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James Worsdale

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whose lively conversation, wit, and boldness allowed him to move among the highest circles of literary life. His skills as a painter are not widely praised by art historians, but his confidence and assertiveness secured him numerous commissions for portraits.
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off and on, where he remained in the company of Matthew Pilkington and continued to act and paint portraits for substantial commissions. In 1752 he appeared, again as a woman, as Lady Pentweazle in
254:, as well as to a lady to give her independence from her husband. He had, throughout his adult life, been as flamboyantly philandering as he could and had enjoyed his reputation as a 410: 128:. However, Kneller fired Worsdale for secretly marrying his niece. Worsdale would claim to be Kneller's son-in-law, then Kneller's actual son, but these were impositions. 285:
to view Worsdale's "striking 'conversation piece' portraits of the Dublin and Limerick Hellfire Clubs" as part of his research for his book on the Irish Hellfire clubs.
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and received the third night author's benefit. In reality, his literary productions were generally not his own. Rather, he purchased them from needy authors, including
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He died in London on 19 June 1767, aged 75, and was buried in St. Paul's, Covent Garden On his tombstone was inscribed his epitaph, written by himself:
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gives a scathing account of him, and other memoirists record him as a short, unseemly man whose whole skill was in pretence and bravado.
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Worsdale's portraits are stored at Irish National Gallery. Author David Ryan visited the vaults of the
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O'Donoghue, F. M. and Arianne Burnette. "James Worsdale" in Matthew, H.C.G. and Brian Harrison, eds.
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In 1734 he must have been moving in literary circles, because he painted the portraits of
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From 1740 to 1744, he acted with the Aungier Street company, and he was made a deputy
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David Ryan article, Writing Blasphemers & Blackguards: The Irish Hellfire Clubs,
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and operas, as well as poems (many of which Laetitia Pilkington sold to him).
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grinder, and James began work as an apprentice to leading portraitist
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Vertue's collections in Brit. Mus. Addit. MS. 23076, f. 37
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Blasphemers & Blackguards: The Irish Hellfire Clubs
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Library of Ireland website biography, notes, relies on
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In his will, Worsdale left money to five acknowledged
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in Ireland in 1741. He appeared as the queen in his
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Index

references
inline citations
improve
introducing
Learn how and when to remove this message
Irish
English
portrait
actor
fraud
libertine
pigment
Godfrey Kneller
Thomas Southerne
Beau Nash
Dublin
Richard Parsons, 1st Earl of Rosse
Lord Blayney
Hellfire Club, Dublin
Limerick
Master of the Revels
Shakespeare's
Taming of the Shrew
Matthew
Laetitia Pilkington
London
Henry Carey
ballad operas
bastards
rake

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