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there are no gender restrictions on who can play the chapei. Transmitted orally within families and informal master-apprentice relationships, today the art form is practised by few performers and even fewer masters exist. The Khmer Rouge regime severely affected the bearer population and disrupted transmission of the practice with long-term implications as communities now face the prospect of a tradition that could potentially disappear.
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language; creating a space for social and political commentary; entertaining; connecting generations; and building social cohesion. Apart from musical talent, skills required to be a chapei player include wit, the ability to improvise and be a good storyteller. While performers are generally male,
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Chapei Dang Veng also encapsulates in a broader scale a musical tradition closely associated with the life, customs and beliefs of the
Cambodian people. The Chapei Dang Veng is often accompanied by singing. Song lyrics range from the educational and a type of social commentary, to satire while
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incorporating traditional poems, folk tales or
Buddhist stories. The tradition is considered to have multiple functions within Cambodian communities, such as safeguarding traditional rituals; transmitting social, cultural and religious knowledge and values; providing exposure to the
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277:. The top and bottom strings are typically tuned to G and C respectively, with the 12 frets having notes 1 D, 2 E, 3 F, 4 G, 5 A, 6 B, 7 C, 8 D, 9 E, 10 F, 11 G, 12 A.
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Portrait of a girl with a chapey, 1880. She was a musician at the
Cambodian Royal Palace, where the picture was taken.
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Inscribed in 2016 (11.COM) on the List of
Intangible Cultural Heritage in Need of Urgent Safeguarding
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Chapei Dang Veng has been inscribed as World
Intangible Heritage in 2016.
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365:"Chapei Dang Veng - intangible heritage - Culture Sector - UNESCO"
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Cambodian vocal performance, includes chapei in the performance.
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626:(tro sau thom, tro sau toch, tro che, tro ou, tro ou chamhieng)
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429:Traditional Cambodian musical instruments
227:Learn how and when to remove this message
27:Cambodian two-stringed long-necked guitar
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59:Khmer musician playing Chapei Dang Veng
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892:This article relating to guitars is a
79:Instrumental music and Performing arts
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45:UNESCO Intangible Cultural Heritage
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340:"The Stringed Instrument Database"
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649:Plucked: harps, zithers and lutes
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152:needs additional citations for
112:30 November 2016 (11th session)
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321:. ATLAS of Plucked Instruments
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943:Cambodian musical instruments
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896:. You can help Knowledge by
843:. You can help Knowledge by
583:ααααβααΈααΈα‘αΆ (hourglass drum)
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716:(Sralai toch, sralai thom)
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839:-related article is a
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161:improve this article
98:Asia and the Pacific
104:Inscription history
754:Horns and trumpets
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176:"Chapei dang veng"
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319:"South East Asia"
247:: α
αΆαααΈααααα) or
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898:expanding it
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576:Skor sang na
454:Roneat thung
373:. Retrieved
369:the original
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348:. Retrieved
344:the original
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323:. Retrieved
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159:Please help
154:verification
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803:Kyang Saing
581:Skor timila
470:Gong chimes
109:Inscription
937:Categories
545:Kagn Chram
514:Kong chmol
504:Kong thom
437:Xylophones
375:2021-04-02
350:2016-05-13
325:2010-07-26
305:References
217:April 2021
187:newspapers
36:α
αΆαααΈααααα
805:ααααααααα
798:Traw dauk
681:Kong ring
630:Tro Khmer
603:Skor yike
597:Skor daey
587:Skor thom
566:Skor yeam
519:Kong nyee
509:Kong mong
478:Kong toch
449:Roneat ek
299:Krachappi
283:Old Khmer
253:Cambodian
84:Reference
837:Cambodia
740:Angkuoch
676:Kse diev
550:Kanderng
488:Kong mon
293:See also
70:Cambodia
948:Guitars
735:Pey pok
617:Fiddles
571:Samphor
275:strings
201:scholar
76:Domains
66:Country
782:Chhing
730:Pey au
714:Sralai
690:Flutes
666:Krapeu
524:Khmuoh
441:roneat
257:guitar
249:chapey
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94:Region
835:This
775:Other
766:Sneng
745:Sneng
697:Khloy
559:Drums
538:Bells
497:Gongs
272:nylon
245:Khmer
208:JSTOR
194:books
894:stub
841:stub
809:Slek
793:Krap
788:Chap
725:Ploy
720:Kaen
661:Khim
635:KanΓΆ
239:The
180:news
118:List
88:1165
761:Tre
656:Pin
640:Mim
624:Tro
529:Lau
439:or
163:by
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