Amiri Baraka - Knowledge

681:, his account of the development of black music from slavery to contemporary jazz. When the work was re-issued in 1999, Baraka wrote in the Introduction that he wished to show that "The music was the score, the actually expressed creative orchestration, reflection of Afro-American life ... That the music was explaining the history as the history was explaining the music. And that both were expressions of and reflections of the people." He argued that though the slaves had brought their musical traditions from Africa, the blues were an expression of what black people became in America: "The way I have come to think about it, blues could not exist if the African captives had not become American captives." 1009:

they were called to the scene after a report of an assault in progress. They maintain that Baraka was hitting his wife, and when they moved to intervene, he attacked them as well, whereupon they used the necessary force to subdue him. Amina's account contrasted with that of the police; she held a news conference the day after the arrest accusing the police of lying. A grand jury dismissed the assault charge, but the resisting arrest charge moved forward. In November 1979 after a seven-day trial, a criminal court jury found Baraka guilty of resisting arrest. A month later he was sentenced to 90 days at

244: 959:, Baraka made offhand remarks about several groups, commenting in the violent rhetoric that was often typical of him, that ideal poems would 'knockoff ... dope selling wops' and suggesting that cops should be killed and have their 'tongues pulled out and sent to Ireland.' But as Baraka himself later admitted , he held a specific animosity for Jews, as was apparent in the different intensity and viciousness of his call in the same poem for 'dagger poems' to stab the 'slimy bellies of the ownerjews' and for poems that crack 'steel knuckles in a jewlady's mouth.'" 262: 1765:, Baraka stressed that he had influenced numerous people. When asked what he would write for his own epitaph, he quipped, "We don't know if he ever died", evincing the personal importance of his own legacy to him. NPR's obituary for Baraka describes the depths of his influence simply: "...throughout his life – the Black Arts Movement never stopped". Baraka's influence also extends to the publishing world, where some writers credit him with opening doors to white publishing houses which African American writers previously had been unable to access. 5119: 5147: 1100: 733:. The Black Arts Repertory Theater School's closure prompted conversation with many other black artists who wanted to create similar institutions. Consequently, there was a surge in the establishment of these institutions in many places across the United States. In December 1965 Baraka moved back to Newark after allegations surfaced that he was using federal antipoverty welfare funds for his theater. 767:"Black Art" quickly became the major poetic manifesto of the Black Arts Literary Movement, and in it, Jones declaimed, "we want poems that kill", which coincided with the rise of armed self-defense and slogans such as "Arm yourself or harm yourself" that promoted confrontation with the white power structure. Rather than use poetry as an escapist mechanism, Baraka saw poetry as a weapon of action. 1021:, told the press that Baraka "feels it's the responsibility of the writers of America to support him across the board". Backing for his attempts to have the sentence canceled or reduced came from "letters of support from elected officials, artists and teachers around the country". Amina Baraka continued to advocate for her husband and at one press conference stated, " 5133: 1732:, a collection of contemporary African American poetry published by Norton. In a review of the anthology, Baraka, himself, criticized editor Charles H. Rowell's hostility towards the Black Arts Movement, calling Rowell's "attempt to analyze and even compartmentalize" contemporary African American poetry as "flawed". Indeed, Rowell's introduction to 451:. This was a decision he would come to regret. He once explained: "I found out what it was like to be under the direct jurisdiction of people who hated black people. I had never known that directly." This experience was yet another that influenced Baraka's later work. His commanding officer received an anonymous letter accusing Baraka of being a 413:" ... That gorgeous chilling sweet sound. That's the music you wanted playing when you was coming into a joint, or just looking up at the sky with your baby by your side, that mixture of America and them changes, them blue African magic chants." The influence of jazz can be seen throughout his work later in life. 1202:"Somebody Blew Up America?", which was criticized for anti-Semitism and attacks on public figures. Because there was no mechanism in the law to remove Baraka from the post, and he refused to step down, the position of state poet laureate was officially abolished by the State Legislature and Governor McGreevey. 963:

called them – countering the Black Arts Movement that he created. He believed that the groundbreakers in the Black Arts Movement were doing something that was new, needed, useful, and Black, and those who did not want to see a promotion of black expression were "appointed" to the scene to damage the movement.

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University's English department in 1988; over the next two years, he taught a number of courses in African American literature and music. Although Baraka sought a permanent, tenured appointment at the rank of full professor in early 1990 (in part due to the proximity between the university's campus in

1584:(ADL) denounced the poem as antisemitic. The ADL noted that the "4000 workers" conspiracy theory had initially referred to Jews writ large and claimed that Baraka was using an antisemitic tactic of replacing references to Jews writ large with references to Israel and then claiming a comment is merely 1492:

editor titled it and not himself. In the essay Baraka went over his life history, including his marriage to Hettie Cohen, who was Jewish. He stated that after the assassination of Malcolm X he found himself thinking, "As a Black man married to a white woman, I began to feel estranged from her ... How

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thinks of the black man as potentially raping every white lady in sight. Which is true, in the sense that the black man should want to rob the white man of everything he has. But for most whites the guilt of the robbery is the guilt of rape. That is, they know in their deepest hearts that they should

760:..." More specifically, lines in "Black Art" such as "Let there be no love poems written / until love can exist freely and cleanly", juxtaposed with "We want a black poem. / And a Black World", demonstrate Baraka's cry for political justice during a time when racial injustice was rampant, despite the 661:

was published in 1961. Baraka's article "The Myth of a 'Negro Literature'" (1962) stated that "a Negro literature, to be a legitimate product of the Negro experience in America, must get at that experience in exactly the terms America has proposed for it in its most ruthless identity". He also stated

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references the "fetters of narrow political and social demands that have nothing to do with the production of artistic texts", evincing a political/apolitical dichotomy where the editor considers overly political works of lesser artistic value. Critic Emily Ruth Rutter recognizes the contribution to

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in July 2002. McGreevey learned that there was no legal way, according to the law authorizing and defining the position, to remove Baraka. On October 17, 2002, legislation to abolish the post was introduced in the State Senate and subsequently signed by Governor McGreevey, becoming effective July 2,

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We also know that much of the vaunted Jewish support of Black civil rights organizations was in order to use them. Jews, finally, are white, and suffer from the same kind of white chauvinism that separates a great many whites from Black struggle. ... these Jewish intellectuals have been able to pass

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Ironically, the “power” of black men that Baraka and others celebrated was the stereotypical, racist image of the black man as primitive, strong, and virile. Although these same images of black men had been evoked by racist whites to support the argument that all black men are rapists, they were now

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We also know that much of the vaunted Jewish support of Black civil rights organizations was in order to use them. Jews, finally, are white, and suffer from the same kind of white chauvinism that separates a great many whites from the Black struggle. ... these Jewish intellectuals have been able to

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Prior to this time, Baraka prided himself on being a forceful advocate of Black cultural nationalism; however, by the mid-1970s, he began finding its racial individuality confining. Baraka's separation from the Black Arts Movement began because he saw certain Black writers – capitulationists, as he

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In most cases the Negroes who found themselves in a position to pursue some art, especially the art of literature, have been members of the Negro middle class, a group that has always gone out of its way to cultivate any mediocrity, as long as that mediocrity was guaranteed to prove to America, and

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to serve his sentence on weekends occurring between January 9, 1982, and November 6, 1982. The judge noted that having Baraka serve his 90 days on weekends would allow him to continue his teaching obligations at Stony Brook. Rather than serve his sentence at the prison, Baraka was allowed to serve

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In June 1979 Baraka was arrested and jailed at Eighth Street and Fifth Avenue in Manhattan. Different accounts emerged around the arrest, yet all sides agreed that Baraka and his wife, Amina, were in their car arguing over the cost of their children's shoes. The police version of events holds that

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Baraka also promoted theatre as a training for the "real revolution" yet to come, with the arts being a way to forecast the future as he saw it. In "The Revolutionary Theatre", Baraka wrote, "We will scream and cry, murder, run through the streets in agony, if it means some soul will be moved." In

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Despite numerous controversies and polarizing content of his work, Baraka's literary influence is undeniable. His co-founding of the Black Arts Movement in the 1960s promoted a uniquely black nationalist perspective and influenced an entire literary generation. Critic Naila Keleta-Mae argues that

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Baraka advocated for the rape of white women by Black men, believing that it was a politically legitimate act. Baraka objectified white women, believing that they served as a location of racial struggle rather than as human beings. He implied that white women would enjoy being raped by Black men,

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In April 1965, Baraka's "A Poem for Black Hearts" was published as a direct response to Malcolm X's assassination, and it further exemplifies the poet's uses of poetry to generate anger and endorse rage against oppression. Like many of his poems, it showed no remorse in its use of raw emotion to

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In 2003, Baraka's daughter Shani, aged 31, and her lesbian partner, Rayshon Homes, were murdered in the home of Shani's sister, Wanda Wilson Pasha, by Pasha's ex-husband, James Coleman. Prosecutors argued that Coleman shot Shani because she had helped her sister separate from her husband. A New

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delegation and reported his impressions in his essay "Cuba Libre". There he encountered openly rebellious artists who declared him to be a "cowardly bourgeois individualist" more focused on building his reputation than trying to help those who were enduring oppression. This encounter led to a

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poems and articles. Historian Melani McAlister points to an example of this writing: "In the case of Baraka, and in many of the pronouncements of the NOI , there is a profound difference, both qualitative and quantitative, in the ways that white ethnicities were targeted. For example, in one

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Anti-Semitism is as ugly an idea and as deadly as white racism and Zionism ...As for my personal trek through the wasteland of anti-Semitism, it was momentary and never completely real. ... I have written only one poem that has definite aspects of anti-Semitism...and I have repudiated it as

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During the 1982–83 academic year, Baraka returned to Columbia University as a visiting professor, teaching a course entitled "Black Women and Their Fictions". After becoming a full professor of African Studies at Stony Brook in 1985, Baraka took an indefinite visiting appointment in Rutgers

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in December 1967, was read by the judge in court, including the phrase: "All the stores will open if you say the magic words. The magic words are: "Up against the wall motherfucker this is a stick up!" Shortly afterward an appeals court reversed the sentence based on his defense by attorney

1013:(the maximum he could have been sentenced to was one year). Amina declared that her husband was "a political prisoner". Baraka was released after a day in custody pending his appeal. At the time it was noted that if he was kept in prison, "he would be unable to attend a reception at the 777:

and was one of the first responses to Malcolm's death to be exposed to the public. The poem is directed particularly at black men, and it scoldingly labels them "faggots" in order to challenge them to act and continue the fallen activist's fight against the white establishment.

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he found himself thinking, "As a Black man married to a white woman, I began to feel estranged from her ... How could someone be married to the enemy?" He eventually divorced Hettie and left her with their two bi-racial daughters. In the essay, Baraka went on to say

4829:, December 19, 2002. Accessed September 19, 2008. "A longtime Newark resident who was pivotal in the Black Arts Movement of the 1960s, Mr. Baraka has ignored calls from Gov. James E. McGreevey and others that he resign the post, which pays a stipend of $ 10,000." 1271:

for one month before his death. The cause of death was not reported initially, but it is mentioned that Baraka had a long struggle with diabetes. Later reports indicated that he died from complications after a recent surgery. Baraka's funeral was held at

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As long as black writers were obsessed with being an accepted middle class, Baraka wrote, they would never be able to speak their mind, and that would always lead to failure. Baraka felt that America only made room for white obfuscators, not black ones.

1190:. The position was to be for two years and came with a $ 10,000 stipend. Baraka held the post for a year, during which time he was mired in controversy, including substantial political pressure and public outrage demanding his resignation. During the 1750:, Richard Oyama criticized Baraka's militant aesthetic, writing that Baraka's "career came to represent a cautionary tale of the worst 'tendencies' of the 1960s—the alienating rejections, the fanatical self-righteousness, the impulse toward 1577:, citing what he described as information that had been reported in the American and Israeli press and on Jordanian television. Baraka himself denied that the poem is antisemitic, due to the use of word "Israeli" rather than "Jew". 736:

Baraka became a leading advocate and theorist for the burgeoning black art during this time. Now a "black cultural nationalist", he broke away from the predominantly white Beats and became critical of the pacifist and integrationist

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experiencing the rape as "sexually exhilarating—a God-like gift that no white man could give to her". If she didn't, and she instead perceived her rape by a Black man as a "beast-like violation", then she was racist. Author

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and his home in Newark), he did not attain the requisite two-thirds majority of the senior faculty in a contentious 9–8 vote that favored his appointment. Baraka would go on to collectively liken the committee to an

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in the same work that as an element of American culture, the Negro was entirely misunderstood by Americans. The reason for this misunderstanding and for the lack of black literature of merit was, according to Jones:

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was read as part of the 1967 Black Communications Project, produced at Spirit House in Spring'68, taken on tour by the Spirit House Movers and Players in Boston, and performed at a Town Hall rally, New York, March

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from July 2002 until the position was abolished on July 2, 2003. In response to the attempts to remove Baraka as the state's Poet Laureate, a nine-member advisory board named him the poet laureate of the

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on October 25, 1979, discussing his protests "against what he perceived as racism in the Africana Studies Department, as evidenced by a dearth of tenured professors". Shortly thereafter, Baraka took a

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yet also proposes adding Baraka and others to ensure students do not "unknowingly accept" the notion that Baraka and writers like him were somehow absent from influencing twenty-first century poetry.

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created a new visual representation of art. However, the Black Arts Repertory Theater School remained open for less than a year. In its short time BARTS attracted many well-known artists, including

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Baraka's participation in a diverse array of artistic genres combined with his own social activism allowed him to have a wide range of influence. When discussing his influence in an interview with

347:. His notable poems include "The Music: Reflection on Jazz and Blues", "The Book of Monk", and "New Music, New Poetry", works that draw on topics from the worlds of society, music, and literature. 5353: 3284: 7363: 985:'s Africana Studies Department in the College of Arts and Sciences at the behest of faculty member Leslie Owens. Articles about Baraka appeared in the university's print media from 1728:

Baraka's legacy is one of "saying the unsayable", a course that likely damaged his own literary reputation and canonization. For example, Baraka was left out of the 2013 anthology

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Jersey jury found Coleman (also known as Ibn El-Amin Pasha) guilty of murdering Shani Baraka and Rayshon Holmes, and he was sentenced to 168 years in prison for the 2003 shooting.

801:, who later adopted the name Amina Baraka. The two would open a facility in Newark known as Spirit House, a combination playhouse and artists' residence. In 1967, he lectured at 320:, was an American writer of poetry, drama, fiction, essays, and music criticism. He was the author of numerous books of poetry and taught at several universities, including the 6952: 1758:

repression versus multi-racial/class coalition-building ... In the end, Baraka's work suffered because he preferred ideology over art, forgetting the latter outlasts us all."

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is coming and soon the secret police will shoot our children down in the streets." In December 1981 Judge Benrard Fried ruled against Baraka and ordered him to report to

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Finding aid to Beat poets and poetry collection, including Baraka’s The Systems of Dante’s Hell manuscript, at Columbia University. Rare Book & Manuscript Library.

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and recognize him as one of the most respected and most widely published Black writers of his generation, though some have said his work is an expression of violence,

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for violation of his oath of duty. He later described his experience in the military as "racist, degrading, and intellectually paralyzing". While he was stationed in

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editor titled it and not himself. In the essay, Baraka went over his life history, including his marriage to Hettie Cohen, who was Jewish. He stated that after the

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A woman asked me in all earnestness, couldn't any whites help? I said, you can help by dying. You are a cancer. You can help the world's people with your death.

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and negative attention from critics and politicians over his assertion that the US and Israeli governments had advanced knowledge of the September 11 attacks.

7241: 4787: 7452: 6535: 1604: 623:, and the actor Alan S. Marlowe. He had an extramarital affair with di Prima for several years; their daughter, Dominique di Prima, was born in June 1962. 1493:

could someone be married to the enemy?" He eventually divorced Hettie and left her with their two bi-racial daughters. In the essay Baraka went on to say

7114: 6892: 6801: 3748: 1528:, Baraka wrote a poem entitled "Somebody Blew Up America?" that was accused of antisemitism and met with harsh criticism. The poem is highly critical of 1455:", Baraka accused Jews of having stolen knowledge of Africa, transporting it to Europe, where they became white and claimed it as their own. He wrote of 7467: 7289: 7270: 7063: 6882: 6531: 7333: 7293: 7265: 7246: 6847: 6832: 6806: 6026: 5694: 5244: 4096: 7527: 7047: 6180: 3292: 827:, a politician and private business owner, and the three of them blamed the riots on "white-led, so-called radical groups" and "Communists and the 7210: 7149: 7129: 6942: 6761: 6303: 6114: 5958: 5834: 5719: 4011: 3822: 3777: 2637:

Salaam, Kaluma (2001). "Historical Overviews of the Black Arts Movement". In Andrews, William L.; Foster, Frances Smith; Harris, Trudier (eds.).

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Sutherland, John (January 27, 2003). "How the governor of New Jersey appointed a radical poet laureate - and immediately wished he hadn't".

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syndrome figured ... So come for the rent, jewboys ... one day, jewboys, we all, even my wig wearing mother gonna put it on you all at once.

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syndrome figured ... So come for the rent, jewboys ... one day, jewboys, we all, even my wig wearing mother gonna put it on you all at once.

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in 1965, Baraka changed his name from LeRoi Jones to Amiri Baraka. At this time, he also left his wife and their two children and moved to

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McAlister, Melani (September 1999). "One Black Allah: The Middle East in the Cultural Politics of African American Liberation, 1955-1970".

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Baraka's decision to leave Greenwich Village in 1965 was an outgrowth of his response to the debate about the future of black liberation.

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Baraka's poetry and writing have attracted both high praise and condemnation. In the African-American community, some compare Baraka to

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magazine. Around this time he also formed a record label called Jihad, which produced and issued only three LPs, all released in 1968:

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assistant professorship at Stony Brook in 1980 to assist "the struggling Africana Studies Department"; in 1983, he was promoted to

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Democracy Now January 10, 2014 Amiri Baraka (1934-2014): Poet-Playwright-Activist Who Shaped Revolutionary Politics, Black Culture

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Baraka addressing the Malcolm X Festival from the Black Dot Stage in San Antonio Park, Oakland, California, while performing with

1091:...Smile jew. Dance, jew. Tell me you love me, jew. I got something for you ... I got the extermination blues, jewboys. I got the 336:. Baraka's plays, poetry, and essays have been described by scholars as constituting defining texts for African-American culture. 7552: 1128:", leading to a condemnation from department chair Barry Qualls. Thereafter, Baraka was nominally affiliated with Stony Brook as 600: 5169: 4865:"Commissioner Fox Unveils New 7th Avenue Concourse at Penn Station N.Y.: Built For Today's Crowds and Tomorrow's Capacity Needs" 1418:), usually against white men, but also against black men he disagreed with. Some critics have alleged Baraka's homophobia to be 7587: 7562: 7422: 1443:

Smile jew. Dance, jew. Tell me you love me, jew. I got something for you ... I got the extermination blues, jewboys. I got the

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Most American white men are trained to be fags. For this reason it is no wonder their faces are weak and blank ... The average

4139: 993:, and other student campus publications. These articles included a page-one exposé of his positions in the inaugural issue of 7537: 7492: 5362: 4553: 4522: 4485: 4437: 4403: 4328: 4301: 4263: 4228: 3631: 4884: 7577: 7572: 7477: 7442: 5192: 5025: 3851: 3802: 1680: 1665: 805:. The year after, he was arrested in Newark for having allegedly carried an illegal weapon and resisting arrest during the 7502: 6265: 5910: 1357: 1332:

be robbed, and the white woman understands that only in the rape sequence is she likely to get cleanly, viciously popped.

3894: 3347: 3037:. In December 1960, a delegation of 326 members of the FPCC visited the island. "Cuba Libre" was first published in the 1624:

denounced Baraka's "anti-Semitic bleat" and stated that: "Baraka is a bigger idiot than he is a dangerous anti-Semite".

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was something special. It was a breakthrough for me. I now knew poetry could be about things that I could relate to."

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Not long after the 1967 riots, Baraka generated controversy when he went on the radio with a Newark police captain and

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in honor of American poets." Baraka's appeal continued up to the State Supreme Court. During the process, his lawyer,

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Rutter, Emily Ruth (Winter 2016). "Contested Lineages: Fred Moten, Terrance Hayes, and the Legacy of Amiri Baraka".

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Baraka ceased being poet laureate when the law became effective. In response to legal action filed by Baraka, the

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Baraka received honors from a number of prestigious foundations, including the following: fellowships from the

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tried to remove Baraka from the post of Poet Laureate of New Jersey, to which he had been appointed following

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in "Black Art" to express that need for violence: "rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr ... tuhtuhtuhtuhtuhtuht

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Russ) was a social worker. Jazz was something Baraka became interested in as a kid. He wanted to be just like

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dramatic change in his writing and goals, causing him to become emphatic about supporting black nationalism.

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The Fair Play for Cuba Committee was brought to nationwide attention through an April 1960 advertisement in

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A short excerpt from Amiri Baraka's poetry was selected to be used for a permanent installation by artist

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Modern American Poetry: An Online Journal and Multimedia Companion to Anthology of Modern American Poetry

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Modern American Poetry: An Online Journal and Multimedia Companion to Anthology of Modern American Poetry

2606: 2462: 1633: 1470:" refers to people as "jew-slick", "jeworiented revolutionaries", and also "cohen edited negro history". 1388: 1248: 1183: 467:, he worked at the base library, which allowed him ample reading time, and it was here that, inspired by 363: 3476: 7482: 7356: 7008: 5281: 4395: 4208: 2395: 2319: 1699:

Carved in marble, this installation features excerpts from the works of several New Jersey poets (from

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as a "fag" and as "the dead jew" who, Baraka argues, was a Jewish scam on Christians. Baraka embraces

741:. His revolutionary poetry became more controversial. A poem such as "Black Art" (1965), according to 482:

evolved during this period. It was also during this time that he came in contact with the avant-garde

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In 2009, he was again asked about the quote, and placed it in a personal and political perspective:

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The poem Baraka referenced was "For Tom Postell, Dead Black Poet", which contained lines including

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Sommers, Ephraim Scott (2016). "The Poem of Anger: Amiri Baraka, Tory Dent, and Adrian C. Louis".

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Harrison, K. C. (2014). "LeRoi Jones's Radio and the Literary "Break" from Ellison to Burroughs".

1344:, a book written almost fifty years ago. The anger was part of the mindset created by, first, the 7522: 6230: 6220: 5173: 4651: 3752: 2642: 2592: 2148: 1704: 947:'s candidacy for mayor of Newark; Gibson was elected as the city's first African-American mayor. 703: 444: 267: 6786: 6659: 3322: 5179: 4905: 2864: 2323: 2295: 1661: 1581: 1199: 1141: 982: 864: 783: 612: 460: 325: 5325: 4508: 4423: 4251: 2456: 1151:

for his works as well as a Langston Hughes Award. In 1990 he co-authored the autobiography of

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his 48 consecutive weekends in a Harlem halfway house. While serving his sentence he wrote

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Furious Flower: A Video Anthology of African American Poetry 1960–95, Volume II: Warriors

1620: 1268: 1243:(born 1970), is a politician and activist in Newark, who served as principal of Newark's 1148: 1018: 1002: 851: 718: 433: 4252:"'The Sun's Children': Shadow Work in the Black Arts Poetry of LeRoi Jones/Amiri Baraka" 3749:"Poet, Playwright and Political Activist Amiri Baraka (1934-2014) Taught at Stony Brook" 3211: 2945: 2505:

Schudel, Matt (January 10, 2014). "Amiri Baraka, 79: Architect of Black Arts Movement".

1544:. It also contains lines claiming Israel's knowledge of the World Trade Center attacks: 749:, expressed Baraka's need to commit the violence required to "establish a Black World". 459:

writings in Baraka's possession, his reassignment to gardening duty, and subsequently a

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In the late 1960s and early 1970s, Baraka courted controversy by penning some strongly

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recently to the world at large, that they were not really who they were, i.e., Negroes.

551: 417: 384: 208: 64: 5081:"Recovering the New-Ark: Amiri Baraka's Lost Chronicle of Black Power in Newark, 1968" 3922: 7013: 6781: 6757: 6724: 6699: 6633: 6498: 6413: 6383: 6318: 5884: 5829: 5783: 5765: 5729: 5401: 5239: 5164: 4989: 4951: 4797: 4549: 4518: 4481: 4433: 4399: 4324: 4297: 4259: 4224: 4220: 4182: 4049: 3990: 3847: 3734: 3627: 3461: 3076: 2990: 2700: 2646: 2466: 1480: 1369: 1308:

Baraka and his writings emanated extreme and hostile anti-white sentiment. He viewed

1048: 967: 944: 824: 806: 475: 429: 421: 6842: 6353: 6124: 6100: 5699: 4720: 3671:"Spirit House Movers (Jihad) : Black & Beautiful – Soul & Madness (CD)" 611:' piece "Roosevelt after the Inauguration". In the autumn of 1961 he co-founded the 7303: 7280: 7256: 7200: 7190: 6972: 6664: 6611: 6581: 6566: 6522: 6478: 6469: 6449: 6439: 6408: 6270: 6190: 6134: 6129: 6095: 6079: 5924: 5859: 5849: 5709: 5521: 5461: 5303: 5294: 5258: 5138: 4977: 4939: 4783: 4761: 4473: 4216: 3986: 3787: 3722: 3647: 3529: 3449: 3137: 3068: 3039: 2970: 2488:"Newark mayor's new chief of staff Amiri Baraka, Jr.: 'I've got my brother's back'" 2377: 2275: 1827: 1751: 1615: 1541: 1411: 971: 836: 817: 811: 547: 7109: 900:, a multifaceted, categorized activist philosophy that produced the "Nguzo Saba", 684:

Baraka (under the name LeRoi Jones) wrote an acclaimed, controversial play titled

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ruled that state officials were immune from such suits, and in November 2007 the

1537: 1349: 1309: 913: 904:, and an emphasis on African names. It was at this time that he adopted the name 893: 820:. He later joked that he was charged with holding "two revolvers and two poems". 686: 651: 579: 575: 531: 519: 468: 344: 1712: 502:(b.1961). He and Hettie founded Totem Press, which published such Beat poets as 7348: 7205: 7058: 7052: 7042: 7018: 6957: 6654: 6576: 6474: 6388: 6294: 6290: 6280: 6239: 6185: 6109: 6074: 6039: 5993: 5949: 5929: 5844: 5793: 5704: 5679: 5531: 5526: 5496: 5456: 5421: 4741:

New Jersey State Legislature, Laws of the State of New Jersey, P.L.2003, c.123.

3522:

Miller, James A. (1986). ""I Investigate the Sun": Amiri Baraka in the 1980s".

3105:

Martin, Reginald (1995). "Historical Overviews of The Black Arts Movement", in

3089: 2901: 1781: 1676: 1571: 1415: 742: 699: 592: 563: 559: 515: 511: 507: 437: 5322:

at the Schomburg Center for Research in Black Culture, New York Public Library

5316:

at the Schomburg Center for Research in Black Culture, New York Public Library

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Keleta-Mae, Naila (2016). "Amiri Baraka: A Lifetime of Saying the Unsayable".

4647: 4071:"Man again seeks to overturn conviction for murder of two women in Piscataway" 3189: 1078:

is a form of racism." Near the end of the essay, Baraka stated the following:

399:. "I wanted to look like that too — that green shirt and rolled up sleeves on 7416: 7318: 7275: 7134: 7119: 7003: 6993: 6922: 6877: 6811: 6732: 6684: 6679: 6669: 6606: 6512: 6503: 6464: 6368: 6323: 6308: 6260: 6144: 6069: 5998: 5934: 5808: 5658: 5653: 5623: 5556: 5516: 5466: 5416: 5152: 4801: 4674: 4363: 4186: 4140:"Amiri Baraka dies at 79; provocative poet lauded, chided for social passion" 3084: 2403: 2190: 1708: 1592: 1506:

is a form of racism." Near the end of the essay Baraka stated the following:

1407: 1240: 1187: 1156: 1137: 1104: 1026: 1010: 951: 868: 722: 717:, where he founded the Black Arts Repertory/Theater School (BARTS) since the 567: 539: 523: 448: 351: 218: 5944: 3875: 7391: 7337: 7323: 7308: 7261: 7195: 7139: 7089: 6947: 6837: 6791: 6776: 6601: 6571: 6459: 6328: 6210: 6200: 6195: 6170: 6044: 5813: 5770: 5750: 5633: 5561: 5481: 5476: 5441: 5391: 5381: 5221: 5062: 4839: 3959: 3938: 3923:"In Defense of the Poet Laureate: On Politics, Art, and Inaugural Doggerel" 3022: 2522: 2385: 2337: 1992: 1896: 1773: 1700: 1596: 1585: 1562: 1444: 1293: 1213:

on the song "Something in the Way of Things (In Town)" on their 2002 album

1152: 1133: 1092: 998: 877: 872: 860: 856: 798: 773: 753: 730: 677: 643: 635: 620: 503: 495: 491: 456: 432:

helped lay a foundation for his later writings. He subsequently studied at

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Queer Pollen: White Seduction, Black Male Homosexuality, and the Cinematic

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Baraka also worked as editor and critic for the literary and arts journal

7236: 7180: 7104: 7037: 7032: 6977: 6872: 6857: 6796: 6766: 6694: 6689: 6517: 6363: 6358: 6149: 6017: 5914: 5905: 5674: 5546: 5536: 5471: 5431: 5396: 4123:"Amiri Baraka, former N.J. poet laureate and prolific author, dead at 79" 3726: 1014: 786:, Baraka believed that a physical uprising must follow the literary one. 698:

for Best American Play in the same year. A film of the play, directed by

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he edited the first twenty-five issues (1961–63) of their small magazine

555: 535: 464: 396: 2982: 2931: 2558: 510:. In cooperation with Corinth, Totem published books by LeRoi Jones and 7298: 6998: 6556: 6493: 6378: 6275: 6139: 6049: 6022: 5869: 5864: 5760: 5755: 5724: 5689: 5376: 5212: 5160: 4721:"Amiri Baraka: a long history of hostility to Jews and Jewish concerns" 4625: 4419: 3541: 2704: 2076: 1533: 1532:

in America, and includes humorous depictions of public figures such as

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In 1961 Baraka co-authored a "Declaration of Conscience" in support of

616: 499: 425: 359: 204: 19:"Leroi Jones" redirects here. For other people with similar names, see 7328: 7028: 6913: 6591: 6165: 6012: 5778: 5774: 5551: 5319: 5313: 5059:

A Sourcebook of African-American Performance: Plays, People Movements

5009: 4679: 4429: 4359:"Art is a Weapon in the Struggle of Ideas: Interviewing Amiri Baraka" 4097:"Metro Briefing: New Jersey: New Brunswick: Conviction In 2 Killings" 3348:"Amiri Baraka, legendary poet who never abandoned Newark, dead at 79" 2781:"Amiri Baraka, legendary poet who never abandoned Newark, dead at 79" 1755: 1746: 1356:

amidst the lynching, and national oppression. A few years later, the

1353: 1210: 1035: 845: 710: 478:, working initially in a warehouse of music records. His interest in 452: 4254:. In Baumlin, James S.; Baumlin, Tita F.; Jensen, George H. (eds.). 3533: 2176: 1502:

In the essay he also defended his position against Israel, saying, "

1074:

In the essay he also defended his position against Israel, saying, "

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Baraka's career spanned nearly 52 years, and his themes range from

5287:

Audio recording of Amiri Baraka poetry reading, September 14, 1992

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in Newark, New Jersey, after being hospitalized in the facility's

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Amiri Baraka / LeRoi Jones: The Quest for a "Populist Modernism".

3075:(now Abdallah Schleifer after converting to Islam from Judaism), 2811:"Amiri Baraka's Legacy Both Controversial And Achingly Beautiful" 2609:. AmiriBaraka.com. Celeste Bateman and Associates. Archived from 1503: 1365: 1206: 1075: 1022: 936: 901: 897: 587: 543: 5271:"Answers in Progress: Amiri Baraka’s Lyrical Manifesto for Life" 5146: 4510:

Ernie McClintock and the Jazz Actors Family: Reviving the Legacy

5216: 4012:"Daughter of Controversial Poet Is Killed at Her Sister's Home" 3778:"Judge Delays Ruling for a Month on Sentencing of Imamu Baraka" 1529: 1285: 1099: 975: 882: 771:

convey its message. It was published in the September issue of

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Early, Gerald (1986). "The Case of Leroi Jones/Amiri Baraka".

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Keeping Time: The Life, Music & Photography of Milt Hinton

1835:

Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones

889:

by the Spirit House Movers, on which Baraka reads his poetry.

292: 4859: 4857: 3030: 1456: 5607: 4874:(news release) (September 18, 2002). Retrieved July 6, 2013. 3107:

The Oxford Companion to Women's Writing in the United States

1132:

of Africana Studies until his death. In 1987, together with

1124:" while also characterizing the senior faculty as "powerful 831:

persons". That same year his second book of jazz criticism,

4157:"Amiri Baraka's funeral to be held at Newark Symphony Hall" 3983:

100 Greatest African Americans: A Biographical Encyclopedia

2948:, RealityStudio, April 30, 2006. Accessed January 18, 2010. 2855: 2853: 2523:"Amiri Baraka - Poets.org - Poetry, Poems, Bios & More" 1715:) and was part of the renovation and reconstruction of the 1328: 1166: 918: 916:

title for "spiritual leader", derived from the Arabic word

896:

in Los Angeles and became an advocate of his philosophy of

570:. They also jointly founded a quarterly literary magazine, 479: 5226:"Amiri Baraka, Polarizing Poet and Playwright, Dies at 79" 4854: 4345:

Amiri Baraka: The Politics and Art of a Black Intellectual

4293:

Amiri Baraka: The Politics and Art of a Black Intellectual

4175:"Amiri Baraka, Polarizing Poet and Playwright, Dies at 79" 3569:

Amiri Baraka: The Politics and Art of a Black Intellectual

3402:

The Poetry and Poetics of Amiri Baraka: The Jazz Aesthetic

3067:

The "Declaration of Conscience" was written and signed by

2840:"Amiri Baraka, Polarizing Poet and Playwright, Dies at 79" 2693:

Amiri Baraka: The Politics and Art of a Black Intellectual

312:; October 7, 1934 – January 9, 2014), previously known as 3132: 3130: 3128: 3010: 2245:

Polis Is This: Charles Olson and the Persistence of Place

1762: 1580:

However, antisemitism watchdog organizations such as the

405:...always wanted to look like that. And be able to play " 5304:

Columbia University. Rare Book & Manuscript Library.

5098:"Amiri Baraka's lost Newark film, found and coming home" 5026:"Amiri Baraka's 'Blues People' Comes Home to the Apollo" 4460:

Simmons, Ron (December 31, 2020), Carbado, Devon (ed.),

4215:, Oxford, UK: John Wiley & Sons, Ltd, pp. 1–2, 4213:

The International Encyclopedia of Revolution and Protest

3101: 3099: 2956: 2954: 2850: 835:, came out. It was a collection of previously published 3668: 3419:

National Museum of African American History and Culture

1070:

pass over into the Promised Land of American privilege.

5245:

Amiri Baraka interview with J. K. Fowler on The Mantle

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funded by Castro. FPCC's founder and first leader was

1974:, (graphic novel published by Ishmael Reed Publishing) 675:

In 1963 Baraka (under the name LeRoi Jones) published

4823:"Criticized Poet Is Named Laureate of Newark Schools" 3846:. New York City: Thunder's Mouth Press. p. 340. 3096: 2951: 2632: 2630: 2628: 1140:, he was a speaker at the commemoration ceremony for 5114: 4906:"Author Amiri Baraka: 'Tales of the Out & Gone'" 4428:. Milton Park, Abingdon-on-Thames, Oxfordshire, UK: 2890:. New York: W. W. Norton & Company. p. 661. 2747: 2745: 2716: 2714: 2090:

Confirmation: An Anthology of African American Women

1605:

United States Court of Appeals for the Third Circuit

1570:

Baraka said that he believed Israelis and President

1555:

Who knew the World Trade Center was gonna get bombed

1549:

Who know why Five Israelis was filming the explosion

922:(إمام). According to Shaw, he dropped the honorific 690:, in which a white woman accosts a black man on the 7603:

Members of the American Academy of Arts and Letters

3596:"Raymond A. Brown, Civil Rights Lawyer, Dies at 94" 3506:

The Norton Anthology of African American Literature

3055:

The Norton Anthology of African American Literature

2888:

The Norton Anthology of African American Literature

2639:

The Oxford Companion to African-American Literature

2450: 2448: 2446: 2444: 2442: 1034:, tracing his life from birth to his conversion to 471:back in the mainland US, he began to write poetry. 4648:"Amiri Baraka vs Connie Chung – CNN, October 2002" 4037: 2625: 1498:over into the Promised Land of American privilege. 1155:, and in 1998 he appeared in a supporting role in 4388:Beaulieu, Elizabeth Ann (2006). "Baraka, Amiri". 3315:"Historical Overviews of the Black Arts Movement" 2742: 2711: 2458:Fieldworks: From Place to Site in Postwar Poetics 2073:Black Fire: An Anthology of Afro-American Writing 1575:had advance knowledge of the September 11 attacks 7438:20th-century American dramatists and playwrights 7414: 7378: 4513:. Milton Park, Abingdon-on-Thames, Oxfordshire: 4296:. New York University Press. pp. 231, 333. 4029: 3842:Baraka, Amiri (1991). Harris, William J. (ed.). 2538:He served in the Air Force from 1954 until 1957. 2439: 1945:Most Dangerous Man in America (W. E. B. Du Bois) 1557:Who told 4000 Israeli workers at the Twin Towers 1376: 940:means "blessing, in the sense of divine favor". 782:opposition to the peaceful protests inspired by 4163:, January 10, 2014. Retrieved January 12, 2014. 2162:Through Many Dangers: The Story of Gospel Music 1397:being romanticized as positive characteristics. 4146:, January 9, 2014. Retrieved January 12, 2014. 4040:Black Women's Lives: Stories of Pain and Power 4009: 3517: 3515: 3232: 694:. The play premiered in 1964 and received the 7364: 5593: 5347: 5320:Amiri Baraka collection of unpublished poetry 5277:Amiri Baraka video interview at underyourskin 4597:"Setting the Record Straight on Amiri Baraka" 4320:The Autobiography of LeRoi Jones/Amiri Baraka 4129:, January 9, 2014. Retrieved January 9, 2014. 3626:. New York City: Holt, Rinehart and Winston. 3624:No Cause for Indictment; An Autopsy of Newark 3584:and used as a slogan by other radical groups. 3122:. University of Illinois at Urbana-Champaign. 2048:The Autobiography of LeRoi Jones/Amiri Baraka 554:and an anthology of four young female poets, 4752:"Newark: Court Will Not Hear Poet's Lawsuit" 3803:"TV: Documentary Film Examines Amiri Baraka" 3499: 3497: 2861:"Imamu Amiri Baraka African American Author" 1591:After the poem's publication, then-governor 1284:Baraka's work has been criticized for being 892:In 1967, Baraka (still LeRoi Jones) visited 7453:African-American dramatists and playwrights 5104:, April 18, 2014. Retrieved April 19, 2014. 5087:, April 17, 2014. Retrieved April 19, 2013. 5005:"On Amiri Bakara: Who Was That Masked Man?" 4256:Post-Jungian Criticism: Theory and Practice 3920: 3648:"Various US labels (2) - jazz album covers" 3512: 1386:commented on Baraka's misogyny in her book 1364:. What changed my mind was that I became a 983:State University of New York at Stony Brook 638:'s regime. Baraka also was a member of the 373: 7371: 7357: 5600: 5586: 5354: 5340: 5023: 4929: 3955:"The bizzaro history of the poet laureate" 3935: 3929: 3342: 3340: 3164:Blues People: Negro Music in White America 2672:University of Illinois at Urbana-Champaign 2109:Billy Harper: Blueprints of Jazz, Volume 2 1853:Somebody Blew Up America & Other Poems 1719:section of the station completed in 2002. 887:Black & Beautiful – Soul & Madness 678:Blues People: Negro Music in White America 607:; the FBI charged them for obscenity over 188: 1966⁠–⁠2014) 38: 7468:20th-century American short story writers 4891:, April 27, 2003. Retrieved July 6, 2013. 4507:Cizmar, Elizabeth M. (January 19, 2023). 4425:Ain't I a Woman: Black Women and Feminism 3869: 3867: 3865: 3863: 3772: 3770: 3706: 3494: 3043:, Vol. 4, No. 15, November–December 1960. 2212:Hubert Selby Jr: It/ll Be Better Tomorrow 1478:In 1980 Baraka published an essay in the 1463:, who embody a "dangerous germ culture". 1263:Amiri Baraka died on January 9, 2014, at 1046:In 1980 Baraka published an essay in the 797:In 1966, Baraka married his second wife, 378: 4666: 4537: 4466:Black Men on Race, Gender, and Sexuality 4387: 4206: 3751:. Stony Brook University. Archived from 2960: 2721:Stevens, Katherine (February 25, 2003). 2686: 2684: 2682: 2551:"Open Book/Beyond Margins Award Winners" 2054:The Music: Reflections on Jazz and Blues 1437:Black Magic: Collected Poetry, 1961-1967 1098: 659:Preface to a Twenty Volume Suicide Note, 626:Baraka visited Cuba in July 1960 with a 7528:National Endowment for the Arts Fellows 4903: 4569:Salkin, Jeffrey K. (January 14, 2014). 4462:"Baraka's Dilemma: To Be or Not to Be?" 4459: 4356: 4249: 3895:"Rutgers Students' Sit-In Turns Mellow" 3621: 3439: 3337: 2900:Baraka himself said he was inspired by 2837: 2720: 2504: 2142:Black Theatre: The Making of a Movement 2103:The Fiction of LeRoi Jones/Amiri Baraka 2018:Raise Race Rays Raze: Essays Since 1965 1800:Preface to a Twenty Volume Suicide Note 1722: 1664:Award for Drama, an induction into the 1611:refused to hear an appeal of the case. 1515: 1312:, whom he believed were innately evil. 1303: 976:Maoist third-world liberation movements 966:In 1974, Baraka distanced himself from 642:of emerging Black Nationalist writers ( 7415: 5314:Amiri Baraka collection of playscripts 5024:Scherstuhl, Alan (February 16, 2023). 4967: 4963: 4961: 4672: 4654:from the original on December 13, 2021 4568: 4506: 4316: 3977: 3952: 3892: 3873: 3860: 3841: 3835: 3767: 3593: 3521: 3385: 3235:"A Play That's Sure to Make You Sweat" 2751: 2665: 2636: 2586: 2582: 2580: 2578: 2576: 2485: 2042:Daggers and Javelins: Essays 1974–1979 1310:blacks as morally superior than whites 7352: 5581: 5335: 5002: 4899: 4897: 4782: 4700: 4455: 4453: 4451: 4449: 4418: 4383: 4381: 4289: 4285: 4283: 4281: 4279: 4277: 4275: 3800: 3741: 3697:, Nothing Is V2.0, November 24, 2008. 3503: 3052: 2921: 2885: 2833: 2831: 2808: 2804: 2802: 2690: 2679: 2289:W.A.R. Stories: Walter Anthony Rodney 2199:Chisholm '72: Unbought & Unbossed 1926:The Motion of History and Other Plays 1768:For the 60th anniversary of Baraka’s 1737:African American literary studies of 1551:And cracking they sides at the notion 1315:In his 1984 autobiography, he wrote: 1226:included Amiri Baraka on his list of 1165:. In 1996, Baraka contributed to the 981:In 1979, he became a lecturer in the 7463:African-American short story writers 4594: 4035: 3921:Ripatrazone, Nick (April 14, 2015). 3109:. New York: Oxford University Press. 2838:Slotnik, Daniel (January 10, 2014). 2454: 2024:Kawaida Studies: The New Nationalism 1934:, (published by I. Reed Books, 1979) 1666:American Academy of Arts and Letters 1627: 1430: 1340:Those quotes are from the essays in 4958: 4932:Canadian Review of American Studies 4478:10.18574/nyu/9780814790427.003.0026 4391:Writing African American Women: A-J 4172: 4077:from the original on August 1, 2010 4068: 3844:The LeRoi Jones/Amiri Baraka Reader 3594:Berger, Joseph (October 11, 2009). 3388:Anthology of Modern American Poetry 3233:Kennedy, Randy (October 31, 2013). 2752:Pearce, Jeremy (February 9, 2003). 2589:Anthology of Modern American Poetry 2573: 2097:The LeRoi Jones/Amiri Baraka Reader 1520:In July 2002, ten months after the 1486:Confessions of a Former Anti-Semite 1358:assassination of Martin Luther King 1352:, followed by the assassination of 1348:, followed by the assassination of 1323:The following is from a 1965 essay: 1198:, Baraka read his 2001 poem on the 1054:Confessions of a Former Anti-Semite 420:in 1951 but transferred in 1952 to 16:African-American writer (1934–2014) 13: 5300:Finding aid to Amiri Baraka papers 5057:(1968)", in Annemarie Bean (ed.), 4904:Chideya, Farai (January 9, 2007). 4894: 4701:Grant, Linda (December 18, 2011). 4675:"Amiri Baraka stands by his words" 4446: 4378: 4272: 4207:Romanska, Magda (April 20, 2009), 4010:Hanley, Robert (August 14, 2003). 3876:"Amiri Baraka stands by his words" 3719:The Johns Hopkins University Press 3474: 2828: 2799: 1609:Supreme Court of the United States 1192:Geraldine R. Dodge Poetry Festival 615:with di Prima, the choreographers 494:, with whom he had two daughters, 447:as a gunner, reaching the rank of 14: 7629: 7618:African American–Jewish relations 5365:The New American Poetry 1945–1960 5291:Maryland Institute College of Art 5110: 4673:Hansen, Suzy (October 17, 2002). 4624:. Amiribaraka.com. Archived from 4323:. Freundlich Books. p. 193. 4173:Fox, Margalit (January 9, 2014). 3874:Hansen, Suzy (October 17, 2002). 3582:Up Against the Wall Motherfuckers 1461:Nazi genocidal depictions of Jews 5208:Amiri Baraka Discography Project 5145: 5131: 5117: 5090: 5073: 5043: 5017: 4996: 4357:Erskine, Sophie (June 4, 2009). 4221:10.1002/9781405198073.wbierp0166 3831:. December 18, 1981. p. 36. 1453:The Black Man is Making New Gods 1279: 260: 242: 164: 7568:Writers from Newark, New Jersey 7473:American civil rights activists 7448:20th-century American essayists 5326:Amiri Interviewed in New Jersey 5266:Amiri Baraka (Partial) FBI File 4923: 4877: 4832: 4815: 4776: 4744: 4735: 4713: 4694: 4650:. Youtube.com. April 28, 2011. 4640: 4614: 4588: 4562: 4531: 4500: 4412: 4350: 4337: 4310: 4243: 4209:"Baraka, Imanu Amiri (b. 1934)" 4200: 4166: 4149: 4132: 4115: 4089: 4062: 4003: 3971: 3946: 3914: 3893:Hanley, Robert (May 11, 1990). 3886: 3815: 3794: 3700: 3688: 3662: 3640: 3615: 3587: 3574: 3561: 3548: 3468: 3433: 3407: 3404:. University of Missouri Press. 3379: 3366: 3307: 3277: 3252: 3226: 3204: 3182: 3169: 3156: 3112: 3079:, LeRoi Jones, Diane di Prima, 3061: 3046: 2997: 2938: 2915: 2894: 2886:Gates, Henry Louis Jr. (2014). 2879: 2809:Ulaby, Neda (January 9, 2014). 2773: 2227:The Ballad of Greenwich Village 2065: 1979:Tales of the Out & the Gone 1692:the endless succession of hours 1650:National Endowment for the Arts 1425: 1182:In July 2002, Baraka was named 455:. This led to the discovery of 185: 160: 89:LeRoi Jones, Imamu Amear Baraka 7553:Stony Brook University faculty 5203:Site dedicated to Amiri Baraka 5003:Oyama, Richard (Summer 2014). 3953:Demara, Bruce (July 7, 2016). 2659: 2599: 2543: 2515: 2498: 2479: 2318:(India Navigation, 1982) with 2303: 2115: 2084:Four Black Revolutionary Plays 1984: 1914:Four Black Revolutionary Plays 1247:, as an elected member of the 1229:100 Greatest African Americans 803:San Francisco State University 1: 7588:American conspiracy theorists 7563:University at Buffalo faculty 7423:Culture of Newark, New Jersey 5049:Amiri Baraka (LeRoi Jones), " 3801:Corry, John (June 28, 1983). 3669:Spirit House Movers (Jihad). 3477:"An early poem for Malcolm X" 3166:. Harper Perennial. pp. ix–x. 2754:"When poetry seems to matter" 2486:Bonamo, Mark (July 1, 2014). 2433: 1401: 1377:Misogyny and advocacy of rape 1346:assassination of John Kennedy 334:Tales of the Out and the Gone 7538:Poets Laureate of New Jersey 7493:Barringer High School alumni 7380:Poets Laureate of New Jersey 6953:Marianna De Marco Torgovnick 4703:"The hate that will not die" 4546:University of Illinois Press 4036:Zook, Kristal Brent (2006). 1672:Lifetime Achievement Award. 1632:Baraka served as the second 1420:suppressed homosexual desire 1410:in his writing. He employed 1406:Baraka frequently denounced 1253:2014 Newark mayoral election 1172:Offbeat: A Red Hot Soundtrip 1107:and his Electric Church Band 1041: 792: 628:Fair Play for Cuba Committee 21:Leroy Jones (disambiguation) 7: 7578:Black Arts Movement writers 7573:American Book Award winners 7478:African-American communists 7443:20th-century American poets 6617:Mill Hunk Herald Collective 5193:Interview with Andrea Hiott 4870:September 21, 2018, at the 4788:"Anti-Semitism, Not Poetry" 4538:Gerstner, David A. (2011). 4211:, in Ness, Immanuel (ed.), 3554:See back cover of his book 3400:Harris, William J. (1985). 2691:Watts, Jerry Gafio (2001). 2463:University of Alabama Press 2136:Fried Shoes Cooked Diamonds 1634:Poet Laureate of New Jersey 1466:His 1972 essay collection " 1249:Municipal Council of Newark 1184:Poet Laureate of New Jersey 709:After the assassination of 474:The same year, he moved to 364:Poet Laureate of New Jersey 362:. Baraka's brief tenure as 10: 7634: 7503:Columbia University alumni 7009:Chitra Banerjee Divakaruni 5085:Bright Lights Film Journal 5065:improvised in background. 4396:Greenwood Publishing Group 3717:(3). Baltimore, Maryland: 3376:Columbia University Press. 3118:Nelson, Cary (ed.) (2002). 2867:: Black History in America 2666:Nelson, Cary, ed. (2002). 2312:(Black Forum/Motown, 1972) 2283:Ferlinghetti: A City Light 2223:(2005) (voice) ... Himself 2092:(edited with Amina Baraka) 2060:The Essence of Reparations 1959:The System of Dante's Hell 1950: 1670:Before Columbus Foundation 1265:Beth Israel Medical Center 1062:assassination of Malcolm X 930:(which means "Prince") to 490:poets. In 1958 he married 18: 7583:9/11 conspiracy theorists 7548:Rutgers University alumni 7386: 7224: 7166:Allison Adelle Hedge Coke 7158: 7077: 6986: 6901: 6825: 6741: 6642: 6544: 6445:Barbara Grizzuti Harrison 6432: 6341: 6248: 6158: 6088: 5986: 5893: 5855:Jessica Tarahata Hagedorn 5822: 5738: 5667: 5616: 5372: 5255:FBI files on Amiri Baraka 5189:at Modern American Poetry 4470:New York University Press 4394:. Westport, Connecticut: 4250:Meacham, Rebecca (2004). 3580:A phrase co-opted by the 3415:"A Poem for Black Hearts" 3214:. IMDb.com. February 1968 2699:. pp. 253, 331–333. 2697:New York University Press 2527:Academy of American Poets 2426:I Plan to Stay a Believer 2346:Blueprints of Jazz Vol. 2 2006:The Revolutionary Theatre 1792: 1772:, trumpeter and composer 1488:. Baraka insisted that a 1205:Baraka collaborated with 1114:New Brunswick, New Jersey 1056:. Baraka insisted that a 657:His first book of poems, 440:without taking a degree. 290: 285: 281: 273: 253: 237: 232: 228: 196: 141: 133: 125: 93: 85: 71: 49: 37: 30: 7513:India Navigation artists 7508:Howard University alumni 6404:Josephine Gattuso Hendin 5185:August 28, 2008, at the 4044:. Nation Books. p. 3622:Porambo, Ronald (1971). 3372:Sollors, Werner (1978). 3138:"Amiri Baraka 1934-2014" 1932:The Sidney Poet Heroical 1864: 1806:The Dead Lecturer: Poems 1787: 1780:, inspired by it at the 1778:The Blues and Its People 1707:, to contemporary poets 1658:City College of New York 1473: 1258: 839:, including the seminal 416:He won a scholarship to 374:Biographical information 330:PEN/Beyond Margins Award 81:Newark, New Jersey, U.S. 7543:American reparationists 7498:Beat Generation writers 6231:Septima Poinsette Clark 6221:Lucia Chiavola Birnbaum 5174:German National Library 4970:African American Review 4595:Ivry, Benjamin (2014). 4571:"Bigotry Is Not Poetry" 4544:. Champaign, Illinois: 4073:. mycentraljersey.com. 2963:African American Review 2670:. Champaign, Illinois: 2643:Oxford University Press 2593:Oxford University Press 2461:. Tuscaloosa, Alabama: 2259:(2007) (TV) ... Himself 2030:Poetry for the Advanced 1705:William Carlos Williams 1468:Raise, Race, Rays, Raze 926:and eventually changed 704:East Village, Manhattan 650:, among others) on the 599:. In October 1961, the 445:United States Air Force 443:In 1954, he joined the 407:On Green Dolphin Street 268:United States Air Force 7613:American anti-Zionists 7598:Writers from Manhattan 7488:American music critics 7458:African-American poets 5840:Evangelina Vigil-Piñón 5238:in The Independent by 4317:Baraka, Amiri (1984). 3289:blackpower.web.unc.edu 2865:Citrus County, Florida 2316:New Music - New Poetry 1697: 1694:piled upon each other 1662:Rockefeller Foundation 1582:Anti-Defamation League 1568: 1513: 1500: 1449: 1414:in his writings (e.g. 1399: 1374: 1334: 1321: 1200:September 11th attacks 1147:In 1989 Baraka won an 1108: 1097: 1085: 1072: 784:Martin Luther King Jr. 669: 613:New York Poets Theatre 461:dishonorable discharge 379:Early life (1934–1965) 326:Stony Brook University 7558:The New School alumni 7533:Poets from New Jersey 6675:José Antonio Burciaga 6650:A'Lelia Perry Bundles 6622:Nora Marks Dauenhauer 5940:Mei-mei Berssenbrugge 5804:Ronald Phillip Tanaka 5644:Mei-mei Berssenbrugge 5447:Lawrence Ferlinghetti 4982:10.1353/afa.2016.0050 4944:10.3138/cras.2015.005 4628:on September 29, 2010 4422:(December 17, 2014). 4290:Watts, Jerry (2001). 4144:The Los Angeles Times 3985:. Amherst, New York: 3454:10.1353/ccr.2016.0054 3175:Jones, LeRoi (2002). 3162:Jones, LeRoi (2002). 3087:and published in the 3081:Lawrence Ferlinghetti 2975:10.1353/afa.2014.0042 2587:Nelson, Cary (2000). 2351:Talking House Records 2193:: An American Journey 1824:New Music, New Poetry 1688:I have seen many suns 1685: 1646:Guggenheim Foundation 1639:Newark Public Schools 1559:To stay home that day 1546: 1508: 1495: 1441: 1394: 1338: 1325: 1317: 1276:on January 18, 2014. 1102: 1089: 1080: 1067: 943:In 1970 he supported 762:Civil Rights Movement 739:Civil Rights Movement 664: 389:Barringer High School 322:University at Buffalo 274:Years of service 7252:E. Donald Two-Rivers 7125:Shirley Geok-lin Lim 7100:Guillermo Gómez-Peña 6787:Francisco X. Alarcón 6660:Benjamin Alire Sáenz 6528:Shirley Geok-lin Lim 6489:José Emilio González 6424:William Minoru Hohri 6394:J. California Cooper 6235:Cynthia Stokes Brown 6055:Robert Edward Duncan 5963:Ellen Lai-shan Yeung 5685:Bienvenido N. Santos 5609:American Book Awards 5125:United States portal 4863:New Jersey Transit. 4515:Taylor & Francis 4472:, pp. 317–323, 3967:on November 5, 2016. 3790:. February 24, 1981. 3727:10.1353/aq.1999.0042 3319:english.illinois.edu 3295:on September 9, 2018 3142:poetryfoundation.org 2613:on November 23, 2014 2455:Shaw, Lytle (2013). 2429:(AUM Fidelity, 2010) 2368:New York Art Quartet 2360:New York Art Quartet 2269:Corso: The Last Beat 1847:Funk Lore: New Poems 1723:Legacy and influence 1681:Pennsylvania Station 1522:September 11 attacks 1516:September 11 attacks 1511:thoroughly as I can. 1304:Anti-white sentiment 1274:Newark Symphony Hall 1196:Stanhope, New Jersey 1177:Red Hot Organization 1083:thoroughly as I can. 692:New York City Subway 640:Umbra Poets Workshop 605:The Floating Bear #9 484:Black Mountain poets 387:, where he attended 163: 1958; 6853:Janet Campbell Hale 6597:Karen Tei Yamashita 6509:Michelle T. Clinton 6349:Alma Luz Villanueva 6286:Jimmy Santiago Baca 6216:Juan Felipe Herrera 5955:Ruthanne Lum McCunn 5799:Lorna Dee Cervantes 5639:Leslie Marmon Silko 5611:winners (1980–1999) 5293:'s Decker Library, 4793:The Washington Post 4786:(October 8, 2002). 4764:. November 14, 2007 3979:Asante, Molefi Kete 3828:The Daily Telegraph 3823:"Names in the News" 3390:. pp. 998–999. 3144:. Poetry Foundation 2641:. Oxford, England: 2591:. Oxford, England: 2555:PEN American Center 2508:The Washington Post 2411:, 1997), "Evidence" 2172:(1998) ... Rastaman 2000:Home: Social Essays 1776:premiered a suite, 1679:in New York City's 1621:The Washington Post 1269:intensive care unit 1245:Central High School 1149:American Book Award 1019:William M. Kunstler 1005:and earned tenure. 1003:associate professor 719:Black Arts Movement 601:U.S. Postal Service 434:Columbia University 383:Baraka was born in 310:Everett Leroy Jones 53:Everett Leroy Jones 7608:Postmodern theatre 7593:People from Harlem 7314:Luís Alberto Urrea 7176:Brenda Marie Osbey 6863:Lawson Fusao Inada 6720:Verlyn Klinkenborg 6626:Richard Dauenhauer 6587:John Edgar Wideman 6536:Margarita Donnelly 6105:Gloria E. Anzaldúa 6008:Colleen J. McElroy 6003:John Kuo Wei Tchen 5978:William J. Kennedy 5973:Venkatesh Kulkarni 5920:Imamu Amiri Baraka 5789:Joyce Carol Thomas 5542:Gilbert Sorrentino 5230:The New York Times 5030:The New York Times 4889:The New York Times 4827:The New York Times 4757:The New York Times 4622:"Amiri Baraka-Bio" 4179:The New York Times 4155:Giambusso, David. 4121:Giambusso, David. 4101:The New York Times 4016:The New York Times 3989:. pp. 50–53. 3900:The New York Times 3808:The New York Times 3783:The New York Times 3710:American Quarterly 3601:The New York Times 3239:The New York Times 3192:. SamuelFrench.com 3035:Robert F. Williams 3027:John Henrik Clarke 3006:The New York Times 2926:(70/71): 343–352. 2844:The New York Times 2759:The New York Times 2291:(2009) ... Himself 2285:(2008) ... Himself 2265:(2007) ... Himself 2253:(2007) ... Himself 2241:(2007) ... Himself 2235:(2006) ... Himself 2229:(2005) ... Himself 2215:(2005) ... Himself 2207:(2004) ... Himself 2201:(2004) ... Himself 2195:(2002) ... Himself 2186:(2002) ... Himself 2180:(2001) ... Himself 2158:(1998) ... Himself 2144:(1978) ... Himself 2138:(1978) ... Himself 1717:New Jersey Transit 1641:in December 2002. 1526:World Trade Center 1451:In the 1967 poem " 1224:Molefi Kete Asante 1130:professor emeritus 1109: 974:in the context of 906:Imamu Amear Baraka 747:Harvard University 582:played saxophone. 552:Gilbert Sorrentino 418:Rutgers University 385:Newark, New Jersey 328:. He received the 318:Imamu Amear Baraka 209:Dominique di Prima 65:Newark, New Jersey 7483:American Marxists 7410: 7409: 7346: 7345: 7115:Montserrat Fontes 7014:E.J. Miller Laino 6909:Abraham Rodriguez 6893:Virginia L. Kroll 6802:Leroy V. Quintana 6782:Eugene B. Redmond 6758:Christopher Mogil 6725:William B. Branch 6700:Peter Kalifornsky 6634:Thomas Centolella 6552:Alejandro Murguía 6499:Lloyd A. Thompson 6414:Shuntaro Tanikawa 6384:Henry Louis Gates 6319:Salvatore La Puma 5830:Barbara Christian 5784:Jerome Rothenberg 5766:Hilton Obenzinger 5730:Toni Cade Bambara 5575: 5574: 5567:Jonathan Williams 5402:Brother Antoninus 5240:Marcus Williamson 5232:, January 9, 2014 5180:Amiri Baraka page 5096:Whitty, Stephen. 5067:Home on the Range 5051:Home on the Range 4885:"Ode to Joi(sey)" 4883:Strauss, Robert. 4784:Cohen, Richard M. 4555:978-0-252-07787-6 4524:978-1-000-82186-4 4487:978-0-8147-9042-7 4468:, New York City: 4439:978-1-317-58860-3 4405:978-0-313-33197-8 4330:978-0-88191-000-1 4303:978-0-8147-9513-2 4265:978-0-7914-5958-4 4230:978-1-4051-9807-3 4138:Chawkins, Steve. 3633:978-1-933633-21-3 3442:Cream City Review 3354:. January 9, 2014 3077:Elaine de Kooning 3029:and the militant 2944:Birmingham, Jed. 2787:. January 9, 2014 2695:. New York City: 2075:(co-editor, with 1904:Home on the Range 1628:Honors and awards 1431:1960s & 1970s 1222:In 2002, scholar 1032:The Autobiography 995:Stony Brook Press 987:Stony Brook Press 968:Black nationalism 955:well-known poem, 945:Kenneth A. Gibson 825:Anthony Imperiale 807:1967 Newark riots 752:Baraka even uses 609:William Burroughs 597:The Floating Bear 476:Greenwich Village 430:religious studies 424:. His classes in 422:Howard University 303: 302: 7625: 7403: 7395: 7373: 7366: 7359: 7350: 7349: 7304:Josip Novakovich 7290:Gerald V. Mohatt 7281:James D. Houston 7271:Gioia Timpanelli 7257:Edwidge Danticat 7201:Nora Okja Keller 7191:John A. Williams 7145:William M. Banks 7064:Stephanie Cowell 6973:Gordon Henry Jr. 6883:Rose L. Glickman 6665:Donna J. Haraway 6630:R. Baxter Miller 6612:Meridel Le Sueur 6582:Jessica Hagedorn 6567:Charley Trujillo 6532:Mayumi Tsutakawa 6523:Paula Gunn Allen 6479:J. Raymond Jones 6470:James M. Freeman 6450:Daniela Gioseffi 6440:Adrienne Kennedy 6409:Leslie Scalapino 6271:David Halberstam 6191:Etheridge Knight 6135:Raymond Federman 6130:Natasha Borovsky 6096:Anna Lee Walters 6080:William Oandasan 5860:John A. Williams 5850:James D. Houston 5710:Peter Blue Cloud 5602: 5595: 5588: 5579: 5578: 5522:Joel Oppenheimer 5462:Madeline Gleason 5356: 5349: 5342: 5333: 5332: 5295:Internet Archive 5278: 5259:Internet Archive 5155: 5150: 5149: 5141: 5139:Biography portal 5136: 5135: 5134: 5127: 5122: 5121: 5120: 5105: 5094: 5088: 5079:Strub, Whitney. 5077: 5071: 5047: 5041: 5040: 5038: 5036: 5021: 5015: 5014: 5000: 4994: 4993: 4965: 4956: 4955: 4927: 4921: 4920: 4918: 4916: 4901: 4892: 4881: 4875: 4861: 4852: 4851: 4849: 4847: 4836: 4830: 4821:Jacobs, Andrew. 4819: 4813: 4812: 4810: 4808: 4780: 4774: 4773: 4771: 4769: 4762:Associated Press 4748: 4742: 4739: 4733: 4732: 4730: 4728: 4717: 4711: 4710: 4698: 4692: 4691: 4689: 4687: 4670: 4664: 4663: 4661: 4659: 4644: 4638: 4637: 4635: 4633: 4618: 4612: 4611: 4609: 4607: 4592: 4586: 4585: 4583: 4581: 4566: 4560: 4559: 4535: 4529: 4528: 4504: 4498: 4497: 4496: 4494: 4457: 4444: 4443: 4416: 4410: 4409: 4385: 4376: 4375: 4373: 4371: 4354: 4348: 4341: 4335: 4334: 4314: 4308: 4307: 4287: 4270: 4269: 4247: 4241: 4240: 4239: 4237: 4204: 4198: 4197: 4195: 4193: 4170: 4164: 4153: 4147: 4136: 4130: 4119: 4113: 4112: 4110: 4108: 4093: 4087: 4086: 4084: 4082: 4066: 4060: 4059: 4043: 4033: 4027: 4026: 4024: 4022: 4007: 4001: 4000: 3987:Prometheus Books 3975: 3969: 3968: 3963:. Archived from 3950: 3944: 3943: 3933: 3927: 3926: 3918: 3912: 3911: 3909: 3907: 3890: 3884: 3883: 3871: 3858: 3857: 3853:978-156025-238-2 3839: 3833: 3832: 3819: 3813: 3812: 3798: 3792: 3791: 3788:Associated Press 3774: 3765: 3764: 3762: 3760: 3755:on March 4, 2016 3745: 3739: 3738: 3704: 3698: 3692: 3686: 3685: 3683: 3681: 3666: 3660: 3659: 3657: 3655: 3644: 3638: 3637: 3619: 3613: 3612: 3610: 3608: 3591: 3585: 3578: 3572: 3565: 3559: 3552: 3546: 3545: 3519: 3510: 3509: 3501: 3492: 3491: 3489: 3487: 3472: 3466: 3465: 3437: 3431: 3430: 3428: 3426: 3411: 3405: 3398: 3392: 3391: 3383: 3377: 3370: 3364: 3363: 3361: 3359: 3344: 3335: 3334: 3332: 3330: 3325:on July 22, 2018 3321:. Archived from 3311: 3305: 3304: 3302: 3300: 3291:. Archived from 3281: 3275: 3274: 3272: 3270: 3256: 3250: 3249: 3247: 3245: 3230: 3224: 3223: 3221: 3219: 3208: 3202: 3201: 3199: 3197: 3186: 3180: 3173: 3167: 3160: 3154: 3153: 3151: 3149: 3134: 3123: 3116: 3110: 3103: 3094: 3069:Margaret Randall 3065: 3059: 3058: 3050: 3044: 3040:Evergreen Review 3025:, the historian 3001: 2995: 2994: 2969:(2/3): 357–374. 2958: 2949: 2942: 2936: 2935: 2919: 2913: 2898: 2892: 2891: 2883: 2877: 2876: 2874: 2872: 2857: 2848: 2847: 2835: 2826: 2825: 2823: 2821: 2806: 2797: 2796: 2794: 2792: 2777: 2771: 2770: 2768: 2766: 2749: 2740: 2739: 2737: 2735: 2718: 2709: 2708: 2688: 2677: 2675: 2663: 2657: 2656: 2634: 2623: 2622: 2620: 2618: 2603: 2597: 2596: 2584: 2571: 2570: 2568: 2566: 2561:on June 26, 2012 2557:. Archived from 2547: 2541: 2540: 2535: 2533: 2519: 2513: 2512: 2502: 2496: 2495: 2483: 2477: 2476: 2452: 2378:Malachi Thompson 2371:(ESP-Disk, 1965) 2310:It's Nation Time 2276:The Black Candle 2149:Poetry in Motion 1972:Un Poco Low Coup 1859:The Book of Monk 1828:India Navigation 1818:It's Nation Time 1739:Angles of Ascent 1734:Angles of Ascent 1730:Angles of Ascent 1616:Richard M. Cohen 1542:Condoleezza Rice 1484:that was titled 1412:homophobic slurs 1389:Ain't I a Woman? 1175:produced by the 1052:that was titled 972:Marxism-Leninism 852:Sonny's Time Now 837:music journalism 818:Raymond A. Brown 812:Evergreen Review 759: 591:(1960–65). With 548:Joel Oppenheimer 341:Black liberation 299: 296: 294: 266: 264: 263: 255: 248: 246: 245: 224:Amiri Baraka Jr. 189: 187: 168: 166: 162: 137:Poetry and drama 109:theater producer 106:theater director 78: 61: 59: 42: 28: 27: 7633: 7632: 7628: 7627: 7626: 7624: 7623: 7622: 7413: 7412: 7411: 7406: 7398: 7390: 7382: 7377: 7347: 7342: 7334:Chiori Santiago 7294:Ciulistet Group 7266:Meg McHutchison 7247:Chiori Santiago 7232:Alice McDermott 7220: 7171:Angela Y. Davis 7154: 7095:Dorothy Barresi 7073: 7069:William H. Gass 7057:Ron Sakolsky / 7024:James W. Loewen 6982: 6918:Robert L. Allen 6897: 6888:Tino Villanueva 6868:Nicole Blackman 6848:Gregory J. Reed 6833:Giose Rimanelli 6821: 6817:Ninotchka Rosca 6807:Katherine Peter 6772:Denise Giardina 6737: 6715:Sheila Hamanaka 6710:Sandra Scofield 6705:Raymond Andrews 6638: 6540: 6455:Elizabeth Woody 6428: 6419:Charles Fanning 6374:Eduardo Galeano 6337: 6314:Ronald Sukenick 6256:Allison Blakely 6244: 6154: 6084: 6065:Sandra Cisneros 6027:Taisanboku Mori 5982: 5911:Howard Schwartz 5889: 5880:Peter Guralnick 5875:Nash Candelaria 5818: 5734: 5695:Lionel Mitchell 5663: 5649:Milton Murayama 5612: 5606: 5576: 5571: 5502:Michael McClure 5492:Denise Levertov 5487:Philip Lamantia 5407:James Broughton 5368: 5360: 5276: 5187:Wayback Machine 5151: 5144: 5137: 5132: 5130: 5123: 5118: 5116: 5113: 5108: 5095: 5091: 5078: 5074: 5048: 5044: 5034: 5032: 5022: 5018: 5001: 4997: 4966: 4959: 4928: 4924: 4914: 4912: 4902: 4895: 4882: 4878: 4872:Wayback Machine 4862: 4855: 4845: 4843: 4838: 4837: 4833: 4820: 4816: 4806: 4804: 4781: 4777: 4767: 4765: 4750: 4749: 4745: 4740: 4736: 4726: 4724: 4719: 4718: 4714: 4699: 4695: 4685: 4683: 4671: 4667: 4657: 4655: 4646: 4645: 4641: 4631: 4629: 4620: 4619: 4615: 4605: 4603: 4593: 4589: 4579: 4577: 4567: 4563: 4556: 4548:. p. 216. 4536: 4532: 4525: 4517:. p. 110. 4505: 4501: 4492: 4490: 4488: 4458: 4447: 4440: 4432:. p. 131. 4417: 4413: 4406: 4386: 4379: 4369: 4367: 4355: 4351: 4342: 4338: 4331: 4315: 4311: 4304: 4288: 4273: 4266: 4248: 4244: 4235: 4233: 4231: 4205: 4201: 4191: 4189: 4171: 4167: 4161:The Star-Ledger 4154: 4150: 4137: 4133: 4127:The Star-Ledger 4120: 4116: 4106: 4104: 4103:. 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Loury 7016: 7011: 7006: 7001: 6996: 6990: 6988: 6984: 6983: 6981: 6980: 6975: 6970: 6965: 6960: 6958:Marnie Mueller 6955: 6950: 6945: 6940: 6935: 6930: 6925: 6920: 6911: 6905: 6903: 6899: 6898: 6896: 6895: 6890: 6885: 6880: 6875: 6870: 6865: 6860: 6855: 6850: 6845: 6843:Graciela Limón 6840: 6835: 6829: 6827: 6823: 6822: 6820: 6819: 6814: 6809: 6804: 6799: 6794: 6789: 6784: 6779: 6774: 6769: 6764: 6755: 6745: 6743: 6739: 6738: 6736: 6735: 6722: 6717: 6712: 6707: 6702: 6697: 6692: 6687: 6682: 6677: 6672: 6667: 6662: 6657: 6655:Art Spiegelman 6652: 6646: 6644: 6640: 6639: 6637: 6636: 6631: 6628: 6619: 6614: 6609: 6604: 6599: 6594: 6589: 6584: 6579: 6577:Deborah Keenan 6574: 6569: 6564: 6559: 6554: 6548: 6546: 6542: 6541: 6539: 6538: 6525: 6520: 6515: 6506: 6501: 6496: 6491: 6486: 6481: 6475:John C. 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Bush 1547: 1517: 1514: 1475: 1472: 1432: 1429: 1427: 1424: 1403: 1400: 1378: 1375: 1370:Kenneth Gibson 1362:Robert Kennedy 1305: 1302: 1300:among others. 1281: 1278: 1260: 1257: 1169:benefit album 1043: 1040: 875:, and Baraka; 794: 791: 743:Werner Sollors 700:Anthony Harvey 648:Lorenzo Thomas 593:Diane di Prima 564:Rochelle Owens 560:Barbara Moraff 528:Paul Blackburn 516:Ron Loewinsohn 512:Diane di Prima 508:Allen Ginsberg 498:(b. 1959) and 438:The New School 380: 377: 375: 372: 301: 300: 288: 287: 283: 282: 279: 278: 275: 271: 270: 257: 251: 250: 239: 235: 234: 230: 229: 226: 225: 216:Obalaji Baraka 198: 194: 193: 181: 177: 172: 171: 156: 152: 147: 146: 145: 143: 139: 138: 135: 131: 130: 127: 123: 122: 120: 119: 116: 113: 110: 107: 104: 101: 97: 95: 91: 90: 87: 83: 82: 79:(aged 79) 73: 69: 68: 51: 47: 46: 44:Baraka in 2013 43: 35: 34: 31: 15: 9: 6: 4: 3: 2: 7630: 7619: 7616: 7614: 7611: 7609: 7606: 7604: 7601: 7599: 7596: 7594: 7591: 7589: 7586: 7584: 7581: 7579: 7576: 7574: 7571: 7569: 7566: 7564: 7561: 7559: 7556: 7554: 7551: 7549: 7546: 7544: 7541: 7539: 7536: 7534: 7531: 7529: 7526: 7524: 7521: 7519: 7516: 7514: 7511: 7509: 7506: 7504: 7501: 7499: 7496: 7494: 7491: 7489: 7486: 7484: 7481: 7479: 7476: 7474: 7471: 7469: 7466: 7464: 7461: 7459: 7456: 7454: 7451: 7449: 7446: 7444: 7441: 7439: 7436: 7434: 7431: 7429: 7426: 7424: 7421: 7420: 7418: 7401: 7397: 7393: 7389: 7388: 7385: 7381: 7374: 7369: 7367: 7362: 7360: 7355: 7354: 7351: 7339: 7335: 7332: 7330: 7327: 7325: 7322: 7320: 7319:Nelson George 7317: 7315: 7312: 7310: 7307: 7305: 7302: 7300: 7297: 7295: 7291: 7287: 7284: 7282: 7279: 7277: 7276:Gloria Naylor 7274: 7272: 7269: 7267: 7263: 7260: 7258: 7255: 7253: 7250: 7248: 7245: 7243: 7240: 7238: 7235: 7233: 7230: 7229: 7227: 7223: 7217: 7214: 7212: 7211:Scott DeVeaux 7209: 7207: 7204: 7202: 7199: 7197: 7194: 7192: 7189: 7187: 7184: 7182: 7179: 7177: 7174: 7172: 7169: 7167: 7164: 7163: 7161: 7157: 7151: 7150:Brenda Knight 7148: 7146: 7143: 7141: 7138: 7136: 7135:Thulani Davis 7133: 7131: 7130:Sunaina Maira 7128: 7126: 7123: 7121: 7120:Noel Ignatiev 7118: 7116: 7113: 7111: 7110:Martín Espada 7108: 7106: 7103: 7101: 7098: 7096: 7093: 7091: 7088: 7086: 7083: 7082: 7080: 7076: 7070: 7067: 7065: 7062: 7060: 7056: 7054: 7051: 7049: 7046: 7044: 7041: 7039: 7036: 7034: 7030: 7027: 7025: 7022: 7020: 7017: 7015: 7012: 7010: 7007: 7005: 7004:Chang-Rae Lee 7002: 7000: 6997: 6995: 6994:Agate Nesaule 6992: 6991: 6989: 6985: 6979: 6976: 6974: 6971: 6969: 6966: 6964: 6961: 6959: 6956: 6954: 6951: 6949: 6946: 6944: 6943:Linda Raymond 6941: 6939: 6936: 6934: 6931: 6929: 6926: 6924: 6923:Denise Chavez 6921: 6919: 6915: 6912: 6910: 6907: 6906: 6904: 6900: 6894: 6891: 6889: 6886: 6884: 6881: 6879: 6878:Ronald Takaki 6876: 6874: 6871: 6869: 6866: 6864: 6861: 6859: 6856: 6854: 6851: 6849: 6846: 6844: 6841: 6839: 6836: 6834: 6831: 6830: 6828: 6824: 6818: 6815: 6813: 6812:Nelson George 6810: 6808: 6805: 6803: 6800: 6798: 6795: 6793: 6790: 6788: 6785: 6783: 6780: 6778: 6775: 6773: 6770: 6768: 6765: 6763: 6762:Peter Woodrow 6759: 6756: 6754: 6750: 6747: 6746: 6744: 6740: 6734: 6733:August Wilson 6730: 6726: 6723: 6721: 6718: 6716: 6713: 6711: 6708: 6706: 6703: 6701: 6698: 6696: 6693: 6691: 6688: 6686: 6685:Lucy Thompson 6683: 6681: 6680:Keith Gilyard 6678: 6676: 6673: 6671: 6670:Fritjof Capra 6668: 6666: 6663: 6661: 6658: 6656: 6653: 6651: 6648: 6647: 6645: 6641: 6635: 6632: 6629: 6627: 6623: 6620: 6618: 6615: 6613: 6610: 6608: 6607:Mary Crow Dog 6605: 6603: 6600: 6598: 6595: 6593: 6590: 6588: 6585: 6583: 6580: 6578: 6575: 6573: 6570: 6568: 6565: 6563: 6560: 6558: 6555: 6553: 6550: 6549: 6547: 6543: 6537: 6533: 6529: 6526: 6524: 6521: 6519: 6516: 6514: 6513:Sesshu Foster 6510: 6507: 6505: 6504:Martin Bernal 6502: 6500: 6497: 6495: 6492: 6490: 6487: 6485: 6482: 6480: 6476: 6473: 6471: 6468: 6466: 6465:Itabari Njeri 6463: 6461: 6458: 6456: 6453: 6451: 6448: 6446: 6443: 6441: 6438: 6437: 6435: 6431: 6425: 6422: 6420: 6417: 6415: 6412: 6410: 6407: 6405: 6402: 6400: 6397: 6395: 6392: 6390: 6387: 6385: 6382: 6380: 6377: 6375: 6372: 6370: 6369:Emory Elliott 6367: 6365: 6362: 6360: 6357: 6355: 6352: 6350: 6347: 6346: 6344: 6340: 6334: 6330: 6327: 6325: 6324:Toni Morrison 6322: 6320: 6317: 6315: 6312: 6310: 6309:Benjamin Hoff 6307: 6305: 6304:Marlon K. Hom 6302: 6300: 6296: 6292: 6289: 6287: 6284: 6282: 6279: 6277: 6274: 6272: 6269: 6267: 6264: 6262: 6261:Charles Olson 6259: 6257: 6254: 6253: 6251: 6247: 6241: 6238: 6236: 6232: 6229: 6227: 6224: 6222: 6219: 6217: 6214: 6212: 6209: 6207: 6204: 6202: 6199: 6197: 6194: 6192: 6189: 6187: 6184: 6182: 6179: 6177: 6174: 6172: 6169: 6167: 6164: 6163: 6161: 6157: 6151: 6148: 6146: 6145:Terence Winch 6143: 6141: 6138: 6136: 6133: 6131: 6128: 6126: 6123: 6121: 6118: 6116: 6115:Jeff Hannusch 6113: 6111: 6108: 6106: 6102: 6099: 6097: 6094: 6093: 6091: 6087: 6081: 6078: 6076: 6073: 6071: 6070:Sonia Sanchez 6068: 6066: 6063: 6061: 6058: 6056: 6053: 6051: 6048: 6046: 6043: 6041: 6038: 6036: 6032: 6028: 6024: 6021: 6019: 6016: 6014: 6011: 6009: 6006: 6004: 6000: 5999:Arnold Genthe 5997: 5995: 5992: 5991: 5989: 5985: 5979: 5976: 5974: 5971: 5969: 5966: 5964: 5960: 5959:You-shan Tang 5956: 5953: 5951: 5948: 5946: 5943: 5941: 5938: 5936: 5935:Maurice Kenny 5933: 5931: 5928: 5926: 5923: 5921: 5918: 5916: 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B5. 2510: 2509: 2501: 2493: 2492:Politicker NJ 2489: 2482: 2474: 2472:9780817357320 2468: 2464: 2460: 2459: 2451: 2449: 2447: 2445: 2443: 2438: 2428: 2427: 2423: 2422: 2421: 2420: 2419: 2410: 2406: 2405: 2404:Fo Deuk Revue 2401: 2400: 2399: 2398: 2397: 2388: 2387: 2383: 2382: 2381: 2380: 2379: 2370: 2369: 2365: 2364: 2363: 2362: 2361: 2352: 2348: 2347: 2343: 2342: 2341: 2340: 2339: 2330: 2327: 2325: 2321: 2317: 2314: 2311: 2308: 2307: 2298: 2297: 2293: 2290: 2287: 2284: 2281: 2278: 2277: 2273: 2270: 2267: 2264: 2261: 2258: 2255: 2252: 2249: 2246: 2243: 2240: 2237: 2234: 2231: 2228: 2225: 2222: 2221: 2217: 2214: 2213: 2209: 2206: 2203: 2200: 2197: 2194: 2192: 2191:Ralph Ellison 2188: 2185: 2184:Strange Fruit 2182: 2179: 2178: 2174: 2171: 2170: 2166: 2163: 2160: 2157: 2154: 2151: 2150: 2146: 2143: 2140: 2137: 2134: 2131: 2128: 2125: 2124: 2120: 2119: 2110: 2106: 2104: 2100: 2098: 2094: 2091: 2087: 2085: 2081: 2078: 2074: 2070: 2069: 2061: 2057: 2055: 2051: 2049: 2045: 2043: 2039: 2037: 2033: 2031: 2027: 2025: 2021: 2019: 2015: 2013: 2009: 2007: 2003: 2001: 1997: 1995: 1994: 1989: 1988: 1980: 1976: 1973: 1969: 1967: 1963: 1961: 1960: 1955: 1954: 1946: 1942: 1940: 1936: 1933: 1929: 1927: 1923: 1921: 1917: 1915: 1911: 1909: 1905: 1901: 1899: 1898: 1893: 1891: 1887: 1883: 1881: 1877: 1875: 1874: 1869: 1868: 1860: 1856: 1854: 1850: 1848: 1844: 1842: 1838: 1836: 1832: 1829: 1825: 1821: 1819: 1815: 1813: 1809: 1807: 1803: 1801: 1797: 1796: 1785: 1783: 1779: 1775: 1771: 1766: 1764: 1759: 1757: 1753: 1749: 1748: 1742: 1740: 1735: 1731: 1720: 1718: 1714: 1710: 1709:Robert Pinsky 1706: 1702: 1695: 1684: 1682: 1678: 1673: 1671: 1667: 1663: 1659: 1655: 1651: 1647: 1642: 1640: 1635: 1625: 1623: 1622: 1617: 1612: 1610: 1606: 1601: 1598: 1594: 1593:Jim McGreevey 1589: 1587: 1583: 1578: 1576: 1573: 1566: 1564: 1545: 1543: 1539: 1535: 1531: 1527: 1523: 1512: 1507: 1505: 1499: 1494: 1491: 1490:Village Voice 1487: 1483: 1482: 1481:Village Voice 1471: 1469: 1464: 1462: 1458: 1454: 1448: 1446: 1440: 1438: 1435:In his book, 1423: 1421: 1417: 1413: 1409: 1408:homosexuality 1398: 1393: 1391: 1390: 1385: 1373: 1371: 1367: 1363: 1359: 1355: 1351: 1347: 1343: 1337: 1333: 1330: 1324: 1320: 1316: 1313: 1311: 1301: 1299: 1295: 1291: 1287: 1280:Controversies 1277: 1275: 1270: 1266: 1256: 1254: 1250: 1246: 1242: 1241:Ras J. 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Melhem 6562:Bruce Wright 6460:Hualing Nieh 6329:Wing Tek Lum 6299:Egyirba High 6226:Michael Mayo 6211:John Wieners 6201:Harvey Pekar 6196:Gary Giddins 6171:Ana Castillo 6045:Maureen Owen 5885:Seán Ó Tuama 5814:Tato Laviera 5771:Him Mark Lai 5751:Duane Niatum 5715:Robert Kelly 5634:Jayne Cortez 5562:John Wieners 5512:Frank O'Hara 5482:Kenneth Koch 5477:Jack Kerouac 5452:Edward Field 5442:Larry Eigner 5412:Paul Carroll 5392:Robin Blaser 5382:John Ashbery 5364: 5328:Pulse Berlin 5229: 5222:Margalit Fox 5196: 5170:Amiri Baraka 5161:Amiri Baraka 5101: 5092: 5084: 5075: 5066: 5063:Albert Ayler 5058: 5054: 5050: 5045: 5033:. Retrieved 5029: 5019: 5008: 4998: 4973: 4969: 4935: 4931: 4925: 4913:. Retrieved 4909: 4888: 4879: 4846:December 14, 4844:. Retrieved 4834: 4826: 4817: 4805:. Retrieved 4791: 4778: 4768:November 26, 4766:. Retrieved 4755: 4746: 4737: 4727:December 14, 4725:. Retrieved 4715: 4707:The Guardian 4706: 4696: 4684:. Retrieved 4678: 4668: 4656:. 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