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until about 1977 (and during part of 1976, Playboy itself was distributed by CBS Records, and
Beserkley was included in that arrangement, taking it from a small independently distributed label to briefly being a part of the huge CBS distribution system), then by Janus/GRT until 1979 and subsequently
424:), Kihn regularly made the American album charts and received steady airplay on FM radio. By the end of 1980, Kihn was the only artist on the Beserkley roster, and in 1981 he had his first top 40 hit with "The Breakup Song (They Don't Write 'Em)". Kihn's early 1980s albums
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Kaufman and
Richman had previously worked together on the Modern Lovers' sessions for A&M in 1972. In 1976, Kaufman licensed those recordings, together with the ones the band had made around the same time with producer
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stalled at No. 121 on the charts. Beserkley founder
Kaufman then essentially dissolved the label and allowed Kihn to sign with major label EMI, where Kaufman would continue to act as Kihn's producer.
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in 1970. After experiencing frustration at what he saw as A&M's incompetence in handling the band, and winning some compensation for the unauthorized use of Earth Quake's music in the movie
417:, and I approve of the concept ... I find most of the remakes amusing and one or two amazing. But inevitably, the music is ragged ... and I miss the pure dumb inspiration of the originals."
470:, produced by Kaufman and released only in the UK and Germany. Kaufman operated the Son of Beserkley label for a time in the 1990s; his current label is called Fun Fun Fun Recordings.
355:. Though neither Richman nor the Modern Lovers made the American charts, they were quite successful in the UK, with the singles "Roadrunner (Once)" and "Egyptian Reggae" making the
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Beserkley's major breakthrough came with Greg Kihn, who sang backup on Earth Quake and
Richman records before forming his own band. Beginning with his third album (1978's
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In 1978, the label commissioned a multi-artist project of 14 musicians from their roster, including Earth Quake and the
Rubinoos. They were recorded playing
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The label's demise was relatively swift. After several years of success, Kihn's 1984 single "Reunited" flopped (peaking at No. 102) and the parent album
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Initially none of the
Beserkley singles were especially successful, but in 1975 some were assembled, together with newly recorded tracks, into the album
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For the first two years of its existence, Beserkley only put out singles. The first release (in late 1973) was Earth Quake's version of
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Other 1970s
Beserkley acts had less commercial success, although
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for each of the recordings, which were released as the LP
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Christgau's Record Guide: Rock Albums of the
Seventies
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Christgau's Record Guide: Rock Albums of the
Seventies
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label. During the 1970s, the label released albums by
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made the US charts, hitting No. 45 with a cover of "
257:. Several other artists appeared on singles, or on
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609:The Guinness Who's Who of Indie and New Wave Music
377:Beserkley's records were initially distributed by
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638:"The Beserkley Story - Blogcritics Music"
120:Learn how and when to remove this message
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450:The Beserkley catalogue was licensed to
756:Companies based in Berkeley, California
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791:1984 disestablishments in California
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561:Hoffmann, Frank (12 November 2004).
58:adding citations to reliable sources
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781:Music of the San Francisco Bay Area
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771:American independent record labels
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786:1973 establishments in California
761:Record labels established in 1973
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640:. Blogcritics.org. Archived from
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741:Beserkley Records - Discography
45:needs additional citations for
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564:Encyclopedia of Recorded Sound
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311:Beserkley Chartbusters Vol. 1
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219:independent record label
368:I Think We're Alone Now
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291:, less frequently with
454:in 1986, and later to
539:List of record labels
464:BMG Rights Management
456:Castle Communications
27:American record label
677:Ticknor & Fields
271:Matthew King Kaufman
223:Berkeley, California
208:Berkeley, California
162:Matthew King Kaufman
54:improve this article
736:The Beserkley Story
614:Guinness Publishing
69:"Beserkley Records"
612:(First ed.).
480:The Greg Kihn Band
259:compilation albums
663:Christgau, Robert
616:. pp. 32/3.
493:The Modern Lovers
460:Sanctuary Records
352:The Modern Lovers
304:Friday On My Mind
247:The Modern Lovers
215:Beserkley Records
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690:. Retrieved
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646:. Retrieved
642:the original
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604:Colin Larkin
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511:The Rubinoos
502:Lover's Leap
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52:Please help
47:verification
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520:Son of Pete
485:Earth Quake
445:Kihntagious
434:Kihnspiracy
432:(1982) and
426:Rockihnroll
395:lead vocals
284:The Getaway
275:Earth Quake
235:Earth Quake
110:August 2013
750:Categories
686:089919026X
648:2013-03-01
578:1135949506
545:References
516:The Smirks
498:Mrs. Green
468:Mrs. Green
430:Kihntinued
331:Roadrunner
253:, and the
80:newspapers
712:ignored (
702:cite book
692:March 13,
569:Routledge
523:Spitballs
399:Spitballs
343:John Cale
323:Greg Kihn
255:Tyla Gang
239:Greg Kihn
227:power pop
221:based in
191:power pop
18:Beserkley
665:(1981).
533:See also
438:Jeopardy
428:(1981),
407:(1981),
205:Location
414:Nuggets
384:Elektra
265:History
173: (
168:Defunct
158:Founder
148: (
143:Founded
94:scholar
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474:Roster
462:, and
391:oldies
333:", by
245:, and
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183:Genre
101:JSTOR
87:books
714:help
694:2019
681:ISBN
618:ISBN
573:ISBN
345:for
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200:U.S.
175:1984
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150:1973
146:1973
73:news
382:by
372:8.5
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