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fidelity and to try to preserve structure such as rhyme. He stresses that while he has tried not to lose meaning, he has often failed, explaining that because each word is much more important in poetry, the problem of losing associations of words is much greater than when translating prose. He also makes note that any satisfaction derived from the tonality of the poems is necessarily lost because of the non-tonality of
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which was to read and deeply understand a poem then to create an approximate translation inspired by the original - the judge of the merit being whether the new poem is a good poem in the new language. Instead he wanted to follow the example of the translators mentioned above to retain a greater
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have helped him enter worlds without which would have been out of his reach. He states that he avoided the style and philosophy of the famous translations by
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sage respectively. Though this trichotomy has been criticised as simplistic and artificial, it can act as a guiding approximation. They lived in the
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and the political strife at that time affected all of their lives very much and this impact is evident in the poetry of all three.
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It is not clear whether Wang Wei and Li Bai ever met, but they had a mutual friend in
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Remembering my
Brothers in Shandong on the Double-Ninth Festival
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Thoughts on an
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205:'s translation of Molière's Tartuffe and
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254:Living in the Hills: Impromptu Verses
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140:Three Chinese Poets
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324:Dreaming of Li Bai
268:In the Quiet Night
257:Lament for Lin Yao
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377:Vikram Seth
333:A Fine Lady
312:The Visitor
180:Meng Haoran
163:recluse, a
157:Vikram Seth
536:Categories
215:Ezra Pound
76:newspapers
513:Two Lives
480:Librettos
375:Works by
230:Deer Park
227:Wang Wei
169:Confucian
33:does not
431:Mappings
222:Contents
161:Buddhist
145:Wang Wei
265:Li Bai
236:Lady Xi
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423:Poetry
384:Novels
300:Du Fu
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