113:
45:
925:
303:
1980:
1990:
944:
385:
313:
While Morley attempted to imitate the spirit of Byrd in some of his early sacred works, it was in the form of the madrigal that he made his principal contribution to music history. His work in the genre has remained in the repertory to the present day, and shows a wider variety of emotional colour,
387:
189:
states that Morley was "chiefly responsible for grafting the
Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music."
288:
fitted with
English texts, which touched off the explosive and colourful vogue for madrigal composition in England. Morley found his compositional direction at this time, and shortly afterwards began publishing his own collections of madrigals (11 in all).
298:
has never been established as having been used in a performance of
Shakespeare's play during the playwright's lifetime. However, given that the song was published in 1600, there is evidently a possibility that it was used in stage performances.
386:
361:
The First Booke of
Consort Lessons, made by diuers exquisite Authors, for six Instruments to play together, the Treble Lute, the Bandora, the Cittern, the Base-Violl, the Flute & Treble-Violl
370:(published 1597) remained popular for almost two hundred years after its author's death, and is still an important reference for information about sixteenth century composition and performance.
292:
Morley lived for a time in the same parish as
Shakespeare, and a connection between the two has been long speculated, but never proven. His famous setting of "It was a lover and his lass" from
271:, and shortly thereafter was employed as organist at St. Paul's in London. His young son died the following year in 1589. He and his wife Susan had three more children between 1596 and 1600.
318:" (which is actually a ballett); he took the aspects of Italian style that suited his personality and anglicised them. Other composers of the English Madrigal School, for instance
1558:
676:
2014:
1025:
314:
form and technique than anything by other composers of the period. Usually his madrigals are light, quick-moving and easily singable, like his well-known "
17:
185:
861:
1238:
1808:
2079:
2069:
963:
1018:
2054:
707:
329:
In addition to his madrigals, Morley wrote instrumental music, including keyboard music (some of which has been preserved in the
1803:
209:
2034:
762:
737:
112:
1174:
866:
2029:
1144:
1011:
1149:
880:
851:
837:
202:
88:
66:
1823:
59:
2074:
2039:
1783:
1513:
1139:
579:
2024:
2019:
1231:
1828:
1352:
31:
1264:
1483:
1440:
1256:
2049:
1793:
1179:
953:
1838:
2044:
1983:
1886:
1701:
1224:
1184:
1034:
540:
315:
1668:
1154:
532:
433:
331:
1538:
959:
216:(a type of monopoly). He used the monopoly in partnership with professional music printers such as
1932:
1788:
53:
1963:
1721:
1696:
949:
374:
252:
176:
1395:
244:, and there is evidence that he may have been an informer on the activities of Roman Catholics.
1993:
1970:
1947:
1942:
1578:
1553:
1463:
1342:
1159:
997:
647:
70:
2059:
1813:
1798:
1711:
1503:
1108:
1093:
1458:
706:
Foster, Michael W.. "Morley, Thomas (b. 1556/7, d. in or after 1602)." Michael W. Foster in
240:
there in 1583. He may have been a Roman
Catholic, but he was able to avoid prosecution as a
2064:
1588:
1053:
993:
989:
985:
981:
378:
352:
268:
8:
1706:
1337:
1164:
1390:
1385:
1901:
1881:
1856:
1846:
1678:
1653:
1638:
1628:
1623:
1593:
1370:
1332:
1272:
970:
907:
778:
280:
205:
are the composers of the only surviving contemporary settings of verse by
Shakespeare.
1663:
1989:
1937:
1686:
1598:
1425:
1322:
1247:
1189:
1169:
1113:
876:
847:
833:
758:
733:
233:
172:
1287:
1861:
1691:
1613:
1568:
1523:
1498:
1493:
1448:
1415:
1410:
1375:
1317:
1292:
929:
899:
711:
285:
133:
718:(accessed 18 November 2014) Subscription or UK public library membership required.
1891:
1876:
1818:
1658:
1608:
1543:
1533:
1488:
1478:
1473:
1468:
1430:
1360:
1282:
1277:
1118:
1083:
1078:
1073:
213:
198:
147:
212:. He was also involved in music publishing. From 1598 up to his death he held a
1896:
1871:
1603:
1573:
1518:
1508:
1380:
1365:
1307:
1297:
1123:
1098:
1063:
1048:
356:
336:
319:
294:
275:
800:
715:
2008:
1851:
1737:
1633:
1528:
1420:
1405:
1103:
1068:
1003:
825:
264:
1927:
1866:
1757:
1716:
1583:
1453:
1327:
1058:
256:
168:
1922:
1917:
1648:
1618:
1400:
1312:
1302:
846:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.
323:
302:
217:
194:
208:
Morley was active in church music as a singer, composer and organist at
1752:
1742:
973:
at the
University of North Texas Music Library's Virtual Rare Book Room
911:
887:
1762:
1205:
1216:
1747:
938:
934:
903:
241:
180:
348:
229:
1767:
248:
400:
Thomas Morley's compositions include (in alphabetical order):
237:
856:
The
University of Reading Library featuring: Thomas Morley,
326:, were to write madrigals in a more serious or sombre vein.
373:
Thomas Morley was buried in the graveyard of the church of
344:
340:
179:. Referring to the strong Italian influence on the English
197:, Morley was the most famous composer of secular music in
1000:
Center for the
History of Music Theory and Literature)
259:, whom he named as his mentor in his 1597 publication
232:, the son of a brewer. Most likely he was a singer in
976:
HTML transcription, with numbered page divisions, of
858:
A Plaine and Easie Introduction to Practicall Musicke
391:
Recorded performance of "It was a lover and his lass"
267:. In 1588 he received his bachelor's degree from the
167:(1557 â early October 1602) was an English composer,
308:
A Plaine and easie Introduction to Practical Musicke
261:
A Plain and Easie Introduction to Practicall Musicke
978:
Plaine and Easie Introduction to Practicall Musicke
971:
Plaine and Easie Introduction to Practicall Musicke
969:More information, including full text, of Morley's
368:
Plaine and Easie Introduction to Practicall Musicke
119:
Plaine and Easie Introduction to Practicall Musicke
898:(1471). Musical Times Publications Ltd.: 669â673.
381:of 1666, and not rebuilt. Thus his grave is lost.
675:Brett, Philip; Murray, Tessa (11 February 2013).
247:It is believed that Morley moved from Norwich to
27:English composer, organist and editor (1557â1602)
2006:
844:The New Grove Dictionary of Music and Musicians
186:The New Grove Dictionary of Music and Musicians
1033:
1232:
1019:
757:. Woodbridge: Boydell Press. pp. 20â21.
175:. He was one of the foremost members of the
2015:English classical composers of church music
998:Jacobs (Indiana University) School of Music
832:. New York, W.W. Norton & Co., 1954.
716:http://www.oxforddnb.com/view/article/19292
674:
1239:
1225:
1026:
1012:
730:Thomas Morley: Elizabethan Music Publisher
263:. Byrd also taught Morley's contemporary,
251:sometime before 1574 to be a chorister at
236:from his boyhood, and he became master of
111:
30:For other people named Thomas Morley, see
964:International Music Score Library Project
89:Learn how and when to remove this message
732:. Woodbridge: Boydell Press. p. 8.
383:
301:
52:This article includes a list of general
708:Oxford Dictionary of National Biography
670:
668:
666:
664:
14:
2007:
752:
727:
702:
700:
698:
1246:
1220:
1007:
339:, a uniquely English ensemble of two
193:Living in London at the same time as
867:The Oxford Book of English Madrigals
755:Thomas Morley: Elizabethan Publisher
661:
475:Good morrow, Fayre Ladies of the May
255:. Around this time, he studied with
38:
695:
650:edited by Morley, published in 1601
24:
819:
625:Domine, non est exultarem cor meum
158:composer, organist and madrigalist
58:it lacks sufficient corresponding
25:
18:April is in my mistress' face
2091:
1175:Priscilla Bunbury's Virginal Book
919:
2080:English male classical organists
2070:English male classical composers
1988:
1979:
1978:
1514:Giovanni Pierluigi da Palestrina
1145:Clement Matchett's Virginal Book
942:
605:With my love my life was nestled
580:Oxford Book of English Madrigals
554:Say deere, will you not have me?
43:
1150:Elizabeth Rogers' Virginal Book
926:Works by or about Thomas Morley
779:"Sing we and chant it - Morley"
610:
590:What is it that this dark night
578:Though Philomela lost her love
490:I should for griefe and anguish
395:
2055:16th-century English composers
793:
771:
746:
721:
584:'Tis the time of Yuletide Glee
420:Crewell you pull away to soone
32:Thomas Morley (disambiguation)
13:
1:
2035:English Renaissance composers
1257:List of Renaissance composers
1140:Anne Cromwell's Virginal Book
654:
634:How long wilt thou forget me?
405:April is in my mistress' face
377:, which was destroyed in the
171:, singer and organist of the
1180:Susanne van Soldt Manuscript
960:Free scores by Thomas Morley
954:Choral Public Domain Library
950:Free scores by Thomas Morley
596:When loe by break of morning
557:See, see, my own sweet jewel
284:, the collection of Italian
144:early October 1602 (aged 45)
7:
941:(public domain audiobooks)
842:Article "Thomas Morley" in
641:
496:It was a lover and his lass
466:Flora wilt thou torment mee
306:From a song by Morley from
10:
2096:
2030:English madrigal composers
1887:Petrus Phalesius the Elder
1702:English Virginalist School
1185:Dublin Virginal Manuscript
1035:English Virginalist School
888:"Thomas Morley of Norwich"
801:"Will you buy a fine dog?"
541:Now is the month of maying
355:, notably as published by
316:Now Is the Month of Maying
29:
1958:
1910:
1837:
1776:
1730:
1677:
1669:Jan Pieterszoon Sweelinck
1552:
1439:
1351:
1263:
1254:
1198:
1155:Fitzwilliam Virginal Book
1132:
1041:
683:. Oxford University Press
575:Those dainty daffadillies
548:O thou that art so cruell
533:My bonny lass she smileth
526:Miraculous loves wounding
434:Fitzwilliam Virginal Book
332:Fitzwilliam Virginal Book
154:
140:
126:
110:
103:
830:Music in the Renaissance
710:, online ed., edited by
602:Will you buy a fine dog?
514:Lady if I through griefe
2075:English Roman Catholics
2040:English music theorists
1697:English Madrigal School
628:Eheu sustulerunt domine
523:Love learns by laughing
493:In nets of golden wyers
484:I goe before my darling
460:Fantasie: La Tortorella
451:Fantasie: La Rondinella
432:Fantasia for keyboard,
414:Come, lovers, follow me
375:St Botolph Billingsgate
223:
177:English Madrigal School
117:Title page of Morley's
73:more precise citations.
2025:Musicians from Norwich
2020:Composers from Norwich
1539:TomĂĄs Luis de Victoria
1343:Oswald von Wolkenstein
1160:My Ladye Nevells Booke
935:Works by Thomas Morley
886:Shaw, Watkins (1965).
875:, Jerome Roche, 1972.
753:Murray, Tessa (2014).
728:Murray, Tessa (2014).
648:The Triumphs of Oriana
622:Domine, dominus noster
599:Where art thou wanton?
593:What ayles my darling?
566:Sleep, slumb'ring eyes
537:Nolo mortem peccatoris
499:Joy, joy doth so arise
408:Arise, get up my deere
392:
310:
1559:Transition to Baroque
1504:Pierre de Manchicourt
1109:Ferdinando Richardson
505:La Caccia "The Chase"
487:I saw my Lady weeping
454:Fantasie: La Sampogna
439:Fantasie: Il Doloroso
390:
335:), and music for the
305:
1589:Girolamo Frescobaldi
1396:CristĂłbal de Morales
619:De profundis clamavi
563:Sing we and chant it
520:Lo hear another love
472:Goe yee my canzonets
445:Fantasie: Il Lamento
379:Great Fire of London
269:University of Oxford
253:St. Paul's Cathedral
2050:Cathedral organists
1707:Florentine Camerata
1679:Composition schools
1338:Gaspar van Weerbeke
1165:Parthenia Inviolata
865:Philip Ledger (ed)
681:Oxford Music Online
517:Leave now mine eyes
457:Fantasie: La Sirena
448:Fantasie: La Caccia
442:Fantasie: Il Grillo
234:the local cathedral
228:Morley was born in
210:St Paul's Cathedral
1902:Thomas Vautrollier
1882:Ottaviano Petrucci
1857:Pierre Attaingnant
1847:Hieronymus Andreae
1654:Michael Praetorius
1639:Claudio Monteverdi
1629:Giovanni de Macque
1624:Luzzasco Luzzaschi
1594:Alfonso Fontanelli
1484:Francisco Guerrero
1459:Antonio de CabezĂłn
1371:Thomas Crecquillon
1353:Middle (1470â1530)
1333:Johannes Tinctoris
1273:Alexander Agricola
914:– via JSTOR.
616:The Burial Service
469:Fyre and Lightning
463:Fire Fire My Heart
417:Come, Sorrow, come
393:
311:
281:Musica transalpina
2045:English organists
2002:
2001:
1599:Giovanni Gabrieli
1426:Philippe Verdelot
1323:Johannes Ockeghem
1265:Early (1400â1470)
1248:Renaissance music
1214:
1213:
1190:The Mulliner Book
1114:Nicholas Strogers
892:The Musical Times
764:978-1-84383-960-6
739:978-1-84383-960-6
631:The First Service
572:Thirsis and Milla
560:Shepard's Rejoice
511:Ladie, those eies
481:Hould out my hart
388:
162:
161:
99:
98:
91:
16:(Redirected from
2087:
1992:
1982:
1981:
1862:Vittorio Baldini
1839:Music publishing
1614:Hans Leo Hassler
1569:Gregorio Allegri
1524:Cipriano de Rore
1499:Vicente Lusitano
1494:Orlando di Lasso
1449:Jacques Arcadelt
1416:Pierre de la Rue
1411:Josquin des Prez
1391:Clément Janequin
1386:Antoine de FĂ©vin
1376:Antonius Divitis
1318:Johannes Martini
1293:Guillaume Du Fay
1241:
1234:
1227:
1218:
1217:
1028:
1021:
1014:
1005:
1004:
946:
945:
930:Internet Archive
915:
813:
812:
810:
808:
797:
791:
790:
788:
786:
775:
769:
768:
750:
744:
743:
725:
719:
712:Lawrence Goldman
704:
693:
692:
690:
688:
672:
545:O Mistresse mine
426:Do you not know?
389:
201:England. He and
134:Norwich, England
115:
101:
100:
94:
87:
83:
80:
74:
69:this article by
60:inline citations
47:
46:
39:
21:
2095:
2094:
2090:
2089:
2088:
2086:
2085:
2084:
2005:
2004:
2003:
1998:
1975:
1967:
1954:
1906:
1892:Girolamo Scotto
1877:Antonio Gardano
1833:
1772:
1726:
1673:
1664:Heinrich SchĂŒtz
1659:Philippe Rogier
1609:Orlando Gibbons
1561:
1557:
1548:
1544:Giaches de Wert
1534:Christopher Tye
1489:Claude Le Jeune
1479:Claude Goudimel
1474:Nicolas Gombert
1469:Andrea Gabrieli
1464:Jacobus Clemens
1435:
1431:Adrian Willaert
1361:Martin Agricola
1347:
1283:Antoine Busnois
1278:Gilles Binchois
1259:
1250:
1245:
1215:
1210:
1194:
1128:
1119:William Tisdale
1084:William Inglott
1079:Orlando Gibbons
1074:Richard Farnaby
1037:
1032:
943:
922:
885:
860:. London, 1597
822:
820:Further reading
817:
816:
806:
804:
799:
798:
794:
784:
782:
777:
776:
772:
765:
751:
747:
740:
726:
722:
714:. Oxford: OUP.
705:
696:
686:
684:
677:"Thomas Morley"
673:
662:
657:
644:
613:
608:
478:Harke Alleluia!
423:Christes crosse
411:Cease mine eyes
398:
384:
226:
214:printing patent
150:
148:London, England
145:
136:
131:
122:
106:
95:
84:
78:
75:
65:Please help to
64:
48:
44:
35:
28:
23:
22:
15:
12:
11:
5:
2093:
2083:
2082:
2077:
2072:
2067:
2062:
2057:
2052:
2047:
2042:
2037:
2032:
2027:
2022:
2017:
2000:
1999:
1997:
1996:
1986:
1968:
1964:Medieval music
1960:
1959:
1956:
1955:
1953:
1952:
1951:
1950:
1945:
1940:
1935:
1930:
1920:
1914:
1912:
1908:
1907:
1905:
1904:
1899:
1897:Tielman Susato
1894:
1889:
1884:
1879:
1874:
1872:Valerio Dorico
1869:
1864:
1859:
1854:
1849:
1843:
1841:
1835:
1834:
1832:
1831:
1826:
1821:
1816:
1811:
1806:
1801:
1796:
1791:
1786:
1780:
1778:
1774:
1773:
1771:
1770:
1765:
1760:
1755:
1750:
1745:
1740:
1734:
1732:
1728:
1727:
1725:
1724:
1719:
1714:
1712:Franco-Flemish
1709:
1704:
1699:
1694:
1689:
1683:
1681:
1675:
1674:
1672:
1671:
1666:
1661:
1656:
1651:
1646:
1641:
1636:
1631:
1626:
1621:
1616:
1611:
1606:
1604:Carlo Gesualdo
1601:
1596:
1591:
1586:
1581:
1576:
1574:Thomas Campion
1571:
1565:
1563:
1550:
1549:
1547:
1546:
1541:
1536:
1531:
1526:
1521:
1519:Costanzo Porta
1516:
1511:
1509:Hans Neusidler
1506:
1501:
1496:
1491:
1486:
1481:
1476:
1471:
1466:
1461:
1456:
1451:
1445:
1443:
1437:
1436:
1434:
1433:
1428:
1423:
1418:
1413:
1408:
1403:
1398:
1393:
1388:
1383:
1381:Costanzo Festa
1378:
1373:
1368:
1366:Antoine Brumel
1363:
1357:
1355:
1349:
1348:
1346:
1345:
1340:
1335:
1330:
1325:
1320:
1315:
1310:
1308:Heinrich Isaac
1305:
1300:
1298:John Dunstaple
1295:
1290:
1288:Loyset CompĂšre
1285:
1280:
1275:
1269:
1267:
1261:
1260:
1255:
1252:
1251:
1244:
1243:
1236:
1229:
1221:
1212:
1211:
1209:
1208:
1202:
1200:
1196:
1195:
1193:
1192:
1187:
1182:
1177:
1172:
1167:
1162:
1157:
1152:
1147:
1142:
1136:
1134:
1130:
1129:
1127:
1126:
1124:Thomas Tomkins
1121:
1116:
1111:
1106:
1101:
1099:Martin Peerson
1096:
1091:
1086:
1081:
1076:
1071:
1066:
1064:Benjamin Cosyn
1061:
1056:
1051:
1049:John Blitheman
1045:
1043:
1039:
1038:
1031:
1030:
1023:
1016:
1008:
1002:
1001:
974:
967:
957:
947:
932:
921:
920:External links
918:
917:
916:
904:10.2307/954169
883:
870:
863:
854:
840:
821:
818:
815:
814:
792:
770:
763:
745:
738:
720:
694:
659:
658:
656:
653:
652:
651:
643:
640:
639:
638:
635:
632:
629:
626:
623:
620:
617:
612:
609:
607:
606:
603:
600:
597:
594:
591:
588:
585:
582:
576:
573:
570:
567:
564:
561:
558:
555:
552:
551:A painted tale
549:
546:
543:
538:
535:
530:
527:
524:
521:
518:
515:
512:
509:
506:
503:
500:
497:
494:
491:
488:
485:
482:
479:
476:
473:
470:
467:
464:
461:
458:
455:
452:
449:
446:
443:
440:
437:
430:
429:Fair in a morn
427:
424:
421:
418:
415:
412:
409:
406:
402:
397:
394:
357:William Barley
337:broken consort
320:Thomas Weelkes
295:As You Like It
278:published his
276:Nicholas Yonge
225:
222:
203:Robert Johnson
160:
159:
156:
152:
151:
146:
142:
138:
137:
132:
128:
124:
123:
116:
108:
107:
104:
97:
96:
51:
49:
42:
26:
9:
6:
4:
3:
2:
2092:
2081:
2078:
2076:
2073:
2071:
2068:
2066:
2063:
2061:
2058:
2056:
2053:
2051:
2048:
2046:
2043:
2041:
2038:
2036:
2033:
2031:
2028:
2026:
2023:
2021:
2018:
2016:
2013:
2012:
2010:
1995:
1991:
1987:
1985:
1977:
1976:
1973:
1972:
1971:Baroque music
1966:
1965:
1957:
1949:
1946:
1944:
1941:
1939:
1936:
1934:
1931:
1929:
1926:
1925:
1924:
1921:
1919:
1916:
1915:
1913:
1909:
1903:
1900:
1898:
1895:
1893:
1890:
1888:
1885:
1883:
1880:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1860:
1858:
1855:
1853:
1852:Andrea Antico
1850:
1848:
1845:
1844:
1842:
1840:
1836:
1830:
1827:
1825:
1822:
1820:
1817:
1815:
1812:
1810:
1807:
1805:
1802:
1800:
1797:
1795:
1792:
1790:
1787:
1785:
1782:
1781:
1779:
1775:
1769:
1766:
1764:
1761:
1759:
1756:
1754:
1751:
1749:
1746:
1744:
1741:
1739:
1736:
1735:
1733:
1731:Musical forms
1729:
1723:
1720:
1718:
1715:
1713:
1710:
1708:
1705:
1703:
1700:
1698:
1695:
1693:
1690:
1688:
1685:
1684:
1682:
1680:
1676:
1670:
1667:
1665:
1662:
1660:
1657:
1655:
1652:
1650:
1647:
1645:
1644:Thomas Morley
1642:
1640:
1637:
1635:
1634:Luca Marenzio
1632:
1630:
1627:
1625:
1622:
1620:
1617:
1615:
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1595:
1592:
1590:
1587:
1585:
1582:
1580:
1577:
1575:
1572:
1570:
1567:
1566:
1564:
1560:
1555:
1551:
1545:
1542:
1540:
1537:
1535:
1532:
1530:
1529:Thomas Tallis
1527:
1525:
1522:
1520:
1517:
1515:
1512:
1510:
1507:
1505:
1502:
1500:
1497:
1495:
1492:
1490:
1487:
1485:
1482:
1480:
1477:
1475:
1472:
1470:
1467:
1465:
1462:
1460:
1457:
1455:
1452:
1450:
1447:
1446:
1444:
1442:
1438:
1432:
1429:
1427:
1424:
1422:
1421:John Taverner
1419:
1417:
1414:
1412:
1409:
1407:
1406:Jacob Obrecht
1404:
1402:
1399:
1397:
1394:
1392:
1389:
1387:
1384:
1382:
1379:
1377:
1374:
1372:
1369:
1367:
1364:
1362:
1359:
1358:
1356:
1354:
1350:
1344:
1341:
1339:
1336:
1334:
1331:
1329:
1326:
1324:
1321:
1319:
1316:
1314:
1311:
1309:
1306:
1304:
1301:
1299:
1296:
1294:
1291:
1289:
1286:
1284:
1281:
1279:
1276:
1274:
1271:
1270:
1268:
1266:
1262:
1258:
1253:
1249:
1242:
1237:
1235:
1230:
1228:
1223:
1222:
1219:
1207:
1204:
1203:
1201:
1197:
1191:
1188:
1186:
1183:
1181:
1178:
1176:
1173:
1171:
1168:
1166:
1163:
1161:
1158:
1156:
1153:
1151:
1148:
1146:
1143:
1141:
1138:
1137:
1135:
1131:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1104:Peter Philips
1102:
1100:
1097:
1095:
1092:
1090:
1089:Thomas Morley
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1069:Giles Farnaby
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1046:
1044:
1040:
1036:
1029:
1024:
1022:
1017:
1015:
1010:
1009:
1006:
999:
995:
991:
987:
983:
979:
975:
972:
968:
965:
961:
958:
955:
951:
948:
940:
936:
933:
931:
927:
924:
923:
913:
909:
905:
901:
897:
893:
889:
884:
882:
881:0-09-113260-6
878:
874:
871:
868:
864:
862:
859:
855:
853:
852:1-56159-174-2
849:
845:
841:
839:
838:0-393-09530-4
835:
831:
827:
826:Gustave Reese
824:
823:
802:
796:
780:
774:
766:
760:
756:
749:
741:
735:
731:
724:
717:
713:
709:
703:
701:
699:
682:
678:
671:
669:
667:
665:
660:
649:
646:
645:
636:
633:
630:
627:
624:
621:
618:
615:
614:
604:
601:
598:
595:
592:
589:
586:
583:
581:
577:
574:
571:
568:
565:
562:
559:
556:
553:
550:
547:
544:
542:
539:
536:
534:
531:
529:Mistress mine
528:
525:
522:
519:
516:
513:
510:
507:
504:
501:
498:
495:
492:
489:
486:
483:
480:
477:
474:
471:
468:
465:
462:
459:
456:
453:
450:
447:
444:
441:
438:
435:
431:
428:
425:
422:
419:
416:
413:
410:
407:
404:
403:
401:
382:
380:
376:
371:
369:
364:
362:
358:
354:
350:
346:
342:
338:
334:
333:
327:
325:
321:
317:
309:
304:
300:
297:
296:
290:
287:
283:
282:
277:
272:
270:
266:
265:Peter Philips
262:
258:
254:
250:
245:
243:
239:
235:
231:
221:
219:
215:
211:
206:
204:
200:
196:
191:
188:
187:
182:
178:
174:
170:
166:
165:Thomas Morley
157:
155:Occupation(s)
153:
149:
143:
139:
135:
129:
125:
120:
114:
109:
105:Thomas Morley
102:
93:
90:
82:
72:
68:
62:
61:
55:
50:
41:
40:
37:
33:
19:
2060:1550s births
1969:
1962:
1933:Architecture
1867:Jacob Bathen
1643:
1584:John Dowland
1454:William Byrd
1328:Leonel Power
1088:
1059:William Byrd
977:
956:(ChoralWiki)
895:
891:
873:The Madrigal
872:
857:
843:
829:
805:. Retrieved
795:
783:. Retrieved
773:
754:
748:
729:
723:
685:. Retrieved
680:
611:Sacred music
508:La Girandola
399:
396:Compositions
372:
367:
365:
360:
330:
328:
312:
307:
293:
291:
279:
273:
260:
257:William Byrd
246:
227:
207:
192:
184:
164:
163:
118:
85:
79:January 2010
76:
57:
36:
2065:1602 deaths
1923:Renaissance
1918:Early music
1814:Netherlands
1794:Elizabethan
1649:Jacopo Peri
1619:Alonso Lobo
1579:John Cooper
1441:Late (1530)
1401:Jean Mouton
1313:Jean Japart
1303:Walter Frye
1133:Collections
1094:John Munday
637:O amica mea
569:Sweet nymph
502:Joyne hands
359:in 1599 in
324:John Wilbye
218:Thomas East
199:Elizabethan
195:Shakespeare
173:Renaissance
71:introducing
2009:Categories
1948:Philosophy
1943:Literature
1911:Background
1777:Traditions
1753:Magnificat
1743:Intermedio
1687:Burgundian
994:end matter
687:5 February
655:References
238:choristers
54:references
1763:Offertory
1692:Colorists
1554:Mannerism
1206:Virginals
1170:Parthenia
1054:John Bull
1042:Composers
803:. Youtube
781:. Youtube
587:Well Hall
366:Morley's
343:, flute,
286:madrigals
1984:Category
1961: â
1824:Portugal
1748:Madrigal
1722:Venetian
1199:See Also
996:(at the
939:LibriVox
869:OUP 1978
642:See also
274:In 1588
242:recusant
181:madrigal
169:theorist
1974:â
1804:Germany
1784:British
990:116â183
966:(IMSLP)
962:at the
952:in the
928:at the
807:22 July
785:18 June
353:bandora
349:cittern
230:Norwich
130:c. 1557
67:improve
1994:Portal
1819:Poland
1799:France
1789:Cyprus
1768:Pavane
1562:c.1600
988:, and
986:69â115
980:: pp.
912:954169
910:
879:
850:
836:
761:
736:
249:London
121:(1597)
56:, but
1938:Dance
1829:Spain
1809:Italy
1738:Carol
1717:Roman
908:JSTOR
436:CXXIV
341:viols
1758:Mass
1556:and
992:and
982:1â68
877:ISBN
848:ISBN
834:ISBN
809:2020
787:2022
759:ISBN
734:ISBN
689:2016
351:and
345:lute
322:and
224:Life
141:Died
127:Born
1928:Art
937:at
900:doi
896:106
2011::
984:,
906:.
894:.
890:.
828:,
697:^
679:.
663:^
363:.
347:,
220:.
183:,
1240:e
1233:t
1226:v
1027:e
1020:t
1013:v
902::
811:.
789:.
767:.
742:.
691:.
92:)
86:(
81:)
77:(
63:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
