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Cigoli

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430: 27: 35: 259:) having penetrated the visual arts practice of his day. Until this image, the Moon in pictures of the Virgin had always been mythical and smooth, perfectly spherical as described by Platonic & Ptolemaic tradition. 252:
in Rome, depicting the Madonna standing upon a pock-marked lunar orb. This is the first extant example of Galileo's discoveries about the physical nature of the Moon (as he himself drew it in his 1610 treatise
237:. Cigoli's fame and influence, even prior to coming to Rome, was of such a degree that the Florentine ambassador to the city greeted the artist on his arrival to the Eternal City. In Baldanucci's 123:, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting. 283: 248:– and regarded by him as the greatest painter of the age – painted a last fresco in the dome of the Pauline chapel of the church of 450: 445: 470:, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Cigoli (see index) 508: 498: 523: 518: 493: 88:, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist 241:
or lives of the artists, Cigoli is the only artist, along with Michelangelo, given the unique title of "Divine".
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came to be recognized as the third most beautiful painting in Rome after Raphael's
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As stated by the prominent 17th-century painter, Andrea Sacchi, Cigoli's,
219: 454:. Vol. 6 (11th ed.). Cambridge University Press. p. 365. 141: 207: 163:. He then gained the employ of the Grand-Duke in some works for the 128: 57: 419:
Wittkower, Rudolf (1993). "Art and Architecture Italy, 1600-1750".
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This article incorporates text from a publication now in the
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Picture collector's manual; Dictionary of Painters (volume II)
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at Florence. Shortly before his death, Cigoli was made a
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in a fresco incorporated in the decorative scheme of the
400:. T. & W. Boone, 29 Bond Street, London. pp.  336: 334: 126:
For the Roman patron, Massimo Massimi, he painted an
331: 56:, was an Italian painter and architect of the late 108:. Later, influenced by the most prominent of the " 80:Lodovico Cardi was born at Villa Castelvecchio in 68:, and spending the last nine years of his life in 64:period, trained and active in his early career in 52:(21 September 1559 – 8 June 1613), also known as 475: 206:, which earned him the name of the "Florentine 374:Galileo Galilei, When the World Stood Still 423:. 1980. Penguin Books Ltd. pp. 97–98. 418: 16:Italian painter and architect (1559–1613) 440: 340: 156:, and was restored to Florence in 1815. 33: 25: 19:For the Italian village in Tuscany, see 476: 393: 363:Baglione, Le Nove Chiese, 639, p. 62 310: 148:. This work was afterwards taken by 317:Grove Art Online. Oxford Art Online 244:Cigoli, a close personal friend of 13: 159:One of his early paintings was of 41:, by Ludovico Cigoli, c. 1607 14: 535: 459: 304: 467:Orazio and Artemisia Gentileschi 428: 235:The Last Communion of St Jerome 387: 366: 357: 346: 180:St. Peter Healing the Lame Man 1: 509:17th-century Italian painters 499:16th-century Italian painters 297: 227:St Peter Healing the Lame Man 178:Other important pictures are 524:Italian Mannerist architects 376:. Berlin: Springer. p. 106. 75: 7: 92:, and studied the works of 10: 540: 519:Italian Mannerist painters 412: 146:canvases on the same theme 18: 394:Hobbes, James R. (1849). 319:. Oxford University Press 266:(1577–1621), the Fleming 494:People from San Miniato 451:Encyclopædia Britannica 212:Stigmata of St. Francis 192:San Paolo fuori le Mura 421:Pelican History of Art 276:Giovanni Antonio Lelli 42: 39:The Sacrifice of Isaac 31: 514:Painters from Tuscany 504:Italian male painters 167:, where he painted a 144:, had been requested 37: 30:Cigoli, self-portrait 29: 250:Santa Maria Maggiore 204:Martyrdom of Stephen 372:Næss, Atle (2005). 353:Ecce Homo by CIGOLI 311:Chappell, Miles L. 262:His pupils include 21:Cigoli, San Miniato 313:"Cigoli, Lodovico" 268:Giovanni Biliverti 233:and Domenichino's 218:at the request of 188:Burial of St. Paul 173:Sacrifice of Isaac 43: 32: 264:Cristofano Allori 190:in the church of 161:Cain slaying Abel 90:Alessandro Allori 531: 455: 434: 432: 431: 424: 406: 405: 391: 385: 370: 364: 361: 355: 350: 344: 338: 329: 328: 326: 324: 308: 256:Sidereus Nuncius 186:; an unfinished 119:, as well as by 102:Andrea del Sarto 539: 538: 534: 533: 532: 530: 529: 528: 474: 473: 462: 444:, ed. (1911). " 429: 427: 415: 410: 409: 392: 388: 371: 367: 362: 358: 351: 347: 339: 332: 322: 320: 309: 305: 300: 288:Gregorio Pagani 246:Galileo Galilei 231:Transfiguration 216:Knight of Malta 196:Story of Psyche 169:Venus and Satyr 78: 24: 17: 12: 11: 5: 537: 527: 526: 521: 516: 511: 506: 501: 496: 491: 486: 472: 471: 461: 460:External links 458: 457: 456: 442:Chisholm, Hugh 425: 414: 411: 408: 407: 386: 365: 356: 345: 330: 302: 301: 299: 296: 272:Domenico Fetti 200:Villa Borghese 77: 74: 50:Ludovico Cardi 15: 9: 6: 4: 3: 2: 536: 525: 522: 520: 517: 515: 512: 510: 507: 505: 502: 500: 497: 495: 492: 490: 487: 485: 482: 481: 479: 469: 468: 464: 463: 453: 452: 447: 443: 438: 437:public domain 426: 422: 417: 416: 403: 399: 398: 390: 383: 379: 375: 369: 360: 354: 349: 342: 341:Chisholm 1911 337: 335: 323:September 10, 318: 314: 307: 303: 295: 294:(1560–1638). 293: 292:Andrea Comodi 289: 285: 284:Pietro Medici 281: 277: 273: 270:(1576–1644), 269: 265: 260: 258: 257: 251: 247: 242: 240: 236: 232: 228: 223: 221: 217: 213: 209: 205: 201: 197: 193: 189: 185: 181: 176: 174: 170: 166: 162: 157: 155: 151: 147: 143: 139: 135: 134:Palazzo Pitti 131: 130: 124: 122: 118: 117:Santi di Tito 114: 113: 107: 103: 99: 95: 91: 87: 83: 73: 71: 67: 63: 59: 55: 51: 47: 40: 36: 28: 22: 466: 449: 420: 396: 389: 373: 368: 359: 348: 321:. Retrieved 316: 306: 280:Aurelio Lomi 261: 254: 243: 238: 234: 230: 226: 224: 211: 203: 195: 187: 179: 177: 172: 168: 165:Pitti Palace 160: 158: 127: 125: 115:" painters, 111: 94:Michelangelo 79: 53: 49: 45: 44: 38: 489:1613 deaths 484:1559 births 220:Pope Paul V 478:Categories 382:3540219617 298:References 184:St Peter's 142:Caravaggio 138:Passignano 60:and early 210:", and a 208:Correggio 129:Ecce Homo 98:Correggio 76:Biography 58:Mannerist 194:, and a 150:Napoleon 132:(now in 110:Counter- 106:Pontormo 66:Florence 46:Lodovico 439::  413:Sources 239:Notizie 152:to the 121:Barocci 112:Maniera 86:Tuscany 62:Baroque 446:Cigoli 433:  380:  290:, and 171:and a 154:Louvre 82:Cigoli 54:Cigoli 404:–44. 378:ISBN 325:2013 202:; a 140:and 104:and 70:Rome 448:". 182:in 48:or 480:: 402:43 333:^ 315:. 286:, 282:, 278:, 274:, 222:. 175:. 100:, 96:, 84:, 72:. 384:. 343:. 327:. 23:.

Index

Cigoli, San Miniato


Mannerist
Baroque
Florence
Rome
Cigoli
Tuscany
Alessandro Allori
Michelangelo
Correggio
Andrea del Sarto
Pontormo
Counter-Maniera
Santi di Tito
Barocci
Ecce Homo
Palazzo Pitti
Passignano
Caravaggio
canvases on the same theme
Napoleon
Louvre
Pitti Palace
St Peter's
San Paolo fuori le Mura
Villa Borghese
Correggio
Knight of Malta

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