389:, where Julian goes with his wife and some friends. Julian gets drunk and invites a provocatively clad woman to go out to his car with him. The woman is, in fact, a gangster's girlfriend, and one of the gangster's men is present, sent to watch her. Both Julian's wife and the gangster's aide see the couple leave. What actually happens in the car is left ambiguous, but that is unimportant, since all observers assume that sexual congress has ensued. There is not any assumption that violence will ensue. However, the gangster is a valued automobile customer who in the past has recommended Julian's dealership to his acquaintances. As Julian is driven home, pretending to be asleep, he "felt the tremendous excitement, the great thrilling lump in the chest and abdomen that comes before the administering of an unknown, well-deserved punishment. He knew he was in for it."
42:
146:
410:
No, let's not have him, he's one of the older guys. Wish Julian
English would act his age ... No thanks, Julian, I'd rather walk. No thanks, Mr. English, I haven't much farther to go. Julian, I wish you wouldn't call me so much. My father gets furious. You better leave me at the corner becuss if
400:
Julian thought and thought about
Caroline and Harry, and thought against them, against their being drawn to each other sexually, which was the big thing that mattered. "By God, no one else will have her in bed," he said, to the empty office. And immediately began the worst fear he had ever known that
494:
She was wearing a dress that was cut in front so he could all but see her belly-button, but the material, the satin or whatever it was, it held close to her body so that when she stood up she only showed about a third of each breast. But when she was sitting down across the table from him she leaned
357:
The novel describes how, over the course of three days, Julian
English destroys himself with a series of impulsive acts, culminating in suicide. O'Hara never gives any obvious cause or explanation for his behavior, which is apparently predestined by his character. Facts about Julian gradually emerge
326:
and there Death will not find me. The merchant lent him his horse, and the servant mounted it, and he dug his spurs in its flanks and as fast as the horse could gallop he went. Then the merchant went down to the marketplace and he saw me standing in the crowd and he came to me and said, Why did you
489:
Most of O'Hara's descriptions of sexuality are indirect: "There was the time Elinor
Holloway ... shinnied half way up the flagpole while five young gentlemen, standing at the foot of the pole, verified the suspicion that Elinor, who had not always lived in Gibbsville, was not naturally, or at
365:
English is introduced seven pages into the novel, in the thoughts of the wife of one of his employees: "She wouldn't trade her life for
Caroline English's, not if you paid her. She wondered if Julian and Caroline were having another one of their battle royales". Within the three days of the novel,
405:
He does not, however, commit suicide at that time. His second suicidal reverie is after a failed attempt to seduce a woman, the local society reporter. He believes that, as a result of his behavior and of the community's sympathy for
Caroline, "no girl in Gibbsville—worth having—would
392:
Third, the next day, during lunch at the
Lantenengo Club, Julian engages in a complicated brawl with a one-armed war veteran named Froggy Ogden, who is also Caroline's cousin. Julian thought of Froggy as an old friend, but Froggy acknowledges to Julian that he has always detested him and had not
373:
On successive days, he commits three impulsive acts, which are serious enough to damage his reputation, his business, and his relationship with his wife. First, he throws a drink in the face of Harry Reilly, a man we learn later is an important investor in his business. The man is a sufficiently
381:
never actually shows us the details of the incident. He shows us Julian fantasizing in great detail about throwing the drink; but, we are told, "he knew he would not throw the drink" because he was in financial debt to Harry and because "people would say he was sore because Reilly ... was
370:. During the first of two suicidal reveries, we learn that his greatest fear is that he will eventually lose his wife to another man. Yet within three days, he sexually propositions two women, succeeding once, with an ease and confidence suggesting this is well-practiced behavior.
438:; he is ten years younger and belongs to what came to be called the hangover generation, the young people who grew up accustomed to the good life without having to earn it. This is the generation that had so little to defend itself with when the
327:
make a threatening gesture to my servant when you saw him this morning? That was not a threatening gesture, I said, it was only a start of surprise. I was astonished to see him in
Baghdad, for I had an appointment with him tonight in Samarra.
317:
who sent his servant to market to buy provisions and in a little while the servant came back, white and trembling, and said, Master, just now when I was in the marketplace I was jostled by a woman in the crowd and when I turned I saw it was
382:
elaborately attentive to
Caroline English". The narrator's vision shifts elsewhere, and several pages later we are surprised to hear a character report "Jeezozz H. Kee-rist! Julian English just threw a highball in Harry Reilly's face!"
495:
forward with her elbows on the table and her chin in her hands, and that loosened the dress so that whenever she made a move he could see the nipples of her breasts. She saw him looking—he couldn't help looking. And she smiled.
349:. He says "Dorothy didn't like the title; Alfred Harcourt didn't like the title; his editors didn't like it; nobody liked it but me." O'Hara describes it as a reference to "the inevitability of Julian English's death".
406:
risk the loss of reputation which would be her punishment for getting herself identified with him." He believes that even if he divorces
Caroline, he is destined to spend the rest of his life hearing:
266:(1905–1970). It concerns the self-destruction of the fictional character Julian English, a wealthy car dealer who was once a member of the social elite of Gibbsville (O'Hara's
396:
He experiences two suicidal daydreams that oddly contrast with each other. In the first of the two dreams, after Caroline's temporary departure, he places a gun in his mouth:
393:
wanted his cousin Caroline to marry him. In the brawl, which Froggy has arguably started, Julian hits Froggy and at least one of a group of bystanders in the club.
401:
this day, this week, this minute, next year, sometime she would open herself to another man and close herself around him. Oh, if she did that it would be forever.
322:
that jostled me. She looked at me and made a threatening gesture; now, lend me your horse, and I will ride away from this city and avoid my fate. I will go to
106:
78:
59:
374:
well-known Catholic that Julian knows word will spread among the Gibbsville Catholic community, many of whom are his customers.
85:
505:
26:
592:
92:
577:
210:
125:
74:
466:
528:
587:
286:
63:
572:
450:
O'Hara's books tended to push the limits of what was considered tolerable in a mainstream novel. His second,
233:
597:
362:
dealership, and within the Gibbsville community belongs to the prestigious "Lantenengo Street crowd".
490:
least not entirely, a blonde." However, passages like the following were quite unusual for the time:
416:
99:
271:
415:
After this and other indications that he had mis-gauged his social status, he commits suicide by
319:
52:
358:
throughout the novel. He is about 30 years old. He is college educated, owns a well-established
482:'s denunciation of the book's sensuality as "nothing but infantilism – the erotic visions of a
452:
427:
O'Hara biographer Frank MacShane writes "The excessiveness of Julian's suicide is what makes
306:
386:
182:
331:
In his foreword to the 1952 reprint, O'Hara says that the working title for the novel was
8:
432:
378:
298:
475:
267:
218:
205:
582:
439:
244:
483:
471:
366:
Julian gets drunk several times. One long lyrical paragraph describes one of his
479:
461:
456:, was notorious and was banned from importation into Australia until 1963. But
344:
340:
278:
263:
156:
566:
274:). The book created controversy due to O'Hara's inclusion of sexual content.
302:
225:
145:
554:
41:
435:
367:
359:
323:
314:
478:, entitled "Mr. O'Hara and the Vulgar School", and also cites
377:
In a curious device, repeated for each of the incidents, the
219:
262:, published in 1934, is the first novel by American writer
245:
431:
so much a part of its time. Julian doesn't belong to
287:
100 best English-language novels of the 20th century
66:. Unsourced material may be challenged and removed.
564:
445:
411:my old man. Listen, you, leave my sister alone.
144:
126:Learn how and when to remove this message
343:showed him the story in Maugham's play,
565:
419:, running his car in a closed garage.
64:adding citations to reliable sources
35:
13:
460:was controversial too. Biographer
14:
609:
509:magazine's list of top 100 novels
504:In 2011, the book was placed on
335:. He got the idea for the title
40:
549:One version is recorded in the
511:written in English since 1923.
51:needs additional citations for
543:
521:
1:
514:
385:The second event occurs at a
446:Frank treatment of sexuality
297:The title is a reference to
200:Print (hard & paperback)
183:Harcourt Brace & Company
7:
422:
301:'s retelling of an ancient
10:
614:
593:Novels set in Pennsylvania
20:
499:
417:carbon monoxide poisoning
305:tale which appears as an
243:
231:
217:
204:
196:
188:
178:
170:
162:
152:
143:
16:1934 novel by John O'Hara
313:There was a merchant in
292:
285:22nd on its list of the
272:Pottsville, Pennsylvania
75:"Appointment in Samarra"
27:Appointment in Samarra (
352:
213:(Reprint ed: July 2003)
139:Appointment in Samarra
531:Appointment in Samarra
497:
458:Appointment In Samarra
429:Appointment in Samarra
413:
403:
337:Appointment in Samarra
329:
283:Appointment in Samarra
259:Appointment in Samarra
588:Fiction about suicide
578:Novels by John O'Hara
492:
408:
398:
311:
573:1934 American novels
60:improve this article
555:Sukkah 53a.5-6
379:omniscient narrator
299:W. Somerset Maugham
140:
21:For the episode of
539:. August 16, 1934.
486:behind the barn."
476:Henry Seidel Canby
333:The Infernal Grove
251:PS3529.H29 A8 2003
138:
598:1934 debut novels
551:Babylonian Talmud
255:
254:
189:Publication place
136:
135:
128:
110:
605:
557:
547:
541:
540:
525:
247:
221:
148:
141:
137:
131:
124:
120:
117:
111:
109:
68:
44:
36:
613:
612:
608:
607:
606:
604:
603:
602:
563:
562:
561:
560:
548:
544:
533:by John O'Hara"
527:
526:
522:
517:
502:
472:Yale University
467:Saturday Review
448:
442:came in 1929."
425:
355:
295:
236:
197:Media type
132:
121:
115:
112:
69:
67:
57:
45:
34:
17:
12:
11:
5:
611:
601:
600:
595:
590:
585:
580:
575:
559:
558:
542:
537:Kirkus Reviews
519:
518:
516:
513:
501:
498:
480:Sinclair Lewis
462:Geoffrey Wolff
447:
444:
424:
421:
354:
351:
341:Dorothy Parker
309:for the novel:
294:
291:
279:Modern Library
253:
252:
249:
241:
240:
237:
232:
229:
228:
223:
215:
214:
208:
202:
201:
198:
194:
193:
190:
186:
185:
180:
176:
175:
172:
168:
167:
164:
160:
159:
154:
150:
149:
134:
133:
116:September 2008
48:
46:
39:
15:
9:
6:
4:
3:
2:
610:
599:
596:
594:
591:
589:
586:
584:
581:
579:
576:
574:
571:
570:
568:
556:
552:
546:
538:
534:
532:
524:
520:
512:
510:
508:
496:
491:
487:
485:
481:
477:
473:
469:
468:
463:
459:
455:
454:
453:BUtterfield 8
443:
441:
437:
434:
430:
420:
418:
412:
407:
402:
397:
394:
390:
388:
383:
380:
375:
371:
369:
363:
361:
350:
348:
347:
342:
338:
334:
328:
325:
321:
316:
310:
308:
304:
300:
290:
288:
284:
280:
277:In 1998, the
275:
273:
269:
268:fictionalized
265:
261:
260:
250:
248:
246:LC Class
242:
238:
235:
234:Dewey Decimal
230:
227:
224:
222:
216:
212:
211:0-375-71920-2
209:
207:
203:
199:
195:
192:United States
191:
187:
184:
181:
177:
173:
169:
165:
161:
158:
155:
151:
147:
142:
130:
127:
119:
108:
105:
101:
98:
94:
91:
87:
84:
80:
77: –
76:
72:
71:Find sources:
65:
61:
55:
54:
49:This article
47:
43:
38:
37:
32:
30:
24:
19:
550:
545:
536:
530:
523:
506:
503:
493:
488:
465:
457:
451:
449:
433:Fitzgerald's
428:
426:
414:
409:
404:
399:
395:
391:
384:
376:
372:
364:
356:
345:
336:
332:
330:
312:
303:Mesopotamian
296:
282:
276:
258:
257:
256:
122:
113:
103:
96:
89:
82:
70:
58:Please help
53:verification
50:
29:Supernatural
28:
23:Supernatural
22:
18:
529:"Review of
484:hobbledehoy
470:article by
270:version of
264:John O'Hara
157:John O'Hara
567:Categories
515:References
474:professor
440:depression
239:813/.52 22
86:newspapers
464:quotes a
387:roadhouse
368:hangovers
179:Publisher
436:Jazz Age
423:Analysis
360:Cadillac
307:epigraph
226:53165621
163:Language
583:Samarra
346:Sheppey
324:Samarra
315:Baghdad
281:ranked
166:English
100:scholar
500:Awards
153:Author
102:
95:
88:
81:
73:
25:, see
339:when
320:Death
293:Title
174:novel
171:Genre
107:JSTOR
93:books
507:Time
353:Plot
220:OCLC
206:ISBN
79:news
62:by
569::
553:,
535:.
289:.
129:)
123:(
118:)
114:(
104:·
97:·
90:·
83:·
56:.
33:.
31:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.