174:, and making relationships with leading film critics. He became interested in photography and cinema at an early age. As a filmmaker, he was inspired by Henri Cartier-Bresson's photography of urban experience and everyday life, as well as the aesthetics of Italian neorealist cinema, such as location shooting and nonprofessional actors, looser narrative structures, and a focus on the plight of poor and working-class people. Naderi's early films explored similar themes and visual strategies, but they did so within the context of Iranian life and culture. Naderi made his directorial debut with
33:
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in the 1980s helped develop and promote some of the visual and narrative strategies that would also appear in the works of other
Iranian art-house film directors. However, these films already hinted and anticipated the director's desire to leave Iran; Hamid Naficy called them "proto-exilic" films. By the 1990s, Naderi emigrated to the United States.
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is one of the seminal films of this period in
Iranian cinema. The Runner gained wide critical recognition on the international film festival circuit and brought wider attention to what has since become the celebrated "postrevolutionary art-house" cinema in Iran. The Runner and other films Naderi made
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films. Despite that and the lack of recognizable actors in most of his films, his work tends to find distribution (mainly in Europe and Japan), and he has earned a great deal of critical acclaim. Naderi's films and photography are also frequently the subject of retrospectives at major festivals and
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Film scholar Alla
Gadassik argues that Naderi's films both before and after his move to the United States, share a preoccupation with displacement, fragmented spaces and solitude. The films also emphasize the importance of sensory experience and corporeal endurance in locating one's home in the
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in New York, the city that has been his home for the past 20 years, offered a complete retrospective of his work in 2001, as did the
International Museum of Cinema in Turin, Italy, in 2006. The most recent retrospective of his work was screened at the
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Amir Naderi grew up in Abadan, a working-class port city in southern Iran. He developed his knowledge of cinema by watching films at the theater where he worked as a boy, reading
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as an important example of how
Iranian pre-revolutionary films strived to represent lower-class experiences and struggles without incurring state penalties or angering censors.
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world. In this, Naderi's work is exemplary of wider themes and motifs in
Iranian diasporic cinema.
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Due to smaller distribution and advertising budgets, Naderi's films are not as well known as most
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676:"A National Filmmaker without a Home: Home and Displacement in the Films of Amir Naderi"
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Amir Naderi continues to produce works of new generation of film directors such as
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The
Neighbor: Naghmeh Shirkhan's Choreography of Iranian Women's Life in Migration
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A Social
History of Iranian Cinema, Volume 3: The Islamicate Period, 1978–1984
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Naderi continued to make films after the
Iranian revolution. His 1984 film
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Institute for the
Intellectual Development of Children and Young Adults
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in 1971. Iranian film scholar Hamid Naficy cites Naderi's film
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Comparative Studies of South Asia, Africa and the Middle East
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Comparative Studies of South Asia, Africa and the Middle East
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Nantes Film Festival – Golden Montgolfiere (Grand Prix),
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624:"A Social History of Iranian Cinema, Vol. 3 and Vol.4"
650:"An Accented Cinema: Exilic and Diasporic Filmmaking"
605:"Iran's Naderi explains why he shot 'Cut' in Japan"
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448:San Remo Film Festival – Best Film, Jury Prize,
435:Bahram Beyzaie: A Journey in Search of Identity
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455:Virgin Islands Film Festival - Golden Plaque,
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652:. Princeton University Press. Archived from
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220:was shot entirely in Japanese and stars
626:. Duke University Press. Archived from
481:Avignon Film Festival – Prix Tournage,
886:Iranian emigrants to the United States
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495:Un certain regard (competition) (1997)
443:Awards, honors and competition entries
832:. Duke University Press. p. 86.
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762:Khalili Mahani, Najmeh (2011-10-31).
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501:– Roberto Rossellini Critics Prize,
474:– Golden Montgolfiere (Grand Prix),
891:Roberto Rossellini Prize recipients
717:James Hadfield (17 December 2011).
603:Mark Schilling (16 December 2011).
413:60 Seconds of Solitude in Year Zero
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738:"Variety: film review of the film
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736:Weissberg, Jay (2011-12-09).
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719:"Amir Naderi: the interview"
523:Vegas: Based on a True Story
397:Vegas: Based on a True Story
159:Vegas: Based on a True Story
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799:Smith, Damon (2011-10-31).
674:Alla Gadassik (Fall 2011).
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237:(2011), Naghmeh Shirkhan's
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134:, born 15 August 1946, in
580:"Amir Naderi - Biography"
562:"Cut: Venice Film Review"
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131:[æˈmiːrnaːdeˈriː]
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896:People from Abadan, Iran
696:10.1215/1089201X-1264361
211:, the largest in Asia.
150:. He is best known for
876:Iranian film directors
828:Naficy, Hamid (2011).
566:The Hollywood Reporter
127:Persian pronunciation:
881:Iranian screenwriters
648:Hamid Naficy (2001).
622:Hamid Naficy (2012).
16:Iranian film director
519:Venice Film Festival
489:Cannes Film Festival
472:Nantes Film Festival
375:A, B, C... Manhattan
367:Manhattan by Numbers
509:Turin Film Festival
222:Hidetoshi Nishijima
202:museums worldwide.
37:Amir Naderi in 2009
809:Filmmaker Magazine
511:– Bastone Bianco,
499:Rome Film Festival
493:A, B, C, Manhattan
483:A, B, C, Manhattan
803:You Won't Miss Me
801:"Ry Russo-Young,
361:Water, Wind, Dust
262:Khodahafez Rafigh
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267:Goodbye Friend
265:(1971) a.k.a.
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229:Andrei Severny
214:His 2011 film
204:Lincoln Center
176:Goodbye Friend
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148:photographer
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83:photographer
79:screenwriter
901:1946 births
857:Amir Naderi
338:Josteju Doe
329:Josteju Yek
255:Filmography
115:Amir Naderi
23:Amir Naderi
870:Categories
814:2013-01-09
785:2013-01-09
748:2013-01-09
660:2013-02-08
634:2013-02-08
589:2024-06-15
547:References
465:The Runner
348:The Runner
342:Search Two
333:Search One
324:The Winner
187:The Runner
153:The Runner
123:امیر نادری
94:The Runner
49:1946-08-15
25:امیر نادری
780:1712-9559
772:Offscreen
740:Condition
704:144128912
297:Harmonica
292:Sazdahani
234:Condition
199:Hollywood
180:Harmonica
530:See also
382:Marathon
320:Barandeh
311:Marsiyeh
251:(2007).
240:Hamsayeh
457:Waiting
450:Requiem
315:Requiem
306:Waiting
302:Entezar
284:Tangsir
278:Impasse
249:Orphans
119:Persian
836:
778:
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515:(2005)
505:(2005)
485:(1997)
478:(1989)
468:(1985)
459:(1975)
452:(1975)
438:(2021)
430:(2018)
424:(2016)
416:(2011)
408:(2011)
400:(2008)
392:(2005)
384:(2002)
378:(1997)
370:(1993)
351:(1984)
287:(1973)
273:Tangna
166:Career
146:, and
136:Abadan
60:Abadan
700:S2CID
686:(2).
421:Monte
106:Monte
861:IMDb
834:ISBN
776:ISSN
584:IMDb
156:and
64:Iran
43:Born
859:at
692:doi
405:Cut
247:'s
231:'s
217:Cut
100:Cut
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