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Founded in 1910, VBKÖ's first president was
Baronin Olga Brand-Krieghammer who oversaw the association's first six years. Broadly, the mission of VBKÖ was to make more female artists visible, though in order to achieve this, other economic, educational and health concerns required betterment as well.
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were all connected to the VBKÖ, some as active members, while others were invited to exhibit. VBKÖ rented its own studio and exhibition space, allowing artists to work outside of the established art world. The VBKÖ is one of many Euro-American organizations that support women artists and other
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The take! make! activate! VBKÖ-Archiv contains significant material, files, and collections from 1910 to 2005. The archive, developed by the women artists, has grown since its creation. The inventory list of the archive (compiled by Sabine Harik, PhD) was released in 2006, expanded by the
221:"As far as mode as well as completeness are concerned, a similar exhibition to this one had so far not been organized on the continent. The fundamental idea of this exhibition is: to give the public an overview about what women have been and are able to create in the
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London, founded in 1855; the
Vereinigung der Berliner Künstlerinnen und Kunstfreunde, Berlin founded in 1867; the Société de l’Union des Femmes Peintres et Sculpteurs (Society of the Union of Women Painters and Sculptors), Paris, founded in 1881; and the
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Megan Marie
Brandow-Faller: An Art Of Their Own: Reinventing Frauenkunst In The Female Academies And Artist Leagues Of Late-Imperial And First Republic Austria, 1900–1930, PhD diss., Georgetown University, Washington D.C. 2010
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1010, its founding headquarters. The association supports improvements to the economic and educational conditions of female artists, as well as promoting the artists themselves.
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Introduction to the first catalogue of the first exhibition of the VBKÖ: "The Art of the Woman", held from
November until December 1910, Print 1, Archive of the VBKÖ.
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Marie-Sophie
Brendinger: Die Vereinigung bildender Künstlerinnen Österreichs. Studien zu ihrer Rolle in Kunst- und Frauengeschichte Europas, Dipl. Arbeit, Wien 2011
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277:(Ed.: VBKÖ, Rudolfine Lackner) as well as the DOWNLOAD, for the purpose of independent preparatory research. The archive is accessible by appointment.
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https://web.archive.org/web/20161101175218/https://repository.library.georgetown.edu/bitstream/handle/10822/553120/brandowMegan.pdf?sequence=1
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Julie Marie
Johnson: "The Art Of The Woman: Women's Art Exhibitions in Fin-de-siecle Vienna." Ph.D. diss., University of Chicago, 1998.
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204:(German: Vereinigung bildender Künstlerinnen Österreichs; VBKÖ) was founded in 1910. The VBKÖ is located at Maysedergasse 2/4,
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From
Brocades to Silks and Powders. Women’s Art Exhibitions and the Formation of a Gendered Aesthetic in Fin-de-siècle Vienna
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A program of exhibitions began from VBKÖ's inception, and these shows laid the foundations for future feminist discourse.
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Julie Marie
Johnson: The Memory Factory: The Forgotten Women Artists of Vienna 1900, Purdue University Press, 2012,
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Schminke und
Frauenkunst. Konstruktionen weiblicher Ästhetik um die Ausstellung „Die Kunst der Frau“, 1910
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Rudolfine
Lackner (Hg.in/Ed.): 100 Jahre/Years VBKÖ Festschrift, VBKÖ: Wien, 2011, 978-3-200-02201-0
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that states a Knowledge editor's personal feelings or presents an original argument about a topic.
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Exhibition catalogues and annual reports of the Vereinigung in the Belvedere Digital Library
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Names Are Shaping Up Nicely! Gendered Nomenclature in Art, Language, Law, and Philosophy
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353:. Ed. Katy Deepwell, 48–55, Vol. 23 on Activist Art, 2009, ISSN 1461-0434
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Künstlerinnen in Österreich 1897–1938. Malerei, Plastik, Architektur
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Das Findbuch zur Vereinigung bildender Künstlerinnen Österreichs
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Findbuch zur Vereinigung bildender Künstlerinnen Österreichs
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personal reflection, personal essay, or argumentative essay
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55:Learn how and when to remove these messages
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75:This article includes a list of general
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