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rail although the railway station seen is not
Coleraine as portrayed in the film (even the station master's hat is correct) it is actually Cultra in North Down. They even manage to stray across the border with the South of Ireland towards Glaslough at one stage and are politely turned back. We also see them in their barracks at Tynan Abbey and undertaking tank and artillery exercises across the rolling landscape of Northern Ireland and the Sperrins can be seen in some footage. The artillery scenes used men from the 151st Field Artillery from Minnesota who, significantly, fired the first artillery shell of US Forces in the European Theatre of War in the Sperrins. The men we see went on to fight in some of the bloodiest battles of World War II including
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as they train for war and enjoy the local hospitality. The two men who write home about their experiences take a tour of their new homeland in their little jeep and visit St Marys Church in
Belfast, Gray Printers in Strabane, Carrickfergus Castle, and Roaring Meg on Derry's walls. They also travel by
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explained that "Hurst was able to persuade one
Catholic and one Protestant soldier to write letters home, explaining their impressions of their stay. From these letters, Terence Young, the scriptwriter, was able to construct a sequence of activities that revealed the different traditions of Ireland".
251:(directed by Adam Jones-Lloyd), featuring then and now footage and retracing the steps of the men from the 34th Infantry Division. The documentary premiered at the Aspects Festival in Ireland and was run on a loop for five days together with the original
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To mark the 70th anniversary year of the US troops arrival in
Northern Ireland to prepare for the War in Europe the Northern Ireland War Memorial Museum (Talbot Street, Belfast) screened Brian Desmond Hurst's classic documentary
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takes Hurst's Battle of Arnhem epic as its centrepiece and then chronicles Hurst's life and experiences during the First World War and profiles each of his other nine films on conflict, including
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throughout
September and October 2012. This supported their ongoing permanent exhibition dedicated to the US troops that trained in Northern Ireland during the Second World War.
438:- short film commemorating the 70th Anniversary of US Troops in Northern Ireland and 25th Anniversary of the death of director Brian Desmond Hurst
236:(creator of 'Old Bill' during WW1) in a brief cameo whilst he was attached to the US Army. His work subsequently appears in the book of cartoons
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Allan Esler Smith "Revisiting A letter From Ulster"Published by
Northern Ireland War Memorial, 21 Talbot Street, Belfast BT1 2LD September 2012
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386:. Publisher Helion and Company and co-authored by David Truesdale and Allan Esler Smith and a foreword by Sir Roger Moore. Available here:
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In 1942, tensions between the US troops and the local population were allegedly being stirred up by propaganda from German spies in
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Brian McIlroy "British
Filmmaking in the 1930s and 1940: The Example of Brian Desmond Hurst", in Wheeler Winston Dixon (ed.)
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www.briandesmondhurst.org- official legacy website of the director with filmography including A Letter From Ulster
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Revisiting A Letter From Ulster by Allan Esler Smith published on 6 September 2012 by
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Re-viewing
British Cinema 1900 - 1992: Essays and Interviews
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Re-viewing British Cinema 1900 - 1992: Essays and Interviews
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which includes a cartoon of Brian Desmond Hurst filming
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Theirs is the Glory: Arnhem, Hurst and Conflict on Film
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http://www.briandesmondhurst.org/letterfromulster.html
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420:A Letter From Ulster (1942)- remastered
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630:Malta Story
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74:H. E. Fowle
61:Produced by
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151:33 minutes
98:Production
51:Written by
35:Title card
518:Sensation
79:Edited by
164:Language
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622:Scrooge
436:YouTube
425:YouTube
167:English
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681:(1962)
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
