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on 25 July 1349. This donation is not mentioned in documentary evidence, but it is considered probable, given
Charles IV's deep veneration for Charlemagne. The reliquary is a part of the thirteenth-century French tradition of royal images and depicts an idealised portrait of the
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Created 500 years after the death of
Charlemagne, the bust is an idealized representation, the facial structure, hair style and fleur-de-lys crown of which reflect 14th-century, not 9th-century fashion style. The skin is
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and its ideological and artistic significance, a stylised version of the Bust of
Charlemagne serves as the central element in the signet of the Foundation of the
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and placed opposite the king at coronations, who was spiritually affirmed in this way as a legitimate successor of
Charlemagne. The use of ancient intaglios and
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Recent historical research holds that it is very probable that
Charles IV was crowned with the same crown which is worn by the reliquary – since the
339:. It is possible that the creator of the reliquary bust, a goldsmith in Aachen, had been trained in his art in France. The reliquary was carried in
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Bildnisreliquiare. Zur
Entstehung und Entwicklung der metallenen Kopf-, Büsten- und Halbfigurenreliquiare im Mittelalter.
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King, although it also has some rather individualised features. These are noticeably similar to a portrait of King
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to the medieval imperial ideology – both
Charlemagne and Charles IV saw their rule as part of that tradition.
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Hyslop, Stephen
Garrison; Daniels, Patricia; Society (U.S.), National Geographic (2011).
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534:"The Bust of Charlemagne is one of the most significant examples of medieval sacral art"
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was crowned with the same crown in 1414. A parallel to this crown is seen in the
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According to the Aachen tradition, the Bust of
Charlemagne was a donation from
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west.art
Masterpiece: Bust of Charlemagne in the Aachen Cathedral treasury
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with its cross was added on the occasion of his coronation.
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On account of its wide recognition value for the City of
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on the reliquary indicates the special significance of
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468:"Reliquary Bust of Charlemagne, Aachen Cathedral"
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358:was then in the possession of Charles' rival
269:and partially gilt; hair and beard are gilt.
241:The Bust of Charlemagne, as a masterpiece of
382:and was used at Charles IV's coronation as
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491:. National Geographic Books. p. 206.
400:International Charlemagne Prize of Aachen
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295:and precious stones, some of which are
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211:from around 1350 which contains the
488:Great Empires: An Illustrated Atlas
439:Die Schatzkammer des Aachener Domes
16:Bust of Charlemagne created in 1350
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592:Cultural depictions of Charlemagne
35:Bust of Charlemagne (14th century)
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466:Mittman, Asa (10 February 2014).
308:historical coat of arms of France
101:gold, silver-gilt, gems, enamel
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437:Herta Lepie, Georg Minkenberg.
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390:Symbolic significance and use
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66:Location in Aachen, Germany
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513:Der Essener Marsusschrein.
412:Iconography of Charlemagne
362:. It is probable that the
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582:Aachen Cathedral Treasury
441:. Brimberg, Aachen 1995,
287:signifying Charlemagne's
221:Aachen Cathedral Treasury
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372:Crown of Saint Wenceslas
245:, initiated a height of
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511:Klaus Gereon Beuckers:
150:50.774750°N 6.0839222°E
368:Sigismund of Luxemburg
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602:Christian reliquaries
432:Aachener Kunstblätter
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155:50.774750; 6.0839222
192:Bust of Charlemagne
184:Deutsche Bundespost
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60:Bust of Charlemagne
24:Bust of Charlemagne
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612:Gothic sculptures
607:Sculptures of men
498:978-1-4262-0829-4
337:John II of France
285:Holy Roman Empire
252:reliquary busts.
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587:Busts in Germany
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538:The Vintage News
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349:Ancient Rome
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161:Aachener Dom
137:50°46′29.1″N
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341:processions
276:Reichsadler
256:Description
247:silver-gilt
217:Charlemagne
153: /
126:Coordinates
571:Categories
544:14 January
454:References
322:, who was
320:Charles IV
271:Damascened
205:Karlsbüste
159: (
140:6°5′2.12″E
472:Photobank
386:in 1347.
300:intaglios
236:sculpture
232:metalwork
209:reliquary
197:‹See Tfd›
93:Sculpture
523:, p. 30.
406:See also
360:Louis IV
333:Frankish
326:king in
293:filigree
213:top part
106:Location
324:crowned
314:History
297:ancient
283:of the
273:silver
207:) is a
118:Germany
80: (
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396:Aachen
376:Prague
345:cameos
306:, the
279:, the
267:silver
263:chased
229:Gothic
201:German
186:, 1988
114:Aachen
98:Medium
265:with
225:Meuse
546:2020
517:ISBN
493:ISBN
443:ISBN
364:hoop
190:The
90:Type
82:1349
78:1349
75:Year
430:In
374:in
215:of
182:of
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