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Benito di Paula

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288: 1201: 778: 992: 468:, When Carnival Comes, Buaque would leave the house for the studio whistling the melody. A single hearing of the song was enough for Chico's prodigious musical memory to immediately register the lyrics and melody of the song. Even more curiously, after a moment along the way, Chico's brain began to spontaneously offer him variations on Benito di Paula's original lyrics, in the more well-known " 28: 1220:". This album marks the end of an era, as he spent three years without recording anything after its release, and this had never happened before, going even a year without releasing an album since his career began. Despite this, he made many presentations, and sang the main song of the album in the last program of 1570:
and Paulo Massadas), accompanied by the band composed by Jorge Cardoso (musical direction), Ney Vellozo (guitar), nephew Kauan Vellozo (ukulele), TĂ©o Lima (drums), Edu (bass), Luiz Felipe (seven-tone guitar) strings), Ivanildo, Pirulito and Esguleba (percussion), Jussara, Jurema, Jefferson and NĂ©lio
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Uday Vellozo achieved national fame as Benito di Paula, a name chosen by him and Alfredo Motta, a great promoter of his career who invited him when he was between 15 and 16 years old to sing at the Avenida Hotel, located on Dante Laginestra Street, in downtown from Nova Friburgo. Initially, they
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and a considerable decline of the artist, where he starts to lose place in the media in a constant way. It is also a time where his music, in the early parts of the decade, is much calmer than in the previous decade. But even so, it was a time of many songs that pleased his loyal audience, who
472:", by then already consolidated. Chico took advantage of the musicians present at the session that day to record his version of the song. The recording would not see the light of day, being left out of the final version of the album and Chico ended up never presenting it to the composer. 940:
continue to remember a lot of that time, his fame always being related to the 1970s. In 1980 he released an album that didn't quite follow the rhythm of the previous ones, but something different, like a "lively music with sad lyrics". On this record there were songs like "
852:", a song that was made for actors, sportsmen and others who gained notoriety on TV, who ventured as musical interpreters and claiming to be singers and composers. And, in a way, people who used their public image to give their opinion on various topics. Benito uses 1450:" by Eduardo Granja Coutinho was released, a book in which the author made several references to the composer. That same year, he cut his hair to just above his shoulder, in addition to leaving it "messy" again. He also started shaving his mustache and goatee. 193:. Between the 70s and 80s he achieved great fame, having sold 50 million records until today, being the 5th largest record seller in Brazil. In addition to Brazil, Di Paula sold records in other countries, recorded in languages such as 863:
In 1978 he released his LP with songs that, in a long time, were not among the most played songs of the year. this was because as time went by, they started to become more melancholic, just like at the beginning of their career in the
1301:. At this time his look was different than usual and before the last album. Now his hair was shorter, with a less "messy" shape, mustache and goatee done, etc. Although the album did not have any "pop" song, one of the tracks " 836:" for the type of music that Benito did, they always existed as said before, but at each moment they became more frequent as time went by as he became more famous, but he never stopped defending himself, calling them " 1766:
On August 3, 2021, Aurora was born, daughter of Rodrigo and his wife Carolina Bellezi, being Benito's first granddaughter. And on November 12 of the same year, she released a single with her son Rodrigo, entitled
276:, however he earned not much money. One day, a couple friends invited him to earn twice as much in SĂŁo Paulo. Benito continued to play the piano in nightclubs Santos and in the city of SĂŁo Paulo, as well as at 238:
on November 28, 1941, Uday Vellozo is the son of José Vellozo, a railway worker at Leopoldina Station, and Maria, who also had 12 other children. It was a family of humble origins. His father descended from
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mostly. This sudden change did not please many of its listeners, so much so that it is one of the least purchased, being difficult to find nowadays. But even so, there were songs in the old style, like
1074:, one of, if not the biggest, club of fans listening to Benito throughout Brazil. In this year, its leardership was: president Rose di Paula, vice president Luiz Caymmi and director Maruda Bitra. 2522: 1705:. The City Hall said it would compensate with R$ 500,000 (US$ 90,000), which was not worth the total amount of the house according to Benito, who at the time would have paid "billions of 616:
comics. When Benito asked about what was going on in the comics, he was enchanted with the character and then wrote the song that became one of the most played in 1974. In the same year,
1442:, Benito di Paula disappears from all media and rarely appears in an interview or music program. In the year 2002 the group from pagode Revelação re-recorded with great success " 809:
of best singer of the same year, competing against Roberto Carlos and Chico Buarque, and ends up winning the award. He also makes his first appearance at the Golden Globe from
718:, who gave him a piece of paper with half a song done and asked Benito to continue. Benito continued the song and later, together with Adoniran, they delivered it to the group 256:
chose the artistic name "Benito" for Uday, to which they later added "di Paula", with the aim of "Italianizing" the singer's name. At the age of 17, he went to serve in the
828:", where he made a clear statement that he was still alive, because the same journalists that called him "tacky", "cheesy" and "out of style" had also said that Benito had 335:. In the first copies of this compact, there was still his born name, Uday Vellozo, on the cover, but soon after he changed to his artistic name by which he became known, 1232:
The 1990s were his last years of national exposure during a long period ahead, it was a decade where he released an album every two years. In 1990 he released the album "
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recorded at Vivo Rio, one of the biggest venues in Rio of Janeiro. On that occasion, he recorded the greatest hits of his career and four new compositions, including "
1057:, canceled the contracts with the singer. In this album, the rhythm, genre and music itself is totally different from all of their previous albums, as it follows a 507:", Benito created his own style of playing samba, but this generated a lot of controversy among some of the critics at the time, who began to call what he did " 793:, this album not being widely distributed. However, he released a career album, which featured three songs that once again became radio hits, and they were " 1022:
In 1982 he released another album by WEA, and on this album, he yielded another successful song, despite not being as great as the previous one, which was "
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from being played on the radio and had his records recalled from stores. On this same album, he also performed four compositions of his own, including "
1298: 1478: 1481:, Benito completely removed his mustache and goatee, leaving his hair short to the nape of the neck, which caused strangeness among the public. 308:". And from this year until the middle of the next decade, he makes compositions and appearances while playing in nightclubs in Rio de Janeiro. 1418:. On the occasion, he performed with the pianist Carolina Cardoso de Menezes, this being the last show of the great pianist. Around that time, 883:", for it being the first track, is released. This album has romantic songs, and with a very melancholy rhythm, as can be seen in the names, " 805:", which yielded a single single just for this song. With all these songs gaining fame with each album released, Benito is nominated for the 1289:", which seems to be a kind of outburst by the singer, as it was shown at the time. The album had its biggest exhibition in the program of 311:
In 1966 he released two of his songs on a compact disc by the label Continental, which included the first song from 1956 on one side, and "
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After the mourning, in 2020, together with his son Rodrigo, who would release his album, they made a song in tribute to André, entitled "
2564: 1244:, music that was a production of Chico Roque and Carlos Colla, and not Benito as usual. The song had a video clip that was recorded in 1278:, he revealed that he did not like the album very much, and said that it was the record company's decision the lyrics of the songs. 976:. The program was interviews with singers, who would be interviewed at the same time as they sang, the name of the program was " 643:
In 1975 he released two LPs. One of these was a career album, and had more hits that were played at the time, among them being "
247:, with the name "Good people doesn't mix with us", and a Regional group. Watching him play, Uday also learned some instruments. 1317: 1182: 1082: 130: 2569: 1120:", an album where he made many criticisms and defended some guidelines. For example, in its first track, which has the name 170:(born 28 November 1941), is a Brazilian singer-songwriter, composer, pianist and writer. He is known for his characteristic 1721:. The house was expropriated and he got a compensation of R$ 1,000,000 (US$ 200,000), and with that bought an apartment in 1567: 1134: 600: 1709:" (US$ 1,000,000). Benito tried to negotiate while he went after another house. He commented a lot on this on the program 536:
did not please Benito, who never stopped mentioning it as a pejorative term, since it identifies itself as being of the
2574: 1706: 2482: 2245: 988:". That same year, suddenly, the label Copacabana canceled all contracts with Benito, after the release of the album. 973: 1089:", a song with "innocent and pure content", which gained quite a bit of fame and later ended up as the soundtrack of 1363:. The album had a rhythm very similar to their previous ones from the beginning of the 1970s. In the same year, two 714:", a song that is also usually associated with him. One of the times he left the show's recording studio, he found 628:", being it a song by Benito that had not been released on any record until then. Di Paula also recorded the song 374:
style, and melancholy romantics. In the same year, he delivered compositions and lyrics to other artists, such as
339:. With that, shortly after, he delivered three new songs for an album together with other artists, whose name was 1759:, as a precaution, Benito shaved his head and beard. He also started to make, with the help of his son Rodrigo, " 1360: 442: 449:", which was the song that ended up selling the LP. This, being in 1972 the 66th most played song on the radio. 2579: 27: 189:
He settled down and raised a family in SĂŁo Paulo, where he developed his career, becoming the great symbol of
984:" from 1978. Due to alleged budget problems, the program did not go much further, and was later placed as a " 503:", which became the 2nd most played in all media of the year, being its biggest success until then. In this " 742:, Sônia Santos, Quinteto Violado and Cláudia, was part of the Brazilian delegation that participated in the 702:, which resulted in an album released in the same year, in which he presented some of his guests, including 1125: 671:. Benito was a friend of Luiz Gonzaga, ever since they first met in the bathroom at an Artists' Caravan in 2559: 574:
as one of the greatest hits of the year 1973. The simple compact had sold more than 150 thousand copies.
2148:(in Brazilian Portuguese). Equipe do Dicionário Cravo Albin da Música Popular Brasileira. Archived from 1007:
to release his new album. On this album, he managed to return to the most played media, with his song "
273: 2353:(October 10, 1997). "Folha Entrevista Benito di Paula" (Interview). Interviewed by Luiz AntĂ´nio Ryff. 1011:". In addition to this great fame, there were other songs that greatly pleased his audience, such as " 848:", which also went on to be among the most played songs of the year. In addition to having also made " 491:", in whose cover he already appeared with his mustache and goatee, long hair, in addition to chains, 920: 621: 366:
from 1969, in addition to the album itself. Even at that time, his music had a rhythm that resembled
2149: 1212:", but the album was unsuccessful, being hard to find these days. On the LP there were songs like " 552:. This same composition opened the doors to success in Brazil and abroad, having been recorded by 945: 617: 545: 418: 371: 2549: 766:
referred to Charlie Brown as if he were a real character. The song was covered by artists like
655:", all going to the most played of the year. On this same album there was a song in tribute to 1344: 2358: 1694: 1457:" (with Grupo Revelação) was one of the most played songs on segmented stations in samba in 1406:
In the second half of 1997, he started as a writer by publishing the book of short stories "
217:. He has more than 35 recorded LPs, with an important part of his work being re-released on 2554: 1698: 856:
as his main target, as they already had a certain verbal hostility, portrayed in the song "
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in Rio de Janeiro. They sang three of the singer's greatest hits, namely "Além de Tudo", "
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In the year of 1986 he released an instrumental album, where there were classics such as "
912: 899:", which has an almost imperceptible criticism of the government and the situation of the 609: 323:. In 1968 another compact was recorded, in this one, there was, in addition to his song, " 183: 179: 8: 604:". This song took 5 years to compose, starting in 1969, the year Benito was living in an 1139: 1034:". His song, which was still in the fourth place of the most played songs of the year, 1004: 965: 605: 122: 1520: 1129: 806: 178:, where he did not play a specific genre. Di Paula was invited by a friend to play in 1756: 1648: 771: 727: 1245: 2372: 1620: 1462: 1261: 715: 206: 202: 194: 969: 590:", which contained more songs that became the most played of the year, including " 347:; in addition to also recording a composition by J.M. Ferreira and Mariza Saboya, 1702: 1686: 1616: 1403:
in the next 13 years, for the reason that no record company asked him to record.
876:", which became the opening theme of his tv program that he had two years later. 790: 703: 210: 198: 1624: 2474: 2212: 1693:
and sent a subpoena that he would expropriate and demolish Benito's mansion in
1644: 1458: 1419: 1415: 1364: 1249: 707: 553: 523: 465: 261: 257: 244: 175: 126: 2500: 2373:"Cover versions of Charlie Brown written by Benito di Paula | SecondHandSongs" 2318: 1714: 1571:(backing vocals) and his son Rodrigo Vellozo on piano. The DVD also included " 1026:". The other songs on the LP were mostly known to the singer's fans, such as " 2543: 2523:"Filho do cantor Benito di Paula, André Vancellote Vellozo morre aos 36 anos" 2208: 2111: 2101: 2091: 2081: 2071: 2061: 2051: 2041: 2032: 2022: 2012: 2002: 1989: 1976: 1963: 1950: 1930: 1920: 1907: 1894: 1877: 1867: 1850: 1840: 1830: 1820: 1810: 1800: 1790: 1780: 1740:
At the end of 2019, his son, André Vellozo, 36 years old, committed suicide.
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of Brazil after the military dictatorship, the name of the song is given by "
767: 763: 739: 735: 676: 656: 613: 484: 461: 438: 422: 332: 235: 72: 2171:"EGO - NOTÍCIAS - Benito Di Paula: O amigo de 'Charlie Brown' está de volta" 919:", which was the theme of the character Victor Valentim from the telenovela 598:" and his other great song that is almost always associated with his name, " 243:
and knew how to play several string instruments in an amateur way. He had a
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of the album, it criticizes the exterminations, lack of rights and land of
953: 936: 731: 668: 583: 567: 557: 476: 402: 2431: 2354: 2297: 2237: 1690: 1322: 1240:", where we had his last song that burst on the radio, which had the name 968:, who had died in July of the same year. Still in 1980, he was invited by 699: 380:"A Misteriosa Luta Do Reino De Parassempre Contra O Império De Nunca Mais" 1632: 1347:
caused during one of his races. He also had the special participation of
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to start recording another program where he would be a presenter, now on
520: 134: 672: 2427: 2293: 2236:(August 16, 1994). "JĂ´ Soares Onze e Meia" (Interview). Interviewed by 1439: 1375:", for Luiz Gonzaga. And then in 1996 he released a new LP and also in 1290: 1094: 1090: 1043: 924: 832:
and that he had even died. These critics created the pejorative label "
810: 663:", a great inspiration for Benito and also another tribute, which was " 637: 375: 356: 1473:", one of the composer's greatest hits. That year, on the CNT program 2435: 2301: 1730: 1534: 1508: 1340: 1275: 1221: 695: 564: 457: 453: 406: 363: 33: 2448:
Clube de Amigos do Benito di Paula do Litoral Santista, May 18, 1981
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on August 16, 1994, where he sang one of the songs from the album, "
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The 1980s of Benito di Paula are mainly due to a constant change of
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that started when he was young and sang in hotels and nightclubs in
2426:(April 3, 1981). "Ronnie Von Especial" (Interview). Interviewed by 2345: 2343: 2292:(July 12, 1978). "Ronnie Von Especial" (Interview). Interviewed by 1771:, and on the 28th of the same month a full album of the same name. 1734: 829: 496: 483:", from 1972, took some of his tracks to other places, such as the 430: 398: 287: 152: 1697:, where he had lived for over 30 years, for the construction of a 1208:
In 1987 releases an album by Copacabana once again, its name was "
1200: 570:, also appearing among the compositions selected by the historian 2508: 1722: 1718: 1241: 1224:, on July 2, 1988, due to the death of the presenter on June 30. 1121: 1113:", which is believed to be a kind of indirect due to its letter. 710:
and Bebeto. On this album, he released another hit at the time, "
492: 464:, in the midst of the recordings for the LP of the soundtrack of 269: 240: 2340: 1725:, where he moved in with his son Rodrigo. Also had his hit song 853: 785:
In 1976 he still continued and released an album with the name "
777: 2504: 2478: 2241: 2207:(April 18, 2019). "O Som do Vinil" (Interview). Interviewed by 1717:, saying that when the subpoena arrived, he even thought about 1285:", his last for the Copacabana. The album featured songs like " 755: 751: 561: 281: 265: 214: 2337:
Claudio Nasci, Chico Buarque - Vioão Não Se Empresta a Ninguém
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After 13 years without recording, Benito released in 2009 on
1435: 991: 865: 743: 549: 537: 516: 512: 171: 97: 93: 83: 1671: 1538:", a tribute to the maestro. Among the hits presented are " 1138:". The album featured the special participation of the duo 1058: 1049:
In 1983 he released his last album for WEA, with the name "
528: 1763:" where he sings his greatest hits together with his son. 1729:
re-recorded by her son Rodrigo Vellozo for the telenovela
1663:", by Nelson Cavaquinho, Augusto Garcez and Ari Monteiro. 1252:. In addition to this song, they also had others such as " 1512: 138: 2473:(July 7, 2017). "The Noite" (Interview). Interviewed by 1185:
no longer had a contract with him. He also records with
868:. But despite that, there were still lively songs like " 2228: 2226: 762:" abroad, which was very successful, to the point that 748:
Marché International du Disque et de l'Édition Musicale
487:. But in 1973 he burst onto the charts with the third " 300:
In 1956, still young, he began his recording life with
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Clube de Amigos do Benito di Paula do Litoral Santista
640:), aired between April and November of the same year. 213:
and others, with a total of 4 million records sold in
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In 2012 he made a special appearance in a concert by
1101:". In addition to this song, there were others like " 452:
Shortly after Di Paula's historic performance on the
345:"Mocidade Ă© Alegria", "Mestre" and "Natal no Brasil" 272:
at nightclubs, mainly at the Balalaika nightclub, in
2313: 2311: 2223: 1038:, goes to the national soundtrack of the telenovela 499:
etc.. The great success of this album was the song "
1359:", latter being featured in one of the episodes of 2515: 2279: 820:In the year 1977 he released a song on his album " 620:releases his fourteenth studio album on the label 264:. He lived in Morro da Formiga (Ant Hill), in the 2308: 1889:Benito di Paula e Seus Convidados - Brasil Som 75 1281:Two years later, in 1992, he released the album " 2541: 2503:" (Interview). Interviewed by Ticiane Pinheiro. 1204:Illustrative drawing of Benito di Paula, in 1989 995:Illustrative drawing of Benito di Paula, in 1980 781:Illustrative drawing of Benito di Paula, in 1976 726:". In the same year, alongside Elizeth Cardoso, 315:", on the other, the first being accompanied by 291:Illustrative drawing of Benito di Paula, in 1968 2136: 2134: 2132: 911:". In the same year he recorded with the group 903:. But even so, he still has lively songs like " 544:", Benito became one of the great names of the 1562:" (by his brothers Ney and Jota Vellozo) and " 1116:In 1985, he released his album with the name " 679:. Luiz Gonzaga also wrote a song for Benito, " 1647:and Milena participated in the tribute CD to 879:By 1979, the album that many listeners call " 2465: 2463: 2129: 2017:Que Brote Enfim o Rouxinol que Existe em Mim 1305:", was re-recorded by other artists such as 1079:Que Brote Enfim o Rouxinol Que Existe Em Mim 690:In the same year, he hosted the TV program " 355:" earned Benito, the main soundtrack of the 1701:, a project that began with the then mayor 1488:, in Rio de Janeiro. And in 2008 the group 817:, yielding a music video in the same year. 797:", a song made for his mother and family, " 624:, containing as track number two the song " 2499:(September 13, 2013). "A Tarde Ă© Sua with 2199: 2197: 2195: 2193: 2191: 840:" . On the same album there was the song " 801:", another tribute to Ataulfo Alves, and " 26: 2460: 1925:Benito di Paula / Assobiar ou Chupar Cana 1461:and throughout Brazil. In the same year, 1320:. The album was presented on the program 632:for the national soundtrack of the drama 268:, North Zone of the city, where he was a 2495: 2469: 2422: 2349: 2319:"Top 20 mais tocadas de Benito di Paula" 2288: 2232: 2203: 1199: 990: 776: 295: 286: 250: 2188: 1492:, composed only of women, re-recorded " 758:. Still in 1975, he released the song " 2542: 1070:". That same year saw the peak of the 1331:". The last track on this album was " 687:". Gonzaga called him "my step son". 2413:Tony Ramos, Golden Globe 25/08/ 1978 1395:". Benito would not release another 1316:", again and for the last time with 944:", (now with him singing instead of 405:Copacabana invited him to record an 1659:, in which he performed the track " 1639:, VerĂ´nica Ferriani, Cida Moreira, 1410:". In 1998 he participated in the " 1077:On the album he released in 1984, " 577: 13: 2585:Brazilian people of Romani descent 2457:MaitĂŞ Provença, Golden Globe, 1982 1519:" (previously recorded in 1975 by 1484:In 2004 he performed in a show at 1448:Velhas HistĂłrias, memĂłrias futuras 1408:Cantos e Contos do Benito di Paula 1128:. He also made a song to mark the 14: 2596: 2565:Brazilian male singer-songwriters 1177:" and even his last famous one, " 1085:. On this LP, a song stood out, " 612:; where the other residents read 409:as a crooner, whose LP name was " 182:, where he led his career in the 1605:ViolĂŁo NĂŁo Se Empresta a NinguĂ©m 1422:re-recorded with great success " 447:ViolĂŁo NĂŁo Se Empresta a NinguĂ©m 389:In 1970, he released the single 75:, Rio de Janeiro (state), Brazil 2489: 2451: 2442: 2416: 2407: 2398: 2389: 2365: 2331: 1862:ViolĂŁo NĂŁo Se Empresa Ă€ NinguĂ©m 1835:Hei John / Faça de Mim Uma Ilha 1755:Shortly after the start of the 1653:Uma flor para Nelson Cavaquinho 1361:Escolinha do Professor Raimundo 1312:In 1994 he released the album " 1197:", by the northeastern singer. 1003:, Benito makes a contract with 456:show, still on the now defunct 401:, and as a result, in 1971 the 391:"Hei John/Faça de Mim Uma Ilha" 2270: 2261: 2252: 2163: 2037:Benito di Paula / Instrumental 1774: 1414:", at Teatro JoĂŁo Caetano, in 1387:, which contained songs like " 1181:". After releasing the album, 980:", and had as its theme song " 1: 2122: 1511:his second live CD and first 1446:". That same year, the book " 1081:", he signed a contract with 441:. For that last song, he was 393:, which competed and won the 2570:Brazilian singer-songwriters 1126:Indigenous peoples in Brazil 1111:Lagartixa TambĂ©m Muda de Cor 789:", but was soon replaced by 582:In 1974 he released another 511:", by combining traditional 317:Portinho & sua Orquestra 302:Portinho & sua Orquestra 284:, where he often performed. 229: 224: 221:, due to his great success. 7: 1902:/ VocĂŞ Vai Ficar Na Saudade 1268:". On April 30, 2021, in a 397:of the same year, given by 10: 2601: 2276:Polydor Seal – LPNG 44.037 1179:Amigo do Sol, Amigo da Lua 1087:Amigo do Sol, Amigo da Lua 952:" (his song together with 681:ChapĂ©u de Couro e GratidĂŁo 540:genre. Being impelled by " 2575:People from Nova Friburgo 2177:(in Brazilian Portuguese) 1997:/ Sonho em Preto e Branco 1655:", released by the label 1146:", and also featured the 148: 144: 116: 103: 89: 79: 56: 46: 41: 25: 18: 1915:/ Tudo Está No Seu Lugar 1743: 1610: 1577:Do Jeito Que a Vida Quer 1552:Beleza Que Ă© VocĂŞ Mulher 1486:Lona Cultural JoĂŁo Bosco 1455:Do Jeito Que A Vida Quer 1444:Do Jeito Que A Vida Quer 1429: 1254:A Vida Ă© Bonita Sem VocĂŞ 1227: 964:", made as a tribute to 930: 799:Do Jeito Que A Vida Quer 592:Beleza Que VocĂŞ Ă© Mulher 353:Canção para o Nosso Amor 325:Canção para o Nosso Amor 2106:Essa Felicidade É Nossa 1750:Lagrimas no Meu Sorriso 1218:Vale o Que Está Escrito 1171:Sonho em Preto e Branco 1024:Sonho em Preto e Branco 986:Benito di Paula Special 942:Quero Ver VocĂŞ de Perto 850:Assobiar ou Chupar Cana 815:"Vai Ficar Na Saudade" 724:NĂŁo Precisa Muita Coisa 626:Quero Ver VocĂŞ de Perto 546:Brazilian Popular Music 304:, with his own single " 1585:Assobiar e Chupar Cana 1548:Tudo Está No Seu Lugar 1389:Dignidade de um Otário 1205: 996: 846:Proteção as Borboletas 795:Tudo Está No Seu Lugar 782: 649:NĂŁo Precisa Me Perdoar 556:, by the orchestra of 292: 42:Background information 2580:21st-century pianists 2525:. Correio Brasiliense 2404:Fantastico 02/15/1976 2098:(CD e DVD, EMI Music) 2046:Quando a Festa Acabar 1214:Quando a Festa Acabar 1210:Quando a Festa Acabar 1203: 1195:ForrĂł de cabo a Rabo 994: 950:De Quem É Essa Morena 915:the soundtrack song " 909:Som do Meu Cavaquinho 780: 296:Career start and rise 290: 251:Beginning as a singer 166:, with stage name of 2395:Som Livre – 403.6088 2146:Dicionariompb.com.br 2007:Bom Mesmo É o Brasil 1945:Caprichos de La Vida 1475:Calouros em Delirios 1068:O Xerife e o Bandido 1051:Bom Mesmo Ă© o Brasil 1017:Preciso Te Encontrar 645:Vai Ficar na Saudade 2377:secondhandsongs.com 2066:A Vida Me Faz Viver 1825:Nino, o Italianinho 1727:"Mulher Brasileira" 1581:Como Dizia o Mestre 1558:", in addition to " 1517:Quero ser sua amigo 1412:Projeto Seis e Meia 1393:Sentimentos de Amor 1345:died in an accident 1333:Senna Nosso CampeĂŁo 1287:Eu NĂŁo Aguento Mais 1283:A Vida Me Faz Viver 1140:Tonico & Tinoco 683:", from his album " 661:Como Dizia O Mestre 413:", which included " 360:Nino, o Italianinho 327:", a recording of " 282:Bixiga neighborhood 32:Benito di Paula on 2560:Brazilian pianists 2359:Folha de SĂŁo Paulo 2267:Selo Som – IMJ 001 2118:(Rodrigo e Benito) 1984:/ Ah, Como Eu Amei 1769:"O InfalĂ­vel Zen" 1597:Maria baiana Maria 1307:Gian & Giovani 1303:Meto o PĂ© Na Porta 1266:Pedaços de Carinho 1206: 1152:Samba de Um NĂŁo Dá 1036:"Ah, Como Eu Amei" 997: 966:Vinicius de Moraes 842:De Tombar CaminhĂŁo 803:Maria Baiana Maria 783: 750:), in the city of 722:, with the title " 427:Azul da cor do mar 319:and the second by 293: 184:State of SĂŁo Paulo 120:Copacabana Records 2142:"Benito di Paula" 1757:COVID-19 pandemic 1676:Retalhos de Cetim 1649:Nelson Cavaquinho 1593:Osso Duro de Roer 1573:Bandeira do samba 1544:Mulher Brasileira 1471:Retalhos de Cetin 1467:Alcione ao vivo 2 1424:Retalhos de Cetin 1335:", in tribute of 1193:", on the album " 1159:Retalhos de Cetim 1130:redemocratization 1053:", because, like 1013:Um Dia Vai Chegar 913:DemĂ´nios da Garoa 826:Osso Duro de Roer 772:Sylvia Vrethammar 728:Paulinho da Viola 712:Mulher Brasileira 653:Bandeira Do Samba 542:Retalhos de Satin 501:Retalhos de Cetim 403:recording company 395:Chico Viola Prize 343:; the songs were 158: 157: 67:November 28, 1941 2592: 2534: 2533: 2531: 2530: 2519: 2513: 2512: 2497:di Paula, Benito 2493: 2487: 2486: 2471:di Paula, Benito 2467: 2458: 2455: 2449: 2446: 2440: 2439: 2424:di Paula, Benito 2420: 2414: 2411: 2405: 2402: 2396: 2393: 2387: 2386: 2384: 2383: 2369: 2363: 2362: 2351:di Paula, Benito 2347: 2338: 2335: 2329: 2328: 2326: 2325: 2315: 2306: 2305: 2290:di Paula, Benito 2286: 2277: 2274: 2268: 2265: 2259: 2256: 2250: 2249: 2234:di Paula, Benito 2230: 2221: 2220: 2205:di Paula, Benito 2201: 2186: 2185: 2183: 2182: 2167: 2161: 2160: 2158: 2157: 2138: 2088:(Paradoxx Music) 1689:became mayor of 1615:In 2011 next to 1568:Michael Sullivan 1560:Ah, Como Eu Amei 1540:Retalho de Cetin 1525:Pagode da cigana 1494:Retalho de Cetin 1469:", re-recorded " 1465:, on the album " 1367:were released, " 1353:O Amor Ă© Um Jogo 1339:, the Brazilian 1329:O Amor Ă© Um Jogo 1297:" together with 1238:label RCA Victor 1175:Tudo está Mudado 1040:O Homem Proibido 1009:Ah, Como Eu Amei 999:In 1981 without 895:" and the song " 813:, with the song 716:Adoniran Barbosa 578:1970s and heyday 532:. However, this 337:Benito di Paula 106: 70: 66: 64: 49: 30: 16: 15: 2600: 2599: 2595: 2594: 2593: 2591: 2590: 2589: 2540: 2539: 2538: 2537: 2528: 2526: 2521: 2520: 2516: 2494: 2490: 2468: 2461: 2456: 2452: 2447: 2443: 2421: 2417: 2412: 2408: 2403: 2399: 2394: 2390: 2381: 2379: 2371: 2370: 2366: 2348: 2341: 2336: 2332: 2323: 2321: 2317: 2316: 2309: 2287: 2280: 2275: 2271: 2266: 2262: 2257: 2253: 2231: 2224: 2202: 2189: 2180: 2178: 2169: 2168: 2164: 2155: 2153: 2140: 2139: 2130: 2125: 2116:O InfalĂ­vel Zen 1994:Benito di Paula 1981:Benito di Paula 1968:Benito di Paula 1955:Benito di Paula 1935:Benito di Paula 1912:Benito di Paula 1899:Benito di Paula 1882:Gravado ao Vivo 1845:Benito di Paula 1815:Benito di Paula 1795:Final/Bem Feito 1777: 1746: 1703:Gilberto Kassab 1687:Fernando Haddad 1668:Grupo Revelação 1617:Arnaldo Antunes 1613: 1589:Se NĂŁo For Amor 1521:Agnaldo TimĂłteo 1490:Samba de Rainha 1432: 1230: 1150:, in the song " 1142:, in the song " 1064:VovĂł Clementina 978:O Som do Brasil 962:Nossa Homenagem 933: 838:owners of samba 822:Benito di Paula 791:Elizeth Cardoso 704:Elizeth Cardoso 630:"Ăšltimo Andar" 588:Gravado Ao Vivo 580: 572:Jairo Severiano 470:buarquian style 411:Benito di Paula 378:, on his album 298: 278:Samba Cathedral 253: 232: 227: 168:Benito di Paula 161: 137: 133: 129: 125: 121: 104: 71: 68: 62: 60: 47: 37: 21: 20:Benito di Paula 12: 11: 5: 2598: 2588: 2587: 2582: 2577: 2572: 2567: 2562: 2557: 2552: 2536: 2535: 2514: 2488: 2475:Danilo Gentili 2459: 2450: 2441: 2415: 2406: 2397: 2388: 2364: 2339: 2330: 2307: 2278: 2269: 2260: 2258:CL 33.513/1956 2251: 2222: 2213:Rio de Janeiro 2187: 2162: 2127: 2126: 2124: 2121: 2120: 2119: 2109: 2099: 2089: 2079: 2076:Pode Acreditar 2069: 2059: 2056:Fazendo PaixĂŁo 2049: 2039: 2030: 2020: 2010: 2000: 1987: 1974: 1961: 1948: 1941: 1928: 1918: 1905: 1892: 1885: 1875: 1865: 1858: 1848: 1838: 1828: 1818: 1808: 1798: 1788: 1776: 1773: 1745: 1742: 1645:Diogo Nogueira 1612: 1609: 1601:Sanfona Branca 1529:Ficar, Ficamos 1459:Rio de Janeiro 1431: 1428: 1420:Paulinho Moska 1416:Rio de Janeiro 1385:Paradoxx Music 1373:Viva Meu Padim 1357:Choro de Homem 1351:in the songs " 1314:Pode Acreditar 1258:Cigarra Marrom 1250:Rio de Janeiro 1246:Paquetá Island 1234:Fazendo PaixĂŁo 1229: 1226: 1191:Viva Meu Padim 1103:Sigo Te Amando 932: 929: 858:Coisas da Vida 720:Os TrĂŞs Moraes 665:Sanfona Branca 618:Roberto Carlos 596:Apesar de Tudo 579: 576: 554:Jair Rodrigues 466:Carlos Diegues 435:Apesar de VocĂŞ 372:Roberto Carlos 297: 294: 262:Rio de Janeiro 252: 249: 245:Carnival block 231: 228: 226: 223: 191:Samba Paulista 176:Rio de Janeiro 160:Musical artist 159: 156: 155: 150: 146: 145: 142: 141: 127:Warner Records 118: 114: 113: 107: 101: 100: 91: 87: 86: 81: 77: 76: 58: 54: 53: 50: 44: 43: 39: 38: 31: 23: 22: 19: 9: 6: 4: 3: 2: 2597: 2586: 2583: 2581: 2578: 2576: 2573: 2571: 2568: 2566: 2563: 2561: 2558: 2556: 2553: 2551: 2550:Living people 2548: 2547: 2545: 2524: 2518: 2510: 2506: 2502: 2498: 2492: 2484: 2480: 2476: 2472: 2466: 2464: 2454: 2445: 2437: 2433: 2429: 2425: 2419: 2410: 2401: 2392: 2378: 2374: 2368: 2360: 2356: 2352: 2346: 2344: 2334: 2320: 2314: 2312: 2303: 2299: 2295: 2291: 2285: 2283: 2273: 2264: 2255: 2247: 2243: 2239: 2235: 2229: 2227: 2218: 2214: 2210: 2209:Charles Gavin 2206: 2200: 2198: 2196: 2194: 2192: 2176: 2175:Ego.globo.com 2172: 2166: 2152:on 2017-01-02 2151: 2147: 2143: 2137: 2135: 2133: 2128: 2117: 2113: 2110: 2107: 2103: 2100: 2097: 2093: 2090: 2087: 2083: 2080: 2077: 2073: 2070: 2067: 2063: 2060: 2057: 2053: 2050: 2047: 2043: 2040: 2038: 2034: 2031: 2028: 2024: 2021: 2018: 2014: 2011: 2008: 2004: 2001: 1998: 1995: 1991: 1988: 1985: 1982: 1978: 1975: 1972: 1971:/ Havia Festa 1969: 1965: 1962: 1959: 1958:/ Desencontro 1956: 1952: 1949: 1946: 1942: 1939: 1936: 1932: 1929: 1926: 1922: 1919: 1916: 1913: 1909: 1906: 1903: 1900: 1896: 1893: 1890: 1886: 1883: 1879: 1876: 1873: 1872:Um Novo Samba 1869: 1866: 1863: 1859: 1856: 1852: 1849: 1846: 1842: 1839: 1836: 1832: 1829: 1826: 1822: 1819: 1817:(Continental) 1816: 1812: 1809: 1807:(Continental) 1806: 1802: 1799: 1797:(Continental) 1796: 1792: 1789: 1787:(Continental) 1786: 1782: 1779: 1778: 1772: 1770: 1764: 1762: 1758: 1753: 1751: 1741: 1738: 1736: 1732: 1728: 1724: 1720: 1716: 1712: 1711:A Tarde Ă© Sua 1708: 1704: 1700: 1696: 1692: 1688: 1683: 1681: 1680:Charlie Brown 1677: 1673: 1669: 1664: 1662: 1658: 1654: 1650: 1646: 1642: 1641:Fabiana Cozza 1638: 1634: 1630: 1629:Beth Carvalho 1626: 1622: 1618: 1608: 1606: 1602: 1598: 1594: 1590: 1586: 1582: 1578: 1574: 1569: 1565: 1561: 1557: 1556:Charlie Brown 1553: 1549: 1545: 1541: 1537: 1536: 1530: 1526: 1522: 1518: 1514: 1510: 1505: 1503: 1502:Vivendo samba 1499: 1495: 1491: 1487: 1482: 1480: 1479:Pedro de Lara 1476: 1472: 1468: 1464: 1460: 1456: 1451: 1449: 1445: 1441: 1437: 1427: 1425: 1421: 1417: 1413: 1409: 1404: 1402: 1398: 1394: 1390: 1386: 1382: 1378: 1374: 1370: 1366: 1362: 1358: 1354: 1350: 1346: 1342: 1338: 1334: 1330: 1326: 1324: 1319: 1315: 1310: 1308: 1304: 1300: 1296: 1292: 1288: 1284: 1279: 1277: 1274:on his son's 1273: 1272: 1267: 1263: 1259: 1255: 1251: 1247: 1243: 1239: 1235: 1225: 1223: 1219: 1215: 1211: 1202: 1198: 1196: 1192: 1188: 1184: 1180: 1176: 1172: 1168: 1164: 1160: 1155: 1153: 1149: 1145: 1141: 1137: 1136: 1131: 1127: 1123: 1119: 1114: 1112: 1108: 1104: 1100: 1096: 1092: 1088: 1084: 1080: 1075: 1073: 1069: 1065: 1060: 1056: 1052: 1047: 1045: 1041: 1037: 1033: 1029: 1025: 1020: 1018: 1014: 1010: 1006: 1002: 993: 989: 987: 983: 979: 975: 971: 970:SĂ­lvio Santos 967: 963: 959: 955: 951: 947: 943: 938: 928: 926: 922: 918: 917:A Vida Ă© Dura 914: 910: 906: 902: 898: 894: 890: 886: 885:Se Eu Pudesse 882: 877: 875: 871: 870:Ave de Rapina 867: 861: 860:" from 1975. 859: 855: 851: 847: 843: 839: 835: 831: 827: 823: 818: 816: 812: 808: 804: 800: 796: 792: 788: 787:Brasil Som 76 779: 775: 773: 769: 768:Two Man Sound 765: 764:Chico Buarque 761: 760:Charlie Brown 757: 753: 749: 745: 741: 740:Beth Carvalho 737: 736:Jorge Ben Jor 733: 729: 725: 721: 717: 713: 709: 705: 701: 697: 693: 692:Brasil Som 75 688: 686: 682: 678: 677:Silvio Santos 674: 670: 666: 662: 658: 657:Ataulfo Alves 654: 650: 646: 641: 639: 635: 631: 627: 623: 619: 615: 614:Charlie Brown 611: 607: 603: 602: 601:Charlie Brown 597: 593: 589: 585: 575: 573: 569: 566: 563: 559: 555: 551: 547: 543: 539: 535: 531: 530: 525: 522: 518: 514: 510: 506: 505:Um Novo Samba 502: 498: 494: 490: 489:Um Novo Samba 486: 485:United States 482: 478: 473: 471: 467: 463: 462:Chico Buarque 459: 455: 450: 448: 444: 440: 439:Chico Buarque 436: 432: 428: 424: 423:Erasmo Carlos 420: 416: 412: 408: 404: 400: 396: 392: 387: 385: 381: 377: 373: 369: 368:rock and soul 365: 361: 358: 354: 350: 346: 342: 338: 334: 333:Beth Carvalho 331:", a song by 330: 326: 322: 318: 314: 309: 307: 303: 289: 285: 283: 279: 275: 271: 267: 263: 259: 248: 246: 242: 237: 236:Nova Friburgo 222: 220: 216: 212: 208: 204: 200: 196: 192: 187: 185: 181: 177: 173: 169: 165: 154: 153:Official site 151: 147: 143: 140: 136: 132: 128: 124: 119: 115: 112: 108: 102: 99: 95: 92: 90:Instrument(s) 88: 85: 82: 78: 74: 73:Nova Friburgo 69:(age 82) 59: 55: 51: 45: 40: 35: 29: 24: 17: 2527:. Retrieved 2517: 2496: 2491: 2470: 2453: 2444: 2423: 2418: 2409: 2400: 2391: 2380:. Retrieved 2376: 2367: 2350: 2333: 2322:. Retrieved 2289: 2272: 2263: 2254: 2233: 2217:Canal Brasil 2204: 2179:. Retrieved 2174: 2165: 2154:. Retrieved 2150:the original 2145: 2115: 2108:(RYB8 Music) 2105: 2095: 2085: 2075: 2068:(Copacabana) 2065: 2058:(BMG Ariola) 2055: 2048:(Copacabana) 2045: 2036: 2026: 2016: 2006: 1996: 1993: 1983: 1980: 1973:(Copacabana) 1970: 1967: 1960:(Copacabana) 1957: 1954: 1944: 1940:(Copacabana) 1938:/ Viva O Sol 1937: 1934: 1927:(Copacabana) 1924: 1917:(Copacabana) 1914: 1911: 1904:(Copacabana) 1901: 1898: 1891:(Copacabana) 1888: 1884:(Copacabana) 1881: 1874:(Copacabana) 1871: 1864:(Copacabana) 1861: 1857:(Copacabana) 1854: 1847:(Copacabana) 1844: 1837:(Copacabana) 1834: 1827:(Copacabana) 1824: 1814: 1805:Uday Vellozo 1804: 1794: 1784: 1768: 1765: 1761:livestreams 1760: 1754: 1749: 1747: 1739: 1726: 1710: 1684: 1679: 1675: 1667: 1665: 1660: 1656: 1652: 1637:Zeca Baleiro 1625:Leci BrandĂŁo 1614: 1604: 1600: 1596: 1592: 1588: 1584: 1580: 1576: 1572: 1564:Me DĂŞ Motivo 1563: 1559: 1555: 1551: 1547: 1543: 1539: 1532: 1528: 1524: 1516: 1506: 1501: 1493: 1489: 1485: 1483: 1474: 1470: 1466: 1454: 1452: 1447: 1443: 1436:first decade 1433: 1423: 1411: 1407: 1405: 1392: 1388: 1384: 1380: 1372: 1368: 1356: 1352: 1349:Chico Anysio 1337:Ayrton Senna 1332: 1328: 1321: 1313: 1311: 1302: 1294: 1286: 1282: 1280: 1269: 1265: 1260:" (made for 1257: 1253: 1233: 1231: 1217: 1213: 1209: 1207: 1194: 1190: 1187:Luiz Gonzaga 1178: 1174: 1170: 1166: 1162: 1158: 1156: 1151: 1148:Grande Otelo 1143: 1135:New Republic 1133: 1117: 1115: 1110: 1106: 1102: 1099:A gata comeu 1098: 1086: 1078: 1076: 1071: 1067: 1063: 1054: 1050: 1048: 1039: 1035: 1031: 1027: 1023: 1021: 1016: 1012: 1008: 1000: 998: 985: 981: 977: 961: 957: 954:Chico Anysio 949: 941: 934: 916: 908: 905:Vamos Cantar 904: 897:Pau-de-Arara 896: 892: 888: 884: 880: 878: 873: 869: 862: 857: 849: 845: 841: 837: 833: 825: 824:" entitled " 821: 819: 814: 807:Press Trophy 802: 798: 794: 786: 784: 759: 747: 732:Gilberto Gil 723: 719: 711: 691: 689: 684: 680: 669:Luiz Gonzaga 667:", made for 664: 660: 652: 648: 644: 642: 633: 629: 625: 599: 595: 591: 587: 586:, entitled " 581: 571: 568:Charlie Byrd 558:Paul Mauriat 541: 533: 527: 521:arrangements 508: 504: 500: 488: 480: 474: 469: 451: 446: 434: 426: 415:Jesus Cristo 414: 410: 394: 390: 388: 383: 379: 367: 359: 352: 351:. 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Index

Benito di Paula on TV Brasil in 2014
TV Brasil
Nova Friburgo
Samba
Vocal
piano
WEA
Warner Records
RGE
RCA Records
EMI
Official site
samba
Rio de Janeiro
Santos
State of SĂŁo Paulo
Spanish
French
Italian
Finnish
German
Europe
CD
Nova Friburgo
gypsies
Carnival block
Army
Rio de Janeiro
Tijuca
crooner

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