267:). The edition which Beaumont has translated includes these letters in unedited form and includes an additional 188 letters and other unpublished documents. "The texts, supplemented by detailed commentaries, depict an explosive relationship between two people of widely differing character and temperament. The Mahler that emerges from these authentic, unabridged sources is warm, genuine and touchingly human."
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action for
Mephistopheles (he lifts the body of Faust onto his shoulders and slowly leaves the stage), and a final choral passage not found in the Jarnach version. These changes extend the scene from approximately 25 to 29 minutes. The full score of the Beaumont completion exists as a manuscript; the vocal score was published by
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chords; in the Busoni/Beaumont version Faust achieves a self-actualized resurrection: "In the freedom I have won, God and the Devil succumb." Perhaps
Jarnach was uncomfortable with the morality, or perceived lack thereof, of Busoni's original intentions. The changes in Scene 3 also include additional
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Desolate at the end of a romance with Gustav Klimt, Alma Mahler-Werfel falls briefly in love with her piano teacher, Zemlinsky: 'so immeasurably great!' she writes dramatically. Hers was a life filled with such drama for soon she was attracted to Gustav Mahler. Mahler-Werfel was a wildly dramatic
262:
Further research led to
Beaumont's translation and publication in 2004 of letters written by Gustav Mahler to Alma, during the period when she was Mahler's wife. Alma had published many of these letters in 1940, but they were heavily edited to present herself in the best way possible (see
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and include slightly altered text and additional music for the character of Faust such that the scene plays for approximately 39 instead of 37 minutes. In the
Jarnach version of Scene 3, the final scene, Faust suffers a conventional kind of doom, dying to the accompaniment of
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at the library of the
American University, Beaumont found her early diaries dating from that period of her life. Beaumont edited and translated the diaries and published them in 1999. About this volume, Kirkus Reviews UK wrote:
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In the late 1990s
Beaumont began studying the life and music of Zemlinsky, conducting and recording several lesser known pieces (see below), and preparing a completion of Zemlinsky's unfinished opera
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character and a charismatic beauty. Her diaries, scribbled in old exercise books, record her development from adolescence to womanhood, up to her marriage to Mahler. They provide a vivid picture of
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Zemlinsky: Die
Seejungfrau, Fantasy for Orchestra (1902-3); Symphony in D minor. Czech Philharmonic. Chandos CHAN 10138 (2003) (includes , accessed on 14 August 2010)
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228:. In addition, he wrote and published a biography of Zemlinsky in 2000, which has been widely praised.
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The
Beaumont version has not been used often in staged productions of the opera. It was premiered in
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was mounted in the late 1980s. The
English performances (beginning 25 April 1986) were conducted by
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194:, as revised by Beaumont. This was the first staged production of the opera in Great Britain. The
145:, which was based on less detailed information. The changes in Scene 2 occur during the vision of
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94:, and played violin and piano as a freelance artist. At various times he played under conductors
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Ross, Alex (2001). "Outsiders. Ferruccio Busoni and Frank Martin come in from the cold."
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Beaumont has prepared new versions of the final two scenes of Busoni's unfinished opera
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and became a German citizen. Beaumont has held conducting posts with orchestras in
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365:(Original version, 1899); Sinfonietta, Op. 23 (1934); Prelude to Act II of
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Zemlinsky: Lyric
Symphony; Complete incidental music to Shakespeare's
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music from the first half of the 20th century, including works by
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website, 2011 Winter Music Creative Residencies, Program Faculty.
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Beaumont, Antony & Susanne Rode-Breymann, eds. & trans.,
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English and German musicologist, writer, conductor and violinist
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481:(First complete edition, rev. & trans. by Antony Beaumont)
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369:(1936). Czech Philharmonic. Chandos CHAN 10204 (2004)
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and violinist. As a conductor, he has specialized in
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Weill: Symphonies Nos. 1 & 2; Quodlibet, Op. 9.
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214:, also used the less authentic Jarnach version.
210:in 2001, with Hampson as Faust and conducted by
591:includes the Beaumont versions as appendices. (
400:This list of publications is not comprehensive.
190:, and were given in the English translation by
50:. As a musicologist, he has published books on
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476:, GĂĽnther Weiss, & Knud Martner, eds.,
258:symphonies, the social scene and fashions.
166:in April 1985. A co-production between the
361:Zemlinsky: Symphony in B flat; Prelude to
278:Gurlitt: Goya Symphony; 4 Dramatic Songs.
236:While researching Zemlinsky's affair with
638:Porter, Andrew (1986). "Musical Events"
254:exhibitions, performances of Mahler and
779:21st-century British conductors (music)
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443:Alma Mahler-Werfel, Diaries 1898-1902
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700:Ferruccio Busoni: a bio-bibliography
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596:3984-25501-2, released January, 1999
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784:21st-century British male musicians
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553:Antony Beaumont (biographical note)
478:Gustav Mahler, Letters to his Wife
250:in the 1900s, with accounts of the
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769:English people of Romanian descent
720:, 29 January 2001, pp. 90–91.
86:, worked as a disc jockey for the
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764:English people of Greek descent
739:English male conductors (music)
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483:Faber and Faber, London, 2004.
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280:Berlin Radio Symphony Orchestra
271:Audio recordings (as conductor)
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106:. After graduation he moved to
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642:62 (30 June 1986), pp. 57-58.
182:and Antony Beaumont, starred
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698:Roberge, Marc-André (1991).
651:Reviewed by Guy Rickards in
335:. Chandos CHAN 10069 (2003)
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681:Product description on the
308:Deutsche Kammerphilharmonie
26:) is an English and German
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583:The recording of Busoni's
284:Phoenix Edition 114 (2008)
202:as Faust and conducted by
196:Zurich Opera DVD from 2006
474:La Grange, Henry-Louis de
429:Columbia University Press
82:parentage. He studied at
22:(born 27 January 1949 in
601:1 September 2011 at the
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425:Busoni: Selected Letters
683:Amazon.com product page
670:Amazon.com product page
659:(Accessed 27 Apr 2009.)
423:Beaumont, Antony, ed.,
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168:English National Opera
159:, Wiesbaden, in 1982.
754:Musicians from London
744:English musicologists
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66:Beaumont was born in
289:28 June 2017 at the
172:Deutsche Oper Berlin
157:Breitkopf and Härtel
90:, wrote reviews for
535:Lewis, Uncle Dave,
407:Busoni the Composer
367:Der König Kandaules
225:Der König Kandaules
92:The Daily Telegraph
668:Reproduced on the
657:March, 2008, p. 90
455:Beaumont, Antony,
431:, New York, 1987.
405:Beaumont, Antony,
333:Czech Philharmonic
208:Metropolitan Opera
511:Jacket notes for
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100:Leopold Stokowski
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186:(Faust) and
184:Thomas Allen
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152:E-flat minor
138:Doktor Faust
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131:Doktor Faust
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28:musicologist
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749:1949 births
702:, New York:
589:Kent Nagano
541:Answers.com
232:Alma Mahler
120:SaarbrĂĽcken
104:Georg Solti
728:Categories
718:New Yorker
693:References
653:Gramophone
640:New Yorker
180:Mark Elder
174:, and the
126:Musicology
30:, writer,
457:Zemlinsky
329:Cymbeline
299:256499310
252:Secession
218:Zemlinsky
84:Cambridge
70:of Anglo-
62:Biography
40:Zemlinsky
32:conductor
615:Beaumont
599:Archived
574:, p. 91.
537:Allmusic
383:50442560
375:56360770
354:54432393
341:52524302
320:70967127
287:Archived
256:Bruckner
80:Romanian
627:Roberge
312:Chandos
198:, with
164:Bologna
116:Cologne
108:Germany
48:Gurlitt
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52:Busoni
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36:German
24:London
593:Erato
496:Notes
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76:Greek
44:Weill
708:ISBN
572:Ross
485:ISBN
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415:ISBN
379:OCLC
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350:OCLC
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295:OCLC
74:and
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88:BBC
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