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United Church Boards of
Homeland Ministries (UCBHM) of the United Church of Christ (UCC). As the AMA division's awareness of the problems of discrimination and segregation of African-Americans became evident, a two-day seminar on "racialism" was held at the Broadway Tabernacle Church in New York City in October 1941. The seminar was attended by AMA officers, presidents of the historically black colleges and universities, representatives of philanthropic organizations, and U.S. government officials. The results of the seminar was the establishment of the Race Relations Department of the UCBHM at
301:. Johnson reached agreement with the director of the museum about re-locating the ARC to the Old U.S. Mint building. The terms including renting the floor space to the ARC for $ 1 per year. The ARC spent $ 500,000 on renovations to the new space, anticipating that the Old U.S. Mint building could accommodate its collections for the next 15 years. Johnson underestimated the growth of the ARC's collections, and after five years the ARC ran out of space again. Johnson and the ARC's Board of Trustees searched for another location that would accommodate the institution in its continued growth.
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284:. In 1970 the ARC moved to Dillard University. The university housed the ARC free of charge in its library with a promise to donate land for the construction of a permanent home on its campus. The funds for a new building at Dillard never crystallized and the Center was forced to seek a new location to house its collections that had grown beyond the space it occupied in Dillard's Library.
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and glass plate negatives. Microfilm holdings of collections at the ARC and from other repositories total approximately 14,000 reels. The moving image and sound recordings holdings include nearly 8,000 items on video and audiotape, motion picture film, phonographic and optical discs. Featured within
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sent delegations to make presentations to the ARC's board. There was strong opposition to both
Mississippi and Tulane housing the Center because of their past histories of denying Black students admission to their schools. However, there was strong support from the local community to keep the Center
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following a 1927 merger. It continued to work toward causes of civil rights, race relations, and the educational work of the church throughout the mergers of the
Congregation, Christian, Evangelical and Reformed churches that occurred in 1931 and in 1956. It eventually fell under the umbrella of the
182:
144:. It additionally has digitized holdings to enable research and education by scholars and students at locations distant from the ARC. Although the ARC documents history and race relations in the United States its holdings extend beyond African-American history and also include the
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and include examples from the growing
African American visual arts movement of the mid-twentieth century. The works fall within the traditional fine art categories of portraiture, landscape, and genre. Many of these are available in digital form.
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was appointed as director of the Race
Relations Department in 1966 making him the ARC's first administrator. Johnson was a suitable choice for the ARC because of his experience with the AMA archives. He wrote his dissertation on the AMA while a
573:, reports, literary first and notable editions, newspapers and monographs related to its focus. The ARC contains a diverse collection of approximately 45,000 books including rare and first editions, more than 2,000 runs of
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The ARC has approximately 800 manuscript collections that document cultural movements, civil rights, race relations, education, politics, and art. It has 250,000 photographs dating from 1860 in various formats including
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in 1980 after its collection became too large for its space at
Dillard University. The United States government had given the Old U.S. Mint building to the State of Louisiana, which in turn had given it to the
683:(1917–2000), a celebrated American artist of the 20th century. Toussaint was Lawrence's first series, completed when he was a 21 years old student. The paintings document the historic events of the
233:, Nashville, Tennessee in 1942. The Amistad Research Center was established within the Race Relations Department to house the historical records of the American Missionary Association in 1966.
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by John W. Handercock with an unpublished handwritten poem titled "Black
Majesty" by Countee Cullen on the title page verso, and Lewis Tappan's annotated copy of the 1839 edition of
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The ARC's library serves as a complement to the manuscripts collection and serves to document the ethnic experience in the United States by housing pamphlets,
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in the United States. Johnson's initial intent for
Amistad Research Center was that it would supply primary resources for scholars interested in any aspect of
260:. The UCBHM eventually closed the Race Relations Department but chose to keep the ARC and it was incorporated into an independent non-profit archive in 1969.
600:'s bound volume of contemporary pamphlets on the legal proceedings with his handwritten notes. Other highlights include 18th century slave ordinances in
133:. It is one of the first institutions of its kind in the United States to collect African American ethnic historical records and to document the modern
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advocated for the ARC to be located at Tulane
University. The board voted to relocate to Tulane University, and the ARC has been on its campus in
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Faciane, Valerie (October 3, 1996). "New Boss
Focuses on the Growth of Amistad Center". David Francis, publisher. New Orleans Times-Picayune.
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Kent, Joan (March 18, 1986). "Amistad's Choice of Tulane Keeps History Center in N.O.". David Francis, publisher. New Orleans Times-Picayune.
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since 1987. In 1996, Donald DeVore became the first African-American to serve as director of the ARC and the third director in its history.
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In addition to significant holdings in the area of African American literature, Amistad holds works from the personal libraries of authors
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The ARC has approximately 15 million holdings, emphasizing documents, and also including books, pamphlets, periodicals, photographs, and
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in New Orleans. The local chapter of the Friends of Amistad collected hundreds of signatures from Black residents in favor of Tulane.
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After incorporation in 1969, the first meeting of the ARC's board members was held in the New York City office of the AMA. Dr.
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Barbier, Sandra (September 13, 1979). "Mint Dedication Date Tentative". David Francis, publisher. New Orleans Times-Picayune.
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Staff writers (November 8, 1970). "Dillard's A.R.C. Origins Noted". David Francis, publisher. New Orleans Times-Picayune.
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By the mid-1980s, the ARC was in need of adequate space and invitations came from various universities to house the ARC.
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is a collection highlight, especially since it was the subject of an episode of a popular television show in the 1980s.
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Education for Liberation: The American Missionary Association and African Americans, 1890 to the Civil Rights Movement
1124:"Amistad Sets Events With Opening at Mint". David Francis, publisher. New Orleans Times-Picayune. October 13, 1980.
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125:) is an independent archives and manuscripts repository in the United States that specializes in the history of
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Beyond the Blues: Reflections of African America in the Fine Arts Collection of the Amistad Research Center
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consisting of approximately 400 works. Many of the artworks were a part of the collection formed by the
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Because of space limitations, the ARC's artworks are often displayed at major museums, including the
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who aided the Amistad Africans in their defense in that court case eventually helped to found the
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The ARC traces its history to the events leading to the 1841 U.S. Supreme Court case
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Clendinen, Dudley (December 26, 1985). "Archives on Black History". New York Times.
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and a Comics and Graphic Novels Collection, in addition to a growing collection of
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Among the prominent works in the collection are the 41 paintings in the
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dating from 1826, 1.5 million newspaper articles, and 30,000 pamphlets.
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1189:"COLLECTIONS | Amistad Research Center | Independent Archive"
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Archival and manuscript holdings include the papers and records of:
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The AMA became a division within the Board of Home Missions of the
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and other ethnic communities across the United States, including
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1167:"Library," Amistad Research Center, accessed October 16, 2014,
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The Founding and Development of the Amistad Research Center,
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American Slavery as It Is: Testimony of a Thousand Witnesses
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Amistad Research Center and the New Orleans Museum of Art.
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http://www.amistadresearchcenter.org/index.php/library
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929:"Blacks and the American Missionary Association"
1065:. Tuscaloosa: The University of Alabama Press.
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33:The reading room at the Amistad Research Center
213:, the AMA founded hundreds of schools for the
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863:. Tulane University. Archived from
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1005:"American Missionary Association"
857:"Africana Studies Research Guide"
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456:American Home Missionary Society
209:group. During and following the
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1100:(Amistad Research Center: 2005)
460:American Missionary Association
203:American Missionary Association
861:Howard-Tilton Memorial Library
350:, Tulane University President
1:
1280:amistadresearch.wordpress.com
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791:Rural African American Museum
679:series, completed in 1938 by
407:with civil rights activists,
221:, colleges and universities.
1338:www.theneworleanstribune.com
654:Ogden Museum of Southern Art
646:William E. Harmon Foundation
452:American Committee on Africa
319:University of North Carolina
246:University of North Carolina
194:United States v. The Amistad
61:Research library and archive
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533:Operation Crossroads Africa
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82:Manuscripts, books, and art
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1251:"Amistad Research Center"
1213:American Folklife Project
1037:. United Church of Christ
935:. United Church of Christ
900:amistadresearchcenter.org
815:"Amistad Research Center"
708:Edward Mitchell Bannister
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258:African American history
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960:Encyclopedia Britannica
658:Cleveland Museum of Art
390:The Slave Narrative of
272:, retired president of
226:Congregational Churches
211:United States Civil War
119:Amistad Research Center
22:Amistad Research Center
1276:"African-American Art"
670:Perez Art Museum Miami
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553:Marian Hamilton Spotts
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299:Louisiana State Museum
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896:"Amistad Collections"
763:William Edouard Scott
677:Toussaint L'Ouverture
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500:Free Southern Theater
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323:University of Georgia
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135:Civil Rights Movement
1096:Johnson, Clifton H.
819:NewOrleansOnLine.com
758:Richard Bruce Nugent
642:African American art
616:Theodore Dwight Weld
403:the collections are
343:Prairie View A&M
1334:"Art, Glorious Art"
1313:on 16 February 2017
1003:Williams, Wiley J.
906:on 16 February 2017
867:on 16 February 2017
768:Henry Ossawa Tanner
666:El Museo del Barrio
635:Henry Ossawa Tanner
417:Mary McLeod Bethune
1307:octobergallery.com
1174:2015-02-22 at the
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723:Margaret Burroughs
696:Funeral Procession
685:Haitian Revolution
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565:Library collection
515:Ellis Marsalis Jr.
480:Anne Wiggins Brown
465:Larry Bagneris Jr.
437:Frederick Douglass
429:Zora Neale Hurston
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360:Uptown New Orleans
331:Hampton University
315:Rutgers University
311:Harvard University
282:Dillard University
274:Dillard University
264:Dillard University
252:on the history of
242:doctoral candidate
237:Clifton H. Johnson
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185:Clifton H. Johnson
162:Appalachian whites
90:approx. 15 million
1392:Tulane University
1072:978-0-8173-1657-0
728:Elizabeth Catlett
485:Elizabeth Catlett
409:community leaders
381:John Quincy Adams
339:Tulane University
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305:Tulane University
278:board of trustees
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