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126:, in whose private library it was discovered in 1878. The count later sold the manuscript to Italian philologist Ernesto Monaci, who left it to his heirs on the condition that it not leave Italy. Nevertheless, the manuscript was acquired by the Portuguese government in 1924 and since then has been in the holdings of the
193:
Ferrari, Anna. 1979. “Formazione e struttura del canzoniere portoghese della
Biblioteca Nazionale di Lisbona (cod. 10991: Colocci-Brancuti). Premesse codicologiche alla critica del testo (Materiali e note problematiche)”,
149:
was copied by six different hands, according to the most recent analysis, using both gothic and cursive scripts. Of the original 1664 songs only 1560 remain. Some of the composers found in it are King
28:
270:
205:, 1989, ed. Madeleine Tyssens, Bibliothèque de la Faculté de Philosophie et Lettres de l’Université de Liège – Fascicule CCLVIII. 303-327
84:(songs) are classified, following indications in the poems themselves and in the manuscript tradition, into three main genres:
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Pena, Xosé Ramón. 2002. "Historia da literatura medieval galego-portuguesa", Santiago de
Compostela, Sotelo Blanco.
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127:
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Gonçalves, Elsa. 1993. “Tradição manuscrita da poesia lírica”, in
Lanciani & Tavani 1993: 627–632.
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Ferrari, Anna. 1993. “Cancioneiro da
Biblioteca Nacional”, in Lanciani & Tavani 1993: 119–123.
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161:, Pay Soares de Taveirós, Johan Garcia de Guilhade, Johan Airas de Santiago, Airas Nunes,
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This article is about a medieval songbook. For the
Renaissance songbook of same name, see
8:
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150:
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Cancioneiro da
Biblioteca Nacional (Colocci-Brancuti) Cód. 10991. Reprodução facsimilada
103:(presumably from a manuscript from Portugal or Spain) around 1525-1526 by the order of
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203:
Lyrique romane médiévale: la tradition des chansonniers. Actes du
Colloque de Liège
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110:(1467-1549), who numbered all the songs, made an index (commonly called the
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288:
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215:. Paris: Fundação Calouste Gulbenkian, Centro Cultural Português (=
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134:. A closely related songbook (sister or cousin), kept in the
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Ferrari, Anna. 1991. “Le
Chansonnier et son double”, in
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Lanciani, Giulia & Tavani, Giuseppe (org.). 1993.
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Dicionário da
Literatura Medieval Galega e Portuguesa
114:), and annotated the codex. In the 19th century the
60:; "The National Library Songbook"), commonly called
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88:(female-voiced love songs, about a boyfriend),
186:Cintra, Luís F. Lindley. 1982. (Apresentação)
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78:(non-noble performers and composers) . These
190:. Lisboa: Imprensa Nacional - Casa de Moeda.
57:[kanθjoˈnejɾʊðɐβiβljoˈtɛkɐnaθjoˈnal]
48:[kɐ̃sjuˈnɐjɾuðɐβiβliuˈtɛkɐnɐsjuˈnal]
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16:Compilation of Galician-Portuguese lyrics
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213:La Tavola Colocciana. Autori Portughesi
165:. All told there are about 160 poets.
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217:Arquivos do Centro Cultural Português
196:Arquivos do Centro Cultural Português
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314:Cancioneiro da Biblioteca Nacional
39:Cancioneiro da Biblioteca Nacional
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94:cantigas de escárnio e mal-dizer
96:(songs of mockery and insult).
1:
243:Entry at the National Library
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92:(male-voiced love songs) and
32:Cancioneiro Colocci-Brancuti
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128:Portuguese National Library
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175:Galician-Portuguese lyric
99:The poems were copied in
371:Portuguese music history
159:Pedro, count of Barcelos
118:belonged to Count Paolo
319:Cancioneiro da Vaticana
211:Gonçalves, Elsa. 1976.
140:Cancioneiro da Vaticana
66:, is a compilation of
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381:Portuguese literature
345:Cancioneiro de Lisboa
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21:Cancioneiro de Lisboa
386:Chansonniers (books)
350:Cancioneiro de Paris
340:Cancioneiro de Elvas
335:Cancioneiro de Belém
309:Cancioneiro da Ajuda
376:Galician-Portuguese
286:Galician-Portuguese
229:. Lisboa: Caminho.
68:Galician-Portuguese
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151:Dinis of Portugal
112:Tavola Colocciana
86:cantigas de amigo
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138:, is called the
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63:Colocci-Brancuti
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136:Vatican Library
122:di Cagli, from
70:lyrics by both
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72:troubadours
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365:Categories
181:References
302:Mediæval:
53:Galician:
169:See also
155:Sancho I
120:Brancuti
105:humanist
81:cantigas
76:jograes
132:Lisbon
124:Ancona
157:, D.
153:, D.
101:Italy
145:The
74:and
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130:in
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