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Avant-garde music

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thus, it creates a transcendental and mysterious sound world. Hint, metaphor, symbol, association, imagery, synesthesia and perception are widely used in avant-garde music techniques to excavate the mystery of human heart and the flow of consciousness, so that many seemingly unrelated but essentially very important events interweave into multi-level structures and forms.
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may reasonably be considered to have been avant-gardists in their early works (which were understood as provocative, whether or not the composers intended them that way), but Sitsky does not consider the label appropriate for their later music. For example, modernists of the post–World War II period,
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Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded
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A prominent feature of avant-garde music is to break through various rules and regulations of traditional culture, in order to transcend established creative principles and appreciation habits. Avant-garde music pursues novelty in musical form and style, insisting that art is above everything else;
237:(1952), a piece which instructs the performer(s) not to play their instrument(s) during its entire duration. The piece has been described as "not a musical 'work' in the normal sense, only an occasion for a Zen-like meditation". 757: 244:, because the purpose of avant-garde music is necessarily political, social, and cultural critique, so that it challenges social and artistic values by provoking or goading audiences, composers such as 227:
not definable as experimental music, though sometimes including a type of experimental music characterized by the rejection of tonality. A commonly cited example of avant-garde music is
614:, edited and with an introduction by Bonie J. Blackburn with forewords by Howard Mayer Brown and Ellen T. Harris, 2 vols. (Chicago: The University of Chicago Press, 1989) 2:730–754, 837:, the only avant-garde around, still delivering the shock of the new (over recycled James Brown compost modernism like a bitch), and it's got a shockable bourgeoise, to boot. 372:, is one of the most popular examples of avant-garde music inspired pieces in popular music records. The song is the penultimate track to their 1968 album 289:, never conceived their music for the purpose of goading an audience and cannot, therefore, be classified as avant-garde. Composers such as John Cage and 1742: 188:
in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from
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Although some modernist music is also avant-garde, a distinction can be made between the two categories. According to scholar
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artists from the late 1970s rejected traditional rock sensibilities in favor of an avant-garde aesthetic. In 1988 the writer
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by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition.
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Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, World and More
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in 1945, but others disagree. For example, Ryan Minor writes that this period began with the work of
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is music that is considered to be at the forefront of innovation in its field, with the term "
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was generally understood to mean "aggressively avant-garde" or "pretentiously progressive".
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as "the only avant-garde around, still delivering the shock of the new."
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Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
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Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook
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White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock
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Fear of Music: Why People Get Rothko but Don't Get Stockhausen
30:"Avantgarde music" redirects here. For the record label, see 2114: 1591: 1262: 319: 686:(Westport, Connecticut: Greenwood Press, 2002): xiii–xiv. 318:. The 1960s saw a wave of avant-garde experimentation in 779:"60 minutes of music that sum up art-punk pioneers Wire" 612:
Music in the Culture of the Renaissance and Other Essays
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Club 780: 773: 765: 764: 759: 752: 745: 739: 731: 727: 721: 714: 713:87-988955-0-8 710: 706: 700: 693: 692:0-313-29689-8 689: 685: 681: 676: 674: 665: 659: 655: 648: 641: 640:0-415-93792-2 637: 633: 629: 624: 617: 613: 609: 604: 597: 596:9780674011632 593: 589: 585: 584: 577: 571: 570:1-904041-70-1 567: 563: 559: 558:Paul Du Noyer 554: 552: 544: 538: 530: 529: 524: 518: 516: 511: 501: 498: 496: 493: 491: 488: 486: 483: 481: 478: 476: 473: 471: 468: 466: 463: 461: 458: 456: 453: 451: 448: 447: 445: 444: 437: 434: 432: 429: 427: 424: 422: 419: 417: 414: 413: 411: 410: 404: 401: 399: 396: 394: 391: 389: 386: 385: 379: 377: 376: 371: 367: 366: 361: 360:hip hop music 357: 353: 349: 345: 341: 340:John Coltrane 337: 333: 329: 325: 321: 317: 313: 312:Popular music 308: 301:Popular music 298: 294: 292: 288: 284: 283:György Ligeti 280: 276: 275:Luciano Berio 272: 267: 263: 259: 255: 251: 247: 243: 238: 236: 235: 230: 226: 222: 218: 214: 210: 207:the death of 203: 193: 191: 187: 183: 179: 169: 166: 165: 163: 158: 153: 150: 148: 145: 143: 140: 138: 135: 133: 130: 128: 125: 123: 120: 118: 115: 112: 108: 104: 100: 96: 93: 92: 91: 87: 83: 79: 74: 73:expressionism 71: 69: 66: 64: 61: 59: 56: 55: 54: 50: 45: 40: 33: 19: 1842:music genres 1785: 1762:contemporary 1526:Epic theatre 1363:Atonal music 1272: 1198:Flarf poetry 1188:Ego-Futurism 986:Proto-Cubism 894: 872: 852: 836: 830: 820: 800: 793: 782: 772: 761: 751: 738: 729: 720: 704: 699: 683: 680:Larry Sitsky 653: 647: 631: 623: 611: 603: 581: 576: 561: 542: 537: 526: 442: 441: 408: 407: 393:Danger music 375:The Beatles 373: 370:Revolution 9 365:The Beatles 363: 336:Archie Shepp 332:Albert Ayler 310: 295: 291:Harry Partch 258:Anton Webern 242:Larry Sitsky 239: 232: 209:Anton Webern 205: 196:Distinctions 177: 176: 160:Other topics 147:danger music 2094:Turntablism 2037:Witch house 1997:Drone metal 1786:Avant-garde 1678:Primitivism 1504:and theatre 1444:Noise music 1417:Drone music 1248:Slam poetry 1135:Suprematism 1120:Process art 1048:Incoherents 1043:Color Field 1018:Divisionism 966:Art Nouveau 946:Avant-garde 827:Chang, Jeff 431:Noise music 344:Miles Davis 316:mass appeal 202:Avant-garde 182:avant-garde 152:progressive 68:romanticism 47:Avant-garde 27:Music genre 2211:Categories 2165:Soundscape 2089:Scordatura 2059:3rd bridge 2022:Industrial 1987:Avant-funk 1929:noise rock 1884:Avant-punk 1879:Avant-prog 1867:Post-metal 1806:Tape music 1698:Surrealism 1636:Minimalism 1511:CinĂ©ma pur 1156:and poetry 1154:Literature 1063:Minimalism 954:Visual art 901:Zero Books 507:References 490:Avant-punk 480:Avant-prog 465:Avant-funk 358:described 305:See also: 215:, whereas 186:status quo 117:industrial 2145:Sound art 2032:Punk jazz 2007:Free jazz 1939:post-rock 1934:post-punk 1914:math rock 1909:krautrock 1874:Avant-pop 1774:Aleatoric 1703:Symbolism 1631:Modernism 1464:Serialism 1449:Post-rock 1390:Free jazz 1298:Free funk 1253:UltraĂ­smo 1208:Imaginism 1183:Cyberpunk 1145:Vorticism 948:movements 824:Cited in 485:Avant-pop 356:Greg Tate 352:Post-punk 307:Avant-pop 229:John Cage 132:free jazz 122:post-punk 63:classical 58:Modernism 2110:Cymatics 2017:Hyperpop 1982:Art rock 1977:Art punk 1919:neo-prog 1889:Biomusic 1850:By style 1760:Related 1651:Neo-Dada 1626:Lettrism 1607:Futurism 1521:Drop Art 1516:Dogme 95 1484:Totalism 1402:Futurism 1353:Ars nova 1281:By style 1228:Neoteric 1130:Rayonism 1083:De Stijl 1058:Mail art 1013:DevÄ›tsil 903:, 2009, 871:. 1981. 829:(2005). 528:AllMusic 460:Art rock 455:Art punk 382:See also 269:such as 127:art rock 1992:Ambient 1972:Art pop 1965:Related 1951:Neofolk 1924:no wave 1813:Minimal 1580:General 1439:No wave 1213:Imagism 1163:Acmeism 1115:Pop art 1105:Orphism 1023:Fauvism 1001:Bauhaus 450:Art pop 142:no wave 2135:Fluxus 2012:Glitch 1828:Danger 1766:genres 1656:Neoism 1602:Fluxus 1502:Cinema 1341:Others 1243:Oulipo 1238:Oberiu 1125:Purism 991:Cubism 907:  899:, UK: 883:  861:  808:  742:Anon. 711:  690:  660:  638:  616:passim 594:  568:  368:song, 328:Sun Ra 285:, and 264:, and 219:cites 1823:Noise 1791:Drone 1330:Metal 1273:Music 388:Lo-fi 234:4'33" 137:drone 107:metal 2115:Dada 1956:Wave 1592:Dada 1325:Punk 1320:Prog 1315:Rock 1303:Yass 1293:Jazz 1288:Funk 1263:Zaum 905:ISBN 881:ISBN 859:ISBN 806:ISBN 709:ISBN 688:ISBN 658:ISBN 636:ISBN 592:ISBN 566:ISBN 342:and 320:jazz 111:jazz 103:rock 1310:Pop 231:'s 99:pop 2213:: 893:. 879:. 781:. 760:. 728:. 682:, 672:^ 630:, 550:^ 525:. 514:^ 338:, 334:, 330:, 326:, 281:, 277:, 273:, 260:, 256:, 252:, 248:, 109:, 105:, 101:, 1744:e 1737:t 1730:v 938:e 931:t 924:v 911:. 887:. 865:. 814:. 787:. 766:. 732:. 715:. 694:. 666:. 642:. 618:. 598:. 531:. 113:) 97:( 41:. 34:. 20:)

Index

Avant garde music
Avantgarde Music
experimental music
Modernism
classical
romanticism
expressionism
Experimental music
pop
rock
metal
jazz
industrial
post-punk
art rock
free jazz
drone
no wave
danger music
progressive
Musique concrète
avant-garde
status quo
experimental music
Avant-garde
Anton Webern
Richard Wagner
Edward Lowinsky
Josquin des Prez
modernist music

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