338:(1928). The plays, which feature lower-class characters from small town in Bavaria, deal with abusive, sometimes violent relationships between men and women. Among literary scholars, the plays are categorized as "critical Volksstücke," a genre that references and engages critically with the conventions of the popular "Volksstück" (literally people's play, also "milieu plays"). Like the original "Volksstück," Fleißer's dramas feature regional (Bavarian) dialect, lower-class characters, and deal with everyday themes and relationships, but unlike the originals, Fleißer exposes unequal power relationships between men and women.
42:
220:, with whom she would collaborate on her playwriting and theatrical productions throughout the 1920s. Brecht would subsequently help her throughout the decade to secure publishing opportunities and support for her plays; conversely, Brecht often felt the liberty, without her permission, to revise and take from her work, which caused considerable strain on their relationship as well as Fleißer's reputation. Due to financial difficulties and the pressure of her father, who wanted her to become a teacher, Fleißer returned to Ingolstadt in 1924, where she would remain until moving to
212:, the founder of theater studies in Germany and an influential critic and historian of literature; during this period, her first time living on her own, she began writing short stories, such as "Meine Zwillingsschwester Olga," which would be her first publication in 1923. It is during her time as a young student in Munich that Fleißer befriended
262:
was met with tepid reviews and sales. This culminated in an attempted suicide in 1932 and her move back to
Ingolstadt, where she married her first fiancé, the shop owner Bepp Haindl, who forbid her from writing and demanded that she work in his tobacco shop; her fall into contemporary obscurity was
267:
due to her leftist political sympathies and innovative modernist style. The 1930s and 1940s were a difficult period for Fleißer, who suffered from mental illness and unhappiness caused by the stresses and deprivations of war and the work demands placed on her by her husband; after the fall of the
242:
mores and small-town life. Discussed in many of the major German newspapers of the time, the scandal caused an uproar in her hometown: the mayor published a rebuttal, distancing the city from its now most famous daughter, while Fleißer's father temporarily disowned her.
250:(A Pound of Oranges, 1929), and became engaged to a local swimming star in Ingolstadt, Bepp Haindl, which was later called off in 1929. After moving to Berlin, she worked as a freelance journalist and author, publishing a travelogue about her journey to
279:
It was only from the mid-1950s onwards that Fleißer began her gradual reemergence as a known and celebrated writer. After the death of her husband in 1958, she began writing in earnest again, such as the short story "Avantgarde" (1963) and the play
191:
Born in
Ingolstadt in 1901 to Anna and Heinrich Fleißer, a smith and hardware store owner, Fleißer was sent to a Catholic convent school in Regensburg for her education, an experience which would later be reflected in her first novel
258:. She sunk further into intellectual and social isolation and financial troubles due to her liaison with the notorious conservative, and her subsequent works published in the early 1930s, such as the novel
238:(Pioneers in Ingolstadt) (1929), which scandalized the public through Brecht's unauthorized changes, transforming the piece into an explicitly anti-militaristic and sexually daring satire of
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in 1926. What was a personally fraught time for the young author was artistically rich, as Fleißer wrote her first major play that would ensure her breakthrough in Weimar
Germany,
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Irmgard
Roebling, “‘Haarschnitt ist noch nicht Freiheit‘: Das Ringen um Bilder der Neuen Frau in Texten von Autorinnen und Autoren der Weimarer Republik.” In:
304:(whom she nicknamed her "sons"), who brought her major works of fiction and theater back into the public eye throughout the 1960s and 1970s. For example,
246:
During this tumultuous period, which would prove to be the apex of her fame during her lifetime, Fleißer also published a collection of short stories,
618:
Susan L. Cocalis, “Weib ohne
Wirklichkeit, Welt ohne Weiblichkeit: Zum Selbst-, Frauen-, und Gesellschaftsbild im Frühwerk Marieluise Fleißers.” In:
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Claudia Albert. “‘Tatort
Sprache’: Erlebte Rede und Subjektposition in der Erzählprosa von Marieluise Fleißer, Franz Kafka und Robert Walser.” In:
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Gérard Thiériot, "Marieluise
Fleisser (1901–1974) et le théâtre populaire critique en Allemagne", Berne et al., Editions Peter Lang,
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Vom Ernst der
Zerstreuung: Schreibende Frauen am Ende der Weimarer Republik: Marieluise Fleisser, Irmgard Keun und Gabriele Tergit
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Hiltrud Häntzschel, "'Diese Frau ist ein Besitz': Marieluise Fleißer aus
Ingolstadt. Zum 100. Geburtstag.” Special edition of
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in 1953 and invited to join in 1954, Fleißer was "rediscovered" by a trio of famous young male playwrights and critics,
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The
Theater of Confinement: Language and Survival in the Milieu Plays of Marieluise Fleisser and Franz Xaver Kroetz
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Kerstin Barndt. “’Engel oder Megäre’: Figuration einer ‚Neuen Frau‘ bei Marieluise Fleißer und Irmgard Keun.” In:
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Barbara Naumann, ’Hergefegt vor einem unwirtlichen Wind’: Marieluise Fleißers Scheitern an Berlin.” In:
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Lucia-Maria Lichter, “Alles ist notwendig": Zur Ökonomie des Alltags bei Marieluise Fleißer.” In:
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Inge Stephan, “Zwischen Provinz und Metropole: Zur Avantgarde-Kritik von Marieluise Fleißer.” In:
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Fleißer was rediscovered in the 1970s by a later generation, among them the theatre director
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Triumph und Scheitern in der Metropole: Zur Rolle der Weiblichkeit in der Geschichte Berlins
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Carmel Finnan, Versions of the Literary Self in Texts by Marieluise Fleißer.” In:
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Mehlreisende Frieda Geier: Roman vom Rauchen, Sporteln, Lieben und Verkaufen,
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to stage the first play, which Seeler retitled; Fleißer's original title was
62:
707:. Ed. Inge Stephan and Sigrid Weigel. Berlin: Argument Verlag 1987. 112-132.
686:. Eds. Sigrund Anselm, et al. Berlin: Dietrich Reimer Verlag, 1987. 157-180.
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672:. Eds. Maria E. Müller et al. Berlin: Erich Schmidt Verlag, 2000. 55-77.
629:. Eds. Walter Fähnders et al. Bielefeld: Aisthesis Verlag, 2003. 97-118.
608:. Eds. Maria E. Müller et al. Berlin: Erich Schmidt Verlag, 2000. 16-34.
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Frauen in der Literaturwissenschaft, Rundbrief 47: Sport und Kult
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sealed in 1935, when was she partially forbidden to write by the
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622:. Ed. Irmela von der Lühe. Berlin: Argument-Verlag, 1982. 64-85.
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with her then fiancé, the arch-conservative journalist and poet
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Practicing Modernity: Female Creativity in the Weimar Republic
172:– 2 February 1974, in Ingolstadt) was a German writer and
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Entwürfe von Frauen in der Literatur des 20. Jahrhunderts
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in 1945, she managed to write little, such as the play
426:(Purgatory in Ingolstadt) (1926), originally entitled
232:) (1926). Her first success was followed by a second,
386:, London, in 1990, directed by Annie Castledine and
382:The plays were given their London premieres at the
786:"Marieluise-Fleißer-Gesellschaft Ingolstadt e.V."
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288:in West Berlin. Awarded a literary prize by the
677:Reflexive Naivität: Zum Werk Marieluise Fleißer
670:Reflexive Naivität: Zum Werk Marieluise Fleißer
606:Reflexive Naivität: Zum Werk Marieluise Fleißer
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457:Ein Pfund Orangen und neun andere Geschichten
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599:Jahrbuch zur Literatur der Weimarer Republik
976:Category:Translators of William Shakespeare
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679:. Berlin: Erich Schmidt Verlag, 2000. 9-15.
320:in 1973, before dying on February 2, 1974.
837:
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328:Fleißer's best-known works are two plays,
40:
1090:Hans Jakob Christoffel von Grimmelshausen
732:
693:. Ed. Sabine Becker 5 (1999/2000): 13-76.
650:. Frankfurt am Main: Insel Verlag, 2007.
2184:German women dramatists and playwrights
567:Frühe Begegnung: Erinnerungen an Brecht
14:
2161:
1100:Christian Hoffmann von Hoffmannswaldau
579:Findelkind und Rebell: Über Jean Genet
352:. Brecht then encouraged her to write
90:Ludwig Maximilian University of Munich
818:
163:
665:, Camden House: Columbia (SC), 1983.
513:Die Frau mit der Lampe: Eine Legende
473:Essays über den modernen Menschentyp
648:Marieluise Fleißer: Eine Biographie
573:Abenteuer aus dem Englischen Garten
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2194:20th-century German women writers
1125:Anthony Ulrich, Duke of Brunswick
803:
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360:, who had not yet come to power.
895:Early New High German literature
810:Marieluise Fleißer at Fembio.org
627:Autorinnen der Weimarer Republik
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585:Ich ahnte den Sprengstoff nicht
453:(Pioneers in Ingolstadt) (1929)
284:(1966), which premiered at the
543:Eine ganz gewöhnliche Vorhölle
202:Ludwig-Maximilians-Universität
165:[maˌʁiːluˈiːzəˈflaɪsɐ]
13:
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890:Middle High German literature
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700:. Bielefeld: Aisthesis, 2005.
290:Bavarian Academy of Fine Arts
200:In 1919, she enrolled at the
1176:Friedrich Gottlieb Klopstock
375:was adapted as a TV film by
186:
27:German author and playwright
7:
2118:Adelbert von Chamisso Prize
1253:Annette von Droste-Hülshoff
1181:Jakob Michael Reinhold Lenz
705:Weiblichkeit und Avantgarde
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1303:Christian Friedrich Hebbel
1258:Marie von Ebner-Eschenbach
1193:(Friedrich von Hardenberg)
1161:Johann Christoph Gottsched
1156:Johann Wolfgang von Goethe
1105:Johann Michael Moscherosch
1027:Walther von der Vogelweide
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501:Eine Zierde für den Verein
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880:History of Liechtenstein
469:Sportgeist und Zeitkunst
400:Meine Zwillingsschwester
377:Rainer Werner Fassbinder
312:(1972), by the renowned
294:Rainer Werner Fassbinder
133:Marieluise-Fleißer-Preis
2143:Leipzig Book Fair Prize
2103:Ingeborg Bachmann Prize
2025:Rudolf Christoph Eucken
1037:Albrecht von Johansdorf
971:Swiss writers in German
601:5 (1999/2000): 253-282.
507:Andorranische Abenteuer
485:Andorranische Abenteuer
439:Das enttäuschte Mädchen
424:Fegefeuer in Ingolstadt
344:persuaded the director
330:Purgatory in Ingolstadt
323:
318:Bavarian Order of Merit
230:Purgatory in Ingolstadt
226:Fegefeuer in Ingolstadt
168:; 23 November 1901, in
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1358:Conrad Ferdinand Meyer
1263:Joseph von Eichendorff
1032:Wolfram von Eschenbach
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661:Donna L. Hoffmeister,
615:24 (3), 1981: 292–313.
451:Pioniere in Ingolstadt
373:Pioneers in Ingolstadt
335:Pioneers in Ingolstadt
316:, she was awarded the
306:Pioneers in Ingolstadt
235:Pioniere in Ingolstadt
122:Pioneers in Ingolstadt
1674:Christian Morgenstern
1559:Hugo von Hofmannsthal
1464:Rolf Dieter Brinkmann
1248:Adelbert von Chamisso
1042:Heinrich von Morungen
966:Liechtenstein writers
714:, Theatrica 19, 1999.
256:Hellmut Draws-Tychsen
150:Hellmut Draws-Tychsen
2133:Heinrich Heine Prize
1699:Erich Maria Remarque
1669:Friederike Mayröcker
1504:Friedrich Dürrenmatt
755:"Marieluise Fleißer"
646:Hiltrud Häntzschel,
519:Die Schwedische Aura
499:revised and renamed
183:or New Objectivity.
2113:Sigmund Freud Prize
2108:Georg Büchner Prize
1922:Emine Sevgi Özdamar
1634:Else Lasker-Schüler
1499:Heimito von Doderer
1343:Heinrich von Kleist
1333:Friedrich Hölderlin
1171:Friedrich Hölderlin
1017:Reinmar von Hagenau
930:Austrian literature
712:Collection Contacts
406:Die Stunde der Magd
367:and the playwright
350:The Washing of Feet
2123:Hans Fallada Prize
1704:Rainer Maria Rilke
1624:Siegfried Kracauer
1514:Marieluise Fleißer
1429:Johannes R. Becher
1308:Johann Peter Hebel
1202:Friedrich Schiller
949:Related categories
870:History of Austria
865:History of Germany
369:Franz Xaver Kroetz
302:Franz Xaver Kroetz
216:and, through him,
157:Marieluise Fleißer
34:Marieluise Fleißer
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2035:Gerhart Hauptmann
1992:Wolf Wondratschek
1917:Sharon Dodua Otoo
1754:Berta von Suttner
1729:Arthur Schnitzler
1719:Ernst von Salomon
1509:Lion Feuchtwanger
1414:Ingeborg Bachmann
1328:E. T. A. Hoffmann
1298:Gerhart Hauptmann
1283:Franz Grillparzer
1278:Jeremias Gotthelf
1228:Bettina von Arnim
1151:Christian Gellert
1052:Dietrich von Bern
1007:Der von Kürenberg
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696:Lianne Schüller,
656:978-3-458-17324-3
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418:Ein Pfund Orangen
248:Ein Pfund Orangen
214:Lion Feuchtwanger
179:Neue Sachlichkeit
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1997:Feridun Zaimoğlu
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1348:Nikolaus Lenau
1345:
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1325:
1320:
1315:
1313:Heinrich Heine
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1273:Gustav Freytag
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1061:
1058:Nibelungenlied
1054:
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961:German writers
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946:
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940:German studies
937:
932:
927:
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920:Weimar culture
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804:External links
802:
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759:www.fembio.org
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724:
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721:(1996): 57-63.
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549:Die im Dunkeln
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394:Selected works
392:
388:Stephen Daldry
342:Bertolt Brecht
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218:Bertolt Brecht
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129:Notable awards
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2065:Elias Canetti
2063:
2061:
2060:Heinrich Böll
2058:
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2051:
2050:Hermann Hesse
2048:
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2018:
2017:
2015:
2009:
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1982:Martin Walser
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1902:Clemens Meyer
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1877:Esther Kinsky
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1855:
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1850:
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1842:Durs Grünbein
1840:
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1837:Rainald Goetz
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1800:
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1774:Robert Walser
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1684:Heiner Müller
1682:
1680:
1677:
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1654:Heinrich Mann
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1599:Erich Kästner
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1549:Hermann Hesse
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1529:Stefan George
1527:
1525:
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1497:
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1494:Alfred Döblin
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1484:Elias Canetti
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1469:Hermann Broch
1467:
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1449:Thomas Brasch
1447:
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1444:Heinrich Böll
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1425:
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1394:
1393:Ludwig Uhland
1391:
1389:
1386:
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1383:Theodor Storm
1381:
1379:
1376:
1374:
1373:Wilhelm Raabe
1371:
1369:
1366:
1364:
1363:Eduard Mörike
1361:
1359:
1356:
1354:
1351:
1349:
1346:
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1329:
1326:
1324:
1321:
1319:
1318:Georg Herwegh
1316:
1314:
1311:
1309:
1306:
1304:
1301:
1299:
1296:
1294:
1293:Wilhelm Grimm
1291:
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1279:
1276:
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1269:
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1243:Georg Büchner
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1131:
1130:Georg Wickram
1128:
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931:
928:
926:
925:Exilliteratur
923:
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918:
916:
913:
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908:
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603:
600:
596:
595:
586:
583:
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565:
562:
559:
556:
555:Der Venusberg
553:
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547:
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541:
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511:
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477:
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180:
175:
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166:
158:
149:
145:
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137:
134:
131:
127:
124:
123:
119:
117:Notable works
115:
112:
109:
105:
102:
98:
94:
91:
88:
84:
81:
71:
67:
64:
63:German Empire
51:
47:
43:
38:
31:
19:
2138:Kleist Prize
2128:Goethe Prize
2085:Peter Handke
2080:Herta Müller
2070:Günter Grass
1942:Ingo Schulze
1937:Rafik Schami
1912:Herta Müller
1907:Terézia Mora
1897:Monika Maron
1847:Peter Handke
1813:Contemporary
1804:Stefan Zweig
1794:Christa Wolf
1789:Franz Werfel
1759:Ernst Toller
1749:Anna Seghers
1744:W. G. Sebald
1694:Robert Musil
1689:Adolf Muschg
1679:Erich Mühsam
1639:Kurd Laßwitz
1614:Sarah Kirsch
1609:Irmgard Keun
1589:Ernst Jünger
1574:Peter Huchel
1569:Ricarda Huch
1539:Peter Handke
1534:Günter Grass
1513:
1454:Volker Braun
1419:Hermann Bahr
1402:20th century
1388:Ludwig Tieck
1221:19th century
1139:18th century
1110:Martin Opitz
1080:Paul Fleming
1068:Early modern
1056:
790:. Retrieved
762:. Retrieved
758:
718:
711:
704:
697:
690:
683:
676:
669:
662:
647:
640:
633:
626:
619:
613:Modern Drama
612:
605:
598:
592:Bibliography
584:
578:
572:
566:
560:
554:
548:
542:
536:
530:
524:
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432:
427:
423:
417:
411:
405:
399:
384:Gate Theatre
381:
372:
362:
353:
349:
346:Moriz Seeler
340:
333:
329:
327:
309:
305:
298:Martin Sperr
281:
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273:
259:
247:
245:
239:
233:
229:
225:
197:
193:
190:
177:
156:
155:
120:
80:West Germany
78:Ingolstadt,
74:(1974-02-02)
61:Ingolstadt,
2174:1974 deaths
2169:1901 births
2055:Nelly Sachs
2045:Thomas Mann
1962:Yoko Tawada
1947:Lutz Seiler
1822:Zsuzsa Bánk
1784:Peter Weiss
1764:Georg Trakl
1714:Nelly Sachs
1709:Joseph Roth
1664:Thomas Mann
1594:Franz Kafka
1584:Uwe Johnson
1579:Ernst Jandl
1519:Erich Fried
1288:Jacob Grimm
910:Romanticism
788:(in German)
525:Karl Stuart
365:Peter Stein
332:(1924) and
274:Karl Stuart
270:Third Reich
142:Bepp Haindl
101:Volksstücke
2163:Categories
2030:Paul Heyse
1977:Jan Wagner
1659:Klaus Mann
1644:Gert Ledig
1629:Karl Kraus
1554:Georg Heym
1524:Max Frisch
1489:Paul Celan
1424:Vicki Baum
1323:Paul Heyse
1115:Hans Sachs
1075:Simon Dach
792:2020-03-27
764:2020-03-27
726:References
643:96 (2001).
537:Avantgarde
286:Schaubühne
174:playwright
170:Ingolstadt
55:1901-11-23
1197:Jean Paul
1085:Hans Folz
997:Minnesang
545:(1963/72)
412:Der Apfel
379:in 1971.
187:Biography
99:Critical
2002:Juli Zeh
1967:Uwe Timm
1409:May Ayim
1353:Karl May
990:Medieval
354:Pioneers
276:(1944).
18:Fleisser
1815:writers
1191:Novalis
252:Andorra
161:German:
147:Partner
654:
587:(1973)
581:(1971)
575:(1969)
569:(1966)
563:(1966)
557:(1966)
551:(1965)
539:(1963)
533:(1952)
527:(1944)
521:(1933)
515:(1933)
509:(1932)
503:(1972)
493:(1930)
487:(1930)
481:(1930)
475:(1929)
465:(1929)
459:(1929)
447:(1928)
441:(1927)
435:(1927)
420:(1926)
414:(1925)
408:(1925)
402:(1923)
300:, and
222:Berlin
206:Munich
196:(1931)
139:Spouse
358:Nazis
265:Nazis
96:Genre
652:ISBN
324:Work
69:Died
49:Born
204:in
2165::
773:^
757:.
734:^
471:.
390:.
371:.
296:,
838:e
831:t
824:v
795:.
767:.
658:.
228:(
198:.
181:,
159:(
57:)
53:(
20:)
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