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130:, was written during his Italian sojourn, and embodied his observations on the art of painting; it may be termed a critical treatise on the practice of the art, with general advice to students. The precepts are sound according to the standard of his time; the poetical merits slender enough. The Latin style is formed chiefly on
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73:; but, having a natural propensity for the fine arts, he would not apply to his intended vocation, and was allowed to learn the rudiments of design under
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in colouring, but wanting fire and expression, and insufficient to keep his name in any eminent repute.
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One or more of the preceding sentences incorporates text from a publication now in the
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He is remembered now almost entirely as a writer rather than painter. His Latin poem,
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His pictorial works are few; they are correct in drawing, with something of the
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213:. Vol. 11 (11th ed.). Cambridge University Press. p. 210.
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translated the work into
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After two years thus spent he re-encountered his old fellow-student
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104:, landscapes, etc. His death was caused by an attack of
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223:Du Graphe, or De Arte Graphica de
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141:This poem was first published by
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112:, near Paris. He never married.
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108:followed by palsy; he died at
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23:Charles Alphonse du Fresnoy,
258:17th-century French painters
205:Fresnoy, Charles Alphonse Du
44:[ʃaʁlalfɔ̃sdyfʁɛnwa]
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225:Charles Alphonse Du Fresnoy
47:; 1611 – 16 January 1668),
36:Charles Alphonse du Fresnoy
16:17th-century French painter
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161:added some annotations.
27:, Musée des Beaux-Arts,
229:Philippe-Joseph Salazar
210:Encyclopædia Britannica
57:Du Fresnoy was born in
54:and writer on his art.
231:Paris, L'Alphée, 1990.
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40:French pronunciation:
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263:French male painters
25:Allegory of Painting
159:Sir Joshua Reynolds
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132:Lucretius
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117:Caracci
94:Raphael
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151:Dryden
136:Horace
121:Titian
98:Venice
49:French
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79:Vouet
71:Greek
67:Latin
59:Paris
29:Dijon
134:and
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