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Halász's job and his love of the city, whose streets he often wandered late at night, led to photography. He first used it to supplement some of his articles for more money, but rapidly explored the city through this medium, in which he was tutored by his fellow
Hungarian
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and I used to steer shy of him – he bored us." Miller added that the biography
Brassai had written of him was typically "padded", "full of factual errors, full of suppositions, rumors, documents he filched which are largely false or give a false impression."
333:. He later wrote that he used photography "to capture the beauty of streets and gardens in the rain and fog, and to capture Paris by night." Using the name of his birthplace, Halász went by the pseudonym "Brassaï," which means "from Brasso."
379:
Young
Hungarian artists continued to arrive in Paris through the 1930s and the Hungarian circle absorbed most of them. Kertèsz immigrated to New York City in 1936. Brassai befriended many of the new arrivals, including
172:
In the early 21st century, the discovery of more than 200 letters and hundreds of drawings and other items from the period 1940 to 1984 has provided scholars with material for understanding his later life and career.
193:) to an Armenian mother and a Hungarian father. He grew up speaking Hungarian and Romanian. When he was three his family lived in Paris for a year, while his father, a professor of French literature, taught at the
344:). His book gained great success, resulting in being called "the eye of Paris" in an essay by Henry Miller. In addition to photos of the seedier side of Paris, Brassai portrayed scenes from the life of the city's
444:
In 1948, Brassaï married
Gilberte Boyer, a French woman. She worked with him in supporting his photography. In 1949, he became a naturalized French citizen after years of being
165:, writer, and filmmaker who rose to international fame in France in the 20th century. He was one of the numerous Hungarian artists who flourished in Paris beginning between the
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In 1924, Halasz moved to Paris to live, where he would stay for the rest of his life. He began teaching himself the French language by reading the works of
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352:. He had been befriended by a French family who gave him access to the upper classes. Brassai photographed many of his artist friends, including
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in the 1940s and 1950s. Brassaï continued to earn a living with commercial work, also taking photographs for the U.S. magazine
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Brassaï captured the essence of the city in his photographs, published as his first collection in the 1933 book entitled
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622:(in French). Vol. Deuxième Semestre 1984. Paris: L'administration des monnaies et médailles. p. 101.
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384:, a nephew of Tihanyi, whom he had been friends with since 1920. Marton developed his own reputation in
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413:, Illinois. MoMA exhibited more of Brassai's works in 1953, 1956, and 1968. He was presented at the
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286:. There he became friends with several older Hungarian artists and writers, including the painters
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Brassaï's photographs brought him international fame. In 1948, he had a one-man show at the
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quarter, he took a job as a journalist. He soon became friends with the
American writer
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Miller later played down
Brassai's claims of friendship. In 1976 he wrote of Brassai: "
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736:, Chicago, IL: University of Chicago Press, 1997, p. xviii. Retrieved 2 September 2010
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The
Durrell-Miller Letters, 1935–80, Ed. Ian S. Macniven, Faber & Faber, 1988.
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Gyula Halász, a.k.a. Brassaï (pseudonym), was born on 9 September 1899 in Brassó,
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161:; 9 September 1899 – 8 July 1984) was a Hungarian–French photographer, sculptor,
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773:, Prodan Romanian Cultural Foundation. Retrieved 2 September 2010.
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in 1920 where he worked as a journalist for the
Hungarian papers
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festival in France in 1970 (screening at the Théâtre
Antique,
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Brassaï's work is held in the following public collections:
368:, and several of the prominent writers of his time, such as
317:. In the late 1920s, he lived in the same hotel as Tihanyi.
591:
200:
As a young man, he studied painting and sculpture at the
476:. Paris: Arts et Métiers Graphiques, 1933. With text by
632:"Brassaï" in Horst Woldemar Janson, Anthony F. Janson,
246:
Following WWI, his hometown of Brassó, and the rest of
987:
Brassaï: Images of
Culture and the Surrealist Observer
301:. Living among the gathering of young artists in the
846:
https://www.artic.edu/collection?q=%22Brassai%22%20
398:agency, created in Paris by Charles Rado in 1933.
434:International Photography Hall of Fame and Museum
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974:Houston, TX: Houston Museum of Fine Arts, 1997.
618:Brassaï. "in: Le club français de la médaille".
785:"Brassai, Photographer of Paris Nigtlife, Dies"
456:Brassaï died on 8 July 1984 at his home on the
648:
724:
721:, Photo-Seminars. Retrieved 2 September 2010.
582:, New York City: 112 prints (as of June 2018)
675:, University of Chicago Press, 1995, p. 241.
405:(MoMA) in New York City, which travelled to
588:, Amsterdam: 9 prints (as of November 2018)
560:. Chicago, IL: University of Chicago, 1997.
216:army, where he served until the end of the
176:
813:"Brassaï – Photography – Auction – Report"
576:, Chicago, IL: 47 prints (as of June 2020)
467:
131:Photographer, writer, sculptor and painter
782:
666:
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348:, its intellectuals, its ballet, and the
1085:Hungarian University of Fine Arts alumni
421:by Jean-Marie Drot), in 1972 (screening
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970:, with Richard Howard and Avis Berman.
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692:
432:In 1979, Brassaï was inducted into the
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751:International Photography Hall of Fame
702:, Boston: Little, Brown and Co., 2000.
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635:History of Art: The Western Tradition
600:, London: 383 items (as of June 2018)
594:, London: 30 prints (as of June 2018)
429:), and in 1974 (as guest of honour).
152:
1060:Hungarian people of Armenian descent
689:
638:. Prentice Hall Professional, 2004;
1014:Brassai: The Transylvanian Parisian
1009:"Brassaï" at Masters of Photography
844:Brassaï, Art Institute of Chicago,
617:
274:. He started studies at the Berlin-
204:(Magyar Képzőművészeti Egyetem) in
24:
811:Riding, Alan (30 September 2006).
394:. He was a founding member of the
25:
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1065:French people of Armenian descent
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139:Gilberte-Mercédès Boyer (m. 1948)
1090:Burials at Montparnasse Cemetery
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783:Grundberg, Andy (12 July 1984).
528:. Translated by Jane Marie Todd.
409:in Rochester, New York; and the
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464:in Paris. He was 84 years old.
1095:Naturalized citizens of France
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534:Henry Miller: The Paris Years.
280:Hochschule für Bildende Künste
202:Hungarian Academy of Fine Arts
122:Hungarian Academy of Fine Arts
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1:
1050:Hungarian emigrants to France
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284:Universität der Künste Berlin
27:Hungarian-French photographer
540:The Secret Paris of the 30s.
460:near Nice and was buried at
7:
972:Brassaï: The Eye of Paris.
514:Conversations with Picasso.
504:Conversations avec Picasso.
498:. With a preface by Morand.
439:
250:, was transferred from the
10:
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943:Victoria and Albert Museum
677:Accessed 6 September 2010.
598:Victoria and Albert Museum
224:as an artistic influence.
309:, and the French writers
227:
222:Henri de Toulouse-Lautrec
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41:
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858:"Brassaï (Gyula Halász)"
747:"Brassaï (Gyula Halász)"
717:12 February 2007 at the
574:Art Institute of Chicago
536:Arcade Publishing, 1975.
510:, 1964; 1997. A memoir.
451:
411:Art Institute of Chicago
177:Early life and education
1055:Hungarian photographers
468:Publications by Brassaï
1075:Portrait photographers
885:"Search – Rijksmuseum"
700:Brassai: The Monograph
278:Academy of Fine Arts (
243:
938:"Your Search Results"
733:Letters to My Parents
673:Letters to My Parents
656:Letters to My Parents
558:Letters to My Parents
518:University of Chicago
462:Montparnasse Cemetery
235:
1080:Street photographers
1070:French photographers
863:Museum of Modern Art
580:Museum of Modern Art
423:Brassaï si, Vominino
407:George Eastman House
403:Museum of Modern Art
240:Emiel van Moerkerken
968:Tucker, Anne Wilkes
911:"Brassaï 1899–1984"
712:"Brassai Biography"
544:Thames & Hudson
1045:People from Brașov
1016:at I Photo Central
817:The New York Times
790:The New York Times
698:Alain Sayag, ed.,
415:Rencontres d'Arles
386:street photography
366:Alberto Giacometti
262:. Halász left for
252:Kingdom of Hungary
244:
183:Kingdom of Hungary
73:Kingdom of Hungary
991:LSU Press, 1998.
644:978-0-13-019732-0
260:Treaty of Trianon
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16:(Redirected from
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276:Charlottenburg
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208:. He joined a
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338:Paris de nuit
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331:André Kertész
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962:Bibliography
947:. Retrieved
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382:Ervin Marton
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350:grand operas
346:high society
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307:Henry Miller
303:Montparnasse
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292:Bertalan Pór
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248:Transylvania
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159:Gyula Halász
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96:(1984-07-08)
76:Transylvania
58:Gyula Halász
29:
1040:1984 deaths
1035:1899 births
894:18 November
889:Rijksmuseum
620:In memoriam
586:Rijksmuseum
565:Collections
478:Paul Morand
220:. He cited
110:Nationality
94:8 July 1984
1029:Categories
920:Retrieved
605:References
542:New York:
488:Flammarion
427:René Burri
370:Jean Genet
238:(photo by
167:world wars
64:1899-09-09
916:Tate Etc.
825:0362-4331
771:"Brassai"
730:Brassai,
671:Brassai,
654:Brassai,
508:Gallimard
486:. Paris:
446:stateless
715:Archived
546:, 1976;
520:, 1999;
490:, 2001.
440:Marriage
272:Napkelet
206:Budapest
195:Sorbonne
163:medalist
104:, France
71:Brassó,
756:23 July
506:Paris:
419:Brassaï
282:), now
258:at the
256:Romania
210:cavalry
191:Romania
185:(today
150:French:
146:Brassaï
83:Romania
36:Brassaï
18:Brassai
995:
978:
949:7 June
922:7 June
909:Tate.
869:7 June
830:7 June
823:
796:7 June
642:
550:
524:
494:
268:Keleti
264:Berlin
228:Career
187:Brașov
136:Spouse
80:Brașov
452:Death
396:Rapho
322:Fred
78:(now
993:ISBN
976:ISBN
951:2018
924:2018
896:2018
871:2018
832:2018
821:ISSN
798:2018
758:2022
640:ISBN
592:Tate
548:ISBN
522:ISBN
492:ISBN
372:and
313:and
290:and
270:and
91:Died
54:Born
425:by
254:to
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
