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rhythm of the arches and columns. On the second floor, the façade is enriched by ornamentation in the pendentives and the entablatures. The entrance-hall, laid out along the axis of the entire building, contrasts with the clarity of the courtyard, articulated around the monumental well and enclosed
261:. Works began in 1659 starting from the landside; the courtyard was completed by 1676. By 1679, the façade on the Grand Canal had already reached the second floor, but when Longhena died 3 years after, the palace was still unfinished. The Pesaro family then entrusted its completion to
319:, as well as other famous Venetian artists of the 17th and 18th centuries. This great heritage was completely dispersed by 1830, the year of the death of the last Pesaro family member, who auctioned most of the collection in
422:. The city of Venice was stirred by the presence of these artists at the city's Biennale to acquire their works, which testify to the vitality of Italian painting at the turn of the century. The collection of sculptures by
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classicism when designing Ca’ Pesaro, creating expressions of a new and sumptuous harmony, with its complex and powerful composition, yet well-balanced. The
Sansovinian motif is more explicit on the first floor, with the
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was held. Shortly afterwards, between 1908 and 1924, it also was used to host the
Bevilacqua La Masa exhibitions, which, in lively contrast with the Venice Biennale, favored a generation of young artists, including
937:"A Comprehensive and Systematic Diagnostic Campaign for a New Acquisition of Contemporary Art—The Case of Natura Morta by Andreina Rosa (1924–2019) at the International Gallery of Modern Art Ca' Pesaro, Venice"
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exhibitions organized by Nino
Barbantini (from 1908 to 1924). The works exhibited here brought some of the most important Italian artists to public notice and provide a clear idea of this period. Works by
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Piccolo, Anna; Bonato, Emanuele; Falchi, Laura; Lucero-GĂłmez, Paola; Barisoni, Elisabetta; Piccolo, Matteo; Balliana, Eleonora; Cimino, Dafne; Izzo, Francesca
Caterina (December 2021).
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Room 4: The De Lisi bequest, exhibited in this room, was donated to the museum in 1961, and include major artworks by
Italian and foreign artists. There are paintings by
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295:. The collections of the Pesaro family, as documented in the archives, must have been even more remarkable, including works by artists such as
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gallery inside the museum, this room is dedicated to temporary exhibitions on unpublished works, young artists’ experiments, and video art.
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are exhibited. These works give an idea of the
Biennale’s role in promoting “salon-art”, followed by others of experimental kind such as
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335:. It was she who decreed the present usage of the building, bequeathing it to the city in 1898, as a museum of Modern Art.
492:'s sculptures, donated to Ca' Pesaro by the Wildt-Scheiwiller heirs in 1990. The Milanese artist was a protagonist of the
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Ca' Pesaro houses 19th and 20th century collections of paintings and sculptures, as well as a section on graphic art.
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Room 7: This room offers an overview of the
Italian art trends in the 1930s, 1940s and 1950s, with works by
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in the mid-17th century, the construction was completed by Gian
Antonio Gaspari in 1710. As at Longhena's
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In 1902, thanks to the bequest of the
Duchess, the city council decided to use the palace to host the
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331:. It was finally bought by the Bevilacqua family, and became the property of Duchess Felicita
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are on display, testifying to the city's art variety in the 19th and the early 20th century.
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up to the 1950s. The room begins with a homage to one of the founders of the
Biennale,
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who concluded it in 1710, according to the original project. Longhena was inspired by
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The palace was built in the second half of the 17th century for the noble and wealthy
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Room 2: This room brings together 19th century Italian works: there are paintings by
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367:. The collection was enriched over the years by further acquisitions and donations.
323:. The palace was passed on firstly to the Gradenigo family and then to the Armenian
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Pesaro Palace, Venice, Italy. Brooklyn Museum Archives, Goodyear Archival Collection
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Room 1: Works by Venetian painters of the second half of the 19th century, such as
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Room 8: This room offers an overview of some Italian art trends during the post-
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Fathers in 1936, who used it as a college until 1850, before relocating to
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by a terrace and an ashlar-arcade. The palace still conserves some of the
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and colonnettes flanking arch-headed windows, reinterpreting a motif of
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municipal collection, which had been started in 1897, when the second
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themes, even in artists not generally identified with the movement.
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Central Hall: The central hall displays works from the very first
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on display, alongside the Burano School, which is represented by
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729:. Visitors can also see on display works by artists such as
988:"10 Paintings for Which You Will Love Ca' Pesaro in Venice"
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and oil decorations of the ceilings by artists such as
198:, Italy. Today it is one of the 11 museums run by the
744:, Venetian art entered a new, lively phase, with the
503:(a central figure of the intellectual avant-garde in
257:, who also designed the church of the Salute and
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1016:Time Out Venice: Verona, Treviso, and the Veneto
92:Ca' Pesaro – International Gallery of Modern Art
43:but its sources remain unclear because it lacks
566:Rooms 5 and 6: These rooms are devoted to the
1298:Art museums and galleries established in 1902
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852:Prince Henry of Bourbon-Parma, Count of Bardi
654:. Other artists present in this room include
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515:. Other artists present in this room include
822:), housing some 30,000 objects, mainly from
570:, a term applied to the first season of the
221:, Longhena creates the impression of double
190:marble palace turned art museum, facing the
689:. By contrast, the informal experiences of
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916:List of buildings and structures in Venice
603:. The rooms also displays later works by
88:Art museum, Historic site in Venice, Italy
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650:. In the center of the room is a work by
74:Learn how and when to remove this message
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205:The building was originally designed by
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253:, a project by the Venetian architect,
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871:Galleria Internazionale d'Arte Moderna
110:Click on the map for a fullscreen view
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1019:. Time Out. 2010-02-01. p. 103.
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810:The upper floor is dedicated to the
642:is displayed together with works by
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1333:Palaces on the Grand Canal (Venice)
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892:Francesco Guardi Ca Pesaro 1755-60
200:Fondazione Musei Civici di Venezia
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709:are flanked by abstract works by
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673:is well represented by works by
488:Room 3: This room is devoted to
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1328:Palaces in Sestiere Santa Croce
986:Stanska, Zuzanna (2022-05-09).
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1303:Baroque architecture in Venice
1230:Santa Maria Gloriosa dei Frari
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426:is also of special importance.
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1308:Baldassare Longhena buildings
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1338:1902 establishments in Italy
1184:History of the Doge's Palace
1065:travel guide from Wikivoyage
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1318:Modern art museums in Italy
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727:Wall of a Fisherman’s House
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225:extending across the main
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507:during the early 1920s),
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103:Facade on the Grand Canal
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1313:Houses completed in 1710
1225:Santa Maria della Salute
29:This article includes a
1269:45.440381°N 12.331145°E
1190:Gallerie dell'Accademia
954:10.3390/heritage4040242
747:Fronte Nuovo delle Arti
58:more precise citations.
1235:Santi Giovanni e Paolo
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1175:Ca' Vendramin Calergi
638:. A tapestry work by
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175:capesaro.visitmuve.it
1274:45.440381; 12.331145
1220:San Giorgio Maggiore
263:Gian Antonio Gaspari
255:Baldassarre Longhena
213:, a double order of
207:Baldassarre Longhena
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1053:Oriental Art Museum
812:Oriental Art Museum
713:. Works range from
652:Umberto Mastroianni
293:Girolamo Brusaferro
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1240:St Mark's Basilica
1205:Punta della Dogana
788:Alberto Gianquinto
760:Giuseppe Santomaso
572:Bevilacqua La Masa
537:Giorgio de Chirico
435:Riccardo Selvatico
333:Bevilacqua La Masa
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31:list of references
1323:Museums in Venice
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1088:Succeeded by
1026:978-1-84670-304-1
992:DailyArt Magazine
797:Room 10: A small
792:Vittorio Basaglia
756:Armando Pizzinato
679:Fausto Pirandello
644:Enrico Prampolini
439:Alessandro Milesi
393:Pietro Fragiacomo
371:Modern art museum
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675:Filippo De Pisis
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640:Fortunato Depero
632:Giuseppe Cesetti
593:Umberto Moggioli
568:Ca’ Pesaro Years
529:Massimo Campigli
521:Filippo De Pisis
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780:Bruno Saetti
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742:World War II
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711:Bice Lazzari
667:World War II
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533:Ottone Rosai
509:Mario Sironi
490:Adolfo Wildt
483:Marc Chagall
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443:Gustav Klimt
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361:Juti Ravenna
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237:The building
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50:Please help
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1272: /
1195:Grand Canal
1160:Ca' Foscari
1085:Ca' Pesaro
1076:Ca' Foscari
699:Zoran Music
329:Ca' Zenobio
325:Mekhitarist
287:, Crosato,
272:chiaroscuro
267:Sansovinian
233:basement.
227:Grand Canal
192:Grand Canal
165:Silvio Fuso
116:Established
56:introducing
1287:Categories
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1257:45°26′25″N
1165:Ca' Pesaro
997:2022-08-28
922:References
824:Edo period
752:Spatialism
624:Luigi Tito
589:Gino Rossi
577:Ugo Valeri
561:surrealist
451:Aunt Luisa
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1155:Ca' d'Oro
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840:Koryusai
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768:Tancredi
750:and the
669:period.
585:Boccioni
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828:armour
790:, and
719:Europe
705:, and
685:, and
634:, and
611:, and
595:, and
541:Tanguy
535:, and
511:, and
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