31:
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In this opera, the old poet
Anacreon pretends he is going to marry his protégée Cloë. She is in love with the young Bathylle, also under Anacreon's protection. Finally, the poet reveals he had planned to marry the two lovers all along. The work was performed "with great success".
140:
for performances before the royal court at
Fontainebleau in 1754. The Duc d'Aumont subjected them to rehearsal and screening before they were given approval for staging because of the poor reception other works by Rameau had met the previous year.
254:(1754) Matthew Brook (Anacréon), Anna Dennis (Chloë), Agustin Prunell-Friend (Batile), Choir and Orchestra of the Age of Enlightenment conducted by Jonathan Williams (Signum Classics, 2015)
742:
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appeared on 23 and 26 October 1754, the only performances during the composer's lifetime. Rameau and
Cahusac revised the score and this version appeared posthumously at the
149:
in 1766. A brief run in 1771 was the last staging of the work until the 20th century. The first modern revival was an abridged version conducted by
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794:
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The Paris Opéra. An
Encyclopedia of Operas, Ballets, Composers, and Performers – Rococo and Romantic, 1715–1815
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and has sometimes been performed and recorded as a stand-alone opera. It too features the
Ancient
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Anacréon, Ballet
Heroique, Représenté devant le Roi à Fontainebleau, le (..) Octobre 1754
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was not originally intended as an independent work but was to be part of a multi-act
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Williams, Jonathan, essay in the booklet notes to his recording of
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132:. Rameau had problems completing the project and instead salvaged
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in 1757. The latter was an act added to a revival of the
315:, Paris, Ballard, s.d. (accessible for free online in
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Traité de l'harmonie réduite à ses principes naturels
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328:, New York: Dover, 1969 (paperback edition)
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383:
349:, Greenwood Press, Westport/London, 1985 (
317:Gallica, Bibliothèque Nationale de France
280:According to the original libretto, p. 4.
185:Claude-Louis-Dominique Chassé de Chinais
71:in one act. Rameau also composed another
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29:
326:Jean-Philippe Rameau: His Life and Work
14:
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98:) and its plot are totally different.
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106:There is some evidence that the 1754
362:The New Grove French Baroque Masters
24:
526:Les fêtes de l'Hymen et de l'Amour
102:Background and performance history
94:as its hero, but the libretto (by
27:1754 opera by Jean-Philippe Rameau
25:
831:
335:, New York: Penguin Putnam, 2001
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170:Premiere Cast, 23 October 1754
795:Operas by Jean-Philippe Rameau
706:Pièces de clavecin en concerts
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53:which was first performed at
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1:
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820:Libretti by Louis de Cahusac
750:New System of Musical Theory
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96:Pierre-Joseph-Justin Bernard
7:
333:The New Penguin Opera Guide
236:
10:
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658:(unfinished, date unknown)
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120:. The other sections were
118:Les beaux jours de l'Amour
65:. It takes the form of an
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542:Les surprises de l'Amour
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83:Les surprises de l'Amour
57:on 23 October 1754. Its
486:La princesse de Navarre
271:Williams, pages 6 and 7
800:French-language operas
725:In convertendo Dominus
510:Le temple de la Gloire
371:(details listed above)
360:Sadler, Graham (Ed.),
331:Holden, Amanda (Ed.),
37:
757:Querelle des Bouffons
606:La naissance d'Osiris
502:Les fêtes de Polymnie
364:Grove/Macmillan, 1988
322:Girdlestone, Cuthbert
205:Batile (or Bathylle)
138:La naissance d'Osiris
123:La naissance d'Osiris
33:
429:List of compositions
406:Jean-Philippe Rameau
51:Jean-Philippe Rameau
35:Jean-Philippe Rameau
518:Les fêtes de Ramire
446:Hippolyte et Aricie
311:Original libretto:
298:Girdlestone p. 474.
126:and the unfinished
699:Pièces de Clavecin
454:Les Indes galantes
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780:
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582:Acante et Céphise
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16:(Redirected from
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735:Related articles
639:Nélée et Myrthis
470:Les fêtes d'Hébé
462:Castor et Pollux
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63:Louis de Cahusac
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214:Pierre Jélyotte
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417:List of operas
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55:Fontainebleau
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623:Les Paladins
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78:opéra-ballet
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815:1754 operas
422:Lost operas
223:: Égipans (
167:Voice type
147:Paris Opéra
789:Categories
259:References
229:Bacchantes
566:Zoroastre
550:Pigmalion
246:Recording
199:Marie Fel
153:in 1909.
116:entitled
774:Category
617:(1754)
614:Anacréon
478:Dardanus
369:Anacréon
252:Anacréon
237:Synopsis
225:Aegipans
176:Anacreon
143:Anacréon
134:Anacréon
108:Anacréon
92:Anacreon
73:Anacréon
59:libretto
42:Anacréon
647:Zéphire
306:Sources
194:soprano
810:Operas
717:Choral
709:(1741)
664:Samson
626:(1760)
609:(1754)
601:(1753)
593:(1753)
585:(1751)
577:(1751)
569:(1749)
561:(1749)
553:(1748)
545:(1748)
537:(1748)
529:(1747)
521:(1745)
513:(1745)
505:(1745)
497:(1745)
494:Platée
489:(1745)
481:(1739)
473:(1739)
465:(1737)
457:(1735)
449:(1733)
438:Operas
353:
339:
227:) and
221:Chorus
190:Chloë
61:is by
45:is an
672:Linus
164:Role
157:Roles
90:poet
88:Greek
47:opera
558:Naïs
534:Zaïs
351:ISBN
337:ISBN
181:bass
136:and
49:by
791::
655:Io
324:,
398:e
391:t
384:v
357:)
20:)
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