respected for his 1745: 1651: 1173:An early master of ragtime guitar was 943:, and applied it to the picking hand. 871:but with more attack and articulation. 3388: 3154: 3052:The Cambridge Companion to the Guitar 2914: 2628:. Howtotuneguitar.org. Archived from 1828:continues to play in the same style. 863:Some specialized techniques include: 662:, Spanish for last or final, for the 642:, which is not the most common name ( 2848: 1900:playing are very often fingerstyle. 782:) plucking the string near its end). 693:The positions (that is where on the 65:adding citations to reliable sources 36: 3182:Bennett, Andy; Dawe, Kevin (2001). 3022:(Ashgate, Aldershot, 2003), p. 114. 2955:"cover story features James Taylor" 2899:Dubrock, Andrew (2011). "Preface", 2808:. Homespuntapes.com. Archived from 1992: 1716: 1112:Fingerpicking was soon taken up by 998:. Some early blues players such as 24: 3414: 3353: 3020:The British Folk Revival 1944-2002 2062: 1443: 1042:, who made his debut recording of 761: 225:. Fingerpicking is less common on 25: 3636: 2682: 1887:Slide, steel and slack-key guitar 1832:is another Malian fingerstylist. 1808:were fingerstyle guitarists from 1541:. It was taken up in Scotland by 1333:The thumb (T) alternates between 1270: 1168: 3468: 3186:. Oxford: Berg. pp. 20–21. 2582:Essential Rock Guitar Techniques 2517: 2505: 2493: 2481: 2469: 2457: 2445: 2433: 2421: 2409: 2397: 1866:guitarist and composer based in 1660:such as; tapping and harmonics. 1107: 951: 316:It is more suitable for playing 219:classical or nylon string guitar 41: 3324: 3307: 3285: 3256: 3244:from the original on 2021-12-22 3222: 3200: 3175: 3148: 3135: 3110: 3097: 3084: 3071: 3058: 3025: 3012: 2995: 2973: 2946: 2925:Fingerpicking Styles For Guitar 2893: 2869: 2823: 2798: 2769: 2566: 1903: 1816:(d. 2006) was a guitarist from 860:where a departure is required. 443:in much the same manner as the 52:needs additional citations for 3161:. Hal Leonard. pp. 6–10. 2752: 2727: 2702: 2644: 2618: 2596: 2573: 2541: 1918:Example of a bottleneck, with 1545:, and by Irish musicians like 722: 13: 1: 3615:Guitar performance techniques 2981:"Basics of Clawhammer Guitar" 2604:"Guitar Lessons: Fingerstyle" 2529: 896: 364:A wide variety of strums and 3366:. Mel Bay Publications Inc. 3145:(Hal Leonard, 2003), p. 173. 2953:Herbst, Peter (1979-09-06). 2130:approach, sometimes using a 2072:The unaccompanied guitar in 1147:hollow-body electric guitars 959:(also called thumb picking, 392:Classical guitar fingerstyle 299:Advantages and disadvantages 248: 7: 2710:"Google Books Ngram Viewer" 1472:Second British folk revival 1374:Muhlenberg County, Kentucky 832:Flamenco guitar fingerstyle 455: 416:" can refer to any kind of 10: 3641: 3334:. 12bar.de. Archived from 3158:Percussive Acoustic Guitar 3107:(Continuum, 2005), p. 274. 2927:, p.12. Oak Publications. 2626:"Learn How To Travis Pick" 2376:(formerly a pick player), 2312:(formerly a pick player), 1996: 1907: 1561:, particularly evident on 1447: 1017: 835: 747:: Another tremolo pattern. 614:= little finger or pinky ( 408:Classical guitar technique 405: 384:Nylon string guitar styles 29: 3589: 3558: 3515: 3477: 3466: 3422: 3318:January 31, 2011, at the 3006:January 12, 2010, at the 2714:Google Books Ngram Viewer 2651:Lozano, Ed (2021-06-28). 1557:. Carthy also influenced 1197:. This was followed by a 1020:American primitive guitar 1014:American primitive guitar 340:; but the techniques for 3266:The Unaccompanied Django 3068:(Methuen, 1975), p. 145. 2685:"Douglas NiedtGuitarist" 2534: 1256:continues above, on the 1240:'s distinctive style of 947:North American tradition 797:) or fingernails alone ( 610:), and when used, often 3332:"Slowhand Blues Guitar" 2734:Tennant, Scott (1996). 2244:Electric blues and rock 2068:Fingerstyle jazz guitar 1623:, which carried on the 1392:Clawhammer and frailing 1045:6- and 12-String Guitar 3455:Performance techniques 3132:(Mel Bay, 1999), p. 4. 2830:Russell, Tony (1997). 2579:Johnson, Chad (2012). 2088:acoustic players like 1926: 1763: 1726: 1509:Folk, Blues and Beyond 1412: 1400:Clawhammer bum-ditty. 1368: 1285: 1279:derives its name from 1191:The New Ragtime Guitar 1090:Indian classical music 1031: 917: 849: 403: 276: 144: 3492:Carter Family picking 3360:Pearson, Wyn (2008). 3155:Woods, Chris (2013). 2923:Traum, Happy (1974). 1917: 1852:-born Jazz guitarist 1790:fingerstyle acoustic 1755: 1724: 1599:, where particularly 1439:Other acoustic styles 1399: 1355: 1295:, and popularized by 1274: 1230:Carter Family picking 1225:Carter Family picking 1098:Mississippi John Hurt 1027: 996:Mississippi John Hurt 904: 845: 399: 256: 142: 2935:. Hardcover (2005): 2806:"Music Lessons from" 2232:(b. 1956), a former 2104:(1904–1938) and the 1804:Herbert Misango and 1621:Windham Hill Records 1207:Kicking Mule Records 1000:Blind Willie Johnson 223:steel string guitars 199:artificial harmonics 150:is the technique of 76:"Fingerstyle guitar" 61:improve this article 3295:. Elephant-talk.com 3264:"Michael Horowitz: 2390:Jared James Nichols 2156:eight string guitar 2132:seven string guitar 2025:Sonny Chillingworth 1746:African fingerstyle 1658:extended techniques 1652:Percussive approach 1629:steel string guitar 1219:Reverend Gary Davis 1163:Fender Stratocaster 1126:The Everly Brothers 1114:country and western 988:Blind Willie McTell 939:, specifically the 813:Which finger to use 770:. Factors include: 336:It is easy to play 32:Finger Style Guitar 3594:Outline of guitars 3230:"Lionel Loueke on 2738:. Alfred pub. co. 2657:Revo Guitar Straps 2606:. GuitarTricks.com 2476:Lindsey Buckingham 2326:Lindsey Buckingham 2234:Stephane Grappelli 2035:, Moses Kahumoku, 1927: 1874:. A master of the 1830:Djelimady Tounkara 1770:and the gimbri or 1764: 1727: 1611:"New Age" approach 1589:Turlough O'Carolan 1413: 1369: 1032: 918: 850: 404: 152:playing the guitar 148:Fingerstyle guitar 145: 143:Fingerstyle guitar 3602: 3601: 3525:Alternate picking 3373:978-0-7866-7607-1 3066:The Electric Muse 2909:978-1-4234-9435-5 2745:978-0-88284-721-4 2632:on 6 October 2014 1973:bottleneck guitar 1934:bottleneck guitar 1826:Vieux Farka Toure 1799:Jean Bosco Mwenda 1786:. The pioneer of 1597:British folk rock 1576:Sounds of Silence 1523:and particularly 1468:traditional music 1327:, is as follows: 1248:is played on the 1134:"Thumbs" Carllile 598:= middle finger ( 572: 571: 272:chord progression 241:," and less like 137: 136: 129: 111: 27:Playing technique 16:(Redirected from 3632: 3472: 3471: 3409: 3402: 3395: 3386: 3385: 3381: 3376:. Archived from 3347: 3346: 3344: 3343: 3328: 3322: 3311: 3305: 3304: 3302: 3300: 3289: 3283: 3282: 3280: 3278: 3260: 3254: 3253: 3251: 3249: 3226: 3220: 3219: 3217: 3215: 3210:. Elijahwald.com 3204: 3198: 3197: 3179: 3173: 3172: 3152: 3146: 3139: 3133: 3126: 3117: 3114: 3108: 3101: 3095: 3088: 3082: 3075: 3069: 3062: 3056: 3047: 3036: 3029: 3023: 3016: 3010: 2999: 2993: 2992: 2990: 2988: 2977: 2971: 2970: 2968: 2967: 2950: 2944: 2921: 2912: 2897: 2891: 2880:Bluegrass Guitar 2873: 2867: 2852: 2846: 2845: 2827: 2821: 2820: 2818: 2817: 2802: 2796: 2795: 2793: 2792: 2783:. Archived from 2781:Davidknowles.biz 2773: 2767: 2756: 2750: 2749: 2731: 2725: 2724: 2722: 2720: 2706: 2700: 2699: 2697: 2695: 2689:douglasniedt.com 2683:Niedt, Douglas. 2680: 2667: 2666: 2664: 2663: 2648: 2642: 2641: 2639: 2637: 2622: 2616: 2615: 2613: 2611: 2600: 2594: 2577: 2560: 2545: 2521: 2509: 2497: 2485: 2473: 2461: 2449: 2437: 2425: 2413: 2401: 2386:Courtney Barnett 2370:David Longstreth 2350:Robbie Robertson 2212:(1917–1995) and 2210:Laurindo Almeida 2113:Django Reinhardt 2096:(1899–1970) and 1999:Slack-key guitar 1993:Slack-key guitar 1985:lap steel guitar 1924:resonator guitar 1717:Funky approaches 1711:Marcin Patrzałek 1617:William Ackerman 1601:Richard Thompson 1573:that appears on 1564:Scarborough Fair 1411: 1410: 1409: 1407: 1367: 1366: 1365: 1363: 1356:Travis picking. 1195:Folkways Records 1183:St. Louis Tickle 1116:artists such as 980:Big Bill Broonzy 961:alternating bass 925:classical guitar 916: 915: 914: 912: 718: 717: 712: 711: 706: 705: 590:= index finger ( 464: 463: 424:, as opposed to 422:classical period 414:Classical guitar 132: 125: 121: 118: 112: 110: 69: 45: 37: 21: 3640: 3639: 3635: 3634: 3633: 3631: 3630: 3629: 3625:Jazz techniques 3605: 3604: 3603: 3598: 3585: 3566:Maybelle Carter 3554: 3540:Economy picking 3511: 3473: 3469: 3464: 3418: 3413: 3374: 3356: 3354:Further reading 3351: 3350: 3341: 3339: 3330: 3329: 3325: 3320:Wayback Machine 3312: 3308: 3298: 3296: 3291: 3290: 3286: 3276: 3274: 3272:DjangoBooks.com 3262: 3261: 3257: 3247: 3245: 3228: 3227: 3223: 3213: 3211: 3206: 3205: 3201: 3194: 3184:Guitar cultures 3180: 3176: 3169: 3153: 3149: 3140: 3136: 3127: 3120: 3115: 3111: 3102: 3098: 3089: 3085: 3076: 3072: 3063: 3059: 3048: 3039: 3030: 3026: 3017: 3013: 3008:Wayback Machine 3000: 2996: 2986: 2984: 2983:. Angelfire.com 2979: 2978: 2974: 2965: 2963: 2951: 2947: 2922: 2915: 2898: 2894: 2874: 2870: 2853: 2849: 2842: 2828: 2824: 2815: 2813: 2804: 2803: 2799: 2790: 2788: 2775: 2774: 2770: 2757: 2753: 2746: 2732: 2728: 2718: 2716: 2708: 2707: 2703: 2693: 2691: 2681: 2670: 2661: 2659: 2649: 2645: 2635: 2633: 2624: 2623: 2619: 2609: 2607: 2602: 2601: 2597: 2578: 2574: 2569: 2564: 2563: 2546: 2542: 2537: 2532: 2525: 2522: 2513: 2510: 2501: 2498: 2489: 2486: 2477: 2474: 2465: 2462: 2453: 2450: 2441: 2438: 2429: 2426: 2417: 2414: 2405: 2402: 2334:Patrick Simmons 2320:(exclusively), 2314:Stephen Malkmus 2278:John Lee Hooker 2250:electric guitar 2248:The solid-body 2246: 2070: 2065: 2063:Electric guitar 2041:Dennis Kamakahi 2037:Ledward Kaapana 2001: 1995: 1912: 1906: 1889: 1862:(b. 1954) is a 1846:palm wine music 1822:John Lee Hooker 1814:Ali Farka Toure 1761:skeleton guitar 1748: 1719: 1654: 1613: 1585:Eric Schoenberg 1539:Pierre Bensusan 1452: 1446: 1444:UK Folk baroque 1441: 1405: 1402: 1401: 1394: 1361: 1358: 1357: 1331: 1273: 1234:Maybelle Carter 1227: 1199:Stefan Grossman 1181:, who arranged 1171: 1159:Gibson Les Paul 1110: 1022: 1016: 954: 949: 910: 907: 906: 899: 840: 838:Flamenco guitar 834: 764: 762:Tone production 745:p–a–m–i–p–a–m–i 725: 715: 714: 709: 708: 703: 702: 606:= ring finger ( 458: 410: 394: 386: 301: 251: 227:electric guitar 133: 122: 116: 113: 70: 68: 58: 46: 35: 28: 23: 22: 15: 12: 11: 5: 3638: 3628: 3627: 3622: 3617: 3600: 3599: 3597: 3596: 3590: 3587: 3586: 3584: 3583: 3578: 3573: 3568: 3562: 3560: 3556: 3555: 3553: 3552: 3547: 3542: 3537: 3532: 3527: 3521: 3519: 3513: 3512: 3510: 3509: 3504: 3499: 3494: 3489: 3483: 3481: 3475: 3474: 3467: 3465: 3463: 3462: 3457: 3452: 3450:Hybrid picking 3447: 3442: 3437: 3432: 3430:Alternate bass 3426: 3424: 3420: 3419: 3416:Guitar picking 3412: 3411: 3404: 3397: 3389: 3383: 3382: 3380:on 2009-02-07. 3372: 3363:Hybrid Picking 3355: 3352: 3349: 3348: 3323: 3306: 3284: 3255: 3221: 3199: 3192: 3174: 3167: 3147: 3141:J. DeRogatis, 3134: 3118: 3109: 3096: 3083: 3070: 3057: 3037: 3024: 3011: 2994: 2972: 2945: 2913: 2901:Travis Picking 2892: 2868: 2847: 2840: 2822: 2797: 2768: 2751: 2744: 2726: 2701: 2668: 2643: 2617: 2595: 2571: 2570: 2568: 2565: 2562: 2561: 2539: 2538: 2536: 2533: 2531: 2528: 2527: 2526: 2523: 2516: 2514: 2511: 2504: 2502: 2499: 2492: 2490: 2487: 2480: 2478: 2475: 2468: 2466: 2463: 2456: 2454: 2451: 2444: 2442: 2439: 2432: 2430: 2427: 2420: 2418: 2415: 2408: 2406: 2403: 2396: 2318:Bruce Cockburn 2274:Albert Collins 2262:Jorma Kaukonen 2245: 2242: 2238:John Etheridge 2224:(b. 1953) and 2187:Tommy Emmanuel 2136:Wes Montgomery 2124:George van Eps 2102:Dick McDonough 2094:Lonnie Johnson 2078:hybrid picking 2069: 2066: 2064: 2061: 1997:Main article: 1994: 1991: 1990: 1989: 1976: 1908:Main article: 1905: 1902: 1888: 1885: 1747: 1744: 1718: 1715: 1670:Michael Hedges 1653: 1650: 1641:George Winston 1612: 1609: 1605:hybrid picking 1535:Martin Simpson 1504:Travis picking 1448:Main article: 1445: 1442: 1440: 1437: 1426:are primarily 1393: 1390: 1329: 1325:Tommy Emmanuel 1277:Travis picking 1272: 1271:Travis picking 1269: 1226: 1223: 1170: 1169:Ragtime guitar 1167: 1109: 1106: 1018:Main article: 1015: 1012: 992:Memphis Minnie 953: 950: 948: 945: 937:samba ensemble 898: 895: 894: 893: 883: 876: 872: 836:Main article: 833: 830: 829: 828: 817: 814: 803: 802: 791:Andrés Segovia 783: 763: 760: 759: 758: 748: 742: 736: 724: 721: 628:dedo auricular 570: 569: 552: 549: 546: 542: 541: 536: 533: 530: 526: 525: 520: 517: 514: 510: 509: 504: 501: 498: 494: 493: 488: 485: 482: 478: 477: 474: 471: 468: 457: 454: 430:romantic music 406:Main article: 393: 390: 385: 382: 381: 380: 372: 369: 362: 355: 352: 345: 334: 333:independently. 318:polyphonically 314: 306: 300: 297: 250: 247: 135: 134: 117:September 2008 49: 47: 40: 26: 9: 6: 4: 3: 2: 3637: 3626: 3623: 3621: 3620:Country music 3618: 3616: 3613: 3612: 3610: 3595: 3592: 3591: 3588: 3582: 3579: 3577: 3574: 3572: 3569: 3567: 3564: 3563: 3561: 3557: 3551: 3550:Sweep picking 3548: 3546: 3543: 3541: 3538: 3536: 3533: 3531: 3528: 3526: 3523: 3522: 3520: 3518: 3514: 3508: 3505: 3503: 3500: 3498: 3495: 3493: 3490: 3488: 3485: 3484: 3482: 3480: 3476: 3461: 3458: 3456: 3453: 3451: 3448: 3446: 3443: 3441: 3438: 3436: 3433: 3431: 3428: 3427: 3425: 3421: 3417: 3410: 3405: 3403: 3398: 3396: 3391: 3390: 3387: 3379: 3375: 3369: 3365: 3364: 3358: 3357: 3338:on 2009-12-17 3337: 3333: 3327: 3321: 3317: 3314: 3310: 3294: 3288: 3273: 3269: 3267: 3259: 3243: 3239: 3235: 3233: 3225: 3209: 3208:"Elijah Wald" 3203: 3195: 3189: 3185: 3178: 3170: 3168:9781458459640 3164: 3160: 3159: 3151: 3144: 3138: 3131: 3125: 3123: 3113: 3106: 3103:R. Weissman, 3100: 3093: 3087: 3080: 3074: 3067: 3061: 3054: 3053: 3046: 3044: 3042: 3034: 3028: 3021: 3015: 3009: 3005: 3002: 2998: 2982: 2976: 2962: 2961: 2960:Rolling Stone 2956: 2949: 2942: 2941:0-8256-0343-9 2938: 2934: 2933:0-8256-0005-7 2930: 2926: 2920: 2918: 2910: 2906: 2902: 2896: 2889: 2888:0-8256-0153-3 2885: 2881: 2877: 2872: 2865: 2864:0-87930-870-2 2861: 2857: 2851: 2843: 2841:1-85868-255-X 2837: 2833: 2826: 2812:on 2007-12-31 2811: 2807: 2801: 2787:on 2016-01-11 2786: 2782: 2778: 2772: 2765: 2764:1-85868-255-X 2761: 2755: 2747: 2741: 2737: 2736:Pumping Nylon 2730: 2715: 2711: 2705: 2690: 2686: 2679: 2677: 2675: 2673: 2658: 2654: 2647: 2631: 2627: 2621: 2605: 2599: 2592: 2591:9781476824994 2588: 2584: 2583: 2576: 2572: 2558: 2554: 2550: 2544: 2540: 2520: 2515: 2508: 2503: 2500:Richie Kotzen 2496: 2491: 2488:Mike Oldfield 2484: 2479: 2472: 2467: 2464:Robby Krieger 2460: 2455: 2448: 2443: 2436: 2431: 2428:Mark Knopfler 2424: 2419: 2412: 2407: 2400: 2395: 2394: 2393: 2391: 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Fingerpicking
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playing the guitar
bass guitar
flatpicking
plectrum
folk
blues
country
banjo
chords
arpeggios
artificial harmonics
hammering on
pulling off
melody
bassline
classical or nylon string guitar

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