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first outside the Graham company to perform her work. Martha Graham brought seven pieces to
Batsheva, in addition to choreographing a piece exclusively for the company. Many critics, however, said the performance of these Graham works by Batsheva dancers had a very different energy and quality than the Graham dancers in America. The Israeli culture allowed for a different embodiment of the choreography and many responded well to it, even though some critics made mention of "faulty technique". But this well received new energy and youthfulness of the Batsheva dancers outweighed their lack of proper technique, and the women in the company were the first to have the opportunity to perform roles that Graham had created for herself; this did not go over very well with Graham's American dancers. This created quite a rift, and competition between the Graham dancers in New York and the Batsheva dancers in Israel.
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118:. This has become the movement language that Batsheva Dance Company trains in under the Gaga/Dancers track, which is geared towards professional dancers and specifically the dancers of Batsheva. There is also a track called Gaga/People, which is geared towards anyone and requires no dance experience. This movement language has been so influential in the modern dance world that, in 2015, a documentary entitled
186:
Aviv. In this new decade of
Batsheva, Naharin built a younger audience by bringing in newer choreographers from around the world, but also many from Israel. Along with the refreshed choreography, Naharin developed his own movement language, "Gaga". This new movement boomed and has become well known worldwide, making Batsheva the leader of the Gaga style and renowned internationally.
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traditional ballet – was the opportunity for collaboration between choreographer and dancer, and the opportunity for improvisation within set material. These fundamentals remain present in
Batsheva works. Due to the company's close relationship with Martha Graham, many other well-renowned choreographers set work on Batsheva, such as
185:
was appointed artistic director of the company. One of the first things
Naharin did as director was request higher pay for the dancers and make their workdays much longer. Naharin had been studying with Graham in New York and had previously presented choreographic works in New York as well as in Tel
163:
In 1974 Baroness de
Rothschild appointed Jeannette Ordman as artistic director. The company, however was unhappy with her decision. According to company members, Ordman's leadership style was problematic and they voiced their complaints to Graham, and Rothschild withdrew financial support from the
143:
to Israel to aid in the development of performing arts there. On 24 December 1964, the company was officially founded. Graham remained active as
Artistic Advisor in the formative years of the company, with the financial backing of the Baroness. The dancers trained in Graham technique and were the
83:
and Rena Gluck, who were the company's principal dancers for many years. Bethsabee de
Rothschild withdrew her funding in 1975, and the company gradually shed the Graham aesthetic that had dominated its early years. During this transitional period, the company began including the works of emerging
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Without the financial support of
Rothschild, the company could no longer afford to outsource foreign choreographers. Thus began an era of Israeli artistic directors and choreographers. According to many critics, the company maintained their strength technically and performatively, but lacked any
147:
Expression through movement was something that Graham looked for in auditions, rather than technical capability, which led to a range of facilities, but a cohesive ability to be expressive. Another fundamental principle implemented by Graham on the
Batsheva dancers – which was different from
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company. She subsequently ended the company's relationship with Graham, which in turn meant they were unable to continue performing her work. Rothschild put her financial support into a new Modern dance company, Bat-Dor Dance
Company, with Ordman as Artistic Director.
126:. This documentary explores the ways in which Gaga, as a movement language, has shaped both Batsheva Dance Company and modern dance as a whole and the influence Naharin and his movement have had on the dance world.
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Baroness Bethsabee de Rothschild, a patron of Martha Graham, wanted to create a foundation for Modern Dance in Israel, where she resided. Thus, she brought
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Its inception was inspired by Israel's growing interest in American modern dance, mainly
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This article is about the Israeli dance troupe. For the Biblical figure, see
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79:. Classes in Graham technique were offered at the time, some taught by
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was appointed artistic director in 1990, he founded the youth company
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319:
Herman, Judi (October 2012). "What is special about Batsheva".
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http://www.hadassahmagazine.org/2015/02/17/feeling-believing/
468:
Batsheva Dance Company: Ohad Naharin’s “Shalosh” (“Three”)
652:
803:
287:
Galili, Deborah (2012). "Contemporary Dance in Israel".
483:
Archival footage of Batsheva Dance Company performing
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Sharon Eyal’s “Bill” is Back at Batsheva Dance Company
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Batsheva Dance Company Premieres Sharon Eyal’s “Bill”
114:
Naharin also developed a movement language known as
52:: להקת בת שבע) is a renowned dance company based in
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458:“MAX” – Connecting to Ohad Naharin’s Choreography
312:
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463:Batsheva Ensemble in Ohad Naharin’s “Kyr/Z/na”
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517:
413:"Batsheva Dance Company: From Graham to Gaga"
318:
2243:Kathleen (Nica de Koenigswarter) Rothschild
443:Batsheva Dance Company: From Graham to Gaga
393:Greenspan, Karen (2015). "Batsheva at 50".
84:Israeli choreographers into its repertory.
2298:Nathaniel Rothschild, 5th Baron Rothschild
2233:Hannah de Rothschild, Countess of Rosebery
1942:Rothschild properties in the Home counties
1698:
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754:Jezreel Valley Contemporary Dance Festival
524:
510:
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1874:Palestine Jewish Colonization Association
392:
2047:Château Rothschild, Boulogne-Billancourt
487:in 2004 at Jacob's Pillow Dance Festival
35:
2318:Walter Rothschild, 2nd Baron Rothschild
2313:Victor Rothschild, 3rd Baron Rothschild
2293:Nathan Rothschild, 1st Baron Rothschild
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224:
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2238:Jacob Rothschild, 4th Baron Rothschild
2168:Sir Anthony de Rothschild, 1st Baronet
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2120:Salomon Albert Anmselm von Rothschild
2110:Nathaniel Mayer Anselm von Rothschild
1869:VĂtkovice Mining and Iron Corporation
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448:Getting to Know the Batsheva Ensemble
280:
227:"Israel honors its baroness of dance"
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492:Ohad Naharin & Tabaimo’s “Furo”
24:
1909:Emperor Ferdinand Northern Railway
1721:Genealogy of the Rothschild family
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1904:Caspian and Black Sea Oil Company
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2431:Jacqueline Rebecca de Rothschild
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109:Edinburgh International Festival
2511:Marie Angliviel de la Beaumelle
2356:BĂ©atrice Ephrussi de Rothschild
1620:Dance in mythology and religion
632:Tel Aviv Performing Arts Center
66:Baroness Batsheva de Rothschild
2456:Nathaniel Robert de Rothschild
2401:Edouard Alphonse de Rothschild
2163:Amschel Mayor James Rothschild
2140:Alice Charlotte von Rothschild
2105:Mathilde Hannah von Rothschild
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627:State Jewish Theatre (Romania)
587:Dora Wasserman Yiddish Theatre
405:
354:
341:"Batsheva Dance Company: Gaga"
333:
13:
1:
2396:Édouard Etienne de Rothschild
2125:Ludwig (Louis) von Rothschild
2100:Anselm Salomon von Rothschild
225:Brafman, Ora (January 1998).
211:
2611:Contemporary dance companies
2386:Edmond Adolphe de Rothschild
2341:Aline Caroline de Rothschild
2336:Alphonse James de Rothschild
2218:Evelyn Achille de Rothschild
2203:Edmund Leopold de Rothschild
2173:Anthony Gustav de Rothschild
2135:Jeanne Stuart von Rothschild
2130:Eugéne Daniel von Rothschild
2095:Salomon Mayer von Rothschild
1889:British South Africa Company
176:
167:
40:Batsheva Dance Company, 2007
7:
2549:Wilhelm Carl von Rothschild
2481:Salomon James de Rothschild
2273:Mayer Amschel de Rothschild
2268:Lynn Forester de Rothschild
2263:Lionel Nathan de Rothschild
2253:Leopold David de Rothschild
2178:Anthony James de Rothschild
2072:HĂ´tel Salomon de Rothschild
1776:Kingdom of the Two Sicilies
622:Moscow State Jewish Theatre
577:Alliance for Jewish Theatre
259:Dori, Roni (16 July 2009).
189:
10:
2632:
2446:Marie-Hélène de Rothschild
2436:James Armand de Rothschild
2391:Edmond James de Rothschild
1809:Edmond de Rothschild Group
1756:Baron Rothschild (Austria)
173:choreographic innovation.
129:
103:. The ensemble toured the
26:
2606:Dance companies in Israel
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2539:Mayer Carl von Rothschild
2534:Carl Mayer von Rothschild
2519:
2441:James Mayer de Rothschild
2326:
2193:David Mayer de Rothschild
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2012:Abbaye des Vaux de Cernay
2007:Château Mouton Rothschild
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2529:Charlotte von Rothschild
2476:Philippine de Rothschild
2381:David René de Rothschild
2278:Miriam Louisa Rothschild
2223:Sir Evelyn de Rothschild
2208:Emma Georgina Rothschild
1731:Amschel Mayer Rothschild
1726:Mayer Amschel Rothschild
2544:Adelheid von Rothschild
2411:Elisabeth de Rothschild
2376:Bethsabée de Rothschild
2371:Charlotte de Rothschild
2303:Nicky Hilton Rothschild
2288:Nathan Mayer Rothschild
2283:Nathaniel de Rothschild
2228:Ferdinand de Rothschild
2115:Ferdinand de Rothschild
1771:Austro-Hungarian Empire
248:(subscription required)
135:Early years (1964–1974)
116:Gaga (dance vocabulary)
2559:Thérèse von Rothschild
2471:Philippe de Rothschild
2361:Benjamin de Rothschild
1914:Asia Resource Minerals
1864:Chemins de Fer du Nord
759:Karmiel Dance Festival
709:Batsheva Dance Company
617:Jewish Theatre, Warsaw
453:“Deca Dance” in Israel
46:Batsheva Dance Company
41:
2554:Berthe von Rothschild
2491:Gustave de Rothschild
2486:Maurice de Rothschild
2466:Pauline de Rothschild
2248:Leopold de Rothschild
2213:Evelina de Rothschild
2198:Dorothy de Rothschild
729:Suzanne Dellal Centre
704:Bat-Dor Dance Company
607:Israel National Opera
107:and performed at the
39:
2496:Robert de Rothschild
2461:Nicole de Rothschild
2451:Nadine de Rothschild
2421:Hélène de Rothschild
2366:Betty von Rothschild
2351:Arthur de Rothschild
2346:Ariane de Rothschild
2258:Lionel de Rothschild
2158:Alfred de Rothschild
2042:Château de la Muette
2032:Château de Laversine
2022:Château de Ferrières
1819:S. M. von Rothschild
1814:de Rothschild Frères
1804:RIT Capital Partners
1736:Rothschild Mausoleum
1585:Dance and disability
602:Hebrew Actors' Union
419:. 21 September 2009.
60:. It was founded by
2569:Bina von Rothschild
2501:Alain de Rothschild
2426:Henri de Rothschild
2077:Talleyrand Building
2037:Château des Laurets
1952:Aston Clinton House
1799:Rothschild & Co
1630:Dance on television
714:Inbal Dance Theatre
261:"Divinely inspired"
237:on 25 December 2013
2506:Éric de Rothschild
2406:Élie de Rothschild
2183:Charles Rothschild
1987:Tring Park Mansion
1924:Alliance Assurance
673:Israeli folk dance
322:Jewish Renaissance
42:
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2584:Rothschild family
2416:Guy de Rothschild
2308:Serena Rothschild
2067:HĂ´tel de Pontalba
2002:Palais Rothschild
1673:
1672:
1625:Dance occupations
1562:Wallis and Futuna
801:
800:
767:
766:
742:
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724:Jerusalem Academy
640:
639:
556:Judeo-Tat Theatre
300:Missing or empty
201:Culture of Israel
93:Batsheva Ensemble
16:(Redirected from
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2062:HĂ´tel de Marigny
2052:Haras de Meautry
1972:Gunnersbury Park
1751:Baron Rothschild
1700:
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1660:History of dance
1645:Dance technology
1590:Dance and health
1540:African-American
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1741:Rothschild Park
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1024:Novelty and fad
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861:List of dancers
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1357:
1352:
1347:
1342:
1337:
1332:
1327:
1322:
1317:
1312:
1307:
1302:
1297:
1292:
1287:
1282:
1276:
1274:
1260:
1259:
1257:
1256:
1251:
1246:
1241:
1236:
1231:
1226:
1221:
1220:
1219:
1209:
1204:
1199:
1194:
1189:
1184:
1178:
1176:
1170:
1169:
1167:
1166:
1161:
1156:
1151:
1146:
1141:
1136:
1131:
1126:
1121:
1116:
1111:
1106:
1101:
1096:
1091:
1086:
1081:
1080:
1079:
1074:
1064:
1059:
1053:
1051:
1045:
1044:
1042:
1041:
1036:
1031:
1026:
1021:
1016:
1015:
1014:
1009:
1004:
999:
994:
989:
984:
979:
974:
964:
959:
954:
949:
943:
941:
935:
934:
932:
931:
930:
929:
924:
919:
914:
909:
904:
899:
894:
889:
879:
873:
871:
867:
866:
864:
863:
858:
856:List of dances
853:
848:
842:
839:
838:
831:
830:
823:
816:
808:
799:
798:
796:
795:
784:
772:
769:
768:
765:
764:
762:
761:
756:
750:
748:
740:
739:
737:
736:
731:
726:
721:
716:
711:
706:
700:
698:
691:
690:
685:
680:
675:
670:
664:
662:
658:
657:
643:
641:
638:
637:
635:
634:
629:
624:
619:
614:
609:
604:
599:
597:Habima Theatre
594:
589:
584:
582:Cameri Theatre
579:
573:
571:
564:
563:
558:
553:
547:
545:
541:
540:
533:Jewish theatre
529:
528:
521:
514:
506:
500:
499:
494:
489:
480:
475:
470:
465:
460:
455:
450:
445:
440:
429:
428:External links
426:
423:
422:
404:
378:
353:
332:
311:
279:
251:
231:Dance Magazine
216:
215:
213:
210:
209:
208:
203:
198:
191:
188:
178:
175:
169:
166:
160:, and others.
158:Jerome Robbins
136:
133:
131:
128:
105:United Kingdom
81:Rina Schenfeld
9:
6:
4:
3:
2:
2628:
2617:
2614:
2612:
2609:
2607:
2604:
2603:
2601:
2586:
2585:
2580:
2579:
2576:
2570:
2567:
2565:
2562:
2560:
2557:
2555:
2552:
2550:
2547:
2545:
2542:
2540:
2537:
2535:
2532:
2530:
2527:
2526:
2524:
2522:
2518:
2512:
2509:
2507:
2504:
2502:
2499:
2497:
2494:
2492:
2489:
2487:
2484:
2482:
2479:
2477:
2474:
2472:
2469:
2467:
2464:
2462:
2459:
2457:
2454:
2452:
2449:
2447:
2444:
2442:
2439:
2437:
2434:
2432:
2429:
2427:
2424:
2422:
2419:
2417:
2414:
2412:
2409:
2407:
2404:
2402:
2399:
2397:
2394:
2392:
2389:
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2379:
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2374:
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2369:
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2359:
2357:
2354:
2352:
2349:
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2337:
2334:
2333:
2331:
2329:
2325:
2319:
2316:
2314:
2311:
2309:
2306:
2304:
2301:
2299:
2296:
2294:
2291:
2289:
2286:
2284:
2281:
2279:
2276:
2274:
2271:
2269:
2266:
2264:
2261:
2259:
2256:
2254:
2251:
2249:
2246:
2244:
2241:
2239:
2236:
2234:
2231:
2229:
2226:
2224:
2221:
2219:
2216:
2214:
2211:
2209:
2206:
2204:
2201:
2199:
2196:
2194:
2191:
2189:
2186:
2184:
2181:
2179:
2176:
2174:
2171:
2169:
2166:
2164:
2161:
2159:
2156:
2155:
2153:
2151:
2147:
2141:
2138:
2136:
2133:
2131:
2128:
2126:
2123:
2121:
2118:
2116:
2113:
2111:
2108:
2106:
2103:
2101:
2098:
2096:
2093:
2092:
2090:
2088:
2084:
2078:
2075:
2073:
2070:
2068:
2065:
2063:
2060:
2058:
2057:HĂ´tel Lambert
2055:
2053:
2050:
2048:
2045:
2043:
2040:
2038:
2035:
2033:
2030:
2028:
2025:
2023:
2020:
2018:
2015:
2013:
2010:
2008:
2005:
2003:
2000:
1998:
1997:Spencer House
1995:
1993:
1990:
1988:
1985:
1983:
1980:
1978:
1975:
1973:
1970:
1968:
1965:
1963:
1960:
1958:
1955:
1953:
1950:
1948:
1945:
1943:
1940:
1939:
1937:
1935:
1931:
1925:
1922:
1920:
1917:
1915:
1912:
1910:
1907:
1905:
1902:
1900:
1897:
1895:
1892:
1890:
1887:
1885:
1884:Creditanstalt
1882:
1880:
1877:
1875:
1872:
1870:
1867:
1865:
1862:
1860:
1857:
1855:
1852:
1849:
1848:The Economist
1845:
1842:
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1837:
1835:
1832:
1830:
1827:
1825:
1822:
1820:
1817:
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1810:
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1800:
1797:
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1788:
1782:
1779:
1777:
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1769:
1767:
1766:French Empire
1764:
1762:
1759:
1757:
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1734:
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1696:
1694:
1689:
1687:
1682:
1681:
1678:
1666:
1663:
1661:
1658:
1656:
1655:Dancing mania
1653:
1651:
1648:
1646:
1643:
1641:
1640:Dance science
1638:
1636:
1633:
1631:
1628:
1626:
1623:
1621:
1618:
1616:
1615:Dance in film
1613:
1611:
1608:
1606:
1603:
1601:
1600:Dance costume
1598:
1596:
1593:
1591:
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1578:
1574:
1568:
1565:
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1555:
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1535:United States
1533:
1531:
1528:
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1518:
1516:
1513:
1511:
1508:
1506:
1503:
1501:
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1471:
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1426:
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1403:
1401:
1398:
1396:
1393:
1391:
1388:
1386:
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1378:
1376:
1375:Faroe Islands
1373:
1371:
1368:
1366:
1363:
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1351:
1348:
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1218:
1215:
1214:
1213:
1210:
1208:
1205:
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1198:
1195:
1193:
1190:
1188:
1185:
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1177:
1175:
1171:
1165:
1162:
1160:
1157:
1155:
1152:
1150:
1147:
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1132:
1130:
1127:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1100:
1097:
1095:
1092:
1090:
1087:
1085:
1082:
1078:
1075:
1073:
1070:
1069:
1068:
1065:
1063:
1060:
1058:
1055:
1054:
1052:
1050:
1046:
1040:
1037:
1035:
1032:
1030:
1027:
1025:
1022:
1020:
1017:
1013:
1010:
1008:
1005:
1003:
1000:
998:
995:
993:
992:Neo-Burlesque
990:
988:
985:
983:
980:
978:
975:
973:
970:
969:
968:
965:
963:
960:
958:
955:
953:
950:
948:
945:
944:
942:
940:
936:
928:
925:
923:
920:
918:
915:
913:
910:
908:
905:
903:
900:
898:
897:open position
895:
893:
890:
888:
887:close embrace
885:
884:
883:
880:
878:
875:
874:
872:
870:Participation
868:
862:
859:
857:
854:
852:
849:
847:
844:
843:
840:
836:
829:
824:
822:
817:
815:
810:
809:
806:
794:
785:
783:
774:
773:
770:
760:
757:
755:
752:
751:
749:
745:
735:
732:
730:
727:
725:
722:
720:
719:Israel Ballet
717:
715:
712:
710:
707:
705:
702:
701:
699:
697:Organizations
695:
689:
686:
684:
681:
679:
676:
674:
671:
669:
666:
665:
663:
659:
654:
647:
633:
630:
628:
625:
623:
620:
618:
615:
613:
612:Israeli Opera
610:
608:
605:
603:
600:
598:
595:
593:
590:
588:
585:
583:
580:
578:
575:
574:
572:
570:Organizations
568:
562:
559:
557:
554:
552:
549:
548:
546:
542:
538:
534:
527:
522:
520:
515:
513:
508:
507:
504:
498:
495:
493:
490:
488:
486:
481:
479:
476:
474:
471:
469:
466:
464:
461:
459:
456:
454:
451:
449:
446:
444:
441:
437:
432:
431:
418:
414:
408:
400:
396:
395:Ballet Review
389:
387:
385:
383:
367:
363:
357:
342:
336:
328:
324:
323:
315:
307:
294:
283:
268:
267:
262:
255:
236:
232:
228:
221:
217:
207:
204:
202:
199:
197:
194:
193:
187:
184:
174:
165:
161:
159:
155:
151:
145:
142:
141:Martha Graham
127:
125:
124:Tomer Heymann
121:
117:
112:
110:
106:
102:
98:
94:
90:
85:
82:
78:
74:
73:Martha Graham
69:
67:
63:
62:Martha Graham
59:
55:
51:
47:
38:
34:
30:
19:
2581:
1977:Halton House
1947:Ascott House
1919:Genel Energy
1854:Mouton Cadet
1650:Dance troupe
1595:Dance awards
1490:Pontic Greek
1197:Dance theory
1187:Choreography
1099:Contemporary
708:
688:Gaga (dance)
668:Jewish dance
537:Jewish dance
484:
416:
407:
398:
394:
369:. Retrieved
365:
356:
344:. Retrieved
335:
326:
320:
314:
282:
270:. Retrieved
264:
254:
239:. Retrieved
235:the original
230:
220:
183:Ohad Naharin
180:
171:
162:
146:
138:
119:
113:
101:Itzik Galili
89:Ohad Naharin
86:
77:Anna Sokolow
70:
45:
43:
33:
1879:Yad Hanadiv
1790:Banking and
1480:Philippines
1465:Netherlands
1455:Middle East
1007:Table dance
972:Go go dance
952:Competitive
561:Purim spiel
329:(1): 36–37.
154:Glen Tetley
87:Soon after
2600:Categories
2582:Category:
1934:Properties
1839:Libération
1707:Rothschild
1547:Uzbekistan
1315:Azerbaijan
1224:Musicality
1192:Connection
1149:Postmodern
1119:Historical
1002:Striptease
997:Pole dance
947:Ceremonial
902:slow dance
592:Folksbiene
485:Deca Dance
302:|url=
272:7 November
241:7 November
212:References
206:Piotr Giro
150:Jose Limon
1957:Champneys
1894:Rio Tinto
1792:companies
1552:Venezuela
1515:Sri Lanka
1510:Singapore
1470:Nicaragua
1400:Indonesia
1305:Australia
1174:Technique
1072:formation
987:Lap dance
775:Theatre:
747:Festivals
181:In 1990,
177:1990–2018
168:1975–1990
111:in 2012.
68:in 1964.
29:Bathsheba
1962:Eythrope
1899:De Beers
1834:Club Med
1781:Holy See
1567:Zimbabwe
1520:Thailand
1445:Malaysia
1430:Kiribati
1340:Cameroon
1335:Cambodia
1325:Bulgaria
1300:Assyrian
1269:national
1264:Regional
1244:Spotting
1239:Sequence
1217:glossary
1164:Two-step
1109:Flamenco
1094:Breaking
1089:Boogaloo
1067:Ballroom
1012:Twerking
977:Grinding
962:Ecstatic
793:Category
782:Category
401:: 86–90.
371:18 March
362:"mrgaga"
346:18 March
293:cite web
190:See also
120:Mr. Gaga
54:Tel Aviv
18:Batsheva
2150:England
2087:Austria
1714:General
1577:Related
1557:Vietnam
1530:Ukraine
1440:Kurdish
1410:Ireland
1390:Hungary
1380:Georgia
1365:Denmark
1355:Croatia
1320:Belarus
1310:Austria
1295:Armenia
1285:Albania
1249:Turnout
1134:Lyrical
1114:Hip-hop
957:Concert
882:Partner
851:Outline
786:Dance:
734:Vertigo
544:Theatre
266:Haaretz
130:History
2521:Naples
2328:France
1829:Eramet
1824:Imerys
1525:Turkey
1505:Serbia
1500:Russia
1495:Romani
1485:Poland
1450:Mexico
1415:Israel
1385:Greece
1370:Europe
1345:Canada
1280:Africa
1271:dances
1229:Pointe
1202:Graham
1182:Ballet
1139:Modern
1062:Ballet
1049:Styles
1034:Street
1029:Sacred
967:Erotic
939:Social
927:square
912:contra
907:circle
366:mrgaga
58:Israel
50:Hebrew
1460:Nepal
1435:Korea
1425:Japan
1420:Italy
1395:India
1350:China
1254:Turns
1212:Moves
1154:Swing
1144:Polka
1129:Latin
1084:Belly
1077:waltz
922:round
846:Index
835:Dance
661:Dance
1475:Peru
1405:Iran
1360:Cuba
1290:Arab
1234:Pole
1124:Jazz
1057:Acro
1019:Folk
917:line
877:Solo
678:Hora
535:and
373:2017
348:2017
306:help
274:2012
243:2012
99:and
75:and
64:and
44:The
1159:Tap
1039:War
2602::
415:.
399:43
397:.
381:^
364:.
327:12
325:.
297::
295:}}
291:{{
263:.
229:.
156:,
152:,
56:,
1850:)
1846:(
1699:e
1692:t
1685:v
1273:)
1267:(
827:e
820:t
813:v
525:e
518:t
511:v
375:.
350:.
308:)
304:(
276:.
245:.
48:(
31:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
