33:
276:, "No method nor discipline can supersede the necessity of being forever on the alert. What is a course of history, or philosophy, or poetry, no matter how well selected, or the best society, or the most admirable routine of life, compared with the discipline of looking at what is to be seen?"
243:, place, industry, and landscape. His philosophy of "landscape as a function of time," and "Looking and Listening" (which is also the name of a course taught by Benning) is particularly evident in his films since 1999 in the form of fixed, stable shots. For instance, each of
439:
supported
Benning's work with commissions and the purchase of broadcast rights. The Austrian Film Museum in Vienna is restoring and archiving all of Benning's 16mm films as well as, over time, producing DVDs of the works. The
204:, made in Chicago and Milwaukee and the surrounding rural region. In 1980, Benning moved to lower Manhattan, where, with the aid of grants and funding from German Television, he continued to make films, most notably,
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103:
and educator. Over the course of his 40-year career
Benning has made over twenty-five feature-length films that have shown in many different venues across the world. Since 1987, he has taught at
263:(2012) consists of a single 98-minute shot made at a high elevation in the woods in the west Sierras that begins in late afternoon as the sun is going down and ends in near blackness.
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407:
Benning is represented by neugerriemschneider, Berlin. He continues to distribute his own films, as he has for his entire career. Benning has been supported by grants from the
2376:
351:, published with A.R.T. Press. Scores of reviews, articles, and essays on Benning's work, as well as interviews with the filmmaker have appeared in publications worldwide.
158:, teaching children of migrant workers in Colorado how to read and write, and helping to start a commodities food program that fed people living in poverty in the
2012:
387:(2011). Benning's work has always traversed the film sphere and the art field, finding constituencies in both. He made 16mm installations at Art Park (1977), the
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built in 1971 in
Montana. Inside the cabins Benning has installed a number of copies he made of paintings by artists that have deeply inspired him, including
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236:(1998), often invoking histories of how antagonistic cultural and economic agendas over land use shape landscapes and configure social environments.
239:
Benning has employed diverse methods, themes, structures, and aesthetics, investigating narrative and anti-narrative modes, personal history, race,
139:. Benning experienced a political awakening and racial consciousness during the late 1960s, participating in civil rights protests led by Father
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since his friends, who were mostly not in school, were being drafted and dying in
Vietnam. Benning instead joined the
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1994:
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for the first twenty years of his life. He earned an undergraduate and master's degree in mathematics at the
311:. These locations are near to California Institute of the Arts where he is teaching in the film department.
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1976:
399:, Museum of Contemporary Art, Vienna (2012), and Argos, Centrum Voor Kunst en Media, Brussels (2012).
395:(1980), and has recently created digital installations at Las Cienegas Projects, Los Angeles, (2011),
1874:"Communicating the 'Unspeakability' of Violent Acts in Cinema (James Benning's 'Landscape Suicide')"
819:
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65-shot narrative featuring a man's affair, a young hitchhiker and a lesbian couple traveling the
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218:, and has taught there ever since. In the early 1990s Benning made a series of text/image films:
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1779:"The Love Witch director Anna Biller: 'I'm in conversation with the pornography all around us'"
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1962:
431:, and the University Film Association. From the mid-1990s to the mid-2000s Werner Deutsch and
375:. Digital filmmaking allowed him to branch out in different directions including re-makes of
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1977:"Time Overlaps Itself: James Benning's John Krieg and the Act of Sustained Recollection"
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291:. There, in 2007, Benning built a replica of the cabin Thoreau constructed in 1845 on
214:(1986). Leaving New York after eight years, Benning moved west to teach film/video at
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Violence in Film
Conference Proceedings. Inter-disciplinary.net, London, England
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A film centered around time and change on an Oregon farm field, featuring a
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until the increasing obsolescence of the medium necessitated he convert to
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Benning was hailed cinema's voice of the
Midwest with his 1976/1978 films,
140:
1829:"James Benning's Art of Landscape:Ontological, Pedagogical, Sacrilegious"
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444:, in conjunction with the Austrian Film Museum, preserved Benning's film
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University of
Wisconsin–Madison College of Letters and Science alumni
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2351:, Edition Filmmuseum, 2-disc set, 2018, Ă–sterreichisches Filmmuseum
2344:, Edition Filmmuseum, 2-disc set, 2014, Ă–sterreichisches Filmmuseum
2337:, Edition Filmmuseum, 2-disc set, 2013, Ă–sterreichisches Filmmuseum
2330:, Edition Filmmuseum, 2-disc set, 2012, Ă–sterreichisches Filmmuseum
2323:, Edition Filmmuseum, 2-disc set, 2012, Ă–sterreichisches Filmmuseum
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2316:, Edition Filmmuseum, 2-disc set, 2011 Ă–sterreichisches Filmmuseum
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also published the first substantial monograph on the filmmaker,
185:
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162:. Benning often uses this background as part of his film work.
1892:"JAMES BENNING rétrospective JEU DE PAUME 20/10/09 – 17/01/10"
325:
Fifty Years to Life, Texts from Eight Films by James
Benning
360:
343:, edited by Barbara Pichler and Claudia Slanar. In 2011,
295:. The following year Benning erected a copy of the cabin
1933:"Naked Repose: A Conversation with James Benning about
2358:
Edition
Filmmuseum, 2021, Ă–sterreichisches Filmmuseum
2301:. FilmmuseumSynemaPublikationen Vol. 6, Vienna 2007,
1995:"An Interview with James Benning – Filmmaker/Artist"
2391:
266:Benning's use of duration reflects his accord with
2271:"Sadie Benning by Linda Yablonsky - BOMB Magazine"
2249:"First Look 2020: Maggie's Farm (canceled event)"
2452:
1748:"The Sight & Sound Interview: James Benning"
180:For the next four years he taught filmmaking at
1280:John Krieg Exiting the Falk Corporation in 1971
878:was on a 4 screen installation, has been lost.
371:(2009), commissioned by Werner Ruzicka for the
259:(2000-2001) is composed of 35 2½ minute shots.
2356:Grand Opera. An Historical Romance / O Panama,
383:(2012), as well as the two-hour one shot film
331:. Reinhard Wulf's feature-length documentary,
2377:
2134:. Oxford University Press. pp. 496–498.
2349:11x14 / One Way Boogie Woogie/27 Years Later
2131:The Sublimity of Document: Cinema as Diorama
1340:digital, color, single channel installation
1092:El Valley Centro (California Trilogy part 1)
347:(ed.) collaborated with Benning on the book
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736:3 Minutes on the Dangers of Film Recording
31:
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319:Benning published a book of poems titled
2496:California Institute of the Arts faculty
2166:from the original on September 15, 2011.
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2297:Barbara Pichler, Claudia Slanar (Ed.):
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1608:72nd Berlin International Film Festival
1290:2 screen installation, with 2 objects.
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1815:"Interview with journalist Neil Young"
1724:from the original on November 26, 2022
1284:digital, black and white, nstallation
1206:One Way Boogie Woogie / 27 Years Later
327:in 2000, both with Two Pants Press in
165:At the age of 33, Benning received an
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483:Did You Ever Hear That Cricket Sound?
2229:from the original on August 14, 2022
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2314:American Dreams / Landscape Suicide
2219:"L. COHEN, a film by James Benning"
1758:from the original on April 24, 2014
1660:Benning's only child is the artist
335:was released in 2003. In 2007, the
13:
2023:
1931:Hughes, Darren (October 7, 2011).
1128:Sogobi (California Trilogy part 3)
425:New York State Council on the Arts
333:James Benning: Circling the Image,
14:
2517:
1777:Patterson, John (March 2, 2017).
1736:
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1322:digital, black and white, silent
279:Benning divides his time between
133:University of Wisconsin–Milwaukee
66:University of Wisconsin–Milwaukee
2461:American experimental filmmakers
2255:. March 15, 2020. Archived from
1746:Bradshaw, Nick (June 20, 2018).
1655:
1586:California Institute of the Arts
740:16mm, black and white with tint
216:California Institute of the Arts
105:California Institute of the Arts
2491:Northwestern University faculty
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2005:
1987:
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1872:Bruyn, Dirk de (January 2009).
1110:Los (California Trilogy part 2)
413:National Endowment for the Arts
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171:University of Wisconsin–Madison
119:James Benning was born 1942 in
70:University of Wisconsin-Madison
2156:"The United States of America"
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675:co-created with Bette Gordon.
620:co-created with Bette Gordon.
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393:Whitney Museum of American Art
359:Benning worked exclusively in
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1:
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1376:digital, color, installation
1303:digital, color, installation
367:. His first digital film was
2506:Film directors from Illinois
2406:The United States of America
1914:"The Films of James Benning"
1596:The United States of America
664:The United States of America
107:(CalArts). He is known as a
7:
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971:co-created with Burt Barr.
99:(born 1942) is an American
46:1942 (age 81–82)
10:
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2253:Museum of the Moving Image
2193:Directed by James Benning"
910:16mm, color, installation
891:16mm, color, installation
872:16mm, color, installation
853:16mm, color, installation
283:, and a small town in the
173:where he had studied with
2481:Filmmakers from Milwaukee
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2177:11 x 14 (1977)-Letterboxd
354:
143:in segregated Milwaukee.
135:, which he attended on a
83:
75:
61:
42:
30:
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2501:Film people from Chicago
1959:artresourcestransfer.org
820:Midwestern United States
115:Early life and education
1955:"(FC) Two Cabins by JB"
1847:""TORTURED LANDSCAPES""
1503:digital, color, silent
1382:2 screen installation.
1309:2 screen installation.
421:American Film Institute
191:
182:Northwestern University
146:Benning dropped out of
2342:natural history / Ruhr
2335:Deseret / Four Corners
1752:British Film Institute
1177:National Film Registry
541:16mm, black and white
505:16mm, black and white
487:16mm, black and white
457:Film works by Benning
409:Rockefeller Foundation
257:The California Trilogy
2321:casting a glance / RR
2259:on February 15, 2020.
790:One Way Boogie Woogie
417:Guggenheim Foundation
349:(FC) Two Cabins by JB
281:Val Verde, California
202:One Way Boogie Woogie
101:independent filmmaker
2486:Bard College faculty
2292:Further publications
2017:Academy Film Archive
2013:"Preserved Projects"
1714:"Film File: 11 x 14"
442:Academy Film Archive
429:Wisconsin Arts Board
373:Duisburger Filmwoche
337:Austrian Film Museum
321:Thirty Years to Life
137:baseball scholarship
109:minimalist filmmaker
2223:Hammer Museum, UCLA
1981:Moving Image Source
1902:on January 6, 2010.
1896:Revue Independencia
1853:on December 8, 2007
1803:. October 28, 2004.
458:
268:Henry David Thoreau
2392:Films directed by
2328:California Trilogy
2199:on October 7, 2011
1983:. October 7, 2011.
1833:sensesofcinema.com
1646:World Premiere at
1606:World Premiere at
456:
329:Madison, Wisconsin
152:military deferment
16:American filmmaker
2448:
2447:
2414:Landscape Suicide
2307:978-3-901644-23-8
2225:. June 13, 2018.
2141:978-0-19-005214-0
1935:Twenty Cigarettes
1653:
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1336:Twenty Cigarettes
981:Landscape Suicide
389:Walker Art Center
241:collective memory
211:Landscape Suicide
127:. Benning played
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76:Years active
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2195:. Archived from
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2128:(July 1, 2019).
2126:MacDonald, Scott
2122:
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2020:
2009:
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2001:. June 13, 2014.
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1961:. Archived from
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1835:. July 19, 2002.
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1799:Senses of Cinema
1797:"Interview with
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1664:, born in 1973.
1534:Measuring Change
1224:Casting a Glance
565:co-created with
459:
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391:(1978), and the
270:'s passage from
245:El Valley Centro
188:(1988—present).
37:Benning in 2012.
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2312:James Benning,
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1965:on May 7, 2013.
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1622:digital, color
1600:digital, color
1578:digital, color
1555:digital, color
1538:digital, color
1521:digital, color
1485:digital, color
1481:Natural History
1467:digital, color
1449:digital, color
1431:digital, color
1413:digital, color
1395:digital, color
1358:digital, color
1266:digital, color
943:American Dreams
916:has been lost.
897:has been lost.
859:has been lost.
555:Michigan Avenue
501:Time and a Half
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206:American Dreams
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150:to forfeit his
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79:1972 – present
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2471:Living people
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2394:James Benning
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2299:James Benning
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2189:"A Review of
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2018:
2014:
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1990:
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1978:
1972:
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1918:Canyon Cinema
1915:
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1680:
1679:Slow movement
1677:
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1665:
1663:
1662:Sadie Benning
1656:Personal life
1649:
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1574:Maggie's Farm
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1564:
1563:Leonard Cohen
1560:
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1148:(sound only)
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537:Art Hist. 101
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352:
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346:
342:
341:James Benning
338:
334:
330:
326:
323:in 1973, and
322:
312:
310:
309:Mose Tolliver
306:
302:
298:
297:Ted Kaczynski
294:
290:
286:
285:Sierra Nevada
282:
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97:James Benning
90:
89:Sadie Benning
86:
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78:
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67:
64:
60:
55:
51:
45:
41:
34:
29:
25:James Benning
22:
19:
2436:
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2420:
2412:
2404:
2393:
2355:
2348:
2341:
2334:
2327:
2320:
2313:
2298:
2278:. Retrieved
2274:
2265:
2257:the original
2252:
2243:
2231:. Retrieved
2222:
2213:
2201:. Retrieved
2197:the original
2190:
2183:
2172:
2159:
2150:
2130:
2016:
2007:
1998:
1989:
1980:
1971:
1963:the original
1958:
1949:
1940:
1934:
1926:
1917:
1908:
1900:the original
1895:
1886:
1877:
1867:
1855:. Retrieved
1851:the original
1841:
1832:
1823:
1809:
1798:
1791:
1783:The Guardian
1782:
1772:
1760:. Retrieved
1751:
1726:. Retrieved
1717:
1659:
1635:
1617:
1595:
1573:
1550:
1533:
1516:
1498:
1480:
1470:193 minutes
1462:
1452:123 minutes
1445:Stemple Pass
1444:
1426:
1408:
1398:104 minutes
1390:
1371:
1353:
1335:
1325:130 minutes
1317:
1298:
1279:
1269:122 minutes
1261:
1251:110 minutes
1248:16mm, color
1241:
1228:16mm, color
1223:
1213:121 minutes
1210:16mm, color
1205:
1195:101 minutes
1192:16mm, color
1187:
1172:133 minutes
1169:16mm, color
1162:
1145:
1132:16mm, color
1127:
1114:16mm, color
1109:
1096:16mm, color
1091:
1078:16mm, color
1073:
1060:16mm, color
1056:Four Corners
1055:
1042:16mm, color
1035:
1022:16mm, color
1017:
1004:16mm, color
999:
986:16mm, color
979:
965:16mm, color
960:
947:16mm, color
942:
929:16mm, color
924:
905:
887:Double Yodel
886:
867:
848:
835:16mm, color
830:
812:16mm, color
807:
794:16mm, color
789:
776:16mm, color
771:
758:16mm, color
754:Chicago Loop
753:
735:
722:16mm, color
717:
701:
688:16mm, color
683:
669:16mm, color
662:
649:16mm, color
644:
628:
614:16mm, color
609:
593:
577:
567:Bette Gordon
559:16mm, color
554:
536:
523:16mm, color
519:Ode to Muzak
518:
500:
482:
446:Chicago Loop
445:
406:
403:Distribution
384:
380:
376:
372:
368:
358:
348:
340:
332:
324:
320:
318:
305:Henry Darger
301:Bill Traylor
278:
271:
265:
260:
256:
252:
248:
244:
238:
233:
232:(1997), and
230:Four Corners
229:
223:
219:
209:
205:
201:
197:
195:
179:
164:
145:
141:James Groppi
118:
96:
95:
18:
2466:1942 births
1674:Slow cinema
1643:87 minutes
1625:65 minutes
1618:Allensworth
1603:97 minutes
1581:84 minutes
1558:45 minutes
1506:77 minutes
1488:77 minutes
1434:56 minutes
1416:96 minutes
1391:small roads
1379:31 minutes
1361:98 minutes
1343:98 minutes
1306:31 minutes
1287:71 minutes
1231:80 minutes
1135:90 minutes
1117:90 minutes
1099:90 minutes
1081:93 minutes
1063:80 minutes
1045:82 minutes
1025:87 minutes
1007:95 minutes
989:95 minutes
968:28 minutes
950:55 minutes
932:88 minutes
913:continuous
894:continuous
875:continuous
856:continuous
838:81 minutes
831:Grand Opera
815:80 minutes
797:60 minutes
725:22 minutes
672:27 minutes
652:32 minutes
544:17 minutes
508:17 minutes
452:Filmography
379:(2011) and
315:Publication
293:Walden Pond
289:Bakersfield
208:(1984) and
2455:Categories
1857:January 8,
1690:References
1636:Breathless
1409:Easy Rider
1372:Two Cabins
925:Him and Me
906:Last Dance
779:2 minutes
761:8 minutes
743:3 minutes
691:3 minutes
617:3 minutes
562:6 minutes
526:3 minutes
381:Easy Rider
345:Julie Ault
2280:April 28,
2233:April 28,
2203:April 11,
1762:April 28,
1728:April 28,
1354:Nightfall
1188:Ten Skies
1179:in 2014.
1175:added to
490:1 minute
471:Duration
448:in 2013.
397:21er Haus
385:Nightfall
287:north of
261:Nightfall
169:from the
125:Wisconsin
121:Milwaukee
62:Education
54:Wisconsin
50:Milwaukee
2430:13 Lakes
2227:Archived
2164:Archived
2160:Mubi.com
1756:Archived
1722:Archived
1720:. 2018.
1684:Art film
1668:See also
1584:Shot at
1551:L. Cohen
1299:Pig Iron
1164:13 Lakes
961:O Panama
868:Oklahoma
228:(1995),
222:(1991),
129:baseball
84:Children
2422:Deseret
1817:. 2002.
1499:Farocki
1427:The War
1037:Deseret
808:11 Ă— 14
645:8½ × 11
468:Medium
435:-based
433:Cologne
365:digital
225:Deseret
198:11 x 14
186:CalArts
2441:(2007)
2433:(2004)
2425:(1995)
2417:(1986)
2409:(1975)
2305:
2191:Utopia
2138:
1565:song.
1074:Utopia
772:A to B
718:9-1-75
474:Notes
437:WDR-TV
427:, the
419:, the
415:, the
411:, the
355:Medium
307:, and
273:Walden
253:Sogobi
251:, and
234:UTOPIA
56:, U.S.
1632:2024
1614:2022
1592:2022
1570:2020
1547:2017
1530:2016
1513:2016
1495:2014
1477:2013
1459:2013
1441:2012
1423:2012
1405:2012
1387:2011
1368:2011
1350:2011
1332:2011
1318:Faces
1314:2010
1295:2010
1276:2010
1258:2009
1238:2007
1220:2007
1202:2005
1184:2004
1159:2004
1142:2001
1124:2001
1106:2001
1088:2000
1070:1998
1052:1997
1032:1995
1014:1991
996:1989
976:1986
957:1985
939:1984
921:1982
902:1981
883:1980
864:1979
845:1978
827:1978
804:1977
786:1977
768:1976
750:1976
732:1975
714:1975
698:1975
680:1975
659:1975
641:1974
629:Gleem
625:1974
606:1974
590:1973
574:1973
551:1973
533:1972
515:1972
497:1972
479:1971
465:Name
462:Date
377:Faces
2303:ISBN
2282:2021
2235:2021
2205:2010
2136:ISBN
1941:MUBI
1859:2007
1764:2021
1730:2021
1463:BNSF
1262:Ruhr
1146:B-52
610:I-94
369:Ruhr
361:16mm
200:and
192:Film
184:and
43:Born
1999:4:3
249:Los
167:MFA
87:1,
2457::
2438:RR
2273:.
2251:.
2221:.
2162:.
2158:.
2025:^
2015:.
1997:.
1979:.
1957:.
1939:.
1916:.
1894:.
1876:.
1831:.
1781:.
1754:.
1750:.
1738:^
1716:.
1697:^
1243:RR
822:.
594:57
569:.
423:,
303:,
247:,
177:.
123:,
111:.
52:,
2385:e
2378:t
2371:v
2309:.
2284:.
2237:.
2207:.
2144:.
2019:.
1943:.
1937:"
1920:.
1880:.
1861:.
1801:"
1785:.
1766:.
1732:.
255:—
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
