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requested that
Michelangelo complete the statue fragment with arms, legs and a face. He respectfully declined, stating that it was too beautiful to be altered, and instead used it as the inspiration for several of the figures on the
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139:, when it suffered some mutilation. Between 1530 and 1536, the sculpture was acquired by the pope. How it entered the Vatican collections is uncertain, but by the mid-16th century it was installed in the
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of a male nude, known to be in Rome from the 1430s, and signed prominently on the front of the base by "Apollonios, son of Nestor, Athenian", who is unmentioned in ancient literature. It is now in the
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Once believed to be a 1st-century BC original, the statue is now thought to be a copy from the 1st century BC or AD of an older statue, probably to be dated to the early 2nd century BC.
19:
328:
514:
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235:, c. 1515. The Belvedere Torso remains one of the few ancient sculptures admired in the 17th and 18th centuries whose reputation has not suffered in modern times.
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The muscular male figure is portrayed seated on an animal hide, and its precise identification remains open to debate. Though traditionally identified as a
39:
is shown holding the knife of his martyrdom and his flayed skin. The figure's torso strongly echoes the
Belvedere Torso. The model is thought to be
268:
231:, c. 1590; the Belvedere Torso entered the visual repertory of connoisseurs and artists unable to go to Rome through the engraving of it by
784:
568:, c. 1515, through which it became widely known, showed it with its legs complete, an imaginary restoration, according to Leonard Barkan,
256:
774:
712:
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85:, recent studies have identified the skin as that of a panther, occasioning other identifications (with possibilities including
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504:: "Zurück zur Klassik." In: "Zurück zur Klassik. Ein neuer Blick auf das alte Griechenland." Hirmer, Munich 2013, pp. 55–57.
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131:(or someone in his immediate circle) made note of its inscription. Around 1500 it was in the possession of the sculptor
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192:. Michelangelo's admiration of the Torso was widely known in his lifetime, to the extent that the Torso gained the
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Several small bronze reductions of it were made during the 16th century, often restoring it as a seated
Hercules.
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Noted by A. D. Potts, "Greek
Sculpture and Roman Copies I: Anton Raphael Mengs and the Eighteenth Century",
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published
Michelangelo's admiration for the Torso in "Delle statue antiche..." in Lucio Mauro,
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93:). According to the Vatican Museum website, "the most favoured hypothesis identifies it with
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For example a bronze statuette formerly in the von
Pannwitz collection, by a follower of
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The earliest dated sketches show the right leg intact through the knee. The engraving by
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Regoli, Gigetta Dalli; Gioseffi, Decio; Mellini, Gian
Lorenzo; Salvini, Roberto (1968).
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Regoli, Gigetta Dalli; Gioseffi, Decio; Mellini, Gian
Lorenzo; Salvini, Roberto (1968).
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Unearthing the Past: Archaeology and
Aesthetics in the Making of Renaissance Culture
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Unearthing the Past: Archaeology and
Aesthetics in the Making of Renaissance Culture
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The Census of Antique Works of Art and Architecture Known in the Renaissance
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713:"British Museum borrows Belvedere Torso from Vatican for body exhibition"
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Some Observations Made While Travelling through France, Italy &c...
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dated it to about 200 BC, a Greek work that had been imported to Rome (
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695:(Diana M. Buitron, "The Alexander Nelidow: A Renaissance Bronze?"
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for their 2015 exhibition on the human body in ancient Greek art.
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Taste and the Antique: the lure of classical sculpture, 1400–1900
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from 1433, not because it elicited admiration, but because the
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and Prophets along the borders, and both the risen Christ and
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London, 1730, noted in Haskell and Penny 1981:313 note 25.
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Domenico De Rossi, Raccolta del Scultore Antiche e Moderne
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Study after the Belevedere Torso by Peter Paul Rubens,
196:, "The School of Michelangelo". Legend has it that
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581:For its Renaissance career, see Barkan 1999:190ff.
135:. It was still in the Palazzo Colonna during the
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780:Roman copies of 2nd-century BC Greek sculptures
657:Journal of the Warburg and Courtauld Institutes
51:is a 1.59-metre-tall (5.2 ft) fragmentary
109:The statue is documented in the collection of
551:Noted in Francis Haskell and Nicholas Penny,
157:canonization," Leonard Barkan observed, "the
597:, Venice, 1556 (Haskell and Penny 1981:312).
431:Michelangelo being Shown the Belvedere Torso
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101:, in the act of contemplating his suicide".
646:(Yale University Press, 1999) ill. 3.79–85.
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358:Belvedere Torso (foreground at right) in a
219:. Early drawings of the Torso were made by
164:The contorted pose and musculature of the
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418:. 1704. Engraving. Plate IX. 28 × 29 cm.
298:The Belvedere Torso, three-quarter view.
147:and other famous Roman sculptures. "The
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16:Sculpture by an Apollonios the Athenian
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572:(Yale University Press, 1999) p 193ff.
378:Drawing after the Belvedere Torso by
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702:.3 (September 1973:393–400) p.398).
642:All illustrated by Leonard Barkan,
153:took two months from unearthing to
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322:Belvedere Torso, rear view, sunlit
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775:Sculptures in the Vatican Museums
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274:Front view showing pedestal, dark
262:Greek inscription on the pedestal
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770:Tourist attractions in Rome
628:. Italy: Newsweek. p.
566:Giovanni Antonio da Brescia
233:Giovanni Antonio da Brescia
168:were highly influential on
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467:. Encyclopaedia Britannica
400:Metropolitan Museum of Art
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81:seated on the skin of the
111:Cardinal Prospero Colonna
105:History after rediscovery
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161:took a hundred years."
676:Opuscula Archaeologica
203:Sistine Chapel ceiling
143:, where it joined the
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662:(1980:150–173) p. 150
624:Vatican Museums: Rome
538:Vatican Museums: Rome
515:"The Belvedere Torso"
364:Giovanni Paolo Panini
225:Martin van Heemskerck
141:Cortile del Belvedere
30:
22:
742:at Wikimedia Commons
519:www.museivaticani.va
439:Dahesh Museum of Art
137:sack of Rome in 1527
115:his family's palazzo
60:Museo Pio-Clementino
746:The Belvedere Torso
227:, c. 1532–1536, by
223:, c. 1500–1503, by
180:artists, including
119:Monte Cavallo, Rome
62:(Inv. 1192) of the
23:The Belvedere Torso
719:. January 8, 2015.
216:The Last Judgement
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33:The Last Judgement
25:
738:Media related to
591:Ulisse Aldrovandi
541:. Italy: Vatican.
502:Vinzenz Brinkmann
461:"Belvedere Torso"
380:Peter Paul Rubens
229:Hendrick Goltzius
190:classical revival
37:Saint Bartholomew
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555:, 1981:311.
486:Winckelmann
386:(RH.S.109).
170:Renaissance
123:antiquarian
83:Nemean lion
73:Description
764:Categories
490:Geschichte
471:1 December
384:Rubenshuis
126:epigrapher
87:Polyphemus
751:Entry in
360:capriccio
194:sobriquet
174:Mannerist
155:Belvedere
693:L'Antico
437:, 1849.
79:Heracles
249:Gallery
186:Raphael
178:Baroque
150:Laocoön
99:Telamon
91:Marsyas
207:Sibyls
176:, and
56:statue
53:marble
447:Notes
166:torso
159:Torso
473:2020
184:and
95:Ajax
89:and
47:The
362:by
213:in
117:in
113:at
766::
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660:43
630:25
527:^
517:.
463:.
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43:.
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