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471:. On the left, Jesus is always depicted as young, beardless man, dressed as a Roman Emperor. On the right, Jesus is depicted with a beard. For the Arians, this emphasized that Jesus grew older and became a "man of sorrows", as spoken of by the prophet Isaiah. These mosaics are separated by decorative mosaic panels depicting a shell-shaped niche with a tapestry, cross, and two doves. These mosaics were executed by at least two artists.
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On the upper band of the left lateral wall are 13 small mosaics, depicting Jesus' miracles and parables; and on the right wall are 13 mosaics depicting the
Passion and Resurrection. However, the flagellation and crucifixion are lacking. They describe the parts of the Bible that were read aloud in the
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The next row of mosaics are a scheme of haloed saints, prophets and evangelists, sixteen on each side. The figures are executed in a
Hellenistic-Roman tradition and show a certain individuality of expression as compared to the other figures in the basilica. Each individual depicted holds a book, in
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are preserved. On some columns, images of arms and hands can be seen, which are parts of figures once representing praying Goths and
Theodoric's court, deleted in Byzantine times. Renovations (and alterations) were done to the mosaics in the mid-19th century by Felice Kibel. The present apse is a
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underwent modernization at various times, beginning in the 6th century with the destruction of mosaics whose themes were too overtly Arian or which expressed the king's glory, but the mosaics of the lateral walls, twenty-four columns with simplified
65:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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either scroll or codex format, and, like many of the other figures throughout the basilica, each of their robes has a mark or symbol in it. These mosaics alternate with windows. They were executed in the time of
Theodoric.
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The row below contains large mosaics in
Byzantine style, lacking any individuality, having all identical expressions. These were executed about 50 years after the time of bishop
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in western art. In the mosaic, a blue angel appears to the left hand side of Jesus behind three goats (mentioned in St
Matthew's account of Judgement Day).
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in the church be blackened, as their golden glory distracted worshipers from their prayers. The basilica was renamed again in 856 AD when relics of
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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built in the 16th century. Next to the church, on the right side of the portico, stands a round bell tower dating from the 9th or 10th century.
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on the right wall and the port of Classe with three ships on the left wall, gives us a certain idea of the architecture in
Ravenna
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482:(d. 570), when the church had already become an orthodox church. To the left is a procession of the 22 Virgins of the
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Content in this edit is translated from the existing
Catalan Knowledge article at ]; see its history for attribution.
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Studies of the mosaics lining the walls of the nave, in the
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as his palace chapel during the first quarter of the 6th century (as attested to in the
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Basilica church in
Ravenna, Italy, erected by king Theodoric the Great in 6th century CE
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Age of spirituality: late antique and early Christian art, third to seventh century
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Some art historians claim that one of the mosaics contains the first depiction of
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It was reconsecrated in 561 AD, under the rule of the Byzantine emperor
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to the source of your translation. A model attribution edit summary is
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A study of the mosaics in the Basilica of Sant' Apollinare Nuovo in
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church was originally dedicated in 504 AD to "Christ the Redeemer".
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because of the threat posed by frequent raids of pirates from the
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as an old man, though it may have originally depicted Theodoric.
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Official name: Early Christian Monuments of Ravenna
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654:The enthroned Christus with four vanguard angels
751:How the Devil Got His Horns: A Diabolical Tale
83:accompanying your translation by providing an
49:Click for important translation instructions.
36:expand this article with text translated from
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847:Official Ravenna tourist information website
831:Adrian Fletcher's Paradoxplace Ravenna Pages
619:Three Wise Men or Magi wearing trousers and
536:Panorama of the right lateral wall mosaics
446:reconstruction after being damaged during
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518:Panorama of the left lateral wall mosaics
869:Palaeo-Christian architecture in Ravenna
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837:122 images from Bridgeman Art Library
467:church during Lent under the rule of
416:Basilica of Sant'Apollinare in Classe
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826:Unesco World Heritage Official Site
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705:"... e scomparvero nella nebbia".
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359:Basilica of Sant'Apollinare Nuovo
128:Basilica di Sant'Apollinare Nuovo
122:New Basilica of Saint Apollinaris
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172:Archdiocese of Ravenna-Cervia
874:Basilica churches in Ravenna
552:inscribed the church on the
496:during the time of Theodoric
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771:. Ravenna: Edizioni Salera.
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793:Metropolitan Museum of Art
767:Paolucci, Antonio (1971).
580:Mosaic of Classe, ancient
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104:For more guidance, see
820:Sant' Apollinare Nuovo
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462:View towards the Apses
404:Pope Gregory the Great
212:Geographic coordinates
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769:Ravenna, an art guide
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400:Saint Martin of Tours
234:44.41667°N 12.20472°E
106:Knowledge:Translation
77:copyright attribution
822:at Wikimedia Commons
899:Theoderic the Great
894:Early Christian art
709:(149): 40–43. 2009.
668:Palace of Theoderic
554:World Heritage List
492:Palace of Theoderic
486:period, led by the
469:Theodoric the Great
379:Theodoric the Great
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81:edit summary
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454:Description
396:Justinian I
375:Ostrogothic
336:State Party
237: /
193:6th century
155:Affiliation
863:Categories
761:References
737:2019-12-26
666:Mosaic of
635:Mosaic of
488:Three Magi
436:Corinthian
365:church in
311:Designated
225:12°12′17″E
222:44°25′00″N
40:in Catalan
641:Theoderic
637:Justinian
548:When the
484:Byzantine
441:, and an
265:Byzantine
99:talk page
850:Archived
833:(photos)
728:Archived
707:Medioevo
480:Agnellus
439:capitals
387:). This
363:basilica
303:Criteria
298:Cultural
203:Location
198:Location
167:Province
149:Religion
75:provide
904:Ravenna
884:Mosaics
785:, ed.,
695:, 2010"
586:Ravenna
567:Gallery
543:portico
408:mosaics
367:Ravenna
318:session
97:to the
79:in the
42:.
799:
550:UNESCO
431:atrium
346:Region
316:(20th
753:(BBC)
731:(PDF)
724:(PDF)
676:Notes
605:aisle
561:Satan
389:Arian
377:king
371:Italy
361:is a
340:Italy
314:1996
256:Style
182:Roman
59:DeepL
797:ISBN
601:nave
599:The
582:port
443:Ambo
429:and
427:apse
425:Its
357:The
295:Type
178:Rite
73:must
71:You
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330:788
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61:or
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