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Basilica of Sant'Apollinare Nuovo

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661: 575: 630: 614: 594: 649: 509: 527: 142: 459: 490:, moving from the city of Classe towards the group of the Madonna and Child surrounded by four angels. (The Magi in this mosaic are named Balthasar, Melchior and Gaspar; this is thought to be the earliest example of these three names being assigned to the Magi in Christian art.) To the right is a similar procession of 26 Martyrs, led by Saint Martin and including Saint Apollinaris, moving from the Palace of Theodoric towards a group representing Christ enthroned amid four angels. This lower band, containing a schematic representation of the 25: 471:. On the left, Jesus is always depicted as young, beardless man, dressed as a Roman Emperor. On the right, Jesus is depicted with a beard. For the Arians, this emphasized that Jesus grew older and became a "man of sorrows", as spoken of by the prophet Isaiah. These mosaics are separated by decorative mosaic panels depicting a shell-shaped niche with a tapestry, cross, and two doves. These mosaics were executed by at least two artists. 815: 660: 556:, its experts pointed out that "both the exterior and interior of the basilica graphically illustrate the fusion between the western and eastern styles characteristic of the late 5th to early 6th century. This is one of the most important buildings from the period of crucial cultural significance in European religious art". 466:
On the upper band of the left lateral wall are 13 small mosaics, depicting Jesus' miracles and parables; and on the right wall are 13 mosaics depicting the Passion and Resurrection. However, the flagellation and crucifixion are lacking. They describe the parts of the Bible that were read aloud in the
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The next row of mosaics are a scheme of haloed saints, prophets and evangelists, sixteen on each side. The figures are executed in a Hellenistic-Roman tradition and show a certain individuality of expression as compared to the other figures in the basilica. Each individual depicted holds a book, in
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are preserved. On some columns, images of arms and hands can be seen, which are parts of figures once representing praying Goths and Theodoric's court, deleted in Byzantine times. Renovations (and alterations) were done to the mosaics in the mid-19th century by Felice Kibel. The present apse is a
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underwent modernization at various times, beginning in the 6th century with the destruction of mosaics whose themes were too overtly Arian or which expressed the king's glory, but the mosaics of the lateral walls, twenty-four columns with simplified
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either scroll or codex format, and, like many of the other figures throughout the basilica, each of their robes has a mark or symbol in it. These mosaics alternate with windows. They were executed in the time of Theodoric.
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The row below contains large mosaics in Byzantine style, lacking any individuality, having all identical expressions. These were executed about 50 years after the time of bishop
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in western art. In the mosaic, a blue angel appears to the left hand side of Jesus behind three goats (mentioned in St Matthew's account of Judgement Day).
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in the church be blackened, as their golden glory distracted worshipers from their prayers. The basilica was renamed again in 856 AD when relics of
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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built in the 16th century. Next to the church, on the right side of the portico, stands a round bell tower dating from the 9th or 10th century.
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on the right wall and the port of Classe with three ships on the left wall, gives us a certain idea of the architecture in Ravenna
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Content in this edit is translated from the existing Catalan Knowledge article at ]; see its history for attribution.
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Studies of the mosaics lining the walls of the nave, in the Christian Iconography website
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as his palace chapel during the first quarter of the 6th century (as attested to in the
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Basilica church in Ravenna, Italy, erected by king Theodoric the Great in 6th century CE
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Age of spirituality: late antique and early Christian art, third to seventh century
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Some art historians claim that one of the mosaics contains the first depiction of
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It was reconsecrated in 561 AD, under the rule of the Byzantine emperor
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to the source of your translation. A model attribution edit summary is
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A study of the mosaics in the Basilica of Sant' Apollinare Nuovo in
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church was originally dedicated in 504 AD to "Christ the Redeemer".
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because of the threat posed by frequent raids of pirates from the
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as an old man, though it may have originally depicted Theodoric.
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Official name: Early Christian Monuments of Ravenna
860: 654:The enthroned Christus with four vanguard angels 751:How the Devil Got His Horns: A Diabolical Tale 83:accompanying your translation by providing an 49:Click for important translation instructions. 36:expand this article with text translated from 126: 847:Official Ravenna tourist information website 831:Adrian Fletcher's Paradoxplace Ravenna Pages 619:Three Wise Men or Magi wearing trousers and 536:Panorama of the right lateral wall mosaics 446:reconstruction after being damaged during 402:, a foe of Arianism. According to legend, 140: 518:Panorama of the left lateral wall mosaics 869:Palaeo-Christian architecture in Ravenna 766: 457: 861: 607:, featuring a mosaic of several saints 837:122 images from Bridgeman Art Library 467:church during Lent under the rule of 416:Basilica of Sant'Apollinare in Classe 18: 826:Unesco World Heritage Official Site 13: 776: 705:"... e scomparvero nella nebbia". 639:, possibly a modified portrait of 623:as a sign of their Oriental origin 14: 915: 807: 359:Basilica of Sant'Apollinare Nuovo 128:Basilica di Sant'Apollinare Nuovo 122:New Basilica of Saint Apollinaris 813: 659: 647: 628: 612: 592: 573: 525: 507: 23: 733:from the original on 2016-08-19 744: 713: 698: 682: 453: 93:You may also add the template 1: 879:Byzantine sacred architecture 760: 172:Archdiocese of Ravenna-Cervia 874:Basilica churches in Ravenna 552:inscribed the church on the 496:during the time of Theodoric 7: 771:. Ravenna: Edizioni Salera. 10: 920: 793:Metropolitan Museum of Art 767:Paolucci, Antonio (1971). 580:Mosaic of Classe, ancient 566: 414:were transferred from the 281:UNESCO World Heritage Site 57:Machine translation, like 345: 335: 325: 310: 302: 294: 287: 278: 270: 254: 249: 210: 202: 197: 187: 177: 165: 153: 148: 139: 121: 38:the corresponding article 675: 373:. It was erected by the 350:Europe and North America 104:For more guidance, see 820:Sant' Apollinare Nuovo 463: 462:View towards the Apses 404:Pope Gregory the Great 212:Geographic coordinates 127: 769:Ravenna, an art guide 461: 400:Saint Martin of Tours 234:44.41667°N 12.20472°E 106:Knowledge:Translation 77:copyright attribution 822:at Wikimedia Commons 899:Theoderic the Great 894:Early Christian art 709:(149): 40–43. 2009. 668:Palace of Theoderic 554:World Heritage List 492:Palace of Theoderic 486:period, led by the 469:Theodoric the Great 379:Theodoric the Great 230: /  852:2020-09-27 at the 464: 384:Liber Pontificalis 239:44.41667; 12.20472 85:interlanguage link 818:Media related to 791:, no. 248, 1979, 500:Emperor Justinian 412:Saint Apollinaris 406:ordered that the 355: 354: 321: 135: 117: 116: 50: 46: 911: 817: 772: 754: 748: 742: 741: 739: 738: 732: 725: 717: 711: 710: 702: 696: 686: 663: 651: 632: 616: 603:as seen from an 596: 577: 529: 511: 315: 245: 244: 242: 241: 240: 235: 231: 228: 227: 226: 223: 189:Year consecrated 144: 134: 130: 124: 119: 118: 96: 90: 63:Google Translate 48: 44: 27: 26: 19: 919: 918: 914: 913: 912: 910: 909: 908: 889:Ostrogothic art 859: 858: 854:Wayback Machine 810: 783:Weitzmann, Kurt 779: 777:Further reading 763: 758: 757: 749: 745: 736: 734: 730: 723: 719: 718: 714: 704: 703: 699: 687: 683: 678: 671: 664: 655: 652: 643: 633: 624: 617: 608: 597: 588: 578: 569: 539: 538: 537: 535: 530: 521: 520: 519: 517: 512: 456: 283: 261:Early Christian 238: 236: 232: 229: 224: 221: 219: 217: 216: 132: 123: 113: 112: 111: 94: 88: 51: 28: 24: 17: 12: 11: 5: 917: 907: 906: 901: 896: 891: 886: 881: 876: 871: 857: 856: 844: 839: 834: 828: 823: 809: 808:External links 806: 805: 804: 778: 775: 774: 773: 762: 759: 756: 755: 743: 712: 697: 690:Ravenna, Italy 680: 679: 677: 674: 673: 672: 665: 658: 656: 653: 646: 644: 634: 627: 625: 618: 611: 609: 598: 591: 589: 579: 572: 568: 565: 532: 531: 524: 523: 522: 514: 513: 506: 505: 504: 455: 452: 353: 352: 347: 343: 342: 337: 333: 332: 327: 323: 322: 312: 308: 307: 306:i, ii, iii, iv 304: 300: 299: 296: 292: 291: 285: 284: 279: 276: 275: 272: 271:Groundbreaking 268: 267: 258: 252: 251: 247: 246: 214: 208: 207: 206:Ravenna, Italy 204: 200: 199: 195: 194: 191: 185: 184: 179: 175: 174: 169: 163: 162: 160:Roman Catholic 157: 151: 150: 146: 145: 137: 136: 115: 114: 110: 109: 102: 91: 69: 66: 55: 52: 33: 32: 31: 29: 22: 15: 9: 6: 4: 3: 2: 916: 905: 902: 900: 897: 895: 892: 890: 887: 885: 882: 880: 877: 875: 872: 870: 867: 866: 864: 855: 851: 848: 845: 843: 840: 838: 835: 832: 829: 827: 824: 821: 816: 812: 811: 802: 801:9780870991790 798: 794: 790: 789: 784: 781: 780: 770: 765: 764: 752: 747: 729: 722: 716: 708: 701: 694: 691: 685: 681: 669: 662: 657: 650: 645: 642: 638: 631: 626: 622: 621:Phrygian caps 615: 610: 606: 602: 595: 590: 587: 583: 576: 571: 570: 564: 562: 557: 555: 551: 546: 544: 534: 528: 516: 510: 503: 501: 497: 493: 489: 485: 481: 476: 472: 470: 460: 451: 449: 444: 440: 437: 432: 428: 423: 421: 417: 413: 409: 405: 401: 397: 392: 390: 386: 385: 380: 376: 372: 368: 364: 360: 351: 348: 344: 341: 338: 334: 331: 328: 326:Reference no. 324: 319: 313: 309: 305: 301: 297: 293: 290: 286: 282: 277: 273: 269: 266: 262: 259: 257: 253: 248: 243: 215: 213: 209: 205: 201: 196: 192: 190: 186: 183: 180: 176: 173: 170: 168: 164: 161: 158: 156: 152: 147: 143: 138: 131: 129: 120: 107: 103: 100: 92: 86: 82: 78: 74: 70: 67: 64: 60: 56: 54: 53: 47: 45:(August 2012) 41: 39: 34:You can help 30: 21: 20: 795:, New York, 786: 768: 746: 735:. Retrieved 715: 706: 700: 684: 558: 547: 540: 477: 473: 465: 448:World War II 424: 420:Adriatic Sea 393: 382: 358: 356: 288: 250:Architecture 133:(in Italian) 125: 81:edit summary 72: 43: 35: 454:Description 396:Justinian I 375:Ostrogothic 336:State Party 237: / 193:6th century 155:Affiliation 863:Categories 761:References 737:2019-12-26 666:Mosaic of 635:Mosaic of 488:Three Magi 436:Corinthian 365:church in 311:Designated 225:12°12′17″E 222:44°25′00″N 40:in Catalan 641:Theoderic 637:Justinian 548:When the 484:Byzantine 441:, and an 265:Byzantine 99:talk page 850:Archived 833:(photos) 728:Archived 707:Medioevo 480:Agnellus 439:capitals 387:). This 363:basilica 303:Criteria 298:Cultural 203:Location 198:Location 167:Province 149:Religion 75:provide 904:Ravenna 884:Mosaics 785:, ed., 695:, 2010" 586:Ravenna 567:Gallery 543:portico 408:mosaics 367:Ravenna 318:session 97:to the 79:in the 42:. 799:  550:UNESCO 431:atrium 346:Region 316:(20th 753:(BBC) 731:(PDF) 724:(PDF) 676:Notes 605:aisle 561:Satan 389:Arian 377:king 371:Italy 361:is a 340:Italy 314:1996 256:Style 182:Roman 59:DeepL 797:ISBN 601:nave 599:The 582:port 443:Ambo 429:and 427:apse 425:Its 357:The 295:Type 178:Rite 73:must 71:You 584:of 330:788 274:505 61:or 865:: 726:. 692:. 450:. 422:. 369:, 263:, 740:. 320:) 108:. 101:.

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Affiliation
Roman Catholic
Province
Archdiocese of Ravenna-Cervia
Roman
Year consecrated
Geographic coordinates
44°25′00″N 12°12′17″E / 44.41667°N 12.20472°E / 44.41667; 12.20472
Style
Early Christian
Byzantine
UNESCO World Heritage Site
session
788
Italy
Europe and North America
basilica
Ravenna
Italy
Ostrogothic
Theodoric the Great

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