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189:, the Academy Secretary. At the Fair, they were met with surprises, among them the news that they had to decorate and furnish the four Canadian galleries, line and paint the walls which were covered with burlap and brocaded cloth, and paint a frieze at the top. The walls, as in the international and British sections, were coloured a strong red with light grey, white and gold in the frieze.
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144:, in 1904, called it a "very credible display". It wrote that the hanging was effective and in good taste and added, "it has been said of the collection that no better work was shown for its size by any other country". It also praised the fact that there were quite a few distinctively Canadian subjects.
57:
The 1904 Louisiana
Purchase Exposition in Missouri, United States was the largest exhibition held in the Western hemisphere to date. Canada was one of 62 nations invited to participate. The Canadian government erected a Canadian pavilion, spending more than $ 30,000 on the building and on beautifying
115:
in 1893, Canada was shown as an independent nation and not as part of Great
Britain. On viewing it, Francis wrote that Canadian art was never represented better at any international exhibition, adding that it most closely resembled developments in the United States and praising many of the Canadian
254:
In Harris's report on the exhibition to the Royal
Canadian Academy, he said the facts spoke for themselves: at Chicago in 1893, five medals were given Canadian artists; at St. Louis, 15 were awarded. Harris's correspondence with Halsey C. Ives, Chief of the Art Exhibition, can be found in the St.
151:(RCA), which upheld traditional values and academic training in art. The Academy chose works from the annual RCA show that year which had an unusually good selection, artists having been encouraged to put their best, not only their latest works, Established artists were selected as, for instance,
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the grounds. The official guide to the exhibition said the pavilion where Canada's forest, game and fruit wealth was exhibited was a spacious structure, said to be a clubhouse. The building was designed by
Lawrence Fennings Taylor in a
212:). Knowles's painting was said to form a delightful colour harmony and Watson was described as a dramatic, colourful, vigorous painter. Taken as a whole, the exhibit reflected credit on such a young country, one critic wrote.
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A number of artists received awards from the exposition. The
Commemorative Diploma and Gold Medal of Honour for Distinguished Service in Art was given to Harris; silver medals were given
654:
398:
278:(1900), a large painting of two young women sitting together in conversation over a book, was in the show (No. 63), had a major exhibition at the
155:, one of the Canadian Fine Arts Comissionaires, who exhibited a watercolour of a seascape, but relative newcomers also were included, such as
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Louis Art Museum
Archives, St. Louis World's Fair Correspondence. His letters home about the Fair are in the Robert Harris collection in the
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111:, the President of the exhibition in his three volume book on the Fair. As in previous exhibitions such as the
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Fine art from Canada was shown in another building, the Palace of Fine Arts (today the central part is the
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Louisiana and the Fair: An
Exposition of the World, Its People and Their Achievements, vol. 10
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In the handbook of the exhibition, three artists were singled out for illustration: Harris (
69:), in galleries 49 to 52 of its east pavilion, adjacent to Germany and Sweden's showrooms.
66:
481:
8:
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The
Dominion government had left the selection of paintings entirely in the hands of the
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34:
399:"Opinion: Inevitably Canadian: What Canada's World Fair branding says about our country"
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240:
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270:'s miniature portraits in a show titled "Mary Wrinch: Painted from Life". In 2023
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219:, Florence Carlyle, Edmond Dyonnet, and Curtis Williamson, and bronze medals to
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506:"Canada and Its Forest, Game and Fruit Wealth as Shown at the World's Fair"
248:
197:
93:
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482:"Women's Art at the World's Columbian Fair & Exposition, Chicago 1893"
33:, United States, in 1904. The exhibition included a showcase of Canadian
424:"Official Catalogue of Exhibitors, Universal Exposition St. Louis, 1904"
177:
The installation in St. Louis was done by distinguished
Academicians,
136:(who also exhibited in 1893 at the World's Columbian Exposition), and
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Official
Catalogue of Exhibitors, Department of Art, Canadian section
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30:
789:(rev. ed.). St. Louis: Universal Exposition Publishing Co. 1904
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The art exhibition included 117 works by 51 Canadian artists (88 in
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The artists in the show are still of relevance today. In 2020, the
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and portraits predominated. (The full list is available online).
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was the country's contribution to what was commonly called the
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The Canadian pavilion, designed by Lawrence Fennings Taylor
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Canadian exhibition at the Louisiana Purchase Exposition
659:. Winnipeg: U of Manitoba Press. p. 289, Fig. 6-2
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325:"Official Guide to the Louisiana Purchase Exposition"
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The Canadian exhibition was small but choice, wrote
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Robert Harris 1849-1919 An Unconventional Biography
159:who showed a case of miniature paintings on ivory.
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508:. St. Louis Republic. October 23, 1904. p. 31
714:. Saint Louis: Universal Exposition Publishing Co
708:Bennett, Mark; Stockbridge, Frank Parker (1905).
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373:"Week 6 B -Exhibitions, Fairs & Celebrations"
824:
319:
317:
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455:"Universal Exposition, St. Louis, U.S.A., 1904"
140:. He also praised the show's conservatism. The
752:. St. Louis: Louisiana Purchase Exposition Co
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711:History of the Louisiana Purchase Exposition
733:. St. Louis: World`s Progress Publishing Co
181:, the Academy President; long-term member,
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306:
239:, F.M. McGillivray Knowles, Laura Muntz,
749:The Universal Exposition of 1904, vol. 1
461:. Missouri Digital Heritage, pp. 126-129
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771:. Toronto: University of Toronto Press
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838:Art exhibitions in the United States
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808:. Toronto: McClelland & Stewart
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14:
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284:Unexpected: The Life and Work of
628:"Mary Wrinch: Painted From Life"
397:Flahive, Gerry (June 30, 2019).
257:Confederation Centre Art Gallery
116:exhibitors, among them painters
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620:
566:"Gagen, The Painter of the Sea"
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280:Art Gallery of Greater Victoria
802:Williamson, Moncrieff (1970).
768:Royal Canadian Academy of Arts
656:Western Voices in Canadian Art
603:Bennett & Stockbridge 1905
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833:Louisiana Purchase Exposition
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44:
430:. Official catalogue company
113:World's Columbian Exposition
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10:
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746:Francis, David R. (1913).
572:. Maclean`s, January 1, 13
428:dl.mospace.umsystem.edu/mu
727:Buel, J. W., ed. (1913).
206:F. M. McGillivray Knowles
16:Canadian exhibition, 1904
653:Bovey, Patricia (2023).
634:. Art Gallery of Ontario
138:F.M. McGillivray Knowles
765:McMann, Evelyn (1981).
245:Sydney Strickland Tully
185:; and seventy-year-old
685:. Times Colonist, 2023
459:mdh.contentdm.oclc.org
264:Art Gallery of Ontario
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149:Royal Canadian Academy
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27:St. Louis World's Fair
683:www.timescolonist.com
167:The Countess of Minto
165:
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67:St. Louis Art Museum
570:archive.macleans.ca
542:, pp. 180–183.
282:. The show, titled
96:, 29 in pencil and
31:St. Louis, Missouri
403:The Globe and Mail
259:, Charlottetown.
175:
142:St. Louis Republic
90:
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288:, Canadian Artist
210:Landing the Catch
194:Countess of Minto
153:Robert Ford Gagen
130:Curtis Williamson
84:(around 1902) by
35:natural resources
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286:Sophie Pemberton
272:Sophie Pemberton
187:F. M. Bell-Smith
173:. Oil on canvas.
118:Florence Carlyle
109:David R. Francis
88:. Oil on canvas.
86:Florence Carlyle
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274:whose painting
229:Clarence Gagnon
221:F. S. Challener
217:William Brymner
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362:, p. 356.
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276:A Livre Ouvert
268:Mary E. Wrinch
225:Maurice Cullen
202:The Flood Gate
157:Mary E. Wrinch
126:Edmond Dyonnet
100:). Landscape,
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843:Canadian art
820:
810:. Retrieved
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791:. Retrieved
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773:. Retrieved
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754:. Retrieved
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716:. Retrieved
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689:November 18,
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380:. Retrieved
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360:Francis 1913
332:. Retrieved
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249:Homer Watson
237:William Hope
233:John Hammond
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198:Homer Watson
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102:genre scenes
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60:Gothic style
56:
22:
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775:January 12,
591:McMann 1981
576:January 12,
552:McMann 1981
329:archive.org
134:Laura Muntz
98:watercolour
827:Categories
793:October 3,
663:January 1,
638:October 3,
408:October 1,
294:References
266:exhibited
169:(1903) by
45:Background
29:, held in
679:"Article"
615:Buel 1913
241:G.A. Reid
82:The Tiff
73:Fine art
39:fine art
632:ago.ca
247:, and
204:) and
814:2020
795:2020
777:2021
758:2020
739:2020
720:2020
691:2023
665:2024
640:2020
578:2021
514:2020
489:2020
467:2023
436:2020
410:2020
384:2020
336:2020
37:and
21:The
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196:),
94:oil
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
