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Eitelberger insisted on the priority of the object in the history of art, and therefore lectured exclusively in the galleries of his museum. This insistence on the close attention to the visual properties of works of art became a characteristic of the Vienna School of Art
History, and was continued
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Eitelberger's commitment to the training of contemporary artists, and his insistence on the importance of the art of the past for art of the present, rendered him a central figure in the historicist movement in 19th-century
Austria. He conceived art history and the practice of art as a unity, a
221:. After the failure of the revolution, in 1850, Eitelberger delivered a series of lectures on art history, the first of which was entitled "Die Bildungsanstalten fĂĽr KĂĽnstler und ihre historische Entwicklung" ("Institutions for the education of artists and their historical development").
232:. Thun resubmitted his petition, and on 5 November 1852 Eitelberger was named Professor für Kunstgeschichte und Kunstarchäologie (Professor of the History of Archaeology of Art) at the University of Vienna. He thus became one of the first professors of art history in Europe.
194:. From 1839 through 1848 he was a lecturer in philology at the University of Vienna. In the meantime he educated himself in the history of art, mounting an exhibit of old master paintings in 1846 and serving as a
228:, who attempted to secure him a position as professor of art history at the University. However, Eitelberger's theories and political activity remained controversial, and his appointment was initially vetoed by
213:, a pro-revolutionary literary journal. He was particularly concerned with the role of art history in the education of artists; also in 1848 he published a polemic against the pedagogical methods of
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Die preisgekrönten Entwürfe zur
Erweiterung der inneren Stadt Wien: mit sieben in der Kaiserlich-Königlichen Hof- und Staatsdruckerei in Farbendruck ausgeführten Plänen und einem erläuternden Texte
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Eitelberger's activities as professor embraced both scholarly and practical, educational endeavors. Together with Gustav Heider he published a two-volume corpus of the
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M. Rampley, "The idea of a scientific discipline: Rudolf von
Eitelberger and the emergence of art history in Vienna, 1847–1885",
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principle expressed in his maxim: "He who wishes to pursue art history must possess a natural inclination towards art itself."
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in 1844, and the appointment of
Eitelberger may have represented a Habsburg attempt to keep pace with the cultural policies of
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Eitelberger's activities attracted the attention of the
Austrian Minister for Religion and Education, Count
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331:. Eitelberger's simultaneous interest in the historical context of objects, expressed in his series of
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359:"Man muĂź fĂĽr Kunst selbst veranlagt sein, wenn man Kunstgeschichte treiben will." Quoted in Lachnit,
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Quellenschriften fĂĽr
Kunstgeschichte und Kunsttechnik des Mittelalters und der Neuzeit
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The Vienna School of Art
History. Empire and the Politics of Scholarship, 1847–1918
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Die kunstpädagogischen Ideen, Theorien und
Leistungen Rudolf von Eitelbergers
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In the practical realm, Eitelberger and Jakob Falke co-founded in 1864 the
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Mittelalterliche Kunstdenkmäler des österreichischen Kaiserstaates
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Mittelalterliche Kunstdenkmale des österreichischen Kaiserstaates
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Die Wiener Schule der Kunstgeschichte und die Kunst ihrer Zeit
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Eitelberger at the Biographical Dictionary of Art Historians
281:(Imperial Austrian Museum for Art and Industry), today the
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Eitelberger was a committed reformist throughout the
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k.k. Ă–sterreichisches Museum fĂĽr Kunst und Industrie
158:; 17 April 1817 – 18 April 1885) was an Austrian
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236:had been appointed to a similar chair at the
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476:Austrian people of Moravian-German descent
319:by Eitelberger's students and successors,
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253:Medieval monuments of the Austrian Empire
182:Eitelberger was born on 17 April 1817 in
170:. He is considered as the founder of the
69:Learn how and when to remove this message
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166:(full professor) for art history at the
32:This article includes a list of general
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383:Cividale in Friaul und seine Monumente
408:Gesammelte kunsthistorische Schriften
306:Eitelberger died on 18 April 1885 in
255:), and in 1871 he founded the series
257:Quellenschriften fĂĽr Kunstgeschichte
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410:, four volumes (Vienna, 1879–1894).
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404:, 18 volumes (Vienna, 1871–1908).
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156:Rudolf Eitelberger von Edelberg
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303:(University for Applied Art).
272:Museum of Applied Arts, Vienna
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238:Humboldt University of Berlin
445:(University Park, PA, 2013).
270:Eitelberger memorial in the
261:Source Texts for Art History
209:served as the editor of the
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234:Gustav Friedrich Waagen
226:Leopold Thun-Hohenstein
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97:Portrait of Eitelberger
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192:University of Olomouc
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361:Die Wiener Schule
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427:E. Nebel,
347:References
164:Ordinarius
109:1817-04-17
34:references
400:Editor,
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59:May 2022
242:Prussia
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184:Olomouc
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327:, and
314:Legacy
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291:London
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