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ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in
Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35 and 80 players for day-to-day performances, being enlarged to 150 players for special occasions.
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In the
Baroque period, the size of an orchestra was not standardised. There were large differences in size, instrumentation and playing styles—and therefore in orchestral soundscapes and palettes—between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or
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Since the 1970s many baroque orchestras have been formed across Europe, as well as some in North
America. Baroque orchestras active in the 2010s include:
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The period-instrument revival of the 1970s inspired the development of the first period-instrument baroque orchestras, led by
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and other chord-playing instruments selected by the ensemble leader
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is an ensemble for mixed instruments that existed during the
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190:of baroque or classical music on period
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310:Florilegium
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664:9 November
624:References
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612:See also
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170:and the
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