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of a Gothic church. The blind sculptor's cheek bears a mark related to his involvement in the forgery of a bill of exchange. Stoss, in a large fur coat, extends his left hand to the feet of the
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were sources of artistic inspiration for
Matejko. The basilica, which he had known since childhood, was his favorite place for prayer. He had already created portraits of Veit Stoss (
136:, 1855). Two oil sketches were created for this painting of the blind Veit Stoss with his granddaughter. After the painting was completed in September 1865, it was exhibited in the
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205:, holds her grandfather's right hand with her left. In her right hand she holds a prayer book and a palm or some other plant. In the background one can see the
238:. Prace Wydziału historyczno-filologicznego (in Polish). Lublin: Towarzystwo naukowe Katolickiego Uniwersytetu Lubelskiego Jana Pawła II. p. 17.
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Kłak-Ambrożkiewicz, Marta; Haake, Michał; Rosales Rodríguez, Agnieszka; Sarkowicz, Dominika; Sieklucka, Marzena; Suchocki, Wojciech, eds. (2023).
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146:. Matejko donated the income from the sale of tickets from the exhibition in Kraków and photographs of this canvas taken by
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and the stone stoup. The granddaughter, who has the features of
Matejko's young wife
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decoration of the interior. On the left, behind a pillar, a man observes the scene.
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181:; however, it was displayed in Matejko's family house in Kraków from 2019 to 2020.
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of St. Mary's
Basilica, at the corner of St. Mary's Square and Szpitalna Street in
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155.5 cm × 140 cm (61.2 in × 55 in)
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173:. In 1945 it was regained from Austria. It belongs to the collection of
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The work was purchased in 1865 by Stanisław
Potocki from Brzeżany (now
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236:"Wierzę w cuda nie od dziś": religia w życiu i twórczości Jana Matejki
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263:(in Polish). Kraków: Muzeum Narodowe w Krakowie. p. 33.
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Malinowski, Jerzy; Sroczyńska, Krystyna, eds. (1993).
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painted in 1865. It belongs to the collection of the
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Matejko: malarz i historia = The painter and history
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460:Astronomer Copernicus, or Conversations with God
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344:(in Polish). National Museum in Krakow. 2019
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161:). After 1894, it was in the deposit of the
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316:(in Polish). Warszawa: Arkady. p. 83.
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193:being led by his granddaughter inside the
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577:Paintings in the National Museum, Warsaw
428:Blind Veit Stoss with his granddaughter
87:Blind Veit Stoss with his granddaughter
22:Blind Veit Stoss with his granddaughter
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287:Rocznik Biblioteki Naukowej PAU i PAN
154:, as well as to Kraków's orphanages.
163:Historical Lubomirski Family Museum
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527:History of Civilization in Poland
338:"Wit Stwosz w twórczości Matejki"
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284:Lesiak-Przybył, Bożena (2022).
234:Matyaszewska, Elżbieta (2007).
97:Ociemniały Wit Stwosz z wnuczką
508:The Constitution of 3 May 1791
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224:or "The Blinded Veit Stoss..."
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468:Zawieszenie dzwonu Zygmunta
175:Polish Paintings until 1914
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420:The Sermon of Piotr Skarga
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592:Paintings about sculpture
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179:National Museum in Warsaw
110:National Museum in Warsaw
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567:Paintings by Jan Matejko
500:The Baptism of Lithuania
452:Stephen Báthory at Pskov
582:Oil on canvas paintings
16:Painting by Jan Matejko
412:Poland - The Year 1863
314:Matejko: obrazy olejne
150:to the restoration of
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78:Warsaw National Museum
134:Veit Stoss as a child
189:The painting shows
126:St. Mary's Basilica
492:The Babin Republic
476:Battle of Grunwald
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323:978-83-213-3651-0
270:978-83-7581-429-3
245:978-83-7306-358-7
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102:oil painting
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530:(1888–1889)
487:(1879–1882)
389:Jan Matejko
185:Description
148:Karol Beyer
106:Jan Matejko
40:Jan Matejko
572:Polish art
561:Categories
348:2024-01-24
213:References
191:Veit Stoss
139:Prałatówka
122:Veit Stoss
66:Dimensions
396:Paintings
159:Berezhany
404:Stańczyk
100:) is an
74:Location
538:Related
207:tracery
203:Teodora
177:of the
116:History
511:(1891)
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342:mnk.pl
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130:Kraków
92:Polish
56:Medium
36:Artist
195:porch
318:ISBN
265:ISBN
240:ISBN
167:Lviv
124:and
50:1865
46:Year
292:doi
128:in
104:by
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90:(
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