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Antoine Joseph Lavigne

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wrote: "This admirable player has great execution and feeling; but what he is most remarkable for is his power and length of breath, which by some secret known to himself enables him to give the longest phrases without breaking them."
84:. A critic in Boston wrote that Lavigne was "generally considered the first oboist in Europe; his execution is most exquisitely delicate and the tone very thin and cutting, as it were, like glass." 50:. He was obliged to leave in May 1835, when his father's regiment was ordered from Paris. He rejoined the school in October 1836, and obtained the first prize in 1837. 42:
in 1816, and received his early musical education from his father, a musician in an infantry regiment. In 1830 he was admitted a pupil of the
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Lavigne was among the musicians in an orchestra which in 1853 travelled to America with the conductor
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at Paris. In 1841 he came to England, and appeared as oboe soloist at the Promenade Concerts at
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in Manchester. He addressed himself with great earnestness to applying to the oboe the
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This article incorporates text from a publication now in the
23: 69:, and devoted several years to perfecting the instrument. 67:
system of keys which Boehm had contrived for the flute
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Lavigne was for several years principal oboe at the
195: 61:. Later he was for many years a member of the 149:. University of Chicago Press, 2012. Page 324 140: 138: 147:American Orchestras in the 19th century 196: 135: 103: 101: 99: 97: 168: 107: 22:(23 March 1816 – 1886) was a French 182:A Dictionary of Music and Musicians 124:A Dictionary of Music and Musicians 94: 13: 46:, where he studied the oboe under 14: 235: 224:19th-century classical musicians 1: 87: 7: 10: 240: 169:Husk, William H. (1900). 59:Theatre Royal, Drury Lane 219:French classical oboists 172:"Lavigne, Antoine"  114:"Lavigne, Antoine"  214:Musicians from Besançon 33: 44:Conservatoire de Paris 20:Antoine Joseph Lavigne 187:Macmillan and Company 129:Macmillan and Company 82:Louis-Antoine Jullien 38:Lavigne was born in 74:William Henry Husk 72:The music critic 231: 190: 174: 151: 142: 133: 132: 116: 109:Husk, William H. 105: 239: 238: 234: 233: 232: 230: 229: 228: 194: 193: 155: 154: 143: 136: 106: 95: 90: 63:HallĂ© Orchestra 55:Théâtre-Italien 36: 28:HallĂ© Orchestra 17: 12: 11: 5: 237: 227: 226: 221: 216: 211: 206: 192: 191: 153: 152: 145:John Spitzer. 134: 92: 91: 89: 86: 35: 32: 15: 9: 6: 4: 3: 2: 236: 225: 222: 220: 217: 215: 212: 210: 207: 205: 202: 201: 199: 188: 184: 183: 178: 177:Grove, George 173: 166: 165:public domain 162: 161: 160: 159: 150: 148: 141: 139: 130: 126: 125: 120: 119:Grove, George 115: 110: 104: 102: 100: 98: 93: 85: 83: 78: 75: 70: 68: 64: 60: 56: 51: 49: 45: 41: 31: 29: 25: 21: 16:French oboist 180: 157: 156: 146: 122: 79: 71: 52: 48:Gustave Vogt 37: 19: 18: 209:1886 deaths 204:1816 births 158:Attribution 198:Categories 185:. London: 127:. London: 88:References 111:(1900). 40:Besançon 179:(ed.). 167::  121:(ed.). 24:oboist 175:. In 117:. In 34:Life 200:: 137:^ 96:^ 30:. 189:. 131:.

Index

oboist
Hallé Orchestra
Besançon
Conservatoire de Paris
Gustave Vogt
Théâtre-Italien
Theatre Royal, Drury Lane
Hallé Orchestra
system of keys which Boehm had contrived for the flute
William Henry Husk
Louis-Antoine Jullien




Husk, William H.
"Lavigne, Antoine" 
Grove, George
A Dictionary of Music and Musicians
Macmillan and Company


John Spitzer. American Orchestras in the 19th century. University of Chicago Press, 2012. Page 324
public domain
"Lavigne, Antoine" 
Grove, George
A Dictionary of Music and Musicians
Macmillan and Company
Categories
1816 births

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